Claim Missing Document
Check
Articles

Found 4 Documents
Search

Peran Pecalang dalam Memelihara Pluralitas Beragama di Pulau Lombok Ilhami, Hablun; Truna, Doddy S.; Halim, Ilim Abdul
Anthropos: Jurnal Antropologi Sosial dan Budaya (Journal of Social and Cultural Anthropology) Vol. 10 No. 1 (2024): Juli
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/antro.v10i1.68934

Abstract

Religious plurality has the highest positive-negative potential among several aspects of plurality that exist. This is inseparable from the multifaces of religion. This paper aims to explore the role of Pecalang in maintaining religious plurality on Lombok Island by focusing on three problem formulations, namely: how Pecalang are in religious plurality on Lombok Island, how Pecalang as a minority group and the face of plurality on Lombok Island, and how Pecalang maintain religious plurality on Lombok Island. This paper is based on qualitative research with data sources from the Sasak and Balinese communities on Lombok Island. The data obtained through the interview method were then interpreted using Talcott Parsons' structural functional theory. The results of the analysis show that Pecalang as a task force that is traditionally a Balinese Hindu culture in the midst of the Sasak Muslim community is a fact of religious plurality on Lombok Island. Pecalang as a Balinese Hindu minority group living in the midst of the Sasak Muslim majority tries to maintain or safeguard the peace, security and stability of religious plurality on Lombok Island. This can be seen from how Pecalang adapts, sets shared social goals, integrates or cooperates with other community groups, and maintains stability by conducting "dialogue" with other religious groups. Given the importance of plurality stability in the midst of community life, studies related to plurality in society need to be developed. This is done in order to maintain community stability and identify problems that have not been identified.
Melampaui Toleransi Pluralisme Agama dalam Perspektif A. Mukti Ali dan Para Pemikir Global (John Hick, Hans Kùng, Paul F. Knitter, dan M. Amin Abdullaah) Nugraha, Rachmat; Truna, Doddy S.; Waliyajati, Roro Sri Rejeki
Indonesian Research Journal on Education Vol. 6 No. 1 (2026): Irje 2026
Publisher : Fakultas Keguruan dan Ilmu Pendidikan, Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/irje.v6i1.3816

Abstract

Penelitian ini menganalisis pluralisme agama melalui konsep ‘Agree in Disagreement’ A. Mukti Ali dengan pendekatan komparatif terhadap pemikiran John Hick, Hans Küng, Paul F. Knitter, dan M. Amin Abdullah. Dengan menggunakan metode deduktif, kajian ini menyintesiskan dimensi teologis, etis, sosial, dan epistemik pluralisme. Hasil analisis menunjukkan bahwa pluralisme agama bukan sekadar toleransi pasif, tetapi ‘tanggung jawab moral, sosial, dan intelektual’ dalam membangun harmoni masyarakat. ‘Agree in Disagreement’ berfungsi sebagai fondasi lokal Indonesia yang menyatukan iman dan dialog, sementara teori Hick, Küng, Knitter, dan Amin Abdullah memberikan perspektif global, etis, praksis, dan metodologis. Temuan ini memiliki implikasi signifikan bagi pendidikan lintas agama, dakwah dialogis, dan penelitian akademik, serta menyediakan paradigma pluralisme yang holistik untuk masyarakat majemuk.
KOMODIFIKASI AGAMA, GENDER, DAN ANAK DI MEDIA DIGITAL: NEGOSIASI KESALEHAN, IDENTITAS, DAN ETIKA PERLINDUNGAN SUBJEK RENTAN Putri, Asmarandani Heryadi; Truna, Doddy S.; Waluyajati, Roro Sri Rejeki
AN-NISA Vol. 18 No. 2 (2025)
Publisher : Institut Agama Islam Negeri (IAIN) Bone-Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The phenomenon of the commodification of religion in digital media signifies a fundamental shift in the ways spiritual values are produced, represented, and consumed in contemporary society. Digital media no longer function merely as channels for religious communication, but also as arenas of symbolic economy governed by algorithmic logic and platform capitalism. In this context, religion tends to shift from a transcendental experience toward a visual performance measured by popularity, attention, and exchange value. This study aims to analyze the commodification of religion in digital media by emphasizing the perspectives of gender and children as socially vulnerable subjects. Employing a critical-interpretative qualitative approach, the research draws on literature review, qualitative observation of digital religious content, and thematic-critical analysis grounded in the philosophy of communication, critical theory, and ethical studies. The findings indicate that representations of women and children in digital religious content often function as visually effective symbols of piety, yet they are prone to symbolic reduction and objectification. Furthermore, the study reveals that algorithmic logic encourages the simplification of religious messages and reinforces religious performativity, thereby marginalizing the reflective and ethical dimensions of faith. Nevertheless, digital media also provide new opportunities for more inclusive religious participation and expression, provided that such practices are accompanied by critical awareness and moral responsibility. This study underscores the urgency of developing an ethical framework for digital religious communication that prioritizes human dignity, particularly that of women and children, amid the dynamics of digital capitalism.
THE DYNAMICS OF RELIGIOSITY IN CONVENTIONAL, DIGITAL, AND METATHEATRE IN EASTERN CULTURES Sudarisman, Yoga; Truna, Doddy S.; Sri Rejeki Waluyajati, Roro
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 22 No. 2 (2025): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v22i2.52636

Abstract

This article examines religious practices in contemporary performance through a sociological approach grounded in the Eastern cultural context of Indonesia. The study focuses on how monologue theatre Amir Nasution, Topeng Monyet (the monkey show) performances, theatrical livestreams of online commerce, and digital stages within WhatsApp groups function as social arenas where religious values are produced, negotiated, and reflected. Religious experience is not understood as fixed doctrine but as a social construction that is symbolic, theatrical, and performative. The sociology of religion provides the framework to interpret how rituals, symbols, and religious practices emerge within the everyday life of Indonesian society, which is shaped by collectivist values and the spiritual ethos of Eastern culture. The meaning of religiosity in performance is layered and dynamic, shaped by social interaction, local traditions, and symbolic actions that emphasize harmony and solidarity. WhatsApp groups, as digital spaces of interaction, are understood as spontaneous forms of metatheatre that embody dramatic structure, performative awareness, and fluid spiritual moments, reflecting religious practices in Eastern communities in the digital era. This article argues that theatre—whether conventional, digital, or metatheatrical—constitutes a social space relevant to contemporary life and offers religious experiences that resonate with the inclusive, collective, and tradition-rooted character of Indonesian Eastern culture.