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All Journal Pantun: Jurnal Ilmiah Seni Budaya Jurnal Penelitan Mahasiswa Indonesia Jurnal Kajian Seni Jurnal Ilmiah Kampus Mengajar Bhumidevi : Journal Of Fashion Design Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Global Art Creativity Conference
Karja, I Wayan
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting Raharja, I Gusti Nyoman; Karja, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3371

Abstract

This Independent project study report raises the theme of farmer activities as an idea for creating paintings. Starting from personal experience who was born and raised in a farming family. By combining certain techniques, materials and references to achieve the desired goals and meaning. The problem faced is how to translate the visuals of farmers' activities into painting to support ideas so that the work looks attractive. The aims and benefits are to provide a reflection of farmers who carry out activities in the fields. To answer what is the aim of this work, the creation method involves exploration, experimentation, preparation and formation. By compiling elements of fine art through the stages of exploration, experimentation, preparation, and formation stages and combining them with ideas, 6 works were created entitled "Plowing Rice Fields, Numbeg, Nyemai Padi, Nyabut Bulih, Planting Rice, and Harvesting." In realizing the work the author will use technical references from other artists. By combining melting techniques, wet techniques and combining contour lines. It is hoped that it can produce quality work and become the identity of creation.
Nias Tribe Tradition as an Ideas in Creating Painting Telaumbanua, Calvin Galileo; Ruta, I Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : PROGRAM STUDI SENI MURNI ISI DENPASAR

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3645

Abstract

The Maena dance, a cultural heritage from the Nias tribe on Nias Island, North Sumatra, Indonesia, is a traditional dance full of meaning and cultural values. This dance displays strong and dynamic movements, with dancers wearing traditional Nias clothing. Accompanying music, such as gondang, taganing, and tifa, creates a rhythm that strengthens the expression of the dance. The Maena dance depicts the strength, enthusiasm and unity of the Nias people. In this dance, vigorous war movements, high jumps symbolize courage, and expressive hand and eye movements express a variety of emotions. This dance is also used in various traditional ceremonies, cultural celebrations, and important moments in the lives of the Nias people. The Maena dance, as a source of creative ideas, inspires us to dig deeper into the cultural values and spirit of courage contained in this dance. Combining elements of Maena dance with modern art or developing new dances could provide a unique creative platform, celebrating Nias' cultural heritage while presenting a message of strength, unity and courage to today's generation.
Pembelajaran Teknik Dasar Tari Bali Putri Menggunakan Media Audio Visual di SMP Negeri 6 Denpasar Paramaditya, Putu Vinka; Karja, I Wayan; Sustiawati, Ni Luh
Jurnal Penelitian Mahasiswa Indonesia Vol. 4 No. 4 (2024): November
Publisher : STKIP AGAMA HINDU SINGARAJA

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Abstract

Pembelajaran seni tari merupakan upaya penting untuk melestarikan budaya Bali, namun di SMP Negeri 6 Denpasar, pemahaman siswa terhadap teknik dasar tari Bali masih kurang. Untuk mengatasi masalah ini, media audio visual diharapkan dapat menjembatani kesenjangan tersebut dengan memberikan contoh gerakan dan ekspresi yang benar. Penelitian ini menggunakan metode gabungan kuantitatif dan kualitatif dengan desain Weak Experimental Design (Pre-experimental) melalui One-Group Pretest-Posttest Design. Hasil menunjukkan bahwa penggunaan video pembelajaran meningkatkan nilai rata-rata siswa dari 59,50 menjadi 76,50. Proses pembelajaran meliputi penyampaian tujuan, demonstrasi, dan diskusi. Uji-r menunjukkan korelasi positif signifikan antara penggunaan video dan hasil belajar siswa. Faktor pendukung termasuk teknologi dan fasilitas sekolah, sedangkan penghambatnya adalah pemadaman listrik dan ruang praktik yang terbatas akibat pembangunan gedung aula. Dengan demikian, penerapan media audio visual dalam pembelajaran teknik dasar Tari Bali Putri tidak hanya efektif dalam meningkatkan hasil belajar, tetapi juga memberikan kontribusi signifikan terhadap pelestarian budaya melalui pendidikan seni tari di sekolah. Penelitian ini membuka peluang untuk pengembangan lebih lanjut dalam penggunaan media pembelajaran yang inovatif di masa depan.
MAKNA SAKRAL DAN FUNGSI SIMBOL KERAMIK PORSELIN MOTIF WAYANG KAMASAN SEBAGAI ORNAMEN DI PURA PETITENGET KEROBOKAN BADUNG Sunarini, Ni Made Rai; Muka, I Ketut; Karja, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Pura sebagai tempat pemujaan umat Hindu Dharma merupakan bagian dari Arsitektur Tradisional Bali, memiliki keunikan dan hirarki makna yang paling utama. Pura Petitenget memiliki budaya lokal dengan memakai keramik porselin motif wayang kamasan sebagai ornamen dengan konsep Tri Angga. Pura Petitenget sebagai Cagar Budaya Lokal Kabupaten Badung No 26 Tahun 2013 Pasal 32. Pura Petitenget berdiri sejak abad ke-16 masehi yang diempon oleh masyarakat Desa Adat Kerobokan. Tujuan penelitian ini, yaitu untuk mengetahui makna yang melandasi keramik porselin motif Wayang Kamasan. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pengambilan data snowballing dan purposive sampling. Teori yang digunakan adalah teori semiotika dan teori hermenutika. Hasil penelitian menunjukan, makna keramik porselin motif wayang kamasan dengan konsep Tri Angga menerapkan berbagai motif wayang kamasan mulai dari motif Acintya, Dewa-Dewi, tokoh-tokoh Ramayana, dan motif binatang serta motif tumbuh-tumbuhan. Makna keramik porselin motif wayang kamasan yang diaplikasikan ke dalam piring keramik porselin di Pura Petitenget mengandung makna sakral dan fungsi simbol (pada tingkatan Utamaning Angga, Madyaning Angga, dan Nistaning Angga), makna sosial, makna budaya, dan makna ekonomi. Makna yang terkandung memiliki nilai kebaruan yang unik dan berkarakter. Dapat melestarikan nilai-nilai seni budaya dan kearifan lokal dibidang keramik Bali agar tidak hilang karena tergerus oleh modernisasi.
HARMONI DIRI DAN SEMESTA: KONSEP ENERGI KOSMIS DALAM CIPTA SENI LUKIS KONTEMPORER Karja, I Wayan
Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Vol. 4 (2024): Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara
Publisher : UPT Pusat Penerbitan LP2MPP ISI Denpasar

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Abstract

Artikel ini bertujuan mengeksplorasi hubungan antara manusia dan semesta melalui konsep energi kosmis dalam cipta seni lukis kontemporer. Metode pendekatan kualitatif interpretatif dan art-based research digunakan 12 gambar sebagai objek studi untuk menegaskan pembahasan. Fokus utama penelitian adalah pada konsep energi kosmis, estetika simbolik, dan elemen-elemen spiritual yang tercermin dalam bentuk, warna, dan komposisi karya seni. Penelitian ini menggali bagaimana simbol visual dalam lukisan dapat dijadikan penghubung dimensi kehidupan fisik dan spiritual, serta menjelaskan peran seni lukis sebagai medium untuk membangun harmoni antara manusia dan alam semesta. Hasil penelitian menunjukkan bahwa karya seni tidak hanya berfungsi sebagai ekspresi estetis, tetapi juga sebagai sarana transformasi batin yang dapat memperkuat dan meningkatkan kesadaran energi kosmis. Artikel ini memberikan kontribusi signifikan baik secara praktis maupun akademis, dengan menawarkan wawasan baru tentang energi kosmis dalam seni lukis kontemporer dan memperkaya perspektif estetis, artistik, serta spiritual dalam studi seni.
Visual Contemporary Painting Based on The Visual Appropriation of Abhimanyu’s Death Bayutha, Ida Bagus Rekha; Karja, I Wayan; Mudana, I Wayan
PANTUN: Jurnal Ilmiah Seni Budaya Vol. 9 No. 2 (2024): The Role of Art and Culture in Shaping Social, Historical, and Psychological Di
Publisher : Postgraduate Program of Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v9i2.3470

Abstract

The concept of visual appropriation involves using elements borrowed from others to create a work of art. In this research, appropriation entails utilizing images and narrative context from various sources to depict Abhimanyu’s death on the 13th day of the Bharatayuda war. This article explains the method for creating the visual appropriation of Abhimanyu. The process of creating visual appropriation is based on exploring, designing, and realizing craft arts, incorporating digital sketching, manipulation, media and technique discovery, imprimatura, collage, cropping, coloring, and finishing. The creation process involves identifying visual forms and their relationship to current phenomena and adding new meanings that alter the original context. The aim of creating contemporary painting is to make young people aware of the challenges or obstacles of the current situation and the need to develop strategies to deal with them. Resulting works aim to juxtapose visual references to provoke thought and reinterpretation of their meaning for the audience.  
BALI PAINTING MARKET: A BRIEF HISTORY AND EXPLORATION OF VARIOUS FACTORS AFFECTING ITS DEVELOPMENT Karja, I Wayan; Lei, Tai
Jurnal Kajian Seni Vol 11, No 1 (2024): Jurnal Kajian Seni Vol 11 No 1 November 2024
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.99799

Abstract

This article presents a brief history of the art market in Bali and explores the various factors that have influenced its development. We also examine how local culture, the tourist market, village networks, government policies, and the global art market have shaped the trajectory of Balinese art. These forces include the assumption of local culture to art, the commercialization along with the opening of the tourist market, the local network based on village lives, the state policy to promote Balinese art and culture, and the effects brought by the booming of the global art market dominated by financial capital. Local concepts with cultural specificity are pivotal in our analysis, for example, the role culture plays in art practice nowadays and before, and what influence it brings to the transformation from art for religious purposes to cultural products for commerce. In conclusion, we highlight that the Balinese art market stands apart from other local art markets worldwide due to its close connection with Bali's reputation as a renowned tourist destination. The interplay of dynamic forces has shaped the market's growth, structure, and uniqueness over the years.
English English Makhrozi Y, Arief; Karja, I Wayan; Suryadinata T.Y., Anak Agung Gde Trisna
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4537

Abstract

Art is basically created through experience, whether personal experience, other people's, socio-cultural environment, politics or religion. Art becomes a medium for artists to express ideas, concepts, from experiences felt, which are manifested in a beautiful and meaningful work of art. Along with the development of the times, art also develops. This means that the development of art is something that cannot be avoided. Likewise in the Jagratara installation artwork, with the use of technology, this Jagratara installation artwork is present as a new color in the world of art. This installation artwork is inseparable from the results of several methods carried out by the creator, including the recycle method and the exploration method. The Recycle method is a process of turning used materials into new materials with the aim of preventing waste that can actually be something of artistic value, while the media exploration method is a method as a medium to express the potential and creativity of the compiler. Basically, this method is used as an ability to find, create, redesign, and combine new or old things or ideas into new combinations of various mediums, techniques, ideas and personal interpretations in depicting the reality chosen to be visualized. Jagratara comes from Sanskrit which means always alert. The word always be alert is often heard when signs of danger begin to appear. Always be alert is a reminder sentence that is often said when danger is coming. This installation artwork is present with the aim of being a reminder and reflection on the negative impacts of plastic use, especially for marine ecosystems.
Paradigma Pendidikan Seni Gotong Royong melalui Program Kampus Mengajar bagi Siswa Sekolah Dasar Ni Kadek Intan Cahyani Artayasa; Karja, I Wayan
Jurnal Ilmiah Kampus Mengajar Vol. 5, No. 1, April 2025
Publisher : Asosiasi Lembaga Pendidikan Tenaga Kependidikan Perguruan Tinggi Muhammadiyah Aisyiyah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56972/jikm.v5i1.226

Abstract

Pemerataan kualitas pendidikan di Indonesia masih kurang, terutama setelah adanya wabah pandemi covid-19 yang membuat siswa tidak bisa maksimal dalam belajar sehingga mengalami kemunduran terhadap kemampuan literasi dan numerasinya. Dengan permasalahan tersebut dicetuskan program kampus mengajar sebagai kontribusi semua pihak dari pemerintah pusat, daerah, dan sekolah dalam pemerataan kualitas pendidikan di Indonesia secara gotong royong. Salah satu sekolah sasaran, yaitu SDN 1 Aan yang berada di Kabupaten Klungkung, Bali yang siswanya memiliki tingkat assesmen rendah. Penelitian ini menggunakan metode tindakan, yakni melakukan pembelajaran pendidikan seni, baik secara langsung melalui pelajaran seni budaya dan prakarya (SBDP) dan secara tidak langsung melalui mata ajar umum tetapi menghubungkan aktivitas seni dengan materi dengan pendekatan arts in education (AiE). Dalam hal ini penulis mencari data secara kualitatif mengenai kondisi sekolah dan peserta didik pada saat program kampus mengajar dilaksanakan. Hasil penelitian ini adalah guru di SDN 1 Aan dapat berkolaborasi bersama mahasiswa kampus mengajar melalui beberapa program dalam upaya peningkatan literasi dan numerasi siswa dengan memasukkan pendidikan seni di dalamnya. Dengan pembelajaran berpendekatan seni (arts in education) dapat memberi keseimbangan antara kognitif dan emosi peserta didik di SDN 1 Aan.
Images and Words The Voice of Pramoedya Ananta Toer in Contemporary Art Karja, I Wayan
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.629

Abstract

Pramoedya Ananta Toer’s literary works expose histories of oppression, resistance, and national identity, giving voice to those silenced by colonialism and authoritarianism. While his influence on literature is widely acknowledged, its intersection with contemporary visual art remains underexplored. This article examines how text-based artistic practices reinterpret and extend Pramoedya’s legacy, using layering, erasure, and fragmentation as visual metaphors for censorship and resilience. Drawing on cognitive theory, expression theory, and visual semiotics, the artistic process integrates his words into images of painting and mixed media to create a dialogue between past and present, literature and image, memory and erasure. The findings reveal that visualizing literary narratives deepens historical reflection and challenges cultural amnesia. This study contributes to both artistic and academic discourse by showing how contemporary art can reclaim silenced histories and expand Pramoedya’s influence beyond literature into the realm of visual expression.
Co-Authors BAYU PRAMANA, I MADE Bayutha, Ida Bagus Rekha Budiana, I Putu BUDIAPRILLIANA, LUH Drs. I Wayan Mudana,M.Si. . Dwi Kartika, I Gusti Kade Dwiyani, Ni Kadek Ega Arsana, I Wayan I Ketut Muka I Made Bendi Yudha, I Made Bendi I Wayan Setem, I Wayan I Wayan Swandi Jati Putra, Komang Guntur Jayadwiana, I Made K. Tenaya, A.A. Ngurah Anom Mayun Lei, Tai Lestari, Kadek Ditha Oktaviani Makhrozi Y, Arief Ni Kadek Intan Cahyani Artayasa Ni Luh Sustiawati Ni Made Rai Sunarini, Ni Made Rai Paramaditya, Putu Vinka Putra Artawan, I Made Raharja, I Gusti Nyoman Ruta, I Made Sari Apriliani, Sari Setiawan, I Komang Fergi Supriyatini, Sri Suryadinata T.Y., Anak Agung Gde Trisna Telaumbanua, Calvin Galileo Utami, Ni Made Purnami