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All Journal Harmonia: Journal of Research and Education Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni E-Amal: Jurnal Pengabdian Kepada Masyarakat
Ruta, I Made
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Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions

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PELATIHAN MANAJEMEN SENI PADA SANGGAR CITRA KARA DI DESA BATUAN, KECAMATAN SUKAWATI, BALI Suardana, I Wayan; Ruastiti, Ni Made; Ruta, I Made; Suryantari, Eka Putri; Prasiasa, Dewa Putu Oka; Muka, I Ketut; Ardika, I Gusti Ngurah Putu
E-Amal: Jurnal Pengabdian Kepada Masyarakat Vol 4 No 3: September-Desember 2024
Publisher : LP2M STP Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47492/eamal.v4i3.3575

Abstract

Arts management training at the Citra Kara aims to increase the practical benefits of crafts activities. Dominant kriyawan are skilled at leather crafts. However, quite a few kriyawan from the Cita Kara admit that their craft works could be more helpful. The problems : 1) What is the form of arts management training?; 2) How does arts management training impact?. The training uses R&D methods. The results : 1) training in selecting commodity materials, training in the production of commodities, technical assistance in the production of commodities, technical assistance in the coloring of commodities, training in the marketing of commodities, training in digital marketing and assistance in the digitalization of marketing of commodities; 2) there is an increase in artists' skills in producing new types of craft art commodities & there is an increase in artists' interest in marketing leather inlaid art commodities in new ways.
Dilematik Sampah di Era Sekarang Dalam Penciptaan Karya Seni Lukis Niken, Ni Wayan; Ruta, I Made; Pemayun, Tjokorda Udiana Nindhia
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 1 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i1.4458

Abstract

Work creation report entitled “Waste Dilemma in The Current Era in The Creation of Works of Art”. This idea arose from personal anxiety that every day we found rubbish everywhere. This problem gave rise to a strong urge to present visualizations of various forms of waste, especially plastic waste, in painting. The aim of using waste in this research is to provide an overview of what waste looks like if it is left for too long and accumulates. The method for creating works goes through three stages, namely, direct observation in the field, exploration, and embodiment in a painting. The work will later display realist techniques with a combination of paste as texture such as plastic, dried acrylic paint and scraps of used cardboard. As well as new findings on the texture of wood dust (saw residue). The trash objects are arranged in such a way with splashes or melted accents on each side of the object to attract attention. The game of value (level of brightness or darkness) also plays a very important role in giving dimension and depth to a work of art. The author to realize how trash objects can look very dirty and disgusting. Messy or careless placement makes waste even more unsightly. This aims to make everyone aware of how dangerous an dirty waste is if left to pile up for years on earth.
DEATH AND REINCARNATION AS INSPIRATION OF CREATION FINE ARTWORK Kariana, I Nengah; Wirakesuma, I Nengah; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4499

Abstract

This report contains a description of the creation of works of art that take the theme "Death and Reincarnation as Ideas in the Creation of Works of Art" which was inspired when reading a book that made the author interested in raising the theme of death in this semester IV independent project, namely the book "History of Death" from Michael Kerrigan. It reminded the author of the confusion of finding a concept and finally it was recommended to use a concept that was close, so the author raised death because there is nothing closer to death. The goal to be achieved in the creation of this work is to find out how death and reincarnation are packaged in religious sciences, cultures that exist in Indonesia, especially Bali through creativity and imagination into the form of paintings using various techniques, media, considering the elements and principles of fine art. From the written work and paintings produced, the author hopes that this work will be useful as literacy and a source of inspiration for society in the future. From the above theme, there are 5 (five) works that can be realized from death and reincarnation that can provide an overview of culture and religious science about death and reincarnation, especially in Bali.
TARI MERAK ANGELO SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Ardiana, I Komang; Ruta, I Made; Putra, I Gusti Ngurah
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.718

Abstract

Tari Merak Angelo merupakan salah satu seni tari kreasi baru yang termasuk ke dalam jenis tari Balih-balihan yakni tari yang berfungsi sebagai tari hiburan. Tari ini diciptakan oleh I Ketut Rena, S.ST, M.Si pada tahun 2008, memiliki gerak tari yang dinamis, mengisahkan tentang gerak-gerik seekor merak jantan dalam musim kawin yang menari serta meliuk-liukan keindahan bulu ekornya untuk menarik perhatian betina. Ketertarikan penulis pada tari ini muncul setelah menonton pementasanya, sehingga muncul pengalaman estetis penulis pribadi terhadap pementasan tarian ini dan menginspirasi untuk memvisualkannya dalam karya seni lukis. Metode penelitian kualitatif digunakan dalam pengamatan dilapangan untuk mengetahui informasi tentang Tari Merak Angelo. Untuk melandasi ide karya lukis, digunakan teori estetika A.A.M Djelantik. Berdasarkan hasil pengamatan, proses eksplorasi, dan eksperime perwujudan kaya senilukis yang berjudul (1) Ngagem Ngegol, (2) Ngelo, (3) Terbang, (4) Mengibaskan Ekor, (5) Memadu Kasih, (6) Ceria. Melalui karya seni ini diharapkan dapat bermanfaat bagi pengamat karya seni, pencinta karya seni sehingga karya seni lukis yang penulis ciptakan dapat menginspirasi masyarakat luas.
Interpresentasi Estetika Fetishisme Terhadap Hewan Yang Sudah Mati Dalam Seni Patung Iqbal, Mochammad; Ruta, I Made; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 2 No 2 (2022): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v2i2.1844

Abstract

Commodity dimensions in art include exchange value, commercial value, valorization, commodity fetishism, market logic. Reading art through the commodity dimension is an attempt to reveal the economic value contained in the work of art. This value is not only contained in works of art, but also has a deterministic power to build and organize art. art that is part of a commodity—resulting in an aesthetic category, called “commodity aesthetics”. This is the kind of aesthetic, which builds attraction through the workings of the "immediate effect" and provokes an immediate reaction, such as cuteness, fascination or eroticism. Art and science actually have the same things are mutually sustainable, cannot be separated. From the selection of materials, to manufacturing techniques, to the curation stage, it's all a collaboration of art and science. Leonardo da Vinci's realist works are also a merger of fine art and human anatomy—biology. It is from da Vinci's works that the author is compelled to create creation that are related to the biological sciences. It is also an innovation, although not the first in the world, in the arts in Indonesia, with the hope of breaking the arts that always maintain the quo status
Daun Sukun dalam Ekspresi Karya Seni Lukis Putra, I Made Adi Sumarjaya; Gunawan, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2331

Abstract

This MBKM Independent Project Report, with the title "Breadfruit Leaves in the Expression of Painting Art", departs from a breadfruit tree in I Made Sumadiyasa's studio which sparked the writer to create works of painting. The problem is how to visualize breadfruit leaves in each work. In its visualization, the writer uses the methods and techniques obtained from the MBKM process. The purpose and benefits are to develop the creativity of the writer in expressing imaginary forms and images/photos that are edited according to the needs of the writer in the work process. the author chooses I Made Sumadiyasa and I Ketut Budiana who are his favorite artists and uses his creation method which includes several stages, namely, contemplation, basic research, exploration, experimentation, execution, completion. From this process the author produced 7 works entitled: 1) "Voyage", 2) "Imagination", 3) "The Garuda", 4) "Soekarno", 5) "My Mother", 6) "Raincarnation", 7) " Zoom”. It can be concluded that the author created the work based on his interest in Breadfruit leaves, with ideas originating from phenomena captured in I Made Sumadiyasa's studio and reading reference sources from the internet. At the processing stage, the writer combines the techniques from the MBKM results and the techniques that the writer gets on campus, to be realized in a 2-dimensional form. It is hoped that from all these processes one can find identity in work.
Peran Katalog dalam Pameran Seni Rupa Makna Murni: Lintas Batas 19 Saputri, Deta Anggara Wahyu; Ruta, I Made; Jodog, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 3 No 1 (2023): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/citakara.v3i1.2337

Abstract

Starting from the author's ignorance of exhibition cataloging. However, when I visited art exhibitions, I always found a catalog, so I became curious about the role of catalogs in art exhibitions. This prompted the author to examine more deeply the role of an art catalog and try to . The problem is how the catalog plays an important role in an exhibition. In the process of making it, the writer uses the method obtained from the MBKM process. The purpose and benefits are to show how a catalog plays a role in an art exhibition and to develop the creativity of writers in using digital media. In the process of making a catalog the author uses the creation method which includes several stages, namely observation, data collection, exploration, the process of creating. From this process the author produced an exhibition catalog in which there were 9 layouts of the contents of the fine art exhibition catalog. It can be concluded that the author creates works based on his interest in catalogs, with ideas originating from phenomena captured at the Rudana Museum and reading reference sources from the internet. At the processing stage the author refers to the results of the MBKM. Of all these processes are expected to find identity in the work.
Farmer Activities In Mekar Jaya Village As An Idea In The Creation Of Painting Raharja, I Gusti Nyoman; Karja, I Wayan; Ruta, I Made
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3371

Abstract

This Independent project study report raises the theme of farmer activities as an idea for creating paintings. Starting from personal experience who was born and raised in a farming family. By combining certain techniques, materials and references to achieve the desired goals and meaning. The problem faced is how to translate the visuals of farmers' activities into painting to support ideas so that the work looks attractive. The aims and benefits are to provide a reflection of farmers who carry out activities in the fields. To answer what is the aim of this work, the creation method involves exploration, experimentation, preparation and formation. By compiling elements of fine art through the stages of exploration, experimentation, preparation, and formation stages and combining them with ideas, 6 works were created entitled "Plowing Rice Fields, Numbeg, Nyemai Padi, Nyabut Bulih, Planting Rice, and Harvesting." In realizing the work the author will use technical references from other artists. By combining melting techniques, wet techniques and combining contour lines. It is hoped that it can produce quality work and become the identity of creation.
Anatomy Of The Human Body As an Expression Of Painting Creation Putra, Kadek Win Mahesa; Ruta, I Made; Tjokropramono, I Gede Yosef
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 2 (2024): Cita Kara : Jurnal Penciptaan Dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i2.3372

Abstract

In this Independent Project MBKM TA report, the author raises the title “Anatomy Of The Human Body As an Expression Of Painting Creation” which originated from the author’s daily activities when looking in the mirror in front of glass cabinet of the room which finally sparked the author’s idea to create works of painting. The problem is how to visualize the anatomical form of the human body in each work. In realizingit, the author uses methods and techniques obtained during the MBKM process. The purpose and benefits are to develop the author’s creativity in expressing expressive and semi-realist forms in the process of creating works. As well as using a method of creation that includes several stages, namely, contemplation, exploration, improvisation, realization/formation. From this process  the author produced six works entitled : 1) “Walking”, 2) “Behind”, 3) “Grasping”, 4) “Leaning”, 5) “Hearing”, 6) “ Trail II”. It can be concluded that the author created the work based on his interest in the anatomical form of the human body, with ideas that come from the author’s daily experience through direct observation and digital media sources. In the realization stage, the author combines techniques from the results of MBKM and teaching obtained on campus, to be realized in the form of two dimensional works. From all processes, the author tries to get characteristics in painting.
Nias Tribe Tradition as an Ideas in Creating Painting Telaumbanua, Calvin Galileo; Ruta, I Made; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 4 No 1 (2024): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v4i1.3645

Abstract

The Maena dance, a cultural heritage from the Nias tribe on Nias Island, North Sumatra, Indonesia, is a traditional dance full of meaning and cultural values. This dance displays strong and dynamic movements, with dancers wearing traditional Nias clothing. Accompanying music, such as gondang, taganing, and tifa, creates a rhythm that strengthens the expression of the dance. The Maena dance depicts the strength, enthusiasm and unity of the Nias people. In this dance, vigorous war movements, high jumps symbolize courage, and expressive hand and eye movements express a variety of emotions. This dance is also used in various traditional ceremonies, cultural celebrations, and important moments in the lives of the Nias people. The Maena dance, as a source of creative ideas, inspires us to dig deeper into the cultural values and spirit of courage contained in this dance. Combining elements of Maena dance with modern art or developing new dances could provide a unique creative platform, celebrating Nias' cultural heritage while presenting a message of strength, unity and courage to today's generation.
Co-Authors Ardiana, I Komang Ardika, I Gusti Ngurah Putu BUDIAPRILLIANA, LUH Dewa Putu Oka Prasiasa Drs. I Wayan Mudana,M.Si. . Eka Putri Suryantari I Gusti Ngurah Putra I Ketut Adi Sugita I Ketut Muka I Nengah Wirakesuma, I Nengah I Wayan Adnyana I Wayan Gunawan, I Wayan I Wayan Suardana Jodog, I Made Kariana, I Nengah Kondra, I Wayan Mochammad Iqbal Ni Made Ruastiti Niken, Ni Wayan Pemayun, Tjokorda Udiana Nindhia Putra, I Gusti Putu Ngurah Cahyana Ady Putra, I Made Adi Sumarjaya Putra, Kadek Win Mahesa Raharja, I Gusti Nyoman Remawa, Anak Agung Gede Rai Saputri, Deta Anggara Wahyu Simatupang, Putri Gracia Telaumbanua, Calvin Galileo Tjokropramono, I Gede Yosef Totton, Mary Louise Wayan Karja