ARTEKS : Jurnal Teknik Arsitektur
ARTEKS : Jurnal Teknik Arsitektur is a medium of scholarly publication published by Architecture Study Program of Universitas Katolik Widya Mandira in collaboration with Indonesian Architect Association. It serves several goals i.e. being a medium of communication, dissemination and exchange of information, and a medium of publishing scholarly research in the field of Architecture.
Articles
333 Documents
<![CDATA[Workshop to increase the number of students at Engineering Study Program ]]>
<![CDATA[Carolina]]>;
<![CDATA[Amandus Jong Tallo]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.43
<![CDATA[Interest of prospective students toward engineering courses both in public and private universities keep decreasing. Data shows that only 14% of students choose engineering courses. In smaller scale, in one private university, students interest taking the engineering course are only 25% compared to student interest on taking the social courses. Purpose of this research was to conclude the reasons why student’s interest toward engineering courses are low, and to comprise some proven solutions, related theories, in order to help solving the problems. Method used in this research is descriptive quantitative. Data used comes from new student’s quisionaire, and related data with student’s number studying engineering course in Kopertis III and in the internal of ABC University. Data analysis showed that current engineering courses which have more students, are engineering courses with social senses such as Architecture, Regional Planning, and Design Product. Along with the theory of 4 (four) aspecs behind the popularity of a figure, all caused by the current trend of prospective student’s interest towards the social study attractiveness which leads to problem soving, the existence of success’s public figures, and industry branding. Direct workshop between lecturer and prospective students, and doing open house in the university could be strategies to increase the numbers of prospective student who want to take engineering course.]]>
<![CDATA[Evaluation of arragement and use of green open space in Cimahi City’s Rusunawa ]]>
<![CDATA[Enrico Nirwan Histanto]]>;
<![CDATA[Yohanes Karyadi Kusliansjah]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.44
<![CDATA[Cimahi City was originally one part of Bandung Regency, with rapid growth finally established as an administrative city on January 29, 1976, then became autonomous city on June 21, 2001. Cimahi currently become one of the growth areas of Bandung in the West. The current population is 561,386, with an average growth of 2.12% per year (source: population database of Cimahi City 2014). Green Open Space (RTH) in several cities in West Java has decreased both in terms of quality and quantity. This has the effect of reducing urban environmental quality and causing urban problems such as floods, especially in the rainy season, increasing air pollution, and decreasing urban happiness index due to the lack of open space available for social interaction. The similarity of the configuration of the arrangement of the site in this case the similarity of the typology of building mass composition, the number of occupants and the target of the residents of low income (MBR) of the two rusunawa Cimahi City, namely Cibeureum and Leuwigajah interesting to examine which is more effective the arrangement of green space and its utilization and the determinants what's playing. In the management, maintenance and utilization of the flats RTH is the main responsibility of apartment managers, in this case the Cimahi Municipal Government, but the involvement of all residents in maintaining and maintaining cleanliness, especially in disposing of waste in place and use the facilities provided responsibly.]]>
<![CDATA[Relation of activity and connectivity of Kalijodo as a public space ]]>
<![CDATA[Hansen Hartoyo]]>;
<![CDATA[Santoni]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.45
<![CDATA[Public space is a place for social, economic and culture activity. Besides green open spaces, there are a lot of space along the river that have potential issues to be created as a public space. In fact, number of riversides are filled by slum area and there is no public space along the riparian. This research focused on the determining the chriterias of public space that support connectivity and incilining the number of activities. Theory that applied for this research is A Guide to Riverfront Development by Charles A. McLaren amd Public Space principle by Stephen Carr and Carmona. Kalijodo is one of the public spaces that will be studied because of its position faced in front of the river. Based on those theories, there are chitrerias that will be used to analyse the study casem which are comfort, activity, sociability, and more focus on access, including pedestrian access point, type and distribution of universal access and pedestrian priority. The result of this research could be summarised that physical access are attained by stairs and bridge that connect from river. Eventhough, Kalijodo must concern about visual access, addition of specific program to spread the activities and support by dense of vegetation to reach comfort.]]>
<![CDATA[Ecologicals and culture concepts in post-disasters housing design in Yogyakarta ]]>
<![CDATA[Lucky Prasetyo]]>;
<![CDATA[Rumiati Rosaline Tobing]]>;
<![CDATA[Hartanto Budiyuwono]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.46
<![CDATA[Post-disaster housing is usually designed with a design that considers only the rapidity of development and cost efficiency without thinking of local cultural and environmental conditions of an area. If this happens continuously, then the local architecture which is a container of local culture and the form of community response to the surrounding environment will slowly be threatened to disappear along with the disaster, which will then be replaced by almost uniform shelter in all places. This study aims to identify ecological and cultural concepts on post-disaster residential design in Ngibikan village that successfully responds to the needs of its inhabitants and blends with the lives of its people. The method used is descriptive qualitative method to explore the concept of ecology and culture on the design in Ngibikan village. Based on the results of the research, it is found that the application of ecological and cultural concepts in the design of post-disaster residential design in Ngibikan village also influenced the success of the design in responding to the needs of the residents and responding to the natural conditions. It is expected that the post-disaster reconstruction process in Ngibikan village can serve as an example for the reconstruction process in the future so that the reconstruction process will not only be an effort to fulfill residential needs for disaster victims but also an effort to preserve local architecture which is a container of local culture and form of community response to the condition environment in an area.]]>
<![CDATA[Layout of Type 54 Affordable house in Kedung Badak Bogor City based on lighting ]]>
<![CDATA[Mochammad Ardi Prayoga]]>;
<![CDATA[Hartanto Budiyuwono]]>;
<![CDATA[Rahadian Prajudi]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.47
<![CDATA[Indonesian people considered the house as a basic necessity such as a house with a building area of 54 m2. The placement of the various layout to the sun’s orientation is related to the lightning. This led to the phenomenon of affordable housing development. The issue of this research is the layout of type 54 affordable house considered by the lighting. The focus of this research is the type 54 affordable house in Kedung Badak Baru in Bogor. The purpose of this research is to get layout design guidelines of type 54 affordable house which consider the lighting and give input to the next architect and government in Bogor. The research method is quantitative descriptive analytic. Tropical architecture design theory and lighting theory are used as a reference in making an analysis. The result is the interior less bright. It because the layout design was surrounded by another room and incorrect placement and size of openings. The conclusion is to design new layout based each orientation of type 54 affordable house. And it also to place the suitable openings properly which will able to utilize the light.]]>
<![CDATA[The meaning of public space of Kupang City Nostalgia Park ]]>
<![CDATA[Yoseph Liem]]>;
<![CDATA[Reginaldo Chistophori Lake]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 2 No 2 (2018): ARTEKS : Jurnal Teknik Arsitektur | Januari 2018 ~ Juni 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v2i1.48
<![CDATA[Kupang City Nostalgia Park became one of the characteristics of the city where the park is located in the city center and became the only representative representative park in the city of Kupang. But the soul is unreliable. Is Nostalgic Park able to give meaning to the initial concept of planning and development in order to provide broad benefits for the city of Kupang and its citizens. Therefore, the purpose of the study is to know the extent to which Nostalgia parks as a public space and how its meaning for the citizens of the city. This research was conducted by qualitative descriptive method. Observations were made in the park room at predetermined times to get an overview of the utilization pattern. The results show that the utilization of open space Nostalgia public park is still not maximized according to the initial concept, where the purpose of utilization of the park on a larger scale has not been integrated with the unsuccessful efforts to make the park as the lung of the city / forest city and has not given a democratic meaning to visitors park as a public open space that can be accessed by the visitors.]]>
<![CDATA[Strategi implementasi konsep waterfront city kota Kupang ]]>
<![CDATA[Amos Setiadi]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 1 (2018): ARTEKS : Jurnal Teknik Arsitektur | Juli 2018 ~ Desember 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v3i1.49
<![CDATA[The vision of development of Kupang City is to develop is as the Centre of National Activities with sustainable waterfront city concept. It intends to solve problems resulting from the development of Kupang City seashore areas by orienting the development to establish seashore areas as the front gate of the city and avoiding construction of settlement building on riparian zones and seashore areas.bThe relevance of this vision is discussed using qualitative descriptive method based on data of the areas' profiles. The discussion concludes that Kupang City needs Detail Planning on Priority Areas' Spatial for riparian zones and seashore areas with development concept. © 2018 Amos Setiadi]]>
<![CDATA[Tradisionalisme dalam arsitektur Kolonial Belanda di kota Gorontalo, kasus studi: kawasan Kota tua kota Gorontalo ]]>
<![CDATA[Andi Imelda Chanrasari]]>;
<![CDATA[Nurmiah]]>;
<![CDATA[Umar]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 1 (2018): ARTEKS : Jurnal Teknik Arsitektur | Juli 2018 ~ Desember 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v3i1.50
<![CDATA[Humans basically cannot break away from the past which gave birth to the thoughts and values. These thoughts and values passed down continuously without any or with very little change that they become the customs and culture of the people. This kind of understanding is called traditionalism. It is assumed that traditionalism also exists in architecture as a product of human culture. Gorontalo as a rapid growing city during the Dutch colonial period kept a number of buildings from that era. The Dutch colonial buildings are results of Dutch culture either in their pure form or those that have been combined with traditional culture and the condition of the surrounding environment. The results showed that traditionalism in Dutch colonial architecture has an influence in the city of Gorontalo. These influences can be found in terms of the design of the floor plan, the shape of the building, the shape of the roof, the shape of the openings and the use of ornaments in buildings. © 2018 Andi Imelda Chanrasari, Nurmiah, Umar]]>
<![CDATA[Kinerja struktural Interlocking Compressed Earth Block (ICEB) dengan serta ijuk sebagai stabilisator ]]>
<![CDATA[Budianastas Prastyatama]]>;
<![CDATA[Anastasia Maurina]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 1 (2018): ARTEKS : Jurnal Teknik Arsitektur | Juli 2018 ~ Desember 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v3i1.51
<![CDATA[Modular block building materials have been well-known in the design and construction of built-environment. In its simplest form, the modular block is known as brick, red brick, lime brick, conblock, etc. The modularity of its unit lends itself for easy of production, application and transport. The drawbacks, however, are the generallyrelated to high energy consumption and pollution level in the production process (brick burning, high temp heating of cement and lime). In the perspective of sustainable and environmentally friendly built environment, the drawbacks need to be addressed in order to minimize its carbon footprint in human habitation. The challenge is how to obtain modular blocks with low energy consumption, while achieving stability and structural performance up to the standard. In this research, the earthen block test units were conducted without burning or use of cement and lime. Ijuk fibre (Arenga pinnata) was chosen as replacement of cement and lime was choses as stabilizer in producing modular blocks. The main test units and their comparisons underwent a compression test in the compressive testing machine to evaluate the structural performance. The comparison test blocks were blocks with similar form, dimension and production method, while the diffrentiating factor was the mixture. The standards SNI 15-2094-2000 (Indonesia) and IS 1077 : 1992 (India) were used as reference to compressive strength of common fired brick. © 2018 Budianastas Prastyatama, Anastasia Maurina]]>
<![CDATA[Pelestarian arsitektur berdasarkan architectural architypes melalui metode grafis ]]>
<![CDATA[Fransiscus Xaverius Eddy Arinto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 3 No 1 (2018): ARTEKS : Jurnal Teknik Arsitektur | Juli 2018 ~ Desember 2018 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v3i1.52
<![CDATA[Preservation of cultural heritage is an obligation so that future generations can still enjoy the cultural riches that their predecessor generation has made. In reality, changes occur over time. These changes are sometimes uncontrollable and cause damage to artifacts. They ultimately eliminate the source of discourse and even its characteristics. To maintain cultural sustainability, preservation must be based on the characteristics of the cultural heritage itself. The problem is how to explore and obtain these cultural characteristics so that they can become a foothold in developing further designs. The graphic method for artifacts is one method that helps to explore archetypes, basic characters contained in artifacts in an easier way. This basic character will later become a guideline for the development of a sustainable design. © 2018 Fransiscus Xaverius Eddy Arinto]]>
