ARTEKS : Jurnal Teknik Arsitektur
ARTEKS : Jurnal Teknik Arsitektur is a medium of scholarly publication published by Architecture Study Program of Universitas Katolik Widya Mandira in collaboration with Indonesian Architect Association. It serves several goals i.e. being a medium of communication, dissemination and exchange of information, and a medium of publishing scholarly research in the field of Architecture.
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404 Documents
<![CDATA[Peran sanro bola dalam tradisi membangun rumah tradisional Bugis di Kabupaten Soppeng ]]>
<![CDATA[Asta Juliarman Hatta]]>;
<![CDATA[Iwan Sudradjat]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.119
<![CDATA[The role of sanro bola in construction of Bugis traditional house in Soppeng District The diversity of race and culture makes Indonesia a country with abundance of culture. Traditional houses which have diverse form are symbol and reflection of culture in every tribe in Indonesia. The shape and architectural value of traditional Bugis houses in Sulawesi Selatan which still remains thanks to the efforts of Bugis tribe community is an example of house-building culture which still exists today. The involvement of cultural leader such as Sanro bola in tradition of Bugis’ house-building culture is essential, because they have knowledge and experiences passed on through generations. This study aims to reveal the role of Sanro bola in preserving the traditional values of building a Bugis Soppeng house. The method of this research is qualitative with explorative analysis. The result of the study revealed that the role of Sanro bola in the process of building a traditional Bugis Soppeng house divided into 6 aspects; as leader, material selection, considering about a good time and day, house orientation, constructing of traditional houses, and application of philosophy sulapa epapa'e. These six aspects are applied by Sanro bola in both physical and non-physical with the aim of providing direction and safety for the residents of the house.]]>
<![CDATA[Dominasi ragam akulturasi lokal-moderen pada bangunan Casablancka residence, Bali ]]>
<![CDATA[Efraim Desprinto Lalu]]>;
<![CDATA[Bachtiar Fauzy]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.187
<![CDATA[Domination of local-modern acculturation in Casablancka residence, Bali The phenomenon of local-modern architecture acculturation is important to explore because it can be used as a concept of contemporary architecture (kiwari architecture). The research object in this study is Casablancka Residence building in Bali. The object of research is a new building which is still rarely studied, especially from the aspect of architectural acculturation. This research aims to uncover various forms of acculturation of local and modern architecture in terms of various aspects of the form of acculturation, also to see which one is more dominant between local and modern architecture in the Casablancka Residence building. The Archetype Theory is then used to uncover the architectural phenomenon of Casablancka Residence building. Through a descriptive-analytical-interpretative approach, the characteristic of the acculturation will be revealed. The results of this study found a stronger dominance of local elements whose outlines appear on the roofs and floors of buildings that use strong local forms and materials, while modern elements are more dominant on the walls of buildings dominated by modern glass materials. The benefits of this study are expected to contribute positively for the community to raise the awareness of the importance of locality in building and preserving local culture and architecture. The other benefits are to increase architectural knowledge for academics and practitioners.]]>
<![CDATA[Identifikasi tingkat kebisingan serta indikasi dampak desain barrier hunian di tepi jalan raya ]]>
<![CDATA[Frengky Benediktus Ola]]>;
<![CDATA[Maria Christina Prasetya]]>;
<![CDATA[Maria Risky Pratiwi Renwarin]]>;
<![CDATA[Cecilia Kitti]]>;
<![CDATA[Fiona Purwanto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.195
<![CDATA[Identification of noise level and indication of its impact on residential barrier design in street edge The effect of noises toward human body not only disturb the hearing organs, it can also disturb other human body parts and in some cases may results in reduction of work’s efficiency. This study aims to assess the noise level in residential areas on the edge of the city of Yogyakarta highway and to find any indication of the impact on building design and barriers by homeowners to reduce noise. This research is quantitative associative. Data obtained from measurements and field observations. The results showed that the noise level in residential areas on the edge of the highway, class II street and local roads in the city of Yogyakarta did not meet the standard values of LTNI and LNP. The design of buildings and barriers as a noise reduction factors for the highway was found with a percentage of 100% on the Jalan Bung Tarjo segment, 85.7% on the Jalan Ki Penjawi segment, 20.83% on the Jalan Juminahan segment, 52.08% on the Jalan Bausasran segment, 13.37% on the Jalan Suryodiningratan segment, and 10.7% on the Jalan Mangkuyudan segment. Therefore, the people of Yogyakarta are not fully aware of the high level of road noise.]]>
<![CDATA[Simulasi transfer panas pada dinding dengan software Therm 7.7 ]]>
<![CDATA[Leonardus Murialdo Fransiskus Purwanto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 4 No 1 (2019): ARTEKS : Jurnal Teknik Arsitektur | Juli 2019 ~ Desember 2019 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v4i1.215
<![CDATA[Heat transfer simulation on the wall with Thermal 7.7 software Counting the heat transfer in building is not something complicated. There are quite a lot of computer simulation software offering precision and variants which meet the needs of the users. Software Therm offers one advantage, which is user-friendly, and can be used for a real plane in building design and can even be used to count the heat transfer in a building map. The difficulty in using this application is the limitation in building material library which is suitable for daily building materials in Indonesia. However, this software allows the users to add building material library by filling in with building material value in connection with simple therm. This research is based on the internal research funded by Soegijapranata Catholic University, the aim of which is to analyze the field of wall materials by utilizing Software Therm with real heat transfer simulation and accurate calculation by mapping plane wall cutting. This research is based on the internal research funded by Soegijapranata Catholic University, the aim of which is to analyze the field of wall materials by utilizing Software Therm with real heat transfer simulation and accurate calculation by mapping plane wall cutting. Descriptive research design is applied to describe the heat transfer through walls by using software Therm and the effects of the heat transfer toward the inside room so that it can provide positive response to anticipate thermal effects entering the building. The finding of this research is expected to be able to become the basis for building design which must give special attention to the direction of building orientation so that the heat transfer of the effects of sunlight toward the wall can be found and be wisely anticipated. © 2019 Leonardus Murialdo Fransiskus Purwanto]]>
<![CDATA[Penerapan konsep kejawen pada rumah tradisional Jawa ]]>
<![CDATA[Bintang Padu Prakoso]]>;
<![CDATA[Herman Wilianto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.219
<![CDATA[The application of kejawen concept on Javanese traditional houses Javanese society has a unique philosophy of life. It is known as kejawen and is applied in daily life, manifested in symbols and rituals pertaining to their houses. A house for the Javanese is not merely a place to live, but it is also a place to represent many symbols reminding the philosophy that gives power to the owner. Javanese traditional houses have already been previously researched, but many of these researches emphasized more on the physical aspects, rather than on philosophy of kejawen, which try to comprehend the reality intuitively. In order to gain a deep understanding on this matter, field observation was carried out for certain period of time, using descriptive qualitative approach. The research result shows that the Javanese house shows a perfect union between macro cosmos and micro cosmos. Omah’or house is derived from the word "Om"and “Mah”. ’Om’ means the father of space and "Mah" ‘lemah’/land means the mother of the earth. ‘Omah’ for Javanese people is a manifestation of macros and micro cosmos. © 2020 Bintang Padu Prakoso, Herman Wilianto]]>
<![CDATA[Konsistensi ruang pangimaman, liwan, dan pawestren di Masjid Pathok Negara Ad-Darojat Babadan, Bantul, Yogyakarta (1970-2019) ]]>
<![CDATA[Denny Huldiansyah]]>;
<![CDATA[Tarcicius Yoyok Wahyu Subroto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 2 (2020): ARTEKS : Jurnal Teknik Arsitektur | May 2020 ~ August 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i2.248
<![CDATA[The consistency of pangimaman, liwan, and pawestren in Masjid Pathok Negara Babadan, Bantul, Yogyakarta (1970-2019) Masjid Pathok Negara Babadan is one of four Pathok Negara Mosques which act as the eastern border of the state in the era of Sultanate of Yogyakarta. The Mosque has gone through many physical alterations especially within its current spaces. However, behind these alterations there are spaces whose existence have been consistent since the mosque was established until now. This raises questions such as what are the consistent spaces in Masjid Pathok Negara Babadan and what affects the consistency of those spaces. This study uses qualitative-descriptive method in order to collect data and informations about the development of floorplans and spaces in Masjid Pathok Negara Babadan. The analysis is conducted by using diachronic method and Cartesian Coordinat System (CCS). The findings of the study reveal that the existence of pangimaman, liwan, and pawestren are consistent space in Masjid Pathok Negara Babadan. This consistency is affected by the palace’s authority as the owner of sultanate’s mosques (kagungan dalem), including Masjid Pathok Negara Babadan itself. © 2020 Denny Huldiansyah, Tarcicius Yoyok Wahyu Subroto]]>
<![CDATA[Penilaian kualitas estetika elemen arsitektural bangunan Kolonial di Jalan Basuki Rahmat, Malang ]]>
<![CDATA[Syamsun Ramli]]>;
<![CDATA[Antariksa]]>;
<![CDATA[Herry Santosa]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.250
<![CDATA[Assessment of aesthetical quality of architectural elements of Colonial buildings in Jalan Basuki Rahmat, Malang The characters of a building are formed by several elements, one of them is an architectural element. The architectural element can be assessed using aesthetic judgment scales. Aesthetic value is closely related to public perception. The Colonial buildings in Jalan Basuki Rahmat have distinctive character that worth to be preserved. Assessment of building aesthetic is the initial step in the effort to preserve colonial buildings. This study aims to assess the aesthetic quality of the architectural elements of Colonial buildings in Jalan Basuki Rahmat. Questionnaires are used to collect data, and Aesthetic measurement is carried out using the semantic differential scale. The community members are requested to judge the aesthetic quality of the buildings based on their own perceptions by looking at photos. Data were analyzed using descriptive statistics, independent samples test, and linear regression. The research results showed that the architectural element that had the most significant impact on the aesthetic quality of Colonial buildings were the façade. The Colonial building with the highest aesthetic value is the Church of the Sacred Heart of Jesus Malang.]]>
<![CDATA[Mandat (creadential) dalam budaya mitigasi bencana pada masyarakat Kampung Budaya Sindang Barang ]]>
<![CDATA[Cahyo Hutomo]]>;
<![CDATA[Agus Suharjono Ekomadyo]]>;
<![CDATA[Muchi Juma Ameir]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 5 No 1 (2020): ARTEKS : Jurnal Teknik Arsitektur | Januari 2020 ~ April 2020 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v5i1.283
<![CDATA[Mandate (credential) as mitigation culture on local community of Sindang Barang Local wisdom can be learned through discovery of physical elements of traditional villages, such as spatial layout, architectural objects, and daily activities. The organization prevailing in environment plays an important role in managing a contextual mitigation culture. The co-existence of authority (mandate) masters have the authority of value/cultural capital and to create symbolic elements, such as will or belief. Sindang Barang Cultural Village was taken as a case study to reveal the history and role of the mandate in the culture of disaster mitigation. This study aims to observe the role of the mandate and its impact in disaster mitigation. The role of the mandate is also examined to see the existence of efforts to preserve the values of local wisdom towards the times. This research uses descriptive-qualitative method by tracing the phenomena and artifacts in the field. The analysis carried out in two phases. The first phase is to create a mitigation concept table based on the existing program or artifacts. The second phase is to discuss the mitigation culture based on its classified capacities. The mitigation seen from the Sindang Barang Cultural Village program and artifacts is the risk of fire, earthquake, and landslide. The process of determining a mandate is commensurate with adaptive capacity because this stage tends to lead to restriction or orders about in program that is carried out systematically in particular context.]]>
<![CDATA[Konsepsi Jaringan-aktor pada Kampung Seni dan Budaya Jelekong, Bandung ]]>
<![CDATA[Eko Bagus Prasetyo]]>;
<![CDATA[Agus Suharjono Ekomadyo]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 6 No 1 (2021): ARTEKS : Jurnal Teknik Arsitektur | Januari 2021 ~ April 2021 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v6i1.286
<![CDATA[Jelekong is an art and culture village in Baleendah Sub-district of Bandung Regency which is well known for its activities in paintings and wayang golek or puppet crafts. The village’s character related to art is also shaped by several actions and relationships between socio-technical actors apart from the existence of artists and their activities. This research was, therefore, conducted to describe Jelekong Village as a heterogeneous socio-technical network by identifying and analyzing several actors and actions using Actor-Network Theory (ANT) which is a qualitative research method. Five network-actor conception prepositions including 1) the will of actan, 2) actors, 3) composition and translation of action, 4) network locality, and 5) network representation were reviewed to determine the phenomenon of the heterogeneous network formed in the village. The results showed several factors required in becoming Jelekong Village network and they include 1) the artist's will to initiate art actions, 2) existence of sociotechnical agent such as actors and resources related to the artist, 3) a very complex art relationship, 4) establishment of an art environment such as a studio and gallery, and 5) the meaning of art space for artists as a forum to preserve arts and culture as well as potential economic resources.]]>
<![CDATA[Evaluasi active design pada media perjalanan aktif di sekitar ruang publik kota ]]>
<![CDATA[Raden Rangga Ilham Irfandian]]>;
<![CDATA[Herman Wilianto]]>
<![CDATA[ ARTEKS : Jurnal Teknik Arsitektur Vol 4 No 1 (2019): ARTEKS : Jurnal Teknik Arsitektur | Juli 2019 ~ Desember 2019 ]]>
Publisher : <![CDATA[Program Studi Arsitektur Fakultas Teknik Universitas Katolik Widya Mandira ]]>
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DOI: 10.30822/arteks.v4i1.359
<![CDATA[The active design evaluation on the media of active living around urban public space The rise of development, technology and culture in urban communities has produced various positive and negative impacts, one of the negative impacts is the decline in public health factors and the increase of various cardiovascular diseases in urban communities caused by sedentary lifestyle. Based on this phenomenon we began to develop the Active Design principle. The active design is a design principles to makes some environment that can stimulate its users to carry out physical activity naturally. The active design principles has a significant impact on improving public health factors when applied around the centre of communities activities. Along with this phenomenon, the city of Bandung has carried out various revitalization on its public open spaces, one of which is revitalization in the Saparua park, which has become the centre of community activities in sports and recreation. This is a qualitative-descriptive study with the aim of evaluation. The research begins by formulating active design indicators from various literatures, then evaluating the object of study based on the indicators. Produce an understanding of the extent to which the principles of active design materialize on the object of study, the potential for future development and any manifestations that can be used as examples for design elsewhere. © 2019 Raden Rangga Ilham Irfandian, Herman Wilianto]]>
