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All Journal Alfaz (Arabic Literatures for Academic Zealots) Al Furqan: Jurnal Ilmu Al Quran dan Tafsir Rausyan Fikr : Jurnal Pemikiran dan Pencerahan Tanwir Arabiyyah: Arabic as Foreign Language Journal ELOQUENCE: Journal of Foreign Language
Hatta Raharja
Universitas Islam Negeri Sultan Maulana Hasanuddin Banten
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Other

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Journal : ELOQUENCE: Journal of Foreign Language

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The Phenomenon of al-Hazf in the Qur'an: An Analysis of the Rasm Rule in Surah Ali-Imran Djola, Fakhrun; Laila, Nur; Raharja, Hatta; Fitri Juwita, Salma
ELOQUENCE : Journal of Foreign Language Vol. 1 No. 1 (2022): APRIL
Publisher : Language Development Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.611 KB) | DOI: 10.58194/eloquence.v1i1.172

Abstract

Background: al-Hadzf is one of the very interesting Rasm rules studied, because it deals with the elimination of letters or lafaz that will not damage the meaning of a sentence, but has linguistic reasons that make it more unique, interesting, and has an i'jaz. Purpose: This study aims to find out the phenomenon of al-Hadzf letters and words in the Quran, in surah Ali-Imran. Method: The method used in this study is descriptive qualitative through a phenomenological approach to language by looking at the phenomenon of letter elimination, classifying, and analyzing based on its rules. Results and Discussion: The results of this study show that there are 33 types of words in the Surah Ali Imran which are included in the rules of al-Hadzf. In addition to being dominated by singular nouns and verbs, there is also a demonstrative noun. Conclusions and Implications: From the discussion above, the author concludes that there are 33 words that experience hadzf in surah ali Imran. The 33 words are dominated by hadzf Alif, and occur in mufrad, mutsanna, and plural isim. In the form of fi'il as well, al-Hadzf is found in madhi and mudhari fi'il with word scales (فاعل - يفاعل) (تفاعل - يتفاعل). If we look at the existence of various mushaf in Indonesia, this hadzf rule is the same and different, some are consistent with hadz and some are istbat, or a mixture of both. This research has implications for the knowledge of the rules of writing Arabic orthography studied in imla' and Rasm sciences. The rule makes it clear that there is a phenomenon of letters being read but not written, some being written but not being read, and having a unique meaning.
Simbolisme Sufistik dalam Musik Populer: Studi pada Lirik Lagu Noe Letto dalam Pandangan Eero Tarasti Ida Nursida; Hatta Raharja
ELOQUENCE : Journal of Foreign Language Vol. 4 No. 3 (2025): DECEMBER
Publisher : Language Development Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58194/eloquence.v4i3.3041

Abstract

Background: Song lyrics serve as a medium for reflecting on a composer's spiritual and existential journey. There is a need to understand how Sufi symbolism constructs the concept of self (Dasein) and its relationship with the Transcendent. Purpose: This study aims to examine the Sufi symbolism in Noe Letto’s songs “Sebelum Cahaya” and “Sandaran Hati,” focusing on how he reflects his existentialism to construct Dasein and Transcendence using Eero Tarasti’s existential semiotics. Method: This qualitative study employs Eero Tarasti’s existential semiotics as the main analytical framework to examine Sufistic symbolism in Noe Letto’s song lyrics. The analysis focuses on two selected works, “Sebelum Cahaya” and “Sandaran Hati”, using lyric-based qualitative data to trace how symbols articulate dimensions of Dasein and Transcendence. Results and Discussion: The findings of this study indicate that Noe Letto, through his lyrics, effectively reflects his Sufi journey. He successfully illustrates the concept of Dasein (self-existence) while connecting himself to the transcendent domain. Further discussion indicates that Noe Letto is able to strengthen the bond between God and humans, making the relationship feel close and affectionate. Although this study is limited to two song lyrics, these findings provide deep insight into the mechanisms a composer uses to articulate his spiritual journey to achieve transcendence. Conclusions and Implications: In conclusion, this study confirms that a composer's creative process is a unique and authentic means of self-expression. Consequently, this article contributes to a new theoretical understanding of the significance of a composer's work and offers a method for deducing (obtaining) the existential meaning of song lyrics.
Co-Authors Aang Saeful Milah Ahmad Habibi Syahid, Ahmad Habibi Ahmad Haromaini Djola, Fakhrun Endang Saeful Anwar Fitri Juwita, Salma Ida Nursida Ida Nursida Indra Lesmana Lalu Turjiman Ahmad NUR LAILA Permana, Hengki Tia Nuraeni Yulyani, Rani Dewi