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THE INFLUENCE OF FUNCTION, FORM AND STRUCTURE ON THE SPATIAL HIERARCHY OF THE TAWANG RAILWAY STATION IN SEMARANG Santoso, Bachtiar Fauzy, Beni Adi
Jurnal Riset Arsitektur Vol 1 No 03 (2017): RISET ARSITEKTUR "RISA"
Publisher : Program Studi Arsitektur, Fakultas Teknik, Universitas Katolik Parahyangan

Abstract - Dutch East Indies Empire architecture in Indonesia must be preserved as a result of acculturation between a foreign culture and a local one. The century-old Tawang Railway Station in Semarang has been hit by annual rob floods and has undergone somerenovation, but the latter has made the impact of reducing the architectural values of “Indies” style in its features. This research study may deepen understanding of this type of colonial architecture, exploring its application to this railway station. Furthermore, an in-depth analysis determines how function, form and structure have affected the spatial hierarchy of this railway station. This study is descriptive, analytical and interpretative, employing theories dealing with archetypes, ordering principles and Dutch East Indies Empire architecture. After data collection, the analysis compares these theories with the object of study. The findings indicate that this station has indeed applied the concept of the Dutch colonial style, starting from the context of the local area to the building elements, except for the floor. At present, the latter has already been changed in its entirety, from the initial building stage to its current state, where the specific “Indies” character can no longer be discerned. The zenith of hierarchy can be observed in the main lobby whose function is to receive visitors in its cube-shaped space similar to the Sokoguru (central Javanese pillar) and the cupola not found in any other part of the building. The building mass of the station is symmetrical in keeping with its typical “Indies” character, but the function of the interior space is asymmetrical. This shows the importance of achieving a high degree of spatial efficiency to make the activities run smoothly and effectively. Keywords: Hierarchy, Space, Dutch East Indies Empire Architecture, Semarang’s Tawang Railway Station

Ragam Bentuk Akulturasi Arsitektur Lokal dan Modern pada Bangunan Islamic Centerdi Kabupaten Tulang Bawang Barat Lampung Bachtiar Fauzy, Agung Nugraha,
Jurnal Rekarupa Vol 4, No 2 (2017)
Publisher : FSRD ITENAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (277.511 KB)

Perkembangan arsitektur saat ini menunjukkan situasi dan kondisi yang memprihatinkan, dengan muncul banyaknya fenomena perkembangan arsitektur modern tanpa mengindahkan budaya dan nilai-nilai lokal dan menjadikan arsitektur tanpa nilai budaya, akhir dari kondisi ini akan meruntuhkan ciri, karakteristik dan identitasÂ lokal. Tujuan penelitian ini tentang ragam bentuk akulturasi arsitektur lokal dan modern pada bangunan Islamic Center di Kabupaten Tulang Bawang Barat, Lampung yang ditinjau dari aspek dominansi ragam bentuk akulturasi arsitektur lokal dan modern pada kasus studi. Teori yang diterapkan merujuk pada (1) teori budaya dan arsitektur Lampung, (2) teori budaya dan arsitektur modern, (3) teori fungsi, bentuk dan makna (fbm), (4) teori ordering principle, (5) teori archetypes, disamping metoda yang digunakan adalah deskripsi, analitik dan interpretatif yang dapat digunakan dalam melakukan kajian dan penelusuran mendalam terhadap kasus studi. Penelitian ini menunjukkan bahwa ragam bentuk akulturasi arsitektur memiliki dominansi yang terjalin erat antara unsur lokal dan modern yang terlihat pada ekspresi bentukan arsitekturnya. Manfaat penelitian ini dapat memberikan kontribusi terhadap masyarakat, pentingnya lokalitas dalam melestarikan budaya dan arsitektur lokal dalam perkembangan arsitektur modern, sehingga teori ini dapat memberikan sumbangan untuk proses pembelajaran yang dapat diterapkan dalam kegiatan merancang arsitektur.Â Kata kunci : Ragam, bentuk, akulturasi, arsitektur, budaya, lokal, modern. Â ABSTRACT The current development of architecture is showing alarming situation and conditions, with the emergence of many phenomena of modern architectural development that do not heed local culture and values. They are creating architecture without cultural value. The final destination of current condition will undermine local traits, characteristics, and identity. This research is about various forms of acculturation involving local and modern architecture in Islamic Center building of Tulang Bawang Barat Regency, Lampung. It is viewed from the dominance aspects of the various forms of acculturation in a case study. This research shows that the various forms of architectural acculturation have a strongly interwoven dominance between local and modern elements that are seen in the expression of the architectural formation. This research can contribute the importance of locality in preserving local culture and architecture in the development of modern architecture. Therefore, this theory can contribute to the learning process that can be applied in architectural design activities.Â Keywords: Variety, form, acculturation, architecture, culture, local, modern.

THE INFLUENCE OF FUNCTION, FORM AND STRUCTURE ON THE SPATIAL HIERARCHY OF THE TAWANG RAILWAY STATION IN SEMARANG Beni Adi Santoso, Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 1 No 03 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract - Dutch East Indies Empire architecture in Indonesia must be preserved as a result of acculturation between a foreign culture and a local one. The century-old Tawang Railway Station in Semarang has been hit by annual rob floods and has undergone somerenovation, but the latter has made the impact of reducing the architectural values of “Indies” style in its features. This research study may deepen understanding of this type of colonial architecture, exploring its application to this railway station. Furthermore, an in-depth analysis determines how function, form and structure have affected the spatial hierarchy of this railway station. This study is descriptive, analytical and interpretative, employing theories dealing with archetypes, ordering principles and Dutch East Indies Empire architecture. After data collection, the analysis compares these theories with the object of study. The findings indicate that this station has indeed applied the concept of the Dutch colonial style, starting from the context of the local area to the building elements, except for the floor. At present, the latter has already been changed in its entirety, from the initial building stage to its current state, where the specific “Indies” character can no longer be discerned. The zenith of hierarchy can be observed in the main lobby whose function is to receive visitors in its cube-shaped space similar to the Sokoguru (central Javanese pillar) and the cupola not found in any other part of the building. The building mass of the station is symmetrical in keeping with its typical “Indies” character, but the function of the interior space is asymmetrical. This shows the importance of achieving a high degree of spatial efficiency to make the activities run smoothly and effectively. Keywords: Hierarchy, Space, Dutch East Indies Empire Architecture, Semarang’s Tawang Railway Station

AN ANALYSIS OF GEOMETRIC ELEMENTS OBSERVED IN BANDUNG’S SALMAN MOSQUE Renate Arlene; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 1 No 04 (2017): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- The Salman Mosque was constructed in the era of modern architecture guided by geometric elements. Geometric elements enable architects to easily design with accurate measurement. These geometric elements were applied to the Salman Mosque by Achmad Noe’man. The applications of these geometric elements were made to the roof, walls and floor of the Salman Mosque building. The purpose of this paper is study the aspects of geometric elements within this research. The other purpose is to study the application of geometric elements to the Salman Mosque in Bandung. The theories behind this research are the ones concerning geometric elements, modern types of architecture, Mosque architecture, structuring principles, and archetypes. The method used to conduct the research is the research object analysis, in this case of theSalman Mosque. This paper discusses the background, formulation of the problem, purpose, utility, method, theoretical study, object data and research object analysis, as well as the ultimate research conclusion and suggestion. The benefits of the research outcome that can be derived from this research study are yielding knowledge concerning the application of geometric elements to a Mosque building in Indonesia as well as producing recommendations for the design of geometric elements in Indonesia. Keywords: geometric elements; roof, wall, and floor; Salman Mosque Bandung

THE MONUMENTALITY OF MODERN ARCHITECTURE AS OBSERVED IN JAKARTA’S POLA BUILDING Lo Angela Irena ; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 2 No 01 (2018): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- After the Indonesian people declared Independence on 17 August 1945, Ir. Soekarno had a modern vision and mission, namely that architecture could become a symbol of strength and power in a state. Therefore, various monumental building projects emerged, especially in Indonesia’s capital Jakarta. One of these was the Pola building in Jakarta, a work of architecture designed by F. Silaban. The Pola building was actually constructed on top of Ir. Soekarno’s former house and functioned as an exhibition space to display Overall Projects Planned for the First Eight Years 1961-1969 (PSBPTP). The purpose of this study is to find out more about the architectural monumentality encountered in this research, to examine the concrete shape of the expression of this monumentality in the Pola building, and to determine the geometric elements, supporting the creation of this expression in this particular building. The research methods consist of the descriptive method, the analytical method and the interpretative method through the analysis of the physical and spatial data related to the observation of the building activities; interviews held with the building manager and the study made of the background literature on the object of study. The theory concerning architectural monumentality, the theory dealing with principles of arrangement (lay-out), the theory of geometrical elements and finally the theory concerning archetypes have been used to analyze the physical construction data regarding their monumentality. The conclusion that may be drawn from this research is that the monumentality observed in the Pola building can be gleaned from the geometrical elements shaped like a striped rectangle as the composing element that contributes to its monumentality with its repetitive lay-out showing a static and balanced rhythm. The benefit of this research lies in the hope that it may make a positive contribution to the development of scientific knowledge in the field of architecture., and especially modern architecture in whose field this research has focused on the monumentality of buildings designed in the modern architectural style based on the physical condition of the building in question. Keywords : Monumentalism, Architecture, Modern

ECLECTIC ARCHITECTURE ON MASJID PUSDAI BUILDING IN BANDUNG Tamara Florenza ; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 2 No 03 (2018): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- Eclectic architecture is a product of globalization in which architectural styles from different places and time intertwine each other. The development of eclectic architecture in Indonesia tends to follow the trend, neglecting the local value. A study towards eclectic architecture is necessary to raise society’s concern towards the identification of foreign and local architectural style. Masjid PUSDAI Bandung is selected as a research object to represent these issues above, in which the architectural style of Spain, Indian, and Javanese mosque intertwined each other. The research’s purpose towards the research object as a representation of eclectic architecture is to define the meaning of eclectic architecture in Masjid PUSDAI as well as to understand the form of eclecticism in Masjid PUSDAI. The eclectic architecture form will be analyzed towards the mixture of Indian, Spain, and Javanese mosque architecture style.Literature study as a theoretical base consist of the main theories such as the theory of eclectic architecture and theory of form and technic, as well as the supporting theories such as the architecture of Spain, Indian, and Javanese mosque. A comparative-qualitative approach is used as research method. This method compares the documentation from building observation with the literature theories for a further analysis.Through this research it can be concluded that the eclectic architecture form of Masjid PUSDAI Bandung is seen through mixture of two to three architecture style among its elements, thus forming a new architecture style. However, the intertwinement of architecture style doesn’t show on several elements. Some of them show an identical form which is used in Indian, Spain, and Javanese mosque.This research is expected to educate readers, architecture students, and experts in academic fileds, about how to execute the eclectic architecture design in public facilities, especially on mosques in Indonesia. Keywords: eclectic, architecture, mosque

ACCULTURATION VARIETY OF SUNDANESSE AND MODERN ARCHITECTURE AT SELASAR SUNARYO ART SPACE IN BANDUNG Gabriella Serena ; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 3 No 02 (2019): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Abstract- The growth of globalization is a worldwide phenomenon that is unavoidable and its impact affects a lot of fields, including architecture. Non-local elements, like modernism, that penetrate Indonesia’s culture cause a competition against the local architecture including traditional values, which are reduced due to modernization. Combining modern and local architecture can be seen as an effort to conserve traditional values and answer to the era’s challenge at the same time through the application of modernization.The aim of this research is to understand the meaning of acculturation in architecture, discover which acculturation that occurs in Selasar Sunaryo Art Space architecture and discover what domination that exists in Selasar Sunaryo Art Space’s architecture. Study of synthesis of architecture in Selasar Sunaryo Art Space is done by doing firstly a survey to gain object data, undertake an interview with the architect and client to gain the architectural concept of the object, and re-model the object in 3D. Literature is also done to gain theories about acculturation in architecture, building anatomy theory to describe the study object, also Sundanese and modern architecture theories. Afterwards, the object is analyzed by the said theories and interpreted referring to literature.The result of this research shows that modern architecture dominates Selasar Sunaryo’s architecture, especially in it’s body, floor, structure, and ‘s shape. Synthesis of architecture can be seen from the landscape design and roof design. Overall, Selasar Sunaryo’s architecture is dominated by modern structure and arrangements, although there are several adaptations to the building’s climate context and application of Sundanese architecture concepts to its buildings.Hopefully this thesis would be beneficial to practitioners, academics, and people in general as a contribution to expand the knowledge of local and non-local architecture synthesis, also as a contribution of knowledge that is beneficial within designing process or of continuation of the research. Key Words: acculturation, architecture, modern, Sundanese

EVALUASI IDENTITAS LOKAL PADA EKSPRESI BANGUNAN HOTEL KATAMAMA DI SEMINYAK, BALI Sonia Zipora; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 5 No 04 (2021): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v5i04.5299.348-366

Abstract- The times have created an identity crisis that has led to the fading of cultural diversity. This has caused many buildings in Indonesia today that have acted on behalf of or made the building have a local identity to reflect culture. The local identity used should not only be in the physical part of the building, but also have concepts and meanings applied. One of the local identity can be reflected through the expression of the building. A good building expression is a building that can pay attention to the local identity of the local culture in the building. This study aims to determine the local identity contained in the object of study, related to the expressions observed by observers. The object of study needs to be examined and studied further about the concept of Tri Angga used, and the representation of Bali that is reflected through the building, so that it can be known whether the object of study displays local Balinese identity or not. This evaluation discusses the conclusions of local identity in the case study building expressions and what should be done so that the local identity of Bali is more felt in the object of research. The theory used to support this research is the evaluation of architecture, local identity, architectural expression, identity and expression of Balinese architecture. The expression theory uses the Building Quality Theory by Kevin Lynch in 1960. The aspects of expression theory are chosen according to the explanations relevant to the object of study, form simplicity, visual scope, directional differentiation, and dominance. The method used in this study uses qualitative methods with descriptive, analytic, and interpretative approaches. The results of the study were to evaluate the local identity contained in the Katamama Hotel building expressions, which were assessed based on the theory of building quality. Local identity in the research object is in the aspect of dominance / dominance. The identity used is only found in the Bali brick material used in the scope of the building. Katamama Hotel does not use Balinese concepts, which rights are a characteristic or identity of Balinese architecture. The quality of buildings such as visual scope in the shape of the building is the main expression to be displayed. The brick material with gaps obtained from the brick structure makes a visual impression that can be felt by visitors, and is in accordance with the concept designed by the architect of the building by paying attention to lighting and shadows. While the quality of directional differentiation and form simplicity in buildings, both the shape of the building and the arrangement of the space become an aspect that is less attention to the Katamama Hotel. The benefit of this research is to provide an in-depth understanding of local identity and the importance of maintaining local wisdom, educating the public about the expression and its relation to local architectural identity with examples of real objects, so that physical and non-physical elements can be seen, enriching knowledge, especially culture local archipelago, as well as adding theoretical study studies on local expression and identity, as well as their relation to national identity. Key words: Evaluation, local identity, expression, Bali

IDENTITAS AKULTURASI ARSITEKTUR LOKAL (BANTEN) DAN NON-LOKAL (MODERN) PADA PEDOMAN PERANCANGAN GEDUNG PENDOPO BUPATI SERANG Pilar Saga Ichsan; Purnama Salura; Bachtiar Fauzy
Riset Arsitektur (RISA) Vol 6 No 02 (2022): RISET ARSITEKTUR "RISA"
Publisher : Department of Architecture, Faculty of Engineering Parahyangan Catholic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26593/risa.v6i02.5730.167-183

Abstract - Government buildings should have a symbolic value that represents the area. The development of architecture in an area influences the development of the culture of the region, with the abandonment of the element of the architectural locality over time the element of the locality will become extinct. Based on these problems and phenomena, it produces quite important issues especially the acculturation of government buildings that can characterize the locality of a place. So that the research conducted is very important to answer how to produce local and modern concepts that are appropriate to the Serang Regent building design that characterizes the local socio-cultural context of the people of Banten. The purpose of this study was to obtain design guidelines and design simulations in realizing the acculturation identity of local architecture (Banten) and non-local (modern) in the design of the Serang Regent's Pendopo building. The theory applied in this study refers to (1) the archetypes theory in architecture and (2) the ordering principle theory in architecture. Besides that, the methods used in this research are descriptive, qualitative and interpretative that can be used in conducting studies and in–depth searches of the object, the precedent studies that are Pontianak mayor government building and Solok regent government building. The results of the analysis of the object of the study of precedents against the theory with the method that has been described are to obtain specific design guidelines for the Serang Regent's Pendopo building. This research is expected to provide benefits to the community on the importance of localities in preserving and building local culture and architecture and can add to the wealth of existing architectural knowledge for both academics and practitioners and make a positive contribution to local governments for making regional regulations. Keywords: Identity, Acculturation, Architecture, Local, Non – Local, Banten.

Konsep Kearifan Lokal Dalam Arsitektur Rumah Tinggal Masyarakat Kota Pesisir Utara Jawa Kasus Studi : Arsitektur Rumah Tinggal di Kampung Sumber Girang - Lasem Bachtiar Fauzy
Research Report - Engineering Science Vol. 1 (2012)
Publisher : Universitas Katolik Parahyangan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2787.605 KB)

Bentuk arsitektur jawa pesisiran di Pesisirutara Jawa merupakan arsitektur yang sangat dipengaruhi olehnilai-nilai budaya Arab, Kolonial dan Cina. Hal inidiperkuat dengan data sejarah tentang masuknya budaya Arabpada abad ke - 15, Kolonial abad ke – 16 dan Cina abad ke -13 di kawasan tersebut.Studi ini bertujuan untuk mengungkap konsepkearifan lokal dalam arsitektur rumah tinggal masyarakat kotaPesisir utara Jawa di kampung tumbuh mandiri Jawa, yaknikampung Sumber Girang, Lasem yang merupakan permukimanmasyarakat Jawa yang dipengaruhi oleh nilai dan unsur budayaCina. Nilai-nilai dan konsep kearifan lokal tersebutmemiliki unsur yang baku sehingga bentuk arsitekturnya dapatditelusuri melalui relasi konsep fungsi, bentuk dan maknanyayang pada akhirnya akan menemukan struktur permukaan danstruktur dalam arsitektur masyarakat kota Pesisir utara Jawa.Metode yang digunakan dalam studi ini adalahdeskriptif, analitis dan interpretatif berdasar pada buktiempiris dengan menerapkan teori budaya, strukturalisme,tipolmorfo dan relasi fungsi, bentuk dan makna yang digunakanuntuk mengungkap konsep kearifan lokal dalam arsitektur rumahtinggal masyarakat kota Pesisir utara Jawa.Hasil dari studi ini menyebutkan bahwaarsitektur pesisir memiliki konsep kearifan lokal dalamarsitektur yang dapat diterapkan pada rumah-rumah di kawasanperumahan tradisional lainnya berdasarkan latar belakangpengaruh budayanya. Studi ini diharapkan dapat memberikanmanfaat sebagai rujukan bagi kasus studi yang serupa dibeberapa kawasan Pesisir lainnya serta dapat menyumbangkanpengetahuan teori arsitektur rumah tinggal Pesisir sertaadanya konsep kearifan lokal dalam arsitektur secaraberkesinambungan.Kata kunci : Konsep, kearifan, lokal, arsitektur rumahtinggal, masyarakat kota Pesisir utara Jawa

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