Abdul Basid
Bahasa Dan Sastra Arab, Fakultas Humaniora, UIN Maulana Malik Ibrahim Malang

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NILAI MORAL DALAM FILM FABULOUS UDIN BERDASARKAN PERSPEKTIF SOSIOLOGI KARYA SASTRA Basid, Abdul; Fitria, Barokatul
BAHASTRA Vol 37, No 2 (2017): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1671.114 KB) | DOI: 10.26555/bahastra.v37i2.6755

Abstract

The purpose of this study is to analyze what the shape of morality value, what the causal factor of morality value, and what the impact of of morality value described in Fabulous Udin film. This study is qualitative study. The technique of data collection is watching and noting. The technique of data validation is increasing perseverance, applying triangulation, and discussing with experts. The technique of data analysis is Miles and Huberman model. The result of this study is: 1) the shape of morality value described in Fabulous Udin film is give the one motivation, trying to keep a friendship, having a simple way of life or positive, and demulcenting people’s mind load;  2) the causal factor of morality value described in Fabulous Udin film is: a) it’s necessary to assure people to act good thing; b) it’s needed to be a sensitive, stiff, and calm person; c) every single action has their own consequence; d) human is a social creature; and 3) the impact of of morality value described in Fabulous Udin film is a) the society well-understand the meaning and purpose of careness and help; b) the society is more care about people’s problem; and c)the society is wiser to take a decision.
IKTISYÂF AL-ISTI’ÂRAH FÎ YÂSÎN FADHÎLAH MIN DHAU NAZHARIYYAH ABD AL-QAHIR AL-JURJANI Pradibyo Herdiansyah; Abdul Basid
Arabiyat : Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban Arabiyat : Jurnal Pendidikan Bahasa Arab dan Kebahasaaraban | Vol. 6 No. 2 December 2019
Publisher : Syarif Hidayatullah State Islamic University of Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (938.646 KB) | DOI: 10.15408/a.v6i2.9047

Abstract

This study aims to reveal; 1) the structure and characteristics of the style of Isti'ârah (metaphor), 2)  causes of beauty and implications of using Isti'ârah on meaning in Yâsîn Fadhîlah based on the theoretical perspective of Abd al-Qahir al-Jurjani. Researchers use descriptive qualitative research method by narrating the analysis of the object of study. The results showed some types of structure of Isti'arah al-Jurjani in verse and Yasin Fadhilah prayer, namely Isti'ârah which gives meaning benefit, Isti'ârah in verbs and nouns, Isti'ârah which similar form similarity, Isti'ârah whose form of similarity in the form of the meaning of nature, and Isti'ârah whose form of similarity is taken from the sensory and non-sensory delusion. The characteristics of Isti'ârah in Yâsîn Fadhîlah is the appointment of short, concise, hyperbolic style in showing the greatness of God as well as the conditions and torture of the unbelievers.
PERTENTANGAN KELAS SOSIAL PADA TOKOH UTAMA DALAM DRAMA THE HEIRS BERDASARKAN PERSPEKTIF TEORI SASTRA MARXIS Abdul Basid; Zulhizawati Zulhizawati; Muh. Zuhdy Hamzah
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 4 No. 2 (2018): Oktober
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v4i2.5885

Abstract

The purpose of this study is to reveal the form and cause of social class opposition to the main character in drama the heirs based on the perspective of Marxist literary theory. The type of this research is descriptive qualitative research. The main data source in this study is the drama The Heirs. The technique of data collection is watching, reading, and record. While the technique of data analysis is Miles and Huberman model. The results of this study is: 1) the form of social class disagreement on the main character in the drama The Heirs is oppression; and 2) the cause of social class opposition to the main character in the drama The Heirs is: a) the relationship between the bourgeoisie and the proletarian class; and b) the implementation of hierarchical system in Jeguk High School.
Case grammar in film “the Professor and the Madman” based on Charles J. Fillmore’s Perspective Abdul Basid; Argha Zidan Arzaqi; Ali Makhfud Afiyanto
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 7 No. 1 (2021): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v7i1.15870

Abstract

The sentences spoken by the actors in the dialogue contained in the film “the Professor and the Madman” consist of a variety of structures that form a grammatical construction, so that the sentences can be understood and the dialogue can run well and smoothly. In the context of Charles J. Fillmore’s case grammar, the various structures that form a grammatical construction in a sentence are called modality and proposition. In a line with that background, the purposes of the research are: (1) to reveal the modality in film “the Professor and the Madman” based on the perspective of Charles J. Fillmore; (2) to describe the proposition in film “the Professor and the Madman” based on the perspective of Charles J. Fillmore. This research is qualitative, descriptive and literary research. The data source in this research is film “the Professor and the Madman” directed by P.B. Shemran. The data collection techniques in this research use watching, reading-listening and taking note. The data analysis techniques consist of three stages, namely: (1) choosing and classifying data based on modality and its forms; and proposition and its forms; (2) illustrating and writing down case grammar elements and their forms on the table, explaining them sequentially and interpreting them based on Charles J. Fillmore’s perspective; and (3) conducting the induction of interpretation summary to obtain substantive and formative conclusions. The results are: (1) modality has types, including tense: past, present and future; mode: desiderative, imperative, indicative, and interrogative; negation: no and not; adverb: frequency, manner, degree, quantity, and explanatory; (2) there are several types of proposition. They are agentive case (A): first personal pronoun, second pronoun, and third pronoun; experiential case (E): verb (basic) and verb (modal); instrumental case (I): noun and sense; objective case (O): human and thing; source case (S): noun phrase and noun; goal case (G): human and place; locative case (L): area, part of house, and office; time case (T): part of the day, year, and century; collateral case (C): with + noun; and benefactive case: for + noun. Based on the results of this research, it can be concluded that if a sentence is viewed from the case grammar theory, then it must have an inner structure consisting of modality and or proposition. Modality and proposition consist of types and each of types has the various forms.
NILAI MORAL DALAM FILM FABULOUS UDIN BERDASARKAN PERSPEKTIF SOSIOLOGI KARYA SASTRA Abdul Basid; Barokatul Fitria
BAHASTRA Vol 37, No 2 (2017): Bahastra
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1671.114 KB) | DOI: 10.26555/bahastra.v37i2.6755

Abstract

The purpose of this study is to analyze what the shape of morality value, what the causal factor of morality value, and what the impact of of morality value described in Fabulous Udin film. This study is qualitative study. The technique of data collection is watching and noting. The technique of data validation is increasing perseverance, applying triangulation, and discussing with experts. The technique of data analysis is Miles and Huberman model. The result of this study is: 1) the shape of morality value described in Fabulous Udin film is give the one motivation, trying to keep a friendship, having a simple way of life or positive, and demulcenting people’s mind load;  2) the causal factor of morality value described in Fabulous Udin film is: a) it’s necessary to assure people to act good thing; b) it’s needed to be a sensitive, stiff, and calm person; c) every single action has their own consequence; d) human is a social creature; and 3) the impact of of morality value described in Fabulous Udin film is a) the society well-understand the meaning and purpose of careness and help; b) the society is more care about people’s problem; and c)the society is wiser to take a decision.
Al-Ma’na al-Tarabuthi fi Riwayati Mauti Ma’ali al-Wazir Nawal El-Sa’dawi ‘ala Asasi Nadzariyyati Geoffrey Leech Fasky Randika; Abdul Basid
LISANUDHAD: JURNAL BAHASA, PEMBELAJARAN DAN SASTRA ARAB Vol 8, No 1 (2021): Lisanudhad: Jurnal Bahasa, Pembelajaran dan Sastra Arab
Publisher : University of Darussalam Gontor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/lisanudhad.v8i1.6485

Abstract

استخدم الباحثان هذا العنوان لأن يكون هذه المباحثة معرفة إضافية حول اللغويات، وخاصة للمعنى الترابطي. يهدف هذا البحث إلى شرح المعاني الترابطية الموجودة في قصة موت معالي الوزير لنوال السعداوي. هذا البحث هو بحث مكتبي وصفي. استخدم الباحثان القصة موت معالي الوزير لنوال السعداوي بمجموع 72 صفحة نشرت عام 2005 كمصدر أولي للبيانات. طريقة جمع البيانات هي طريقة القراءة وطريقة تدوين الملاحظات. وفي الوقت نفسه، تستخدم طريقة تحليل البيانات ثلاث مراحل، وهي تقليل البيانات وعرض البيانات واستخلاص النتائج. نتائج هذا البحث هو أن هناك العديد من نماذج الكلمات والجمل التي تحتوي على معاني ترابطية بناء على منظور ليج يبلغ مجموعها 42 أنواع من البيانات مقسمة إلى 5 أنواع من المعاني الترابطية وهي المعنى الأسلوبي، والمعنى العاطفي، والمعنى التوافقي، والمعنى الدلالي، والمعنى الانعكاسي: (1) وجدت بيانات لها شكل معاني أسلوبية بلغ مجموعها 4 معطيات في قصة موت معالي الوزير لنوال السعداوي. (2) هناك 7 بيانات في شكل المعاني العاطفي في قصة موت معالي الوزير لنوال السعداوي. (3) هناك 12 بيانات في شكل معاني توافقية في قصة موت معالي الوزير كتبها نوال السعداوي. (4) هناك 14 بيانات في شكل معاني دلالة في قصة موت معالي الوزيركتبها نوال السعداوي. (5) هناك 5 بيانات شكل معنى انعكاسي في قصة موت معالي الوزير كتبها نوال السعداوي.
Struktur Kalimat pada Film Knives Out Berdasarkan Perspektif Tata Bahasa Kasus Charles J. Fillmore Abdul Basid; Habib Insan Kamil; Mutma Innah
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 4 No 3 (2021)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (883.4 KB) | DOI: 10.30872/diglosia.v4i3.209

Abstract

Tujuan penelitian ini adalah untuk mengungkap struktur kalimat pada film Knives Out berdasarkan perspektif tata bahasa kasus Charles J. Fillmore. Penelitian ini termasuk penelitian kualitatif deskriptif. Teknik pengumpulan data terdiri dari 3 macam teknik, yaitu tonton, baca, dan catat. Data yang sudah terkumpul, kemudian dianalisis dengan menggunakan metode distribusional dengan teknik dasar: teknik bagi unsur langsung (segmenting immediate constituents techniques), yaitu sebuah metode yang dalam menentukan identitas menggunakan alat penentu di dalam satuan bahasa yang membagi suatu konstruksi atas unsur-unsur langsung yang membentuknya. Hasil penelitian ini menunjukkan bahwa struktur kalimat pada film Knives Out terdiri atas: (1) empat modalitas, yaitu intensional, epistemik, deontik, dan dinamik; dan (2) sepuluh proposisi, yaitu: kasus agentif (A), kasus eksperiens (P), kasus instrumen (I), kasus objektif (O), kasus sumber (S), kasus tujuan (T), kasus lokatif (L), kasus waktu (W), kasus penyerta (PNY), dan kasus benefaktif (B).
IDEOLOGI CINTA DALAM CERPEN “DALAM PERJAMUAN CINTA” KARYA TAUFIK AL-HAKIM BERDASARKAN PRESPEKTIF STRUKTURALISME GENETIK Abdul Basid; Muhammad Firdaus Imaduddin
Haluan Sastra Budaya Vol 1, No 2 (2017)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v1i2.12114

Abstract

Cerpen Dalam Perjamuan Cinta karya Taufik Al-Hakim merupakan cerpen filosofis yang merepresentasikan ideologi-ideologi cinta yang disampaikan dengan gaya bahasa yang indah dan struktur kalimat yang menarik. Ideologi cinta dalam cerpen tersebut diikonstruksikan sebagai mediator yang membentuk relevansi antara struktur karya sastra dan struktur masyarakat sesungguhnya. Penelitian kualitatif ini menggunakan metode deskriptif yang menguraikan bentuk-bentuk teks secara interpretatif. Peneliti memanfaatkan teori struturalisme genetik Lucian Goldmann dengan pemaparan lima konsep utama antara lain; fakta-fakta kemanusiaan, subjek kolektif, pandangan dunia pengarang, strukturasi karya sastra, dan dialektika pemahaman-penjelasan. Penelitian ini menghasilkan lima pembahasan utama antara lain: 1) cerpen karya Taufik Al-Hakim ini mengandung dua fakta kemanusiaan yang menjadi pokok terbentuknya ideologi yaitu: a) fakta kemanusiaan kultural yang berada pada permulaan cerita berupa gejolak perasaan cinta yang muncul dari hati para pemuda untuk memiliki gadis tersebut; b) fakta kemanusiaan kultural yang berupa ide atau gagasan dasar yang muncul dari pemikiran gadis berparas cantik, yaitu ide tentang cinta; 2) dalam cerpen tersebut, secara umum tampak menggambarkan representasi dua kelompok besar yang saling beradu argumen. Dua kelompok tersebut adalah kelompok perempuan yang notabennya layaknya kelompok atas (superior) yang tidak mau dikalahkan dan kelompok pemuda yang dalam cerpen memainkan peran inferior; 3) cerpen ini bertolak dari postulasi pandangan dunia mengenai keegoisan dan kemisteriusan kaum perempuan terhadap sesuatu khususnya dalam cerpen digambarkan dengan manifestasi sikap mengenai cinta; 4) relasi antara tokoh dengan tokoh, tokoh dengan objek atau dunia, digambarkan secara implisit yang dapat diamati melalui kontak interaksi antar tokoh dengan objek yang dibahas di awal cerpen yaitu cinta; dan 5) dialektika yang terbentuk dalam cerpen bergerak dari postulasi pandangan dunia mengenai keegoisan dan kemisteriusan kaum perempuan terhadap sesuatu. Pandangan dunia ini digunakan untuk mengurai dan menganalisis struktur karya sastra dengan struktur masyarakat serta dipersepsi sebagai struktur karya sastra yang mengikat unit-unit struktur lebih kecil yang membangun karya sastra.
AUTENTISITIAS KEBAHAGIAAN DALAM NOVEL “PUTRA SALJU” (2011) KARYA SALMAN EL-BAHRY: KAJIAN PSIKOLOGI SASTRA Abdul Basid; Hasan Basri; Imroatul Ngarifah; Muh. Zuhdy Hamzah
Haluan Sastra Budaya Vol 2, No 2 (2018)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (254.34 KB)

Abstract

Tujuan dari penelitian ini adalah untuk memahami bentuk autentisitas kebahagiaan dalam novel Putra Salju (2011) karya Salman El-Bahry berdasarkan perspektif psikologis. Selain itu, tujuan yang lain adalah mengungkapkan cara manusia untuk mencapai autentisitas kebahagiaan tersebut. Penelitian ini termasuk jenis penelitian kualitatif deskriptif dengan teknik model interaktif dan menggunakan sumber data utama novel Putra Salju karya Salman El-Bahri. Hasil dari penelitian ini menunjukkan bahwa ada tiga bentuk autentisitas kebahagiaan dalam hidup manusia, yaitu hidup yang menyenangkan, hidup yang baik, dan hidup yang berarti. Manusia melakukan upaya untuk mencapai tiga bentuk autentisitas kebahagiaan, yakni senantiasa memiliki sikap yang optimis, sikap kebijaksaan, keberanian, kemanusiaan, kesederhanaan, dan transendensi. 
The Form of Love and Loyalty in the Animated Film “Bilal: a New Breed of Hero” By Ayman Jamal: The Perspective of Triangular of Love Theory of Robert J. Sternberg izzah Himayatud Dauliyah; abdul basid
EL-IBTIKAR: Jurnal Pendidikan Bahasa Arab Vol 10, No 1 (2021)
Publisher : IAIN Syekh Nurjati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24235/ibtikar.v10i1.8103

Abstract

Love and loyalty is one part of the package that helped stronger in some of relationship. What is love and loyalty in this research is not about love in the sense of romance between a man and a woman. Love and the loyalty which that will be studied in this research is about between families, friends, society, also between prophet and God. There for this research focuses on forms of love and loyalty beside of film "Bilal: a New Breed of Hero." This type of research is qualitative-descriptive. The primary data source used by researchers is film "Bilal: a New Breed of Hero" by Ayman Jamal airing in 2015 produced by Barajoun Entertainment Dubai. Theory that used was Triangular of Love perspective of Robert J. Sternberg's. Data collection techniques used are the technique of watching, listening and note taking. The data analysis technique that the researchers used was the Miles and Huberman model which consisted of data reduction, data presentation, and data verification. The result of this study shows that the forms of love and loyalty in the film "Bilal" consist of intimacy in the form of warmth, affection, calmness, also priority, etc; b) passion in the form of protecting, remembering, wanting to be together, helping, longing, submitting, and dominating; c) commitments in the form of sacrifice, loyalty, belief, trust, commitment and attention.