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All Journal Pantun: Jurnal Ilmiah Seni Budaya Jurnal Penelitan Mahasiswa Indonesia Jurnal Kajian Seni Jurnal Ilmiah Kampus Mengajar Bhumidevi : Journal Of Fashion Design Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Global Art Creativity Conference
Karja, I Wayan
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Journal : Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni

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English English Makhrozi Y, Arief; Karja, I Wayan; Suryadinata T.Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4537

Abstract

Art is basically created through experience, whether personal experience, other people's, socio-cultural environment, politics or religion. Art becomes a medium for artists to express ideas, concepts, from experiences felt, which are manifested in a beautiful and meaningful work of art. Along with the development of the times, art also develops. This means that the development of art is something that cannot be avoided. Likewise in the Jagratara installation artwork, with the use of technology, this Jagratara installation artwork is present as a new color in the world of art. This installation artwork is inseparable from the results of several methods carried out by the creator, including the recycle method and the exploration method. The Recycle method is a process of turning used materials into new materials with the aim of preventing waste that can actually be something of artistic value, while the media exploration method is a method as a medium to express the potential and creativity of the compiler. Basically, this method is used as an ability to find, create, redesign, and combine new or old things or ideas into new combinations of various mediums, techniques, ideas and personal interpretations in depicting the reality chosen to be visualized. Jagratara comes from Sanskrit which means always alert. The word always be alert is often heard when signs of danger begin to appear. Always be alert is a reminder sentence that is often said when danger is coming. This installation artwork is present with the aim of being a reminder and reflection on the negative impacts of plastic use, especially for marine ecosystems.
IMPLEMENTATION OF FINE ARTS VALUES IN THE WEAVING INDUSTRY AT AGUNG BALI COLLECTION Sukendy, Thania Aprila; Karja, I Wayan; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4450

Abstract

This article analyzes the integration of fine art values into the weaving industry at PT. Agung Bali Collection, focuses on the production of creative woven fabric products, such as patchwork paintings. The research identifies technical challenges, such as color consistency and motif complexity, and explores innovative solutions, including modern technology and artisan training. The application of fine art principles like creativity, precision, and cultural significance enhances the aesthetic and cultural value of the products. This study highlights the role of art in preserving cultural heritage while meeting contemporary standards, contributing to the development of the weaving industry.
Penggabungan Digital Printing Hijab Motif Endek Dengan Tie Dye Eksplorasi Gaya Busana Muslimah Shafa, Naura Taqyna; Adnyana, I Wayan; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4454

Abstract

The use of Muslim clothing, especially in using hijab, has become an art trend carried out by a fashion connoisseur. Uniqueness in terms of motifs contained in the hijab can be used as a fashion item that is often used. In this case, the motif used in the hijab is designed using endek motifs with coloring using tie dye techniques that can add aesthetics to clothing and fashion lovers and the public can get to know more about endek motifs, and can preserve the culture that comes from their respective regions. The process of creating this work uses technology that can facilitate the next process, namely by using digital printing technology on the hijab cloth that has been designed through the process of experimentation, exploration, and observation. The use of endek motifs in hijab design emphasizes several motifs in endek woven fabric. The resulting works are 6 (six) hijab works that have been printed using endek motifs and the results with coloring using tie dye coloring techniques which have their own uniqueness with coloring results that can be intentional or unintentional. The final result of this work is expected to encourage the community in preserving and disseminating their culture, can increase the diversity of motif designs on the hijab, especially in traditional motifs, can help in the needs of dressing, especially in Muslim clothing, and can provide a variety of hijab designs, and can give a new impression to the connoisseurs of Muslim fashion.
TRADISI METIGTIG DI DESA BEBANDEM DALAM PENCIPTAAN KARYA SENI LUKIS Setiawan, I Komang Fergi; Yudha, I Made Bendi; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 1 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i01.136

Abstract

The Metigtig tradition is one of the cultural traditions associated with the nangluk mrana ritual, namely the yadnya / offering ceremony which is carried out as a form of praise and requests to Ida Sang Hyang Widhi, God Almighty. Offerings or rituals of this kind are proposed, so that by His blessings, grace and through His power could neutralize or control all forms of negative disturbances by insects or pests, as well as supernatural forces, which have a detrimental impact, especially when disease outbreaks/pandemics in plants, animals and humans. Before the implementation of the Metigtig Tradition culture, first it begins with a prayer, namely submission of oneself through the offering of true devotion to ask for salvation so that the implementation could run according to common expectations. After the prayer is carried out, it is continued with the Matumblu ceremony at Pasuwikan Temple or commonly called Usaba Sumbu, which is a ketupat that is hung using 66 (sixty six) pieces of bamboo, then tumblu (pushed using jempana) until the hanging ketupat falls.
Baris Kekupu di Banjar Lebah Desa Sumerta Kaja sebagai sumber inspirasi dalam Penciptaan Karya Seni Lukis Putra Artawan, I Made; Karja, I Wayan; Setem, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 1 No 2 (2021): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v1i2.1534

Abstract

Baris Kekupu Dance is a dance that was originally created to accompany the memukur/nyekah ceremony, which is during the mepurwa daksina process. The idea of creating the Baris Kekupu dance is from the butterfly decoration on the resin brackets that are found during the memukur ceremony. The Baris Kekupu dance has its own uniqueness and characteristics such as colorful costumes, wearing legong coils, and using the butterfly wing property which has an aesthetic value in terms of color. The meaning contained in the Baris Kekupu dance and its uniqueness has become an idea and source of inspiration for the author in painting. The method used in the research of the Baris Kekupu Dance in Banjar Lebah is the method of observation, interviews, literature, and documentation. The idea in this creation are realized by the author using the methods of exploration, experimentation, and formation. In the process of realizing this work, the author pours his ideas and imagination into canvas media. The author describes the object of the Baris Kekupu dance and its supporting objects by pouring the author’s imagination in accordance with the uniqueness and meaning contained in this dance, which the author manifest into six works, including: 1. The Birth of the Baris Kekupu Dance, 2. Pitra Yadnya, 3. Mepurwa Daksina, 4. Journey to Sunia Loka, 5. Towards Swarga Loka, 6. Towards Neraka Loka. In the creation of this work, the author applies the elements and principles of painting. The creation of paintings is viewed from the physioplastic and ideoplastic aspects. Then the writer is able to describe the meaning of the six works.
Ekplorasi Taman FSRD ISI Denpasar Dalam Seni Instalasi Dwi Kartika, I Gusti Kade; Karja, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 1 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i1.1543

Abstract

This thesis contains a description of the creation of installation art with the title Exploration of FSRD ISI Denpasar Park in Installation Art. Based on the experience gained while studying at ISI Denpasar. By practicing sensitivity in his work, the author conducts exploration in the garden of FSRD ISI Denpasar in order to explore ideas and get material for discussion in the creation of installation art. This creation uses the Warih Wisatsana creation method as a writer and curator of fine arts, starting with basic research, exploration, experiments or sketches, embodiment, and dissemination. It takes exploration of in-person interviews to create conceptual installation art. The materials used in this creation are cloth, by adopting the Balinese wastra concept and adding color strokes to the cloth. The technique used in the installation art is assembling by arranging materials into other materials, with a length of 270 meters of cloth stretching in the garden of FSRD ISI Denpasar. The response from nature makes this installation art will produce significant changes. In addition, this installation art work has been responded by ISI Denpasar students by adding materials that have been prepared, so the creation of this installation art is included in participatory art because of the intervention of other people in the installation art. In the end, it can be concluded that art is not only enjoyed with a pair of disembodied eyes, art is also able to bring the audience involved in it.
Gerak Tubuh Wanita Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jati Putra, Komang Guntur; Karja, I Wayan; Utami, Ni Made Purnami
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1842

Abstract

This independent study TA thesis raised the theme of women's body movements as a source of inspiration for the creation of painting, starting from an idea about the illustration of women's body movements which always have its own meaning in each of its beautiful forms. From this, it gives rise to the urge to present a visualization of female body movements by combining certain techniques and references to achieve the desired goals and meanings. The problem faced is how to visually process women's body movements to represent ideas so that the embodiment of the work looks attractive. The purpose and benefits are to provide a new reflection and elevate the existence of women's body movements which are full of use in various lessons for everyone. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. By arranging elements of art, and going through the exploration, improvisation, and formation stages, as well as combining them with ideas and ideas, 6 works were created entitled: 1) "lonely", 2) "Doesn't care", 3) "Ballet dancers", 4) Fire dance”, 5) “tired”, 6) “Lie down” In the embodiment of the work, the author will use some technical references from other artists. By combining impressionist techniques and expressionist techniques using tile paint, acrylic in the visualization of beautiful works of art, and combined with the response of a brush that resembles cloth as in the catalog of painter Ida Bagus Indra to represent a movement, it is expected to produce quality works and become author's identity.
Karya I Ketut Budiana Menjadi Sumber Inspirasi Karya Seni Lukis Ega Arsana, I Wayan; Supriyatini, Sri; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1848

Abstract

Departing from an idea about the author's past which always has its own meaning in every strange form, which raises the theme of I Ketut Budiana's Painting As a Source of Painting Inspiration. departing from an idea about the author's past which always has its meaning in every strange form. From this the urge to present visualizations of human figures and creatures in nature by combining certain techniques and references to achieve the desired goals and meanings. The problem presented is how to process the form and represent ideas so that in realizing the work looks interesting. The goals and benefits are to reflect the new and elevate the existing existence. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. With elements of art, and through the stages of exploration, improvisation, and the formation stage, and combined with ideas and ideas to create 6 works entitled: 1) “Becoming a Slave”, 2) “Forgot Time”, 3) “Bird”, 4) “Where to?”, 5) “Ghost!!!”, 6) “Training”. In the end, it can be said that traditional art, which inspires a lot of work and is very interesting to be raised and developed with imaginative ideas, will become worthy and meaningful works. With the creation of this work, it is hoped that it can convey a message or meaning to a personal phenomenon that the author has experienced.
Bentuk-Bentuk Topeng Bali Sebagai Sumber Inspirasi Penciptaan Seni Lukis Jayadwiana, I Made; Karja, I Wayan; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2332

Abstract

The writing of the MBKM Independent Study report takes ideas or ideas about Forms of Balinese masks as Inspiration for the Creation of Painting Artwork, from phenomena that the author encounters in mask performances during barong and keris dance performances and during piodolan ceremonies at Pura Dalem Segara, as well as at Pura Batubulan village center, observation of mask and tapel craftsmen at Br. Puaya and Jeleka Batuan Sukawati and the tapel collection that the author personally owns. The author has a view on masks Balinese traditional masks, that beautiful object shapes can make masks a source of inspiration in this Independent Study work, therefore the author chose Wiradana art studio as a place to study as well as a second studio to deepen skills and broaden imagination. Of course, with the guidance of Mr. Made Wiradana, he directs the writer in his work and forms the character of the tips in the works that will be made to answer what is the goal of this work, the creation method is by exploring, improvising, and shaping. By composing art elements, and going through the stages of exploration, improvisation, and the formation stage, as well as combining them with ideas and ideas so as to create 6 works entitled: 1) “jatayu and Barong ket”, 2) “Rangda”, 3) “Naga Basuki” , 4) "Bebondresan Mask", 5) "Hard Mask", 6) "Hanoman". In the embodiment of the work, the author will use several technical references from partners.
Motif Etnik (Lampung dan Bali) Pada Tas Kanvas Untuk Kaula Muda Apriliani, Sari; Utami, Ni Made Purnami; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2334

Abstract

Adding surface designs or paintings to merchandise is one way to increase the value of goods, the value in question is aesthetics and selling price. Agung Bali Collection as the writing partner in the MBKM Entrepreneurial activity, provided knowledge about the massage canting technique which can be used as an additional technique in making surface designs.HOLD ME is a form of Start-Up business that the author created himself, this business is engaged in fashion and art, with canvas bags and endek patchwork as its main products. Endek canvas and patchwork are the main raw materials for making products because the materials are strong and environmentally friendly, as well as the use of endek patchwork in the Agung Bali Collection as a form of preserving traditional culture and patchwork waste processing makes goods have high selling power. Until now, HOLD ME has produced six models of bag products and is planning to expand its business. The product that has been produced is a canvas cloth bag that is collaborated with endek patchwork and has a surface design with a brush technique and massage canting with the use of glitter which can make the bag product unique, beautiful and also special so that consumers do not only enjoy the product through visual beauty but also can be enjoyed from the functional aspect or usability of the product.
Co-Authors Artawan, Cokorda Alit Ayana, I Wayan Deo BAYU PRAMANA, I MADE Bayutha, Ida Bagus Rekha Budiana, I Putu BUDIAPRILLIANA, LUH Drs. I Wayan Mudana,M.Si. . Dwi Kartika, I Gusti Kade Dwiyani, Ni Kadek Ega Arsana, I Wayan I Gede Mawan I Ketut Muka I Made Bendi Yudha, I Made Bendi I Wayan Adnyana I Wayan Mudra, I Wayan I Wayan Setem, I Wayan I Wayan Swandi Ida Ayu Trisnawati, Ida Ayu Jati Putra, Komang Guntur Jayadwiana, I Made Julionita, Ni Komang K. Tenaya, A.A. Ngurah Anom Mayun Lei, Tai Lestari, Kadek Ditha Oktaviani Makhrozi Y, Arief Ni Kadek Intan Cahyani Artayasa Ni Luh Sustiawati Ni Made Arshiniwati Ni Made Rai Sunarini, Ni Made Rai Oka, Ni Putu Putri Ditha Sumaridewi Paramaditya, Putu Vinka Putra Artawan, I Made Raharja, I Gusti Nyoman Ruta, I Made Sari Apriliani, Sari Setiawan, I Komang Fergi Shafa, Naura Taqyna Sukendy, Thania Aprila Supriyatini, Sri Suryadinata T.Y., Anak Agung Gde Trisna Telaumbanua, Calvin Galileo Tjokropramono, I Gede Yosef Utami, Ni Made Purnami