Suharto
Universitas Negeri Semarang

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Peningkatan Kompetensi Bermain Musik Keroncong Guru Sekolah Dasar di Kabupaten Banjarnegara SLAMET HARYONO; Langlang Handayani; Suharto; Wadiyo; Indi Purnomo; Gita Surya Shabrina; Maulana Resha Vivadi; Elsya Wynsa Maharani Putri
Ngudi Waluyo Empowerment: Jurnal Pengabdian Kepada Masyarakat Vol. 1 No. 2 (2022): Ngudi Waluyo Empowerment: Jurnal Pengabdian Kepada Masyarakat
Publisher : Fakultas Komputer dan Pendidikan Universitas Ngudi Waluyo

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Keroncong is one of the cultural heritages owned by Banjarnegara, which needs to be preserved through education, especially in elementary schools. However, the competency in playing keroncong music for teachers is not sufficient, so it is necessary to hold a keroncong training program for teachers. This keroncong training aims to increase the knowledge and skills of teachers in playing keroncong music. The main stage of the activity is programmed training, which consists of planning steps, training implementation, and independent practice. The planning step includes identifying the types of activities for training, material development and implementation design, as well as preparing supporting facilities, while in the training implementation step a workshop is held which includes presentation of material on keroncong music, individual and group practice in the training arena accompanied by the implementing team. In the independent practice step, participants practice playing keroncong music in groups using the available instruments. From a series of community service activities, it can be concluded that the teacher's knowledge and skills in playing keroncong music have increased. The participants managed to play the cak, cuk, cello and bass instruments well to accompany the keroncong song they were singing. As a follow-up to the activity, it is suggested to carry out keroncong music learning training for elementary school teachers and provide a set of Keroncong musical instruments in schools as a means for teachers to teach them to students. AbstrakKeroncong merupakan salah satu warisan budaya yang dimiliki oleh Banjarnegara, yang perlu dilestarikan keberadaannya melalui jalur Pendidikan, khususnya di sekolah dasar. Namun demikian, kompetensi bermain musik keroncong para guru belum memadai sehingga perlu diadakan program pelatihan keroncong bagi guru. Pelatihan keroncong ini bertujuan untuk meningkatkan pengetahuan dan keterampilan guru dalam bermain musik keroncong. Tahapan utama kegiatan adalah pelatihan terprogram, yang terdiri dari langkah-langkah perencanaan, pelaksanaan pelatihan, dan praktek mandiri. Langkah perencanaan meliputi identifikasi jenis kegiatan untuk pelatihan, pengembangan materi dan rancangan pelaksanaan, serta penyiapan fasilitas pendukung, sementara pada langkah pelaksanaan pelatihan dilaksanakan workshop yang meliputi pemaparan materi tentang musik keroncong, praktek individu, dan kelompok di arena pelatihan didampingi oleh tim pelaksana. Pada langkah praktek mandiri, peserta mempraktekkan bermain musik keroncong secara berkelompok dengan menggunakan instrument yang tersedia. Dari rangkaian kegiatan pengabdian dapat disimpulkan bahwa pengetahuan dan keterampilan guru dalam bermain musik keroncong mengalami peningkatan. Peserta berhasil memainkan instrumen cak, cuk, cello dan bass dengan baik untuk mengiringi lagu keroncong yang dinyanyikan. Sebagai tindak lanjut kegiatan, disarankan untuk dilaksanakan pelatihan pembelajaran musik keroncong bagi guru sekolah dasar dan menyediakan seperangkat alat musik Keroncong di sekolah sebagai sarana guru untuk membelajarkannya bagi siswa.
Culturally Responsive Music Education: Integrating the Minangkabau Song 'Batu Tagak' in Primary School Learning Delvia Mona; Suharto; Syahrul Syah Sinaga; Ardipal; Wadiyo
Paedagogi: Jurnal Kajian Ilmu Pendidikan (e-journal) Vol. 12 No. 1 (2026): JUNE: 2026
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/paedagogi.v12i1.73462

Abstract

This study aims to analyze the implementation of the Minangkabau song "Batu Tagak" in elementary school music education from a Culturally Responsive Music Education perspective. This research uses a qualitative approach with a case study design. Data were collected through observation, interviews, documentation, and analysis of the song's sheet music, then analyzed using thematic analysis techniques. The results show that the musical characteristics of 'Batu Tagak,' which are simple and easy to learn, support its use as an effective learning resource. Exploring the lyrics helps students understand Minangkabau cultural values related to family relationships, the tradition of merantau (migration), attachment to hometown, and cultural symbols represented in the song. Through singing activities, discussions, and reflections, students actively construct cultural meaning by connecting the song's content with their own experiences. This learning also increases student engagement and strengthens their cultural identity as part of the Minangkabau community. The findings indicate that the musical characteristics of the song and students' cultural experiences work together as a pedagogical mechanism that supports Culturally Responsive Music Education practices. This study concludes that 'Batu Tagak' functions not only as a musical learning material but also as a pedagogical medium that links students' social and cultural experiences with the learning process in elementary schools. These findings demonstrate that traditional songs have the potential as a learning resource in Culturally Responsive Music Education practices, as well as a means of preserving local culture through education
Internalization of the historical values of Gamelan Gambang through community-based art and cultural education I Ketut Lanus; Widodo; Suharto
Indonesian Journal of Educational Development (IJED) Vol. 7 No. 2 (2026): August 2026
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat (LPPM) Universitas PGRI Mahadewa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59672/ijed.v7i2.7050

Abstract

Gamelan Gambang is a sacred Balinese musical tradition whose historical, spiritual, and social meanings are sustained through community practice. This study examines how its historical values are internalized through community-based art and cultural education in Banjar Gambang Munggu, Badung, Bali. An ethnographic approach was used to understand cultural practices, meanings, and intergenerational learning within their natural setting. Data were collected from five key informants through semi-structured interviews, participant observation of rehearsals and ritual activities, and document analysis. Data were analyzed through iterative coding, thematic categorization, interpretation, and triangulation. The findings show that historical values are embedded in ritual participation, oral transmission, embodied musical practice, and communal responsibility. Internalization occurs through repeated participation, observation, imitation, storytelling, mentorship, and emotional engagement with cultural practitioners. Intergenerational transmission enables younger members to acquire musical knowledge together with respect for elders, discipline, collective responsibility, and cultural continuity. The study argues that community-based art education sustains Gamelan Gambang as a living heritage rather than a static cultural artifact and strengthens cultural identity through culturally grounded learning.