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All Journal Jurnal Sosioteknologi JURNAL SOSIAL HUMANIORA (JSH) RITME International Journal of Humanity Studies (IJHS) Ideas: Jurnal Pendidikan, Sosial dan Budaya International Journal of Management, Entrepreneurship, Social Science and Humanities (IJMESH) Enrichment: Journal of Multidisciplinary Research and Development Advances In Social Humanities Research Asian Journal of Social and Humanities
Yasraf Amir Piliang
Institut Teknologi Bandung
Arts Humanities Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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SEMIOTIKA KETAKSADARAN PADA KARYA LUKIS PENYANDANG SKIZOFRENIA RESIDUAL Caecilia Tridjata; Yasraf Amir Piliang
RITME Vol 1, No 1 (2015)
Publisher : Universitas Pendidikan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Dalam tulisan ini dieksplorasi segi konseptual dan empirik tentang aspek ketaksadaran dalam kepribadian penyandang skizofrenia yang diekspresikan melalui karya-karya lukisnya. Konsep-konsep ‘kesadaran’ dan ‘ketaksadaran’ dalam psikoanalisa merupakan kunci untuk memahami tingkah laku dan masalah-masalah kepribadian, salah satu diantaranya adalah skizofrenia. Pada kasus penyandang skizofrenia proses membawa pre-conscious menjadi sebuah kesadaran mengalami masalah karena telah terbenam lebih dalam ke unconsciousness. Menurut pandangan psikoanalisa Lacan secara konseptual pemahaman konsep ‘subyek’ dari penyandang skizofrenia dapat dianalisa melalui karya-karya lukis mereka. Penataan elemen-elemen visual pada karya lukis mereka layaknya sebuah struktur bahasa dalam relasi penandaan yang dapat diinterpretasi melalui berbagai pendekatan, salah satunya melalui metode Semiotika. Pada kasus penyandang skizofrenia prosesnya menjadi lebih kompleks karena terjadi kerancuan pola dan arus berpikir yang disebabkan oleh halusinasi, delusi dan gangguaan psikologis lainnya. Hal ini mengakibatkan terjadinya kerancuan relasi tanda sehingga ide, tema/subject matter, unsur-unsur visual dan gaya pada karya-karya lukisnya terkesan tak lazim atau ganjil. Metode semiotika ketaksadaran membantu proses memahami subjektivitas penyandang skizofrenia melalui karya lukisnya yang terhubung dengan alam ketaksadarannya. Karya lukis skizofrenia merupakan sublimasi artistik dari keinginan bersosialisasi dengan masyarakat. Dalam perspektif semiotika manifestasi dari ‘self expression’ yang divisualisasikan dalam karya seni lukis dipahami sebagai ‘kode pribadi’ yang berpotensi mengalami perubahan tanda dan makna hingga menampilkan ‘pola’ atau ‘gaya individu’ yang orisinal yang disebut ‘idiolect’. Penafsiran makna simbolik yang orisinal yang terdapat pada karya lukis skizofrenia ini dimungkinkan dilakukan melalui penafsiran terbuka atau prospektif.  
DIFERENSIASI WANDA-WANDA ARJUNA GAGRAK SURAKARTA DALAM PENGUKURAN DAN PERHITUNGAN SECARA MATEMATIS Ratna Cahaya Wirawan; Yasraf Amir Piliang; Ira Adriati; I Irfansyah
Jurnal Sosioteknologi Vol. 19 No. 1 (2020)
Publisher : Fakultas Seni Rupa dan Desain ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/sostek.itbj.2020.19.1.1

Abstract

Arjuna dalam wayang kulit memiliki bentuk ekspresi (disebut dengan wanda) yang penciptaannya didasarkan pada bentuk dan posisi tubuh dan diidentifikasi dengan menggunakan rasa. Penelitian ini melangkah lebih jauh dari sekedar rasa untuk mencari diferensiasi secara terukur pada wanda-wanda Arjuna dan membaca pola dari diferensiasi tersebut. Penelitian ini bersifat kuantitatif dengan mengukur dan menghitung secara matematis elemen-elemen Arjuna wayang kulit. Arjuna wayang kulit dalam penelitian ini dilihat sebagai suatu struktur di mana setiap elemen-elemennya terkait satu sama lain sehingga dapat diketahui diferensiasinya. Hasil analisis menunjukkan bahwa terdapat pola diferensiasi yang bersifat kontinum dari tiga yang menjadi obyek penelitian, di mana wanda Kinanthi mengantarai diferensiasi wanda Kedhu yang menjadi patokan (titik awal) dan wanda Muntap yang menjadi titik akhir. Pola yang muncul ini dapat digunakan untuk memperkirakan arah penciptaan wanda berikutnya.
GOFFMAN DRAMATURGY OF MOVEMENT CONCEPT IN SETAN JAWA FILM BY GARIN NUGROHO Agustina Kusuma Dewi; Yasraf Amir Piliang; Irfansyah Irfansyah; Acep Iwan Saidi
International Journal of Humanity Studies (IJHS) Vol 3, No 2 (2020): March 2020
Publisher : Sanata Dharma University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/ijhs.v3i2.2339

Abstract

DramaturgyGoffmanncloselyrelatedtothemodeloftheinteractionbetweenthepersonabyassumingthatamodeofsocialrelationsasastageshow.Thereareself-raised,therearepurposelyhiddenformanagementtocreateacertainimpression.SetanJawaFilmbyGarinNugroho,asanartfilm,theissueofmovementasthemediasaidthefilmthatmarkstheculturalcodeofJavatointeract.Thisstudyaimstoidentifytheperceptionofmotionapplicabletothe'movement'inSetanJawaFilmusingtestquestionnaireresponsesontheperceptionofrespondentsfromdiverseethnic,whichwaslaterconfirmedbythemethodofFocusedGroupDiscussionwithGoffmannDramaturgyanalysisasthebasisofinterpretation.
Peran Perempuan dalam Tradisi Makan Bajamba pada Rumah Gadang Minangkabau Rosalinda Wiemar; Yasraf Amir Piliang; Deddy Wahjudi; Ruly Darmawan
Ideas: Jurnal Pendidikan, Sosial dan Budaya Vol 8 No 3 (2022): Ideas: Pendidikan, Sosial, dan Budaya (Agustus)
Publisher : Ideas Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32884/ideas.v8i3.943

Abstract

Minangkabau is an ethnic group in West Sumatra with a matrilineal ideology. The tradition of eating bajamba is an activity that has many meanings and is closely related to the role of women. For this reason, this research was conducted to find out how the role of women and the meaning implied in the tradition of eating bajamba in the rumah gadang. The ethnographic research method was used to obtain literature and field data with a qualitative research approach and descriptive analysis. From the results of the study, it was found that the role of women greatly influenced the process and layout of the area when eating bajamba at the rumah gadang. Research findings can be used as a guide and preserve the implementation of Bajamba eating activities so that they are not eroded by time. Minangkabau adalah kelompok suku-suku di Sumatera Barat yang berpaham matrilineal. Tradisi makan bajamba merupakan kegiatan yang memiliki banyak makna dan sangat berkaitan dengan peran perempuan, karenanya penelitian ini dilakukan untuk mengetahui bagaimana peran perempuan dan makna yang tersirat dalam tradisi makan bajamba di rumah gadang. Metode penelitian etnografi digunakan untuk memperoleh data literatur dan lapangan dengan pendekatan penelitian kualitatif serta analisis deskriptif. Dari hasil penelitian ditemukan bahwa peran perempuan sangat mempengaruhi proses dan tata letak area pada saat makan bajamba di rumah gadang. Temuan penelitian dapat dijadikan panduan serta melestarikan pelaksanakan kegiatan makan bajamba agar tidak tergerus oleh zaman.
Taste Perception from Jamu Drinks Color for Younger Generation by using Photo Products Andreas Kurniawan; Yasraf Amir Piliang; Agung Eko Budiwaspada
International Journal of Management, Entrepreneurship, Social Science and Humanities Vol. 6 No. 1 (2023): Specific Issue
Publisher : Research Synergy Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31098/ijmesh.v6i1.1338

Abstract

Jamu is a traditional herbal drink from Indonesia that has been inherited from generation to generation. Jamu drinks have a variety of recipes since their ingredients are derived from a combination of typical Indonesian spices that can be obtained in local markets. Previously, jamu was frequently associated with a bitter taste, but due to improvements and innovations, it may now adapt to the preferences of the younger generation. Moreover, modification of a recipe's look involving different hues may cause consumers to speculate about its taste. This study examines taste perception from the Indonesian traditional herbal drinks "jamu" color for the younger generation by using photo products image. The research method was conducted through experimentation by using a questionnaire and forum discussion in 2 phases on 111 visual communication students with an average age of 21.7 years. Results: white, red, blue, and yellow colors were preferred by the majority of participants, followed by orange and brownish-red colors, which were still mostly acceptable. However, brown and green were perceived as the colors that participants disliked the most. Based on the result of this experiment, it can be concluded that human perception of color and taste can also be applied to traditional herbal medicine; this result supports the innovative exploration of jamu recipes that can adapt to the tastes of the younger generation. The result of this study shows that perception is influenced by previous experience; several times, the data showed significantly that colors such as milk or common fruit juice would be perceived the same as the taste of jamu. Furthermore, these findings strengthen various previous studies that the color will be able to make humans perceive its taste; although sometimes the perception is wrong, it can be used as an important reference for industries. In addition, the results of this study also show that the perception of color can be done without the need to see the product directly.
Experimentation and The Vanishing Point of Photography In Contemporary Art Deden Hendan Durahman; Yasraf Amir Piliang; Irma Damajanti; Armein Z. R. Langi
Asian Journal of Social and Humanities Vol. 3 No. 4 (2025): Asian Journal of Social and Humanities
Publisher : Pelopor Publikasi Akademika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59888/ajosh.v3i4.486

Abstract

Photography has established itself as a dominant force in contemporary art, yet its boundaries are continuously challenged by experimental practices that merge traditional photographic principles with elements drawn from fine art traditions, such as painting. This presents a critical issue: how can photography evolve conceptually and aesthetically without losing its fundamental identity? This research aims to develop a framework for creating photographic artworks that explore the representational limits of the medium through bold experimentation while preserving its core principles. Employing G. Sullivan’s framework of interpretation, structure, and critical inquiry, the study examines how experimental practices transform photography into photographic imagery, pushing the medium to its conceptual and aesthetic vanishing points. The findings reveal that at these boundaries, photographic imagery transcends traditional representation and evolves into an ideological foundation, demonstrating the medium’s capacity for profound conceptual expression. Despite these transformations, the study concludes that experimentation does not compromise the essential nature of photography—its unique ability to evoke ostensibly truthful memories. By identifying and analyzing these dynamics, the research underscores the enduring relevance and adaptability of photography in contemporary art, highlighting its potential to navigate new creative frontiers while maintaining its intrinsic connection to reality.
Negotiating Historical Agency in Indonesian Comics: A Multimodal Discourse Analysis of Herman Johannes in Komando Rajawali Triyadi Guntur Wiratmo; Yasraf Amir Piliang; Agung Eko Budi Waspada; Seno Gumira Ajidarma
Enrichment: Journal of Multidisciplinary Research and Development Vol. 4 No. 2 (2026): Enrichment: Journal of Multidisciplinary Research and Development
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/enrichment.v4i2.666

Abstract

Comics have increasingly been recognized as multimodal cultural texts that combine visual and verbal elements to construct narrative meaning and ideological perspectives. Within historical comics, character representation plays an important role in shaping how historical actors and events are interpreted by audiences. However, studies examining how visual and verbal elements jointly articulate ideological meanings through character representation remain relatively limited, particularly in the context of Indonesian historical comics. This study aims to examine how the character Herman Johannes is represented in the comic Komando Rajawali 05: The Final Battle and how this representation contributes to the reinterpretation of historical narratives about the Indonesian independence struggle. Using a qualitative approach based on Multimodal Critical Discourse Analysis (MCDA), the study analyzes selected comic panels that depict Herman Johannes through the interaction of dialogue, visual composition, symbolic objects, and character gestures. The analysis reveals that the character is constructed as a civilian scientist whose intellectual expertise function as an alternative form of strategic contribution within the struggle of independence narrative. Visual elements such as books, spatial positioning, and gesture symbolism work together with verbal dialogue to redefine knowledge as a form of power alongside military action. These findings highlight the role of comics as cultural media capable of negotiating dominant historical narratives and expanding the representation of historical agency beyond military-centered perspectives in Indonesian independence discourse.
Visual Culture; Expanded Cinema and the Concept Of “Trisikon” as a Manifestation of Indonesia Cultural Diversity Sito Fossy Biosa; Yasraf Amir Piliang; Hafiz Aziz Ahmad; Tisna Sanjaya
Advances In Social Humanities Research Vol. 4 No. 2 (2026): Advances In Social Humanities Research
Publisher : Sahabat Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/adv.v4i2.540

Abstract

  Visual culture understands cinematic practice not merely as aesthetic expression, but as a site of social meaning production shaped by the relationships between medium, space, and audience participation. Within this framework, expanded cinema opens new possibilities for experimental film practices that transcend conventional representational boundaries through multisensory and reflective experiences situated between reality, archive, and imagination. This research examines the concept of TRISIKON (three situations and conditions: live action, documentation–footage, and animation) as a cinematic creation model that manifests Indonesian cultural diversity through the dialectic of Chaos–Harmony, defined as the convergence of creative uncertainty and compositional order. Through a case study of the work Anemoia Utopia, Chaos–Harmony (cultural diversity) is interpreted not as a binary opposition but as a dynamic space reflecting relationships between humans, nature, and non-human entities within Indonesia’s plural cultural context. This study employs an art-based research methodology combined with a hermeneutic approach to interpret visual symbols, rhythms, and nonlinear narrative structures as intersections between aesthetic experience and social reality. The findings indicate that TRISIKON blurs the boundaries between documentation, performativity, and animation, transforming cinema into a participatory space that invites collective interpretation. Consequently, TRISIKON functions not only as an artistic method but also as an epistemological framework within visual culture studies, offering an understanding of cinema as a fluid and continually transforming cultural practice.
Visual Culture Analysis in Campaign of Covid-19 Vivi Varlina; Yasraf Amir Piliang; Ruly Darmawan; Tri Sulistyaningtyas
Jurnal Sosial Humaniora Vol 16 No 1 (2023)
Publisher : Direktorat Riset dan Pengabdian Kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12962/j24433527.v16i1.17810

Abstract

In the contemporary context, the significance of utilizing online media as aninformation portal cannot be overstated. This importance is particularlypronounced during the Covid-19 pandemic, as people actively seek informationthrough online platforms to meet their informational requirements. The primaryobjective of this research is to investigate the visual elements employed in Covid19 campaigns, with each element carrying meaningful representations. Toaccomplish this, the researcher employs visual culture studies to analyze Covid19 campaigns from a neurophysiological perspective. The methodology involvesemploying a semantic differential scale and principal components analysis(PCA) with the participation of 22 respondents, who assess 12 binary pairedadjective concepts. The analysis centers on four images sourced from the onlinemedia platform www.covid19.go.id. The findings indicate that people perceivevisual objects influenced by technology in a manner that involves recognition.Each visual element serves as a representation of knowledge and is linked tospecific ideas. From a modern neurophysiological standpoint, technologymediated visual elements lead to logical and constructive outcomes whileexhibiting unique affordabilities. These research findings impart valuableinsights to the Government of Indonesia, underscoring the importance ofconsidering physiological, affective, and aesthetic aspects of visual elements informulating their pandemic campaign policies.
Co-Authors Acep Iwan Saidi Agung Eko Budi Waspada Agustina Kusuma Dewi Andreas Kurniawan Armein Z. R. Langi Budiwaspada, Agung Eko Caecilia Tridjata Deddy Wahjudi Deden Hendan Durahman Hafiz Aziz Ahmad Ira Adriati Irfansyah Irfansyah Irma Damajanti Ratna Cahaya Wirawan Rosalinda Wiemar Ruly Darmawan Seno Gumira Ajidarma Sito Fossy Biosa Tisna Sanjaya Tri Sulistyaningtyas Triyadi Guntur Wiratmo Vivi Varlina