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All Journal Jurnal Al-Tadzkiyyah Texture : Art and Culture Journal Abdi Seni Acintya Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Retina Jurnal Fotografi

Prasetyo, Andry

Institut Seni Indonesia Surakarta

Author-ID : 970899

Arts Humanities Education Social Sciences Other

Published : 18 Documents Claim Missing Document

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FOTOGRAFI PANGGUNG SOLO INTERNATIONAL ETHNIC MUSIC DI KORAN SOLOPOS DAN KOMPAS TEKNIK DAN ESTETIS Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 1 No. 2 (2010)
Publisher : Seni Media Rekam ISI Surakarta

Stage Photography is one of the branches of science photography, which is devoted to the documentation of art stage. The documenting function is similar to the function of general photography. The branch of state photography more focuses on portraying the scenes on the stage. It becomes something special for both amateur and professional photographers because it requires a high sensitivity, concentration, skills, proficiency and special carefulness. Stage photography is absolutely necessary in the modern mass media, either as a standalone news as well as illustrations to support the news writing. Stage photography with the reality of the value, will help in the mass media to provide more complete information for the audience of readers. The stage photography of Solo International Music Performed which was published in the mass media Solopos and Kompas is the result of the recording of the photographer who has a sense of sensitivity, concentration, skill, finesse and accuracy. The papers published in the mass media can not be detached from the values and aesthetics rules, considering the photos will be witnessed by thousands of the human eye.Keywords: Stage Photography, Technique and Aesthetics.

FOTOGRAFI UNTUK MEDIA MASSA Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 2 No. 1 (2010)
Publisher : Seni Media Rekam ISI Surakarta

The benefits of photography as a tool for an effective and reliable communicating, are summarized in Photo journalistic . In one side, photography has the feel of reality in detail the reliable, furthermore, photography is also a more rapidly digested, knew and understood. So the response and reaction will be given to the information that there will be more quickly and precisely. Moreover with the invention of digital technology will shorten the process of delivering information to better results and faster. Through a combination of drawings and manuscripts, photographs contained in a newspaper or magazine will give us information as is appropriate. Because the image is recorded based on trust-owned, which is something that is absolutely necessar y to inform the sustainability of human life on this earth. In addition, not only, the works of photo-journalistic produced have the factual, reality and detail that is strong, but also contains the values of the beauty of high, given the work that was created by a photojournalist eye will be seen by millions of human beings throughout the world through the mass media both print and electronically.Keywords: Photography, Mass Media, Script.

SHOT DESKRIPTIF SEBAGAI ELEMENVISUAL PROGRAM DOKUMENTER KERIS : REFLEKSI BUDAYA J AWA Sugito, S; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 3 No. 2 (2012)
Publisher : Seni Media Rekam ISI Surakarta

One of the works of art and cultural traditions of Indonesia that have a high value isKris.Kris is a product of original culture created by the ancestors of Indonesia.Apart from beinga piece of art that has a high value and full of symbolic meanings,the Javanese community is stillwith confidence Kejawen believe Kris has a strength,magical power that has an influence on thelife of its owner.The documentary program is the theme of the existence of art and culturaltraditions in the midst of modern society life activities. This work has the characteristicsedutainment,meaning that in addition to providing entertainment also have purpose to provideeducation or knowledge to the audiences.The idea of this documentary is the story of theJavanese community relations with Kris, in any ceremonial activities and rituals performed bythe Javanese community,Kris never comes off as the completeness of culture that should not beabandoned.The use of shot-shot descriptive meaning the use shot more varied such as, panshots, follow shots, tracking shots, low shots, high shots, over-shoulder shot, is needed in themaking of this documentary,because shooting is mostly done on an event without scenario ordirect camera. Type of shot that is widely used among others: Long shot with reason andpurpose to be flexible to follow the area or wide when the scene moving fast, to show wherethe scene is located (showed a), to indicate progress, as well as to show how to position thesubject has a relationship with others.Type medium shot, shot like this type most commonlyencountered in film and television.This type of shot is the most save,because there is no specialemphasis to the object.Type close shot or close-up function to create a suppressive effect,withsolid images.Keywords :Documentary film,Kris,and Java culture

TURONGGO YAKSO IN ETHNO-PHOTOGRAPHY Perkasa, Mandira Citra; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v9i2.2063

The idea of a photographic creation entitled Turonggo Yakso in Ethnophotography is a follow-up in addressing the disappearance of the handwritten textbook of the founder of the art of Turonggo Yakso, which contains important notes on the art of Dongkol Village society. The book contains about the history of the art of Turonggo Yakso, the design of motion, and all the rules regarding the Baritan ceremony. The purpose of the creation of this work in an attempt to re-collect records in the form of text data from the interview results of the artists Turonggo Yakso, and visual data from the show performances which are packaged in ethnophotographic photos. The process of creating this work using the ethnophotographic method supported by Dipti Desai ie Pseudo-Ethnography or "Pseudo" ethnography, where the creator not follow the ethnographic methods strictly, but rely more on field data from interviews by informants and environmental observations. The creation of this work presents ethnophotographic works about the folk art of Turonggo Yakso in Dongko community, Trenggalek regency, East Java province from preparation, during the performance, to the end of the show.

Visualization of Classical Ballet Dance Movements of Swan Lake in Photography Work Pitaloka, Dea Putri; Prasetyo, Andry
Capture : Jurnal Seni Media Rekam Vol. 15 No. 1 (2024)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v15i1.4965

Classical Ballet dance is the most formal style of ballet, attached to traditional ballet techniques. The story of Swan Lake, which is more than two centuries old, but still interesting, is still popular today around the world. The purpose of creating works as a means of introducing and learning about the techniques and meanings and messages contained in ballet dance to a wide audience, especially the positive values contained in it. The method of creation uses the technique of photo studio. The creation of this work presents photographic works on Swan Lake ballet dance that tell and describe in each movement as a means of understanding and learning for a wide audience.

URGENSI MEMBANGUN PARADIGMA QUR’ANI MAHASISWA INSTITUT TEKNOLOGI SEPULUH NOPEMBER DI ERA DIGITAL Mahfud, Choirul; Khairunisa, Amira; Prasetyo, Andry; Bayu, Emirsyah; Alfreda, Muhammad
Al-Tadzkiyyah: Jurnal Pendidikan Islam Vol 12 No 1 (2021): Al-Tadzkiyyah: Jurnal Pendidikan Islam
Publisher : Universitas Islam Negeri Raden Intan Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24042/atjpi.v12i1.8625

Paradigma qur’ani di kalangan mahasiswa sekarang ini menjadi urgensi dalam menghadapi era digital seperti sekarang ini, terutama dalam menuntut ilmu dan mengembangkan pengetahuan. Dengan berkembangnya teknologi di dunia, berbagai tantangan global hadir di tengah-tengah mahasiswa. Maka mahasiswa harus dibekali pendidikan islami agar bisa menghadapi persoalan yang datang dengan tetap berpedoman dengan Al-Qur’an, tidak hanya dengan kepandaian. Apabila seorang mahasiswa memanfaatkan teknologi tanpa dilandaskan dengan ajaran Al-Qur’an, maka akan terjadi penurunan moralitas generasi muda. Dengan menumbuhkan paradigma qur’ani di kalangan mahasiswa, diharapkan akan mencetak pemuda-pemudi yang cerdas intelektual serta berakhlak mulia. Penelitian ini dilakukan untuk mengetahui pentingnya paradigma qur’ani bagi mahasiswa Institut Teknologi Sepuluh Nopember dalam menghadapi kehidupan di era digital. Dalam penelitian ini digunakan metode penelitian kualitatif berupa survei melalui media formulir elektronik. Hasil dari penelitian ini mengungkapkan bahwa mayoritas mahasiswa sadar akan pentingnya penerapan paradigma qur’ani dalam menghadapi era digital. Namun, mahasiswa belum atau kurang memahami cara membangun paradigma tersebut. Akibatnya, mahasiswa belum atau kurang menerapkan paradigma qur’ani dengan baik dalam menghadapi era digital.

Penggunaan Depth of Field dalam Film "Hajat" Dewanta, Albertus Widya; Kristiyanto, Michelle Gracia; Prasetyo, Andry
Retina Jurnal Fotografi Vol 5 No 1 (2025): Retina Jurnal Fotografi
Publisher : Lp2mpp Isi Denpasar - Ps. Fotografi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v5i1.4705

Film Hajat menceritakan tentang Tole dan ibunya yang mencari cara untuk menghantarkan ayah mereka yang sakit menuju kematian. Dalam film ini, hubungan orang tua dan anak diperankan sebagai faktor penting dalam perkembangan individu. Pada penerapan Depth of field hanya terdapat, Deep Focus dan shallow focus saja. Deep Focus digunakan untuk adegan flashback, untuk memperkuat tangga dramatik dalam film sedangkan shallow focus digunakan untuk adegan realitas yang terdapat dalam film. Dalam menunjang unsur dramatik film Hajat diperlukan visualisasi adegan antara waktu realitas dan flashback menggunakan Depth of Field. Dengan menggunakan Depth of Field mudah bagi penonton untuk merasakan adegan realistis dan flashback melalui visual dari sinematografi.

Analysis photo of the year 2006 Indonesian press photo award based on the three visual layers theory Prasetyo, Andry; Guntur, Guntur; Ajidarma, Seno Gumira; Soewarlan, Santosa
Gelar: Jurnal Seni Budaya Vol. 22 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v22i1.5521

This article aims to analyze the work of the 2016 Indonesian Press Photo Award Photo of the Year entitled "Tinjau Titik Api," using the "Three Visual Layers" theory. Photo of the Year 2016 was chosen because it has the advantage of good visual value and high news value, especially for people in the news. The three visual layers analysis includes optical, cultural, and photographic meaning. The optical aspect is for the non-blind eyes, the cultural aspect includes known visual appearances and unknown visual appearances, and the photographic aspect has a functional appearance, personal appearance, and subjective appearance. The research method is qualitative analysis because its implementation is based on visual analysis to find meaning from photos depicting three figures who are symbols of the strength of the Indonesian state, namely, the President of the Republic of Indonesia, Joko Widodo, TNI Commander General Gatot Nurmantyo, and Chief of the Indonesian National Police General Badarudin Haiti, who is inspecting the location of forest and land fires, in Geronggong Village, Ogan Komering Ilir Regency, South Sumatra. Data analysis involves: Scrutinizing relevant and irrelevant information, reducing data, compiling codes against findings data, and verifying codes as a reference for discussion and conclusion. The research results show that the 2016 Photo of the Year contains meaning that shows the Indonesian government's commitment to dealing with forest and land fires in Sumatra. The photo has advantages in terms of visual value which is reflected in the composition, depth of focus, and expression of the president, and in terms of news value, it is superior in terms of character value, as well as another advantage in the closeness of the photographer to the object of the event.

Co-Authors Agus Heru Setiawan Albertus Widya Dewanta Alfreda, Muhammad Bayu, Emirsyah Choirul Mahfud Dewanta, Albertus Widya Guntur Guntur Khairunisa, Amira Kristiyanto, Michelle Gracia M ali nurhasan islamy Michelle Gracia Kristiyanto Perkasa, Mandira Citra Perkasa, Mandira Citra Pitaloka, Dea Putri s sugito, s Seno Gumira Ajidarma, Seno Gumira Sigit Setiawan Soewarlan, Santosa Yuniar, Anang Ma'ruf Bagus

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