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Journal : Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni

Visualization Of The Barong Landung Of The Abiantuwung Tabanan Village In Paintings Budiana, I Putu; Karja, I Wayan; Budiaprilliana, Luh
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3294

Abstract

Bali has many types of dances. In Bali you can find many types of dance, such as the barong dance. One of them is Barong Landung, which is the embodiment of a human or giant. With the presence of barong landung, Balinese people interpret it as a force that is believed to provide safety. The research problem focuses on the form of barong landung in the Abiantuwung Traditional Village, Barong Landung has a symbol of connection with Pura Dalem Balingkang. The research uses qualitative methods with analysis of interview and observation data. From the research results, it was found that the Barong Landung in the Abiantuwung Traditional Village is different from the barong landung in general in Bali. Barong landung is the embodiment of the Almighty Creator himself, which undagi in the past was certainly created in accordance with the conditions of the time at that time, namely when intercultural marriage between China and Bali was hot. The charm of this dance can generally only be enjoyed at special moments such as religious holidays in Bali which are usually called Piodalan which are held at certain temples. However, the barong landung in the Abiantuwung Traditional Village is only performed on certain days, such as at certain sasihs where the barong landung goes around at night without lights.
Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting Raharja, I Gusti Nyoman; Karja, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3371

Abstract

This Independent project study report raises the theme of farmer activities as an idea for creating paintings. Starting from personal experience who was born and raised in a farming family. By combining certain techniques, materials and references to achieve the desired goals and meaning. The problem faced is how to translate the visuals of farmers' activities into painting to support ideas so that the work looks attractive. The aims and benefits are to provide a reflection of farmers who carry out activities in the fields. To answer what is the aim of this work, the creation method involves exploration, experimentation, preparation and formation. By compiling elements of fine art through the stages of exploration, experimentation, preparation, and formation stages and combining them with ideas, 6 works were created entitled "Plowing Rice Fields, Numbeg, Nyemai Padi, Nyabut Bulih, Planting Rice, and Harvesting." In realizing the work the author will use technical references from other artists. By combining melting techniques, wet techniques and combining contour lines. It is hoped that it can produce quality work and become the identity of creation.
Nias Tribe Tradition as an Ideas in Creating Painting Telaumbanua, Calvin Galileo; Ruta, I Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3645

Abstract

The Maena dance, a cultural heritage from the Nias tribe on Nias Island, North Sumatra, Indonesia, is a traditional dance full of meaning and cultural values. This dance displays strong and dynamic movements, with dancers wearing traditional Nias clothing. Accompanying music, such as gondang, taganing, and tifa, creates a rhythm that strengthens the expression of the dance. The Maena dance depicts the strength, enthusiasm and unity of the Nias people. In this dance, vigorous war movements, high jumps symbolize courage, and expressive hand and eye movements express a variety of emotions. This dance is also used in various traditional ceremonies, cultural celebrations, and important moments in the lives of the Nias people. The Maena dance, as a source of creative ideas, inspires us to dig deeper into the cultural values and spirit of courage contained in this dance. Combining elements of Maena dance with modern art or developing new dances could provide a unique creative platform, celebrating Nias' cultural heritage while presenting a message of strength, unity and courage to today's generation.