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Haluan Sastra Budaya
Published by Universitas Sebelas Maret
ISSN : 08520933     EISSN : 25491733     DOI : -
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
Haluan Satra Budaya (HSB) is a biannual scientific journal of humanities published by the Faculty of Cultural Sciences, Universitas Sebelas Maret, Indonesia. This journal issues research papers, conceptual frameworks, and case studies are drawn from a wide range of disciplines, Language and Linguistics, Art, Literature, as well as Culture (anthropology, history, and archeology).
Arjuna Subject : -
Articles 63 Documents
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DEKONSTRUKSI CITRA PEREMPUAN DALAM KUMPULAN CERPEN JANGAN PULANG JIKA KAMU PEREMPUAN KARYA RIYANA RIZKI Ahmad Burhanuddin; Ririe Rengganis; Tengsoe Tjahjono
Haluan Sastra Budaya Vol 7, No 2 (2023)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v7i2.61484

Abstract

Literary works generally discuss the social lives of society, one of which is about women. The reason why women's problems in literary works have come to the attention of the author is based on feelings of love and empathy for the world of Indonesian women, which since the time of Balai Pustaka until now women have still been subordinate to men. man. However, in the collection of short stories, Jangan Pulang Jika Kamu Perempuan, apart from studying women's resistance, they also discuss the deconstruction of women's images. This type of research is a qualitative research. The data collection technique in this research is in the form of library technique. From the research results obtained three deconstructions of the image of women contained in the collection of short stories Jangan Pulang Jika Kamu Perempuan by Riyana Rizky, namely women and customary law, Women and the Character of Stepmothers and Women and Freedom.
Perempuan Transformatif dalam Novel Captivated Me Karya Jeon Dani : Tinjauan Feminisme Simone De Beauvoir Vinsen Arjit Rama Zakharyah; Anas Ahmadi
Haluan Sastra Budaya Vol 9, No 1 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i1.96014

Abstract

Proses yang menunjukkan transformasi perilaku serta sikap pada tokoh perempuan yaitu Sabrina dalam novel “Captivated Me” menjadi tujuan utama dalam analisis ini. Berbagai faktor seperti pengalaman traumatisnya di masa lalu yang memengaruhi kondisi psikologisnya, faktor patriarki dari pihak internal dan eksternal yang memengaruhi tindakan dan pikirannya di masa depan, serta alasan berdirinya sebuah Komunitas Perempuan Hebat yang merupakan sebuah gerakan feminisme untuk melindungi perempuan didasari oleh pengalaman-pengalaman yang banyak merugikan kaum perempuan sebagai korbannya. Penelitian ini menggunakan metode kualitatif naratif dengan teori feminisme Simone De Beauvoir. Penelitian ini menemukan berbagai konflik baik internal maupun eksternal yang memengaruhi setiap transformasi perilaku tokoh utama dalam novel ini. Hasil penelitian mengindikasikan Sabrina mengalami proses penerimaan terhadap perasaannya yang semula menolak kehadiran suaminya yaitu Ansel, serta perlahan mulai merasakan kebahagiaan dan kenyamanan atas perhatian, kepedulian, dan kasih sayang yang diberikan Ansel kepada Sabrina. Dengan demikian, penelitian ini menarasikan tentang kekuatan pribadi untuk menyelesaikan trauma dan ketakutan, serta kemampuan jalinan antara Sabrina dan Ansel yang sehat untuk mendukung keberhasilan proses tersebut.
Tradisi Malam Satu Suro sebagai Wujud Implementasi Kerukunan Masyarakat Desa Tambibendo Kabupaten Kediri Anggi Dian Pramitha Sari; Bagus Wahyu Setiawan
Haluan Sastra Budaya Vol 9, No 1 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i1.75291

Abstract

This study aims to describe the implementation of community harmony in Tambibendo Village, Kediri Regency in the one suro night tradition. This research discusses several things regarding the meaning of the one suro night tradition for the people of Tambibendo Village, as well as the implementation of harmony from the celebration of the one suro night tradition. The one suro night tradition is one of the sacred night traditions performed by the Javanese people every year at the beginning of the Muslim new year. This is also a tradition in Tambibendo Village, the one suro night tradition is one of the customs that is still maintained in the village area. This tradition is believed to strengthen the bonds of kinship and to preserve ancestral traditions that are a bit forgotten. This is in line with the implementation of the one suro night tradition, the people of Tambibendo Village hold an activity called Kenduri. Therefore, in this research the method used is qualitative based on literature research. Qualitative descriptive research aims to describe, explain, and answer problems for further study by studying as many individuals, groups or events as possible. The data used to strengthen this research is using books, journals, to previous research as well as pictures documenting the one suro night tradition event in Tambibendo Village which will be held in 2021.
SPIRITUALITAS ISLAM DALAM SULUK WUJIL KARYA SUNAN BONANG BERDASARKAN KAJIAN SEMIOTIK Zalikha Zalikha; Dadan Rusmana
Haluan Sastra Budaya Vol 7, No 2 (2023)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v7i2.61592

Abstract

Suluk Wujil is a well-known early Javanese Islamic literary work that focuses on spiritual pursuits and teachings. Wujil, a convert seeking the ultimate truth, is a symbolic person who carries crucial Sufistic teachings as well as the revelation of socio-religious discourse at the dawn of Islam in Java. This article uses three steps of semiotic reading to disclose the content of Suluk Wujil: narrative framework, primary sign discovery, and syntagmatic and paradigmatic analysis. First, the Suluk Wujils narrative plan arose from Wujil's complaint that after ten years of spiritual study in Bonang, he had failed to enter The Ultimate Truth. The statement "Arriving in Mecca" at the end of the book is the second key sign of Suluk Wujil. This term emphasizes Suluk Wujil's spiritual qualities in relation to the spiritual path toward the reality of Islamic mysticism. Third, the paradigmatic analysis reveals that multiple parallel and contrary signs exist at the same moment. The combination of various signs forms a synthesis that leads to a deeper comprehension of the meaning of these indicators. Syntagmatic analysis leads to a better comprehension of indications that are diametrically opposed but complementary.
Tawa dan Identitas Lokal: Figur Kedok Menyon sebagai Representasi Sosial dalam Kesenian Singa Dangdut Isad Suhaeb
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.107637

Abstract

The Singa Dangdut performance in Indramayu offers more than just music and dance entertainment. It also features a comedic character named Menyon, who becomes the center of attention in creating a festive atmosphere. This article examines the Menyon mask figure as a form of social representation and a symbol of local identity in Indramayu. Using an ethnographic approach and cultural representation theory, this study analyzes how the laughter evoked by Menyon is not merely entertaining but also carries social critique, class expression, and the reinforcement of communal solidarity. Data were collected through direct observation of Singa Dangdut performances, interviews with performers, and visual analysis of the mask design. The findings reveal that The Menyon mask plays a strategic role as a medium of dynamic local cultural expression. reflecting tensions between tradition and modernity, while also serving as a safe space for symbolic public expression. Thus, the Menyon character is not merely a stage clown but also a cultural agent who embodies social values, collective identity, and the everyday dynamics of the people of Indramayu.
ANALISIS MAKNA BAHASA FIGURATIF DALAM LIRIK LAGU ANTI-HERO KARYA TAYLOR SWIFT Diva Azka Layalia; Abdul Muntaqim Al Anshory
Haluan Sastra Budaya Vol 7, No 2 (2023)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v7i2.68175

Abstract

Analyzing the meaning of expressions containing figurative language is unique, especially when analyzing song lyrics. Every Individual, especially songwriters have their own language in expressing the message they want to convey. The purpose of this research is to classify and analyze the meaning of Taylor Swift's Anti-Hero song lyrics based on phrases that contain figurative language. This research uses qualitative method with figurative language theory approach proposed by Kennedy & Gioia (2000) which is explained descriptively. The research data source is Anti-Hero song lyrics. The results of the analysis show that the researcher found 13 data; 7 data from the comparative figurative language, metaphor (5 data) and simile (2 data), 4 data from the contradictory figurative language, hyperbole (3 data) and paradox (1 data), and 2 data from the correlative figurative language, metonymy (1 data) and symbol (1 data). Songwriters try to express feelings or ideas imaginatively in song lyrics that use figurative language. With this, song lyrics can create a special image in expressing one's emotions.
Fenomena Kenakalan Santri: Pendekatan Etnografi di Pondok Pesantren Baitul Ilmi wal Quran Muhammad Chasbullah
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.96159

Abstract

Santri delinquency in pesantren is an intriguing issue as it challenges the common perception of pesantren as institutions fostering noble character. This phenomenon impacts not only the individual santri but also the social dynamics within the pesantren. This study investigates santri delinquency at Pondok Pesantren Baitul Ilmi wal Quran, Sidoarjo, using an ethnographic approach to delve into the experiences, interactions, and perceptions of santri regarding factors influencing their behavior. Findings reveal two primary causes of delinquency: internal and external factors. Internal factors include boredom with daily routines, lack of motivation, and difficulty adapting to pesantren values. External factors involve peer pressure, excessively strict or lenient rules, and strained relationships between santri and pesantren supervisors or administrators. Efforts to address this issue focus on individual counseling, character development, and collaboration between pesantren and santri families. This research sheds light on the social dynamics of pesantren and emphasizes the need for more empathetic management and guidance of santri. By understanding the root causes of delinquency, pesantren can adopt more effective strategies to nurture a positive and supportive environment that aligns with their mission of moral and spiritual development.
Semiotics Study of Structure and Meaning in Javanese Lullaby Song “Tak Lela-Lela Ledhung” Dewi Herlina; Sulistyowati Sulistyowati
Haluan Sastra Budaya Vol 9, No 1 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i1.75792

Abstract

This study aims to describe the structure, semiotic meaning, and life values of Javanese people in lullaby songs. The data in this study is the text of a lullaby entitled Tak Lela-Lela Ledhung. The analysis is focused on the structure of the song Tak Lela-Lela Ledhung using the Halliday &Matthiessen theory. Semiotic analysis with Peirce's theory includes three aspects, namely sign, object, and interpretant. The representation of the value of life in the song is also presented to enrich the results of the analysis. The results of this study show that in the textual aspect, structural elements in Tembang Tak Lela-Lela Ledhung involve the use of inter-sentence relationships in the form of lexical cohesion and grammatical cohesion. Based on Peirce's semiotic analysis, the song Tak Lela-Lela Ledhung has a tendency to have constructions formed from the daily lives of Javanese people. In the lyrics of the song, advice is implied in the form of prayers and parents' hopes for their children's future. The values found are patience, hard work, and the will to fight for the future.
Peran Semantik dalam Menafsirkan Nilai Budaya yang Terkandung dalam Upacara Tabuik di Pariaman Sumatera Barat Rahmatunissa Rahmatunissa; Sophia Rahmawati
Haluan Sastra Budaya Vol 9, No 2 (2025)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v9i2.103660

Abstract

This article discusses the role of semantics in interpreting the cultural values embedded in the Tabuik ceremony in Pariaman, West Sumatra. The study employs a descriptive qualitative approach through direct observation and in-depth interviews with Pak Arif, a 50-year-old local resident who has actively participated in the Tabuik ceremony since his youth. Observations reveal that elements of the Tabuik, such as the buraq,bungosalapan, and tonggak atam, carry strong symbolic meanings. For instance, the buraq is understood as a symbol of spiritual strength and hope, while bungo salapan reflects the values of unity and the interconnectedness between local customs and Islamic teachings. These symbols are not merely ornamental; they serve as conveyors of cultural messages passed down through generations. A semantic analysis of these symbols helps clarify how the community understands and preserves the values embedded in their traditions. Thus, cultural semantics becomes an essential tool for maintaining identity, strengthening social solidarity, and reviving the meaning contained within local traditions such as the Tabuik.
TRADISI NYADRAN (RUWAHAN) SEMARAK MENYAMBUT RAMADAN DI DUSUN JALAN DAN JONGGRANGAN DESA BANARAN KAPANEWON GALUR Ina Aryanti; Akbar Al Masjid
Haluan Sastra Budaya Vol 7, No 2 (2023)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/hsb.v7i2.61135

Abstract

Indonesia is a country with a lot of diversity such as diversity in religion, customs, ethnicity, nation, language, culture, etc. The Nyadran tradition is one of the traditions that exist in Indonesia which is still implemented and preserved in several regions in Indonesia. One area that still implements and preserves this tradition is Jalan Jonggrangan hamlet, Banaran, Galur, Kulon Progo. The Nyadran tradition which is the result of acculturation of Javanese, Hindu, Budhist, and Islamic culture has a procession, uborampe, and the values contained it. Cultural and educational values can be learned and applied in everyday life in society. This study aims to describe the Nyadran tradition in the procession, uborampe, and the values contained in it. The method used in this study is a qualitative method. The data collection technique used in this research is a field research technique with observations, recording the observed, study objects, interviews, and literature review.

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