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All Journal Imaji: Jurnal Seni dan Pendidikan Seni ARS: Jurnal Seni Rupa Dan Desain Jurnal Pendidikan dan Kajian Seni Panggung Studi Budaya Nusantara Atrat: Jurnal Seni Rupa Jurnal Senirupa Warna (JSRW) Moda : The Fashion Journal Prosiding Konferensi Nasional PKM-CSR JUrnal Riset Ilmu Pendidikan BAJU: Journal of Fashion and Textile Design Unesa Arty: Jurnal Seni Rupa Panggung Canting : Jurnal Batik Indonesia Serat Rupa: Journal of Design
Asep Miftahul Falah
Institut Seni Budaya Indonesia Bandung
Religion Arts Humanities Chemistry Control & Systems Engineering Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

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Journal : Serat Rupa: Journal of Design

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Transformasi Visual dan Makna Simbolik Motif Batik Parang Rusak dalam Konteks Budaya Modern Nan Quddus, Sang Padi; Cahyana, Agus; Falah, Asep Miftahul; Nagara, Martien Roos
Serat Rupa: Journal of Design Vol 9 No 2 (2025): JULI-2025
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v9i2.11994

Abstract

The Parang Rusak batik motif is one of Indonesia’s classical cultural heritages, originating from the Javanese royal courts and rich in philosophical values, such as strength, resilience, and the spirit of life’s struggle. Over time, this motif has undergone transformation not only in its visual form but also in its symbolic meaning, especially within the context of commercialization and adaptation in the modern creative industry. This study aims to analyze the transformation of both form and meaning in the Parang Rusak motif, with a particular focus on the works of Batik Hasan Bandung. Employing semiotic and historical approaches, this research explores how traditional motifs are creatively modified while preserving their philosophical essence. The findings reveal that Batik Hasan successfully sustains the symbolic meaning of the Parang Rusak motif through visual innovation that remains rooted in traditional principles. This transformation serves as an example of dynamic cultural adaptation, where the preservation of noble values can coexist with contemporary demands and creative evolution. This study contributes to strengthening public appreciation of batik as a living and evolving symbol of Indonesian cultural identity.
Co-Authors Adrian, Regia Aulia Putri Agus Cahyana Agus, Cahayana Akhmad Baehaqi, Faiq Amelia, Neneng Dela Andini Futty Atik, Saftiyaningsih Ken Cahyani, Isma Awal Fitroh Caroline Valent Sunarko Chamid Nur Dwaji Desriani, Salsa Dion Darsa Sabrian Dudi Muhammad, Rizziq Ramadhan Elina Almara Fajar Evania Sarah Adinda Fajar, Elina Almara Fauzi, Mochamad Ghaitsa Salma Ghaza Ayeesha T.H.A Gustiyan Rachmadi Hanifah Nurul Muslimah Husen Hendriyana Indri Haryanti Islami, Melani Putri Komarudin Kudiya, Komarudin Kurniawan, Dede Ananta Muhamad Mubarok Muhammad Afit Nagara, Martien Roos Nan Quddus, Sang Padi Nanang Rizali Neneng Dela Amelia Nisa Haritsatul Ummah Nugroho, Muhamad Prasatyo Nurfadhilah, Laila Putri, Amalia Sandra Ramli, Zaenudin Rohmah, Fauziah Saftiyaningsih Ken Atik Setiadin Setiadin Siti Nuraini SITI NURJANAH Sri Mulyati, Evi Utan Sahiro Ritonga Wanda Hamidah Wulandari Wulandari