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All Journal Corak : Jurnal Seni Kriya Relief: Journal of Craft Ethnography Jurnal CREATIVA SCIENTIA
Rahmi, Hijratur
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Journal : Relief: Journal of Craft

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SONGKET NAGARI UNGGAN KAJIAN BENTUK DAN FUNGSI Yondra, Nofri; nofrial, nofrial; Rahmi, Hijratur
Relief : Journal of Craft Vol 4, No 1 (2024): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v3i3.4917

Abstract

The research conducted in Nagari Unggan aims to describe the form of motifs and product forms produced by songket craftsmen, as well as to find out what the functions of Nagari Unggan songket are. The theory used in this study is the theory of form, function, songket, motifs, clothing and products, while the method used in this study is qualitative, data collection is carried out by observation, documentation and interviews. Songket Unggan has 30 motifs that are typical of the area, 15 motifs are very popular in the market, namely the Unggan thousand hills, lansek manih, tampuak manggi, cantik manis, cemara, lotus, chain, kelok lontiak, itiak pulang patang, makota, bintang, rangkiang, rumah gadang, pucuak rebung and pintuek motifs. Songket Nagari Unggan also uses other regional motifs, namely motifs from Pandai Sikek, Halaban and Silungkang. Products produced by songket craftsmen in Nagari Unggan include Koko shirts, skirts or kodek, kuruang shirts or tunics, gamis shirts, jackets, tingkuluak, shawls, scarves, deta, outer, shirts, wallets, bucket hats, peci, bags, and household items such as tablecloths. The function of songket in Nagari Unggan is used for traditional events, and parties, and also used as everyday clothing.
KREASI MOTIF KELUK PAKU PADA TAS KULIT Wahyu, Muhammad; Hendra, Hendra; Rahmi, Hijratur
Relief : Journal of Craft Vol 4, No 2 (2025): Relief: Journal of Craft
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/relief.v4i1.5382

Abstract

Ragam hias Kerinci mempunyai bentuk yang berasal dari tumbuhan dan benda alam diantaranya seperti: Ao Cino Bacabang, Tampuk Nio, Ula Nyuhuk, Lampit Simpai, Lampit Dueay dan bintae – bintae dan keluk paku. Dilihat dari bentuk ragam hias Kerinci dapatlah diketahui bahwa kebanyakan ragam hias Kerinci berbentuk tumbuhan dan benda alam, pengkarya tertarik menerapkan motif keluk paku pada produk tas kriya kulit sebagai bentuk melestarikan motif yang sudah jarang ditemukan tersebut. Motif keluk paku merupakan ragam hias yang berasal dari bentuk tanaman pakis yang masih muda, yang mempunyai keunikan relung yang indah itu yang dijadikan motif ragam hias, sehingga jadilah nama motif keluk paku. 
Co-Authors Ahmad Bahrudin Ahmad Muzaki Febri Yulika Frastica, Yuliana Hendra Hendra Muhammad Wahyu, Muhammad Nofrial . Oktayanti, Yetty Sempurna, Anisa Yetty Oktayanty Yondra, Nofri Yurisman Yurisman