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Journal : Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia

Exploration of Figurative Language in the Poetry Collection Manifesto Koplo by Aditya Ardi N. Siti Maisaroh; Susi Darihastining; Heny Sulistyowati; Akhmad Sauqi Ahya
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 7 No 2 (2025): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v7i2.9992

Abstract

This study focuses on the exploration of figurative language or literary devices in the poetry collection Manifesto Koplo by Aditya Ardi N. The aim of this research is to explore the figurative language used in the collection. The method employed is descriptive, with a stylistic approach. The data source consists of 20 poems selected from the 69 poems in Manifesto Koplo. The research procedure includes: (1) carefully reading and understanding the poems; (2) identifying and marking data within the poems used as the research source, supported by data collection instruments; (3) classifying the data that demonstrate the author’s figurative language according to the research focus; (4) analyzing and describing the data based on the research objectives; and (5) drawing conclusions regarding the figurative language found. The findings indicate that the use of language in the poetry collection reflects the author’s creativity, which is meticulous and detailed in every stanza. The uniqueness of the author is evident in the titles of the poems, which are all related to elements surrounding the dangdut koplo music community, such as the names of female singers, musicians, guitars, drummers, flutes, and so on. The 20 poems analyzed contain highly diverse and aesthetically pleasing figurative language that enhances the distinctive style and originality of the author’s thoughts. The figurative language employed in the collection includes simile, personification, hyperbole, metaphor, paradox, and parallelism. Among these, personification is the most dominant. Notably, two poems—Biduanita Ardila Putri and Jaran Goyang—each contain four types of figurative language simultaneously. This demonstrates the variety and richness of figurative expressions that the author utilizes to beautify the poems while reinforcing their uniqueness and originality.
Phonological Acquisition through Pop-Up Book Media in Children with Autism at SLB Mutiara Kasih Plemahan Kediri Heny Sulistyowati; Akhmad Sauqi Ahya; Ana Fauziah; Natasya Ingga Felani Fauzi
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 7 No 2 (2025): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33752/disastri.v7i2.10010

Abstract

Language is the main means of communication in human life in this world, whether in writing, orally, or only in the form of certain symbols. Language acquisition takes place in the brain when acquiring the first language or mother tongue. People can experience difficulties in acquiring language due to several things, one of which is in children with special needs, namely autism. This study aims to obtain the results of language acquisition by using pop-up books as media for autistic children in SLB Mutiara Kasih Plehaman Kediri. The benefit of this research is to find out the language acquisition spoken by autistic children using pop-up book media. This study uses a qualitative descriptive method to identify the speech acquisition of autistic childrenusing pop-up books. The source of data in this study is mild autistic students at SLB Mutiara Kasih Plemahan Kediri. Data collection was done by observation, object determination, recording, data transcription, data identification, and codification. Vocabulary in the category of pronounced nouns include ([b,u], [u,r,u]) , [e,e,a,t,u]. [t,o,m,p,e,t], [u,m,i], [l,u], [n,y,e,t], [h,a,r,i], [o,l.a.h] [u,a,n], and ([u,r,a] [u,r,a]).