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I Putu Udiyana Wasista
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udiyanawasista@isi-dps.ac.id
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lekesan@isi-dps.ac.id
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INDONESIA
Lekesan: Interdisciplinary Journal of Asia Pacific Arts
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 25982192     DOI : https://doi.org/10.31091/lekesan
Core Subject : Humanities, Art,
Arts Humanities
The journal presents as a medium to share knowledge and understanding art, culture, and design in the area of regional, national, and international levels. The journal accommodates articles from research, creation, and study of art, culture, and design without limiting authors from a variety of disciplinary/interdisciplinary approaches such as art criticism, art anthropology, history, aesthetics, sociology, art education, and other contextual approaches.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 129 Documents
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Ecological Messages In The Ramayana Story Of The Wayang Purwa Shadow-Puppet Play Djoko Sulaksono; Kundharu Sadhhono
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.747

Abstract

The aim of this research is to describe ecological messages in the Ramayana story of the wayang purwa shadow-puppet play. As a qualitative research, it used descriptive analysis techniques and ecology studies based on data derived from ecological content in the Ramayana story. Results from the analysis show that several ecological forms in the Ramayana story can be described and viewed from the interactions between characters in the story and fellow human beings, water, land, fire, air, plants and animals. These interactions point to a reciprocal relationship between living things and the environment. The results of this study enrich the treasure of knowledge in the field of literature and provide a picture for communities about the relationship between living things and the environment, which should be aligned with guidance within Javanese society. Through this research, communities are invited to respect each other’s existence and living things in their surroundings. This is because everything in the world is believed to have its respective strengths and benefits.
Internalization of Local Wisdom Value through I-Spring Technology- Based Art and Culture Learning Mizron Zen Fatro; Edy Tri Sulistyo; Sugeng Nugroho
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.748

Abstract

The social change dynamic in globalization era impacts on the students’ reduced love to local wisdom culture so that they understand poorly the meaning of local wisdom culture existence as cultural heritage rich of life prudence values. This research aimed to analyse the internalization of local wisdom culture values through I-Spring technology-based art and culture learning. The unit of analysis used in this qualitative research with case study approach was the stakeholders of SMA Batik 2 Surakarta selected using purposive sampling technique. Techniques of collecting data used were observation, in-depth interview, and documentation. Data validation was carried out using source triangulation, while data analysis was carried out using an interactive model. The result of research showed that I-Spring technology-based art and culture learning could be a learning media facilitating the students to internalize local wisdom culture values. Through I-Spring learning media, students could internalize, externalize, and objectify local wisdom values in order to achieve the balance of students’ conscience, supra-ritual, and intellectuality related to God through the content of local wisdom values.
Directing Cymbeline: Leon activated attributes of God for the 38th Bali Arts Festival 2016 I Nyoman Sedana
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.749

Abstract

Applying the theory of Bali Creative Art, this paper looks at the theatre directing elements, concept, and method applied by Leon Rubin when he directed Shakespeare’s Cymbeline. Invited by the Head of the Bali Province Cultural Directorate to showcase a cross-cultural theatrical production, Leon selected and integrated twenty-five artists (actors/actresses, costume and lighting designers) from Bali, Indonesia; Malaysia, Mexico, Brazil, China, and England in a new work for the 38th Bali Arts Festival in 2016. Most of the actors were able to stay in Bali for three weeks to rehearse; the piece was also shown in limited seating venues in the villages of Ubud and Abian Semal for three nights in a row from 25 to 27 June 2016. Despite the great challenge for the non-Indonesian actors and director, all were finally able to collaborate under Leon’s direction and perform the Indonesian language translation of the original Shakespearian text. Although the local artists informed Leon that the Cymbeline play would be competing with sounds from loud speakers in several nearby performance venues and the stage crew offered the actors microphones—Leon did not allow sound amplification of the actors, musicians, narrator, or the singer. Surprising yet amusing local audiences with several uncommon features, the Cymbeline show was considered to be the best collaborative production among the nearly 350 performances presented during the month-long festival.
Political Identity Of Transmigrant Communities In Tanah Abang Village In Jambi Through Gamelan Devy Kartikasari; A. M. Susilo Pradoko
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.750

Abstract

This research is intended to discover the procurement process of gamelan musical instruments as an effort to preserve the identity of Javanese transmigrants community in Tanah Abang village, reviewing the idea to the benefit to the community and exploring the meaning and the social values that is implied by the existence of the gamelan used by the communities to learn karawitan. The research was carried out in the Tanah Abang Jambi village, with the pengrawit and trainers as the objects, and the informants, through interview, of this research were the head of the Tanah Abang village, karawitan coach, pengrawit, and those who was part of the agent of change. The data taken was in the form of field-notes which were processed in such a way and sorted into an intact data that was easily traced. Afterward, the data was used to answers the problem statement. The results of the study conclude that the procurement process of gamelan in Tanah Abang village went through a challenging process, however; the impact that follows is quite satisfying since it brings benefits to the community and the village. The process is described through a chart to facilitate understanding. Furthermore, another important point that can be taken from the existence of a set of gamelan musical instruments is social values that can be implemented in everyday life.
Drawing Pattern On Novels In Contemporary Art I Made Jana; I Wayan Sujana; I Ketut Muka
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 1 (2019): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i1.751

Abstract

This study is prompted by the concern over stagnant rates of creation in producing contemporary statues in Bali, both in the northern and southern regions, by using stone, wood, and metal mediums. The technology of using gips (plaster of Paris) is easier in statue production, however dismisses innovation in the process. The researcher took interest in I Wayan Sujana’s 10 years long research (2007-2017) on transferring of the unconscious onto art from novels (books). Based on that research I Wayan Sujana produced thousands of drawings with rich periodicity patterns. Those patterns are reviewed and selected to be made as contemporary statues. The production method for the contemporary statues, using Drawing Pattern on Novel, was participatory, involving traditional art carving experts. User Participation Method, an approach with user involvement in the art, judgment and creation methods by SP Gustami, was employed to conduct this study. The data was gathered with interviews, observation, documentation, and then exploration, planning and embodiment. This study aimed to create innovation of the fine arts, based on research, using Drawing Pattern on Novels, and can be recognized as part of Indonesian fine arts development. Indonesian contemporary fine arts focuses on local genius as the spirit of its creation. This research generated innovative statutes from stone with Indonesian national culture’s aesthetic motifs.
Television Advertising As An Artwork In Representing National Identity Alit Kumala Dewi; Artayasa I Nyoman
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 2 (2019): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i2.887

Abstract

Advertising has a dual role, one side of the advertising is a medium of information to convey messages, both commercial and non-commercial to the audience, and the other side as artwork (applied art) with all its appeal. The priority for advertising is marketing and selling products or services. In its representation, advertising always uses any aesthetic elements, which in principle can potentially be a great attraction for the products or services offered. Concepts that are often represented in ad impressions include, social status, ideal image, lifestyle, identity, etc., which are displayed implicitly or explicitly. This study focuses on the representation of Indonesia’s national identity in the SGM formula milk television commercials. The purpose of the study is to provide a description and description so as to open up insights and knowledge in understanding how Indonesia’s national identity is represented in advertisements for SGM children’s formula milk. The method used is interpretive qualitative The results of the research, that the advertising of SGM formula milk as a work of applied art represents Indonesian national identity, which can be classified into three parts 1) Culture, Religion, Ethnicity of Indonesia; 2) Nusantara Territory (Enchantment of Indonesian and Urban Nature); 3) Characteristics of Indonesian Communities (Habits / Lifestyle) The characteristics of Indonesian society can be interpreted as a socialist and minimalist society. Based on the three classifications of the representation of Indonesia’s national identity, the most dominant part displayed in the SGM formula milk television commercials is the element of religion
Photography As A Bridge To Intercultural Interaction In Bali During The Netherland Indies Colonial Period Of The 1920-1930S I Made Bayu Pramana
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 2 (2019): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i2.888

Abstract

This article presents the process of commencing inter-cultural interactions and artistic collaboration between Balinese and western photographers through photography. In the beginning, the photography project only showed visual record of the Kings, the royal family along with the royal government apparatus in Bali. Beginning with Gregor Krause, a colonial doctor who practiced photography, the others photographers then began exploring nature, culture, art and Balinese society into recording their photographic works. The activity then continued to be an artistic collaboration between westerners as photographers and Balinese as photo models. Not only that, the collaboration also extends to the incorporation of many western cultural elements into photography properties. In addition, the models that appear in photographic works are not only from the royal community, but begin to spread to ordinary residents, artists and their environment. Through the bridge of photography, many western artists combine their ideas with Balinese artists to design and create works of art in the needs of photographic documentation. The collaborative work then attracted tourists to Bali to enjoy the exotica of Bali which was first collaborated by western photographers and writers.
Manuk Nom As A Java-Netherland Acculturation Form Of The Government Culibary Sultan HB VII-VIII (1877-1939) Sri Wahyuning Septarina
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 2 (2019): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i2.889

Abstract

Manuk nom, one of the typical Karaton Yogyakarta desserts that has historical value that cannot be separated from the influence of acculturation of Javanese-Dutch culture. Nom manuk is made of green sticky rice tape and the egg is equipped with two melinjo chips placed on top of it resembling bird wings. During Sultan HB VII’s reign, Yogyakarta experienced a period of transition to modernity. During this period the life of the Yogyakarta Palace received elements of modern education, modern minds, ideas, enthusiasm, ideology and western culture. The purpose of this paper is to find out the history of the development of Javanese-Dutch acculturation in the form of culinary in the era of Sultan HB VII-VIII’s administration. The research method used is qualitative by means of collecting data in the form of observation, interviews, literature data and documentation. This study uses the acculturation theory of cultural approaches to history. The implication of Manuk Nom, which is a favorite food of the Sultanate of Yogyakarta Sultanate, is a reflection of Javanese people’s pride in the culinary results of Javanese-Dutch acculturation as a reflection of national identity.
The Acculturation of Batik Lasem’s Culture With Chinese Motif in the 18th to 20th Century Vera Jenny Basiroen
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 2 (2019): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i2.890

Abstract

Batik Lasem is one of the famous heritages in Indonesia. Lasem has a unique batik motif because it is a blend of Chinese and Javanese culture, which results in a combination of motifs with distinctive shapes and colors, as well as having motifs that are full of meaning. The city of Lasem was chosen because it plays an important role as a batik producer in Indonesia, which is bought by Chinese culture. The purpose of this research is to study and analyze the variety of Chinese decoration in Lasem and its development in the 18th century until the 20th century. The research method used is the study of literature, while the theory used is cultural acculturation theory and discussion of the theory from previous research.
Rare Kelangon The Innovation Of Gender Wayang Colosal For Children Ni Ketut Suryatini; Nyoman Lia Susanthi
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 2 No. 2 (2019): October
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v2i2.891

Abstract

Indonesia is a country with a high level of cultural heterogeneity. In accordance with the State of the Republic of Indonesia’s President Joko Widodo, the country needs disruptive innovations. Disruptive innovation reverses the impossibility into opportunities and results intransformative value for the Indonesian people and nation. Disruptive innovation can also be applied in the arts. Moreover, amid the setbacks in the ethical and moral values ​​of the Indonesian nation, art offers a way to shape character. One of the Balinese arts which has succeeded in changing the character is the art of Balinese traditional music. The tradition of storytelling, traditional children’s games and songs (gending) Bali is needed in upholding moral values ​​and character education early on. For this reason, the creation of the “Rare Kelangon” which has been tested by the international public at the Cultural Performance at the IMF in Nusa Dua Bali on October 11, 2018 and the 24th National Education Day on August 25, 2019. The method used in creating this music innovative of Gender wayang was the research and development of Brog and Gall combined with Bandem and Suteja’s Balinese art creation method. There are 8 stages of creations, namely ngerencana,nuasen, makalin, refinement of the initial product, ngebah I, revision of the final refinement and ngebah II. The results of the study found that the innovations which made in the creation of Rare Kelangon works were extension types, which the invention of the development of existing products, added so that it becomes something new and valuable. The gender wayanggamelan has existed before, but to revive the genderwayang songs, a component of work which also needs to be preserved is gending rare (traditional children’s songs), traditional games, and satua (fairy tales) of the Balinese people who are also full of values ​​of character education.

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