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MUDRA Jurnal Seni Budaya
Published by Institut Seni Indonesia Denpasar
ISSN : 08543461     EISSN : 25410407     DOI : https://doi.org/10.31091/mudra.v37i4.2084
Core Subject : Religion, Humanities, Education, Art, Social,
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
AIMS The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. In accordance with the meaning of the word “Mudra”, which is a spiritual gesture and energy indicator, it is hoped that the journal will be able to vibrate the breath of art knowledge to its audience, both academics, and professionals. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches. SCOPE MUDRA, as the Journal of art and culture, is dedicated as a scientific dialectic vehicle that accommodates quality original articles covering the development of knowledge about art, ideas, concepts, phenomena originating from the results of scientific research, creation, presentation of fine arts, performing arts and new media from researchers, artists, academics, and students covering areas of study: Performing Arts: dance, puppetry, ethnomusicology, music, theater,performing arts education, performing arts management Fine Arts: fine arts, sculpture, craft art, fine arts education,fine arts management, including new media arts Design: interior design, graphic communication design, fashion design,product design, accessories and/or jewelry design Recording Media : photography, film, television, documentary, video art, animation,game Culture : linguistic, architecture, verbal tradition, as well as other communal tradition The object of research is explored in a variety of topics that are unique, relevant, and contextual with environmental and sustainability aspects, local wisdom, humanity and safety factors. In addition to that, the topic of research needs to be original, creative, innovative, excellence, and competitive.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 14 Documents
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Search results for , issue "Vol 39 No 2 (2024)" : 14 Documents clear
Jugong as Traditional Fishermen's Formal Aesthetics in Karangtalun Village, Cilacap Rochyat, Indra Gunara; Noor, Firdaus; Yusuf, Adisti Ananda; Wiyono, Erina
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2691

Abstract

Jugong is a traditional fishing boat that holds great significance for the fishing community in Karangtalun Village, Cilacap. It is valued for its aesthetic qualities that are expressed through its unique characteristics. This paper explores the functional value of the jugong, the process of its creation by the fishermen, and the artistic expression involved in its design, with the ultimate goal of revealing the aesthetic value of the jugong in general. In order to approach, understand, and reveal the aesthetic values of the jugong, which comes from the village fishermen as cultural actors, this research uses the ethnoart perspective as a method. In order to reveal the functional values, we use functional aesthetic theory as an approach method. In addition, to understand how fishermen create jugong, we use mimetic style theory and the aesthetic theory of expression to reveal the fishermen's attitude and behavior during the process of jugong creation. The study results show that the aesthetic value of the jugong is reflected in the traditions that impose strict rules on the fishermen. The community also appreciates the sensitive attitude of the fishermen towards their cultural products by respecting their identity and pride, which includes their aesthetics.
A Language of Children with Disabilities in Digital Pattern Design Dede Ananta K Perangin-angin; Martien Roos Nagara
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2696

Abstract

Visual Language of Children with Special Needs in Digital Motif Design. This article aims to understand the designs made by children with special needs in the form of digital motifs done on adobe photoshop softweat. Data collection is done through direct observation, literature study and practice. This problem is analyzed using qualitative methods with a design thinking approach whichincludes empathize which is the initial stage carried out personally to children with special needs to get the right action, define the selection of tools or software that can help realize visual works in the form of digital design, ideate the stage of producing ideas in theform of moodboards which are set as a reference for realizing digital motif designs, prototype the initial design of digital motifs that stilllook static and can be used as the main sample of the creative process so that it can measure the suitability of the designed designconcept, and test is the final stage of testing carried out as a process of understanding from children with special needs using Adobe Photoshop softwear so as to produce digital motifs that look dynamic and in accordance with the designed concept. The result of this research is the visualization of digital motifs that have character and characteristics through hand strokes and sense or art owned bychildren with special needs and add to the diversity of design work, especially in the field of fashion in making digital motifs as an effort to raise the value of art and creativity created by children with special needs.
Aesthetic Characters of Flora and Fauna Painting Art Pengosekan on Visual Objects Wood Carving Craft Arts in Singakerta Village, Ubud Ni Putu Laras, Purnamasari
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2777

Abstract

Along with the heyday of Pengosekan flora and fauna painting in the 1990s, the aesthetic character of painting was attached to the art of wood crafts in Singakerta Village, Ubud. This aesthetic character can be seen from the visual style of creating flora and fauna objects as well as the finishing of wood carving crafts, which reveal images of typical Pengosekan flora and fauna paintings. This research specifically identifies the background and supporting factors for the visual language representation of Pengosekan flora and fauna painting objects in the art of wood carving that developed in Singakerta Village, Ubud. This research is qualitative research, using aesthetic theory and representation theory as analytical tools. The results of the research show that the aesthetic character of Pengosekan flora and fauna paintings is represented in wood carving craft products, in terms of theme, color, shape and visible lines. The representation that occurs is influenced by creativity in order to follow market trends that were developing at that time, as well as the economic motivation of the craftsmen to improve their welfare. The imagery of Pengosekan flora and fauna painting, which is attached to the art of wood carving, has indirectly helped the dynamic existence of this painting art. The representation of the art of painting in crafts is a dynamic that occurs in the development of the art of painting. The practice of indirect representation also shows something that is very important and positive in maintaining the existence of the art of painting itself, even though the visualization is slightly different because it is caused by several factors.
Kiamat Dance: A Reflection of Local Wisdom in Kuripan Village, South Lampung, Indonesia I Wayan Mustika
Mudra Jurnal Seni Budaya Vol 39 No 2 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i2.2797

Abstract

The Kiamat Dance is the closing dance of the ruwah or traditional wedding of the White Blood Queendom (Keratuan Darah Putih) for seven days and seven nights, known as nuhot. The Kiamat Dance, with its history rooted in the traditions of the White Blood Queendom, holds significant cultural and social value. As the closing dance of the ruwah, this dance symbolizes the culmination of the wedding festivities and marks the beginning of a new chapter in the lives of the newlyweds. The presence of this dance in various events beyond weddings highlights its versatility and adaptability, reflecting its enduring appeal and relevance in contemporary society. Through its rich symbolism and intricate movements, the Kiamat Dance embodies the core values and beliefs of the White Blood Queendom, serving as a testament to the community's cultural heritage and identity. This research aimed to describe the history, development, and local wisdom in the Kiamat Dance from Kuripan Village, South Lampung. This research employed a qualitative approach to produce descriptive data. The underlying theory used in this study was the behavioristic theory. Data collection techniques involved field observation, interviews, and documentation. The results showed that the art of the Kiamat Dance is the closing dance of the ruwah, a series of events for seven days and seven nights at the wedding in the White Blood Queendom. The Kiamat Dance is present on the last night as a closing dance. This dance was originally only found in the wedding ceremony of descendants of the White Blood Queendom. Still, almost every event has this dance nowadays, both in welcoming special guests and celebrating holidays. The values in this dance include religious, social, aesthetic, and educational values.

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