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International Journal of Humanity Studies (IJHS)
Published by Universitas Sanata Dharma
ISSN : 2597470X     EISSN : 25974718     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
International Journal of Humanity Studies (IJHS), a double blind peer-reviewed journal, publishes scientific full papers written in English. IJHS is a biannual, published twice a year, namely in September and March.
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 26 Documents
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Search results for , issue "Vol 3, No 2 (2020): March 2020" : 26 Documents clear
POSTCOLONIAL ECOCRITICISM IN HUNGER BY ELISE BLACKWELL Lestari Manggong
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2184

Abstract

Hunger, a novella by a contemporary American novelist, Elise Blackwell, centres in the story of a Russian botanist, Nikolai Vavilov, during the Leningrad siege in 1941. Vavilov protects his collection of seeds at the Research Institute of Plant Industry in Leningrad against all odds, to be preserved for research for future use. In the recounting moments during the siege, the narrative provides parallelism between Leningrad and the ancient city of Babylon. In postcolonial writing, this can be perceived as a form of nostalgic projection of the past (Walder, 2011). Such a parallelism triggers a postcolonial narrative analysis on the pairing of the two as affinity, focusing on the significance of the comparison between the two cities (between the apocalyptic present and the glorious past). The contribution of this parallelism will be discussed to understand the novella as a narrative mode of ecocriticism, with regards to the idea of prioritizing seeds over human lives, which also acts as the steering issue stirring the plot. By mainly referring to Garrard (2004) and Huggan and Tiffin (2010) on ecocriticism and postcolonial ecocriticism, this essay in general aims to investigate how the novella contributes new perspectives on the intertwining between postcolonial studies and ecocriticism.
DOMINATED INDIVIDUALS TACTICS TO DISRUPT BEING OTHERED IN NEO-COLONIAL NOVELS OF BAUTISTA AND WA THIONGO Pableo, Marvin
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2456

Abstract

Dominated subjects or those Othered in many societies are among the most misrepresented class of people. Such misrepresentation has popularised their being imagined in literature and other fields of study as almost always despondent and meek individuals. In this context, this paper interrogates Western archetypal images on Others as passive recipients of domination. Applying De Certeaus concept of tactics, this paper investigated how tactics of dominated subjects become immediate yet temporary solution among Others to disturb the everyday practices of Othering. Lualhati Bautistas Gapo and Ngugi Wa Thiongos Matigari were scrutinised through discourse analysis and both revealed that everyday tactics are used by Othered characters to grapple with, respond to and, later on, overcome societys exclusionary practices. Set in the after colonial environs, the novels portray Othered characters as capable of resistance and agency despite their political, economic and/or cultural marginalisation. Such use of tactics as means of resistance are however temporary and, ultimately, cannot solve their being dominated. Nonetheless, the counter-discourse this frame of thought offers as well as how tactics provides space and how space simultaneously allows the production of tactics can provide us a more nuanced understanding of resistance and the lived experiences of Others.
APOCALYPTIC NARRATIVE SCHEMAS IN DYSTOPIAN FILMS Muwaffaq, Thafhan; Komar, Nurul; Armandaru, Rio
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2168

Abstract

This research investigates the way dystopia as film genre is attributed with catastrophe or, what will be regarded here as apocalyptic events. We question the way in which the genre represents state of affairs of humanity in the face of catastrophe, in catastrophe, and after catastrophe. We conducted a narrative analysis under the account of semiotic cognitive approach, by identifying narrated events, and actions of the protagonist as constituting parts of event. We argue that narrative in dystopian films represent three types of apocalyptic schema (i.e. pre-apocalyptic, apocalyptic, and post-apocalyptic). Each schema seems to have distinct model of storyline, regardless of the predefined genre of the film (e.g. adventure, sci-fi, fantasy, etc.). Despite the distinct schemas, the analyzed films illustrate typical tone of hopefulness wherein humanity prevails over catastrophe and dystopian state of affairs. Another typical representation in dystopian films analyzed here is portrayal of collective fear among the protagonist. Our study leads to a point that humanity is portrayed adaptive to catastrophic situations, therefore it is able somehow to survive. Here we offer narrative standard in dystopia genre with the light of cognitive semiotics perspective, which differs to a great degree with theories offered by classical literary studies.
ARBOREAL POETICS IN HOWARD NEMEROVS THE THOUGHT OF TREES AND LUIS H. FRANCIAS LESSONS OF A TREE Henrikus Joko Yulianto
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2221

Abstract

This paper discusses arboreal poetics in two contemporary poems The Thought of Trees by Howard Nemerov, an American poet and Lessons of a Tree by Luis H. Francia, a Filipino one. The objectives of this research are first to identify how Nemerov and Francias vegetal poetics conveys ecological views; second, how their vegetal poetics evokes ones ecological awareness to conserve biodiversity and to consume material goods sufficiently. These behaviors help to reduce the exacerbation of climate change phenomenon. This research used qualitative methods, in which the data were words and taken from the two poems and from several sources on trees, climate change, ecopoetry as a kind of criticism belonging to environmental humanities. The result shows that both poems anthropomorphize trees as indispensably interconnected and coexistent with any life forms and the physical environment. This further impacts on humans growing ecological conscience not to objectify but to conserve vegetation in particular and other natural resources in general through his sufficient consumption of the material goods for ones living necessities.
GOFFMAN DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO Agustina Kusuma Dewi; Yasraf Amir Piliang; Irfansyah Irfansyah; Acep Iwan Saidi
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2339

Abstract

DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised,therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho,asanartfilm,theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe'movement'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic,whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation.
TRANSLATION TECHNIQUES AND QUALITY OF THE TRANSLATION OF LEGAL TEXT ON IMMIGRATION LAW Della Fransiska Ginting; Syahron Lubis; Umar Mono
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2171

Abstract

This research aims to (1) analyze translation techniques by using Molinas Albirs theory (2002) in the text of the Immigration Law in English, (2) analyze the quality of the translation in terms of accuracy, acceptability and readability by using Nababan's theory (2012) in translating legal of the Immigration Law into English; and (3) analyze the impact of translation techniques on the quality of the translation in the text of the Immigration Law in English. This research is qualitative research with a descriptive approach. The source of data is the Immigration Law written in two languages, namely Indonesian as the source text (TS) and English as the target language (TL). Based on the analysis, it is found that: (1) In the translation of the Immigration Law, there are 12 translation techniques used, namely 64 (39%) literal, 36 (22%) calque, 24 (14%) established equivalent, 10 (6.2%) generalization, 9 (5.5%) borrowing, 4 (2,4%) linguistic amplification, 2 (1.2%) particularization, 5 (3.1%) transposition, 1 (0.6%) compensation, 3 (1.8%) modulation, 2 (1.2%) reduction and 1 (0.6%) adaptation. (2) The total score for the translation quality is 2,77% which is the quality of translation almost perfect. (3) The most dominant translation technique used in translating this legal text is literal technique (39%) which is the dominant technique that gives impact to translation quality.

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