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All Journal Jurnal Studi Komunikasi Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Jurnal Sosial dan Teknologi Jurnal Media Informatika Jurnal Indonesia Sosial Sains
Muhammad, Harry Isra
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Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Neuroscience Physics Social Sciences

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Interaktivitas Akun Instagram @Balikpapanku Sebagai Media Informasi Nomor 1 Di Kota Balikpapan Rifqy Wardana; Nurliah; Juwita, Rina; Muhammad, Harry Isra
Jurnal Media Informatika Vol. 6 No. 1 (2024): Jurnal Media Informatika Edisi September - Desember
Publisher : Lembaga Dongan Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Interaktivitas menjadi modal utama akun ini menjaga eksistensinya di era persaingan banyaknya akun lainya yang semakin kompetitif. Untuk mewujudkan  Interaktivitas yang relevan akun ini melakukan beberapa cara yaitu User to system User to User  User to Document. Akun Instagram "Balikpapanku" berfungsi sebagai platform media sosial yang menyajikan informasi, promosi, dan interaksi mengenai kegiatan dan layanan di kota Balikpapan. Penelitian ini mengeksplorasi tingkat interaktivitas pengguna dengan akun tersebut, termasuk frekuensi komentar, like, dan share, serta pengaruhnya terhadap engagement dan kepuasan pengguna. Melalui analisis data kuantitatif dan kualitatif dari aktivitas pengguna, ditemukan bahwa konten yang relevan dan berkualitas tinggi secara signifikan meningkatkan partisipasi aktif dari pengikut. Interaksi yang kuat antara pengguna dan akun ini mencerminkan pentingnya konten yang menarik dan responsif dalam membangun komunitas online yang dinamis. Temuan ini memberikan wawasan tentang strategi terbaik untuk mengoptimalkan interaksi di media sosial dan meningkatkan hubungan antara bisnis atau komunitas dengan audiens mereka
Tere Liye’s Reader in Makassar: Community, Class, and the Social Construction of Literary Taste Muhammad, Harry Isra; Oddang, Faisal; -, Nasrullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9, No 3 (2025): Juli 2025
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.21359

Abstract

This article examines how young readers in Makassar construct and perform literary taste through their engagement with Tere Liye’s popular fiction. Employing Bourdieu’s concepts of field, habitus, and capital, and drawing on in-depth interviews, the study traces how taste is formed at the intersection of family background, school environment, peer networks, religious values, and the symbolic power of the marketplace. The findings reveal that, in contrast to Bourdieu’s classic model, family cultural capital does not neatly determine taste; instead, most participants, regardless of class, encounter fiction through schools and communities rather than at home. Organizational life and reading groups emerge as crucial spaces where social capital is accumulated, boundaries of taste are formed, and readers gain recognition and belonging. The commercial dominance of publishers and bookstores further shapes what is visible and legitimate, while the motivational and Islamic themes in Tere Liye’s work respond to both neoliberal aspirations and religious ideals. The study highlights the importance of recognizing the agency of readers, the plural sources of legitimacy, and the uneven structures that frame literary taste in contemporary Indonesia, especially Makassar.
Representasi Belis Sebagai Identitas Budaya Nusa Tenggara Timur dalam Film Nona Manis Sayange Setu, Maria Claudia Inesensia; Dwivayani, Kadek Dristiana; Purwanti, Silviana; Muhammad, Harry Isra
Jurnal Sosial Teknologi Vol. 6 No. 1 (2026): Jurnal Sosial dan Teknologi
Publisher : CV. Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jurnalsostech.v6i1.32619

Abstract

This research is entitled Representation of Belis as Cultural Identity of East Nusa Tenggara in the Film Nona Manis Sayange. The background of the research suggests that the belis tradition plays an important role as a marker of cultural identity in East Nusa Tenggara, but also faces social problems including economic burdens, power relations, and gender dimensions that are mediated and represented through film. This research aims to identify and interpret the meaning of belis in the film Nona Manis Sayange 2023. The method used is qualitative with Roland Barthes' semiotic analysis to read signs at three levels of significance (denotation, connotation, and myth), as well as Stuart Hall's representational framework to understand the process of encoding-decoding meaning in the film text. Primary data in the form of selected scenes in a number of key scenes from the film's duration of 1 hour 42 minutes, then analyzed textually and visually. The results show that the film represents belis as a multi-layered phenomenon: denotatively it appears as a traditional ritual that connects families; connotatively it functions as an indicator of social status, economic pressure, and an arena for gender negotiation; at the mythical level, the film provokes discourse that belis can be a determinant of self-esteem and worthiness. However, the film also opens up space for criticism and reinterpretation, showing that belis can be preserved as a cultural heritage while being recontextualized to be more just and humane. The implications of this research recommend that cultural representation in the media be carried out contextually, reflectively, and sensitively to social dynamics.
Commoning resistance: Embodying literature as multitude’s collective memories in Aksi Kamisan Max, Jonathan Irene Sartika Dewi; Muhammad, Harry Isra
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 4 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i4.1465

Abstract

This article examines Aksi Kamisan (Thursday Action) in Samarinda, East Kalimantan, as a contemporary practice of resistance against state-enforced historical amnesia in Indonesia. It addresses the question of how literary traditions of dissent are transmitted and transformed into resources for collective political action. The central thesis is that Indonesia’s Sastra Perlawanan (Literature of Resistance) functions as a lumbung makna, a metaphorical “commons of meaning,” that is actively stewarded, or “commoned,” by social movements. Through an ethnographic case study, this research analyzes the mechanisms by which the literary “archive” is translated into an embodied “repertoire” of political protest. Drawing on an integrated theoretical framework that includes Foucault’s “regime of truth,” Ostrom’s work on the commons, Taylor’s concept of the repertoire, and Hardt and Negri’s theory of the multitude, the study finds that the silent weekly vigil is a performative act of counter-discourse. This act not only challenges the state’s monopoly on historical narratives but also demonstrates how a shared cultural inheritance of resistance is collectively sustained and reactivated. The article concludes that Aksi Kamisan offers a compelling model for understanding the contemporary political efficacy of literature, where cultural memory becomes a vital, living resource for grassroots movements demanding justice and accountability.
Agresivitas Verbal Player Tim E-Sport Liquid Indonesia Pada Turnamen Mobile Legends Player League Season 14 Arjunawan, Aan Rizky; Muhammad, Harry Isra
Jurnal Media Informatika Vol. 7 No. 1 (2026): Edisi Januari - Februari
Publisher : Lembaga Dongan Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55338/jumin.v7i1.8011

Abstract

Penelitian ini bertujuan untuk menganalisis bentuk-bentuk agresivitas verbal yang digunakan oleh pemain Tim Liquid Indonesia selama bertanding pada turnamen Mobile Legends Player League (MPL) Indonesia Season 14. Agresi verbal dalam konteks e-sports semakin berkembang sebagai bagian dari strategi komunikasi, terutama dalam bentuk taunting dan trash talk yang dilakukan pada sesi interview after match. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis isi Krippendorff untuk mengidentifikasi pola, intensitas, dan konteks agresi verbal melalui lima pertandingan Tim Liquid Id pada babak regular season, berdasarkan tujuh kategori agresi verbal menurut Infante & Wigley (1986): character attacks, competence attacks, insults, maledictions, teasing, ridicule, dan profanity. Hasil penelitian menunjukkan terdapat 57 ujaran agresif verbal selama lima pertandingan, dengan competence attack (19 ujaran) dan ridicule (16 ujaran) sebagai bentuk agresi verbal yang paling dominan. Agresi verbal digunakan sebagai alat untuk membangun dominasi psikologis, menurunkan self-esteem lawan, serta meningkatkan moralitas internal tim. Penelitian ini menyimpulkan bahwa agresi verbal dalam e-sports bukan hanya bentuk komunikasi kompetitif, tetapi juga strategi psikologis yang mempengaruhi dinamika pertandingan dan persepsi publik terhadap profesionalitas pemain.
Simulacra as a Distortion of the Meaning of the Mass for the Dead in the Music Video “Dalam Hitungan” by the Band.Feast Pasya, Daffa Kamal; Nurliah , Nurliah; Dristiana Dwivayani, Kadek; Muhammad, Harry Isra
Jurnal Indonesia Sosial Sains Vol. 7 No. 2 (2026): Jurnal Indonesia Sosial Sains
Publisher : CV. Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/jiss.v7i2.2222

Abstract

This study examines simulacra as a form of distortion of the meaning of the ritual of the Soul Mass in the video clip "In Count" by the band. Feast which is released in 2023. This video clip is interesting to study because it presents a representation of religious rituals that is full of visual symbols, but placed in a digital culture context that emphasizes media documentation, visibility, and connectivity. This research aims to understand how simulacra is displayed as a distortion of the meaning of the ritual of the Soul Mass through visual symbols that appear in a series of scenes. The method used is interpretive qualitative research with Roland Barthes semiotic analysis, which includes the reading of denotative, connotative, and mythical meanings. The selection of units of analysis was carried out through Jean Baudrillard's simulacra theory, focusing on ten scenes representing the five aspects of simulacra. The results show that these video clips build on the dominant myth that represents social media and digital connectivity as a new authority in contemporary religious practices. The ritual of the Mass of the Spirits is no longer fully interpreted as a sacred experience that is transcendent, but is reduced to a visual performance that can be recorded, displayed, and socially validated. These findings confirm the existence of a process of desacralization of worship, as well as serve as a social critique of the shift in the religious orientation of the people in today's visual and digital culture.
Political Economy Analysis of Media in Reporting Sesingal Tidung on Radio Republik Indonesia, Tarakan City Rahmadhani, Adinda; Nurliah, Nurliah; Purwanti, Silviana; Muhammad, Harry Isra
Jurnal Indonesia Sosial Sains Vol. 7 No. 2 (2026): Jurnal Indonesia Sosial Sains
Publisher : CV. Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/jiss.v7i2.2228

Abstract

This study examines the political economy of media representation, focusing on the coverage of Sesingal Tidung culture in Radio Republik Indonesia (RRI) Tarakan. Utilizing Vincent Mosco's media political economy theory, the research explores the commodification, spatialization, and structuration processes that shape how local culture is portrayed. The study highlights the challenges in preserving cultural identity amidst the pressures of commercialization and government policies. It finds that media coverage, while promoting economic potential, often undermines the authenticity of cultural expressions. This research contributes to understanding how media both reflects and influences the political and economic dynamics surrounding cultural preservation in the globalized media landscape.
Representasi Kesenjangan Sosial dalam Serial Netflix “The 8 Show” Nuzulla, Firdausyi; Nurliah, Nurliah; Sary, Kezia Arum; Muhammad, Harry Isra
Jurnal Media Informatika Vol. 7 No. 2 (2026): Edisi Maret-April
Publisher : Lembaga Dongan Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55338/jumin.v7i2.8608

Abstract

Serial Netflix The 8 Show mengangkat isu kesenjangan sosial yang merepresentasikan realitas Korea Selatan melalui keadaan ekonomi, status, dan kekuasaan. Penelitian ini menganalisis representasi kesenjangan sosial dalam serial menggunakan metode penelitian kualitatif interpretatif dengan alat analisis semiotika Roland Barthes. Data diperoleh melalui adegan yang merepresentasikan kesenjangan sosial dan literatur untuk memperkuat hasil analisis. Melalui tiga fokus analisis, ditemukan adanya kesenjangan sosial berdasarkan perbedaan ekonomi, yaitu pendapatan serta aset, perbedaan status sosial melalui perbedaan gaya hidup, serta perbedaan kepemilikan kekuasaan yang mengakibatkan munculnya penindasan dan intimidasi. Ketiga aspek tersebut saling berkaitan satu sama lain, yang mana status sosial yang digambarkan dalam serial didapat karena adanya kepemilikan uang dan kekuasaan salah satu peserta. Secara keseluruhan, penelitian mengungkapkan adanya representasi kesenjangan sosial di dalam serial The 8 Show secara simbolik dan sesuai dengan realitas kehidupan nyata sosial budaya yang terjadi di Korea Selatan sebagai latar serial.
Arisan as a platform for social-identity and consumerism in the postmodern era Silviana Purwanti; Muhammad, Harry Isra
Jurnal Studi Komunikasi Vol. 10 No. 1 (2026)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v10i1.10966

Abstract

This study examined the transformation of arisan, a traditional rotating savings and social gathering practice, into a platform for social identity construction and symbolic consumption among women in Samarinda, East Kalimantan. As a secondary city shaped by rapid urbanisation and a mining-driven economic boom, Samarinda presents a distinctive socio-demographic context where global consumer culture intersects with local communal traditions. Drawing on Thorstein Veblen’s theory of conspicuous consumption and Pierre Bourdieu’s concepts of symbolic capital and habitus, this study conceptualises arisan as a communicative arena in which social status, identity, and distinction are actively negotiated. Employing a descriptive qualitative approach, data were collected through semi-structured in-depth interviews, participant observation during Arisan activities, and analysis of social media content. The study involved 16 women aged 30–50 from two elite arisan groups, Ganbatte and Pretty Woman. The findings revealed a shift in arisan from a financial mutual-aid mechanism toward a performative social space characterised by exclusive membership, symbolic consumption, and digitally mediated visibility. While Ganbatte emphasised professional networking and subtle prestige, Pretty Woman foregrounds conspicuous consumption and leisure-based status display. Arisan facilitates ‘modern independence’ primarily through expanded social networks, symbolic mobility, and the freedom to publicly perform identity beyond domestic roles.
Co-Authors Arjunawan, Aan Rizky Dristiana Dwivayani, Kadek Dwivayani, Kadek Dristiana Jonathan Irene Sartika Dewi Max Nasrullah - Nurliah Nurliah , Nurliah nurliah, nurliah Nuzulla, Firdausyi Oddang, Faisal Pasya, Daffa Kamal Purwanti, Silviana Rahmadhani, Adinda Rifqy Wardana Rina Juwita Sary, Kezia Arum Setu, Maria Claudia Inesensia Silviana Purwanti