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Interaktivitas Akun Instagram @Balikpapanku Sebagai Media Informasi Nomor 1 Di Kota Balikpapan Rifqy Wardana; Nurliah; Juwita, Rina; Muhammad, Harry Isra
Jurnal Media Informatika Vol. 6 No. 1 (2024): Jurnal Media Informatika Edisi September - Desember
Publisher : Lembaga Dongan Dosen

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Abstract

Interaktivitas menjadi modal utama akun ini menjaga eksistensinya di era persaingan banyaknya akun lainya yang semakin kompetitif. Untuk mewujudkan  Interaktivitas yang relevan akun ini melakukan beberapa cara yaitu User to system User to User  User to Document. Akun Instagram "Balikpapanku" berfungsi sebagai platform media sosial yang menyajikan informasi, promosi, dan interaksi mengenai kegiatan dan layanan di kota Balikpapan. Penelitian ini mengeksplorasi tingkat interaktivitas pengguna dengan akun tersebut, termasuk frekuensi komentar, like, dan share, serta pengaruhnya terhadap engagement dan kepuasan pengguna. Melalui analisis data kuantitatif dan kualitatif dari aktivitas pengguna, ditemukan bahwa konten yang relevan dan berkualitas tinggi secara signifikan meningkatkan partisipasi aktif dari pengikut. Interaksi yang kuat antara pengguna dan akun ini mencerminkan pentingnya konten yang menarik dan responsif dalam membangun komunitas online yang dinamis. Temuan ini memberikan wawasan tentang strategi terbaik untuk mengoptimalkan interaksi di media sosial dan meningkatkan hubungan antara bisnis atau komunitas dengan audiens mereka
Tere Liye’s Reader in Makassar: Community, Class, and the Social Construction of Literary Taste Muhammad, Harry Isra; Oddang, Faisal; -, Nasrullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9, No 3 (2025): Juli 2025
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.21359

Abstract

This article examines how young readers in Makassar construct and perform literary taste through their engagement with Tere Liye’s popular fiction. Employing Bourdieu’s concepts of field, habitus, and capital, and drawing on in-depth interviews, the study traces how taste is formed at the intersection of family background, school environment, peer networks, religious values, and the symbolic power of the marketplace. The findings reveal that, in contrast to Bourdieu’s classic model, family cultural capital does not neatly determine taste; instead, most participants, regardless of class, encounter fiction through schools and communities rather than at home. Organizational life and reading groups emerge as crucial spaces where social capital is accumulated, boundaries of taste are formed, and readers gain recognition and belonging. The commercial dominance of publishers and bookstores further shapes what is visible and legitimate, while the motivational and Islamic themes in Tere Liye’s work respond to both neoliberal aspirations and religious ideals. The study highlights the importance of recognizing the agency of readers, the plural sources of legitimacy, and the uneven structures that frame literary taste in contemporary Indonesia, especially Makassar.
Commoning resistance: Embodying literature as multitude’s collective memories in Aksi Kamisan Max, Jonathan Irene Sartika Dewi; Muhammad, Harry Isra
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 4 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i4.1465

Abstract

This article examines Aksi Kamisan (Thursday Action) in Samarinda, East Kalimantan, as a contemporary practice of resistance against state-enforced historical amnesia in Indonesia. It addresses the question of how literary traditions of dissent are transmitted and transformed into resources for collective political action. The central thesis is that Indonesia’s Sastra Perlawanan (Literature of Resistance) functions as a lumbung makna, a metaphorical “commons of meaning,” that is actively stewarded, or “commoned,” by social movements. Through an ethnographic case study, this research analyzes the mechanisms by which the literary “archive” is translated into an embodied “repertoire” of political protest. Drawing on an integrated theoretical framework that includes Foucault’s “regime of truth,” Ostrom’s work on the commons, Taylor’s concept of the repertoire, and Hardt and Negri’s theory of the multitude, the study finds that the silent weekly vigil is a performative act of counter-discourse. This act not only challenges the state’s monopoly on historical narratives but also demonstrates how a shared cultural inheritance of resistance is collectively sustained and reactivated. The article concludes that Aksi Kamisan offers a compelling model for understanding the contemporary political efficacy of literature, where cultural memory becomes a vital, living resource for grassroots movements demanding justice and accountability.
Arisan as a platform for social-identity and consumerism in the postmodern era Silviana Purwanti; Muhammad, Harry Isra
Jurnal Studi Komunikasi Vol. 10 No. 1 (2026)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v10i1.10966

Abstract

This study examined the transformation of arisan, a traditional rotating savings and social gathering practice, into a platform for social identity construction and symbolic consumption among women in Samarinda, East Kalimantan. As a secondary city shaped by rapid urbanisation and a mining-driven economic boom, Samarinda presents a distinctive socio-demographic context where global consumer culture intersects with local communal traditions. Drawing on Thorstein Veblen’s theory of conspicuous consumption and Pierre Bourdieu’s concepts of symbolic capital and habitus, this study conceptualises arisan as a communicative arena in which social status, identity, and distinction are actively negotiated. Employing a descriptive qualitative approach, data were collected through semi-structured in-depth interviews, participant observation during Arisan activities, and analysis of social media content. The study involved 16 women aged 30–50 from two elite arisan groups, Ganbatte and Pretty Woman. The findings revealed a shift in arisan from a financial mutual-aid mechanism toward a performative social space characterised by exclusive membership, symbolic consumption, and digitally mediated visibility. While Ganbatte emphasised professional networking and subtle prestige, Pretty Woman foregrounds conspicuous consumption and leisure-based status display. Arisan facilitates ‘modern independence’ primarily through expanded social networks, symbolic mobility, and the freedom to publicly perform identity beyond domestic roles.