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Panji Suroso
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Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
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Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
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Creation of 'Rentak Sumut' Dance Music As A Tourism Icon of North Sumatra Herna Hirza; Mukhlis Mukhlis; Ifwanul Hakim; Suharyanto Suharyanto
Gondang: Jurnal Seni dan Budaya Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v6i2.48533

Abstract

This research work aims to findout a new method of creating dance music 'Rentak Sumut' which is rooted in music local traditions of North Sumatra. The objectives of this research are to finding the method of creating dance music 'Rentak Sumut' as an icon of Sumatran tourism North and finding the method of promoting dance music 'Rentak Sumut' as an icon North Sumatra tourism. The method used in this research is a qualitative approach. The process of searching for data and information is carried out with the interview method deeply to the traditional musician of North Sumatra as informants. The study found that ‘Rentak Sumut’ dance music uses a dance rhythm that comes from music Malay tradition in the 6/8 bar with a medium tempo. Song lyrics describe nature, culture and geography of North Sumatra entirely. North Sumatra Rentak dance music is applied in various communities.
Cognitive Aspect of Dhakon Games in Painting Art Creation with Augmented Reality Technology Arum Wilis Kartika Ayuningtari; Martinus Dwi Marianto
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48562

Abstract

This art creation was born because of the author's anxiety about the lack of child-friendly nowadays games. Games on gadgets are mostly not very child-friendly and will have a negative impact on them, so there is a need for educational games such as traditional dhakon games. This creation aims to create a work of painting that comes from one of the hidden essences of dhakon games, which can hone the cognitive aspects of children. The painting art creation uses practice-based research method. The process of collecting data is obtained through observation, literature study, and interviews. The result of this creation is a two-dimensional painting that is representational, deformative, and has symbolic meaning with acrylic on canvas media combined with AR (augmented reality) technology trough trans-media approach. This painting has the title “Gemi, Setiti, Ngastiti, Ngati-ati”. This creation is useful as a medium of criticism and as a medium of education to the public about the essence of a game has a big role in the child's growth and development process, so parents must be selective in choosing children's games. In addition, this art creation is also an attempt to revitalize the dhakon game as a product of the past culture that is full of educational values but sadly has been abandoned by many people.
Function and Pedagogical Value in Banjet Mask Group Performance Abah Pendul Rudi Hartono; Sukmawati Saleh
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48560

Abstract

Topeng Banjet is one of the distinctive arts that is a heritage of art and culture that has traditionally existed and developed in Karawang Regency since the 1920s. The focus of the study is on Topeng Banjet Group Sinar Pusaka Karawang in Tempuran District and commonly known as Topeng Banjet Abah Pendul. The purpose of this study is to reveal the function of art and pedagogical values contained in the Topeng Banjet performance process. The performance is carried out through a process of stages namely; ngukus, songs and music, tap tilu dance, jokes and plays on an open field. The study is based on descriptive analytical qualitative data collected by observation, interview and documentation. This study includes pedagogical functions and values; education, educational content and educational tools. The purpose of education is required where every citizen or community is required to learn and practice mastery sourced from local cultural traditions. The Topeng Banjet performance originally functioned as a thanksgiving for the harvest. The Topeng Banjet Group Sinar Pusaka Warna has experienced several changes in leadership from the 1920s until now; as an educational tool, habits, recommendations, monitoring, taboos, and consequences are used in the implementation process at the beginning of the performance; ngukus or rituals at the beginning to ask the Almighty for all the blessings of the harvest and the smooth running of the show after praying the players sprinkle flower water on the musical instruments used and rub the smoke of burning incense all over the face and body of the players followed by musical entertainment, songs, dances, and dramas.
Gabe Halak Batak; Batak Toba Ethnic Bodiedness Traditions as a Reference for Actor Training Ilham Rifandi; Ifwanul Hakim; Nazlah Syahaf Nasution
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48956

Abstract

Gabe Halak Batak is a term that was born from research on the bodiedness traditions of the Batak Toba people which means "Being a Batak Person". This research was conducted to take advantage of the bodiedness traditions of the Batak Toba Ethnic Community, one of which is Tortor. The author's interest in the tortor is because there are basic techniques in the tortor which are named metaphorically and through this naming can be an 'entrance' for actors in the process of exploring their physiology. In this study, the authors implemented it for actors from the Aka Bodi Theatre group in Medan who came from three different ethnicities. This study uses ethnographic and autoethnographic approaches in collecting data and interrogating the process of physiological exploration applied to acting training at the Aka Bodi Theatre. The results obtained are that each actor who participates in the training process experiences a variety of sensitivities related to the Batak Toba ethnic culture and has visual references regarding the creation of actions in the training.
Reception of Students of SMA Negeri 5 Sarolangun for The Silent Piece (1949) Music Composition by John Cage Muhammad Egi; Nusyirwan Nusyirwan; Selvi Kasman; Rosmegawaty Tindaon
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49999

Abstract

Broadly speaking, we can associate music with sound. The association received a "challenge" from John Cage, an American composer of the Avand-Garde era who in 1949 made the most famous work, namely 4'33' or can be called four thirty three, the purpose of this research/article is to discuss responses, responses, interpretation, and the percentage of student respondents to John Cage's unconventional music. The author uses a qualitative and quantitative mix-method research method in data collection and data analysis. Discussion and analysis of data using the theory of reception and interpretation. Various receptions/responses were presented by the students, some of whom responded "silence, murmuring, and wondering". The interpretation presented by the students is th at the answers given are subjective and not influenced by anyone. The quantitative data that the researcher has analyzed provides an overview of the percentage of students listening to John Cage 4'33' in the form of a percentage graph.
Counterpoint and Non-harmonic tone Arrangements on “Bungong Jeumpa” Song Arrangements Works of Paul Widyawan Jagar Lumbantoruan
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49276

Abstract

The purpose of this study is to analyze and describe Paul Widyawan's “Bungong Jeumpa” song about conterpoint and non-harmonic tone arrangements. This type of research is qualitative with a content analysis approach, namely: objectivity, systematic, and generalization. The data in this study were taken from literature studies and song scores. The analysis technique uses choral composition techniques, conterpoint, and non-harmonic tones. The results showed that the composition of “Bungong Jeumpa”'s song has three parts, namely: intro, content, and coda. The intro consists of 8 measure chambers, contains 20-measure chambers, and 4 coda chambers. The arrangement of the song is a polyphony-homophony texture, based on the Cantus Firmus. SATB's melodic contour relationships are tonal conterpoint in the key of A minor harmonics. Each melodic contour moves with the same rhythm and is generally different. Differences in melodic contours produce four types of Motus, namely parallellus, contrarius, obliqus, and rectus. Besides that, with the differences in the rhythm and melody of the songs on SATB with the presence of insert notes between the harmonic tones, there is also a different musical atmosphere. Based on position, motion, and solutions of dissonant tones, five types were found, namely: passing tone, appoggiatura, changing tone, neighbouring tone, and retardation.
Fadjar 'Sopsan' Creativity in the Creation of Tembang Banyumasan Nurul Aulia Dewi Arifin; Sunarto Sunarto; Suharto Suharto
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48642

Abstract

Artists and creativity are inseparable. Artists in creativity have the challenge of transforming an abstract idea into a practical one in order to create a good creation. Fadjar Praptono, a musician from Banyumas, creates based on the Encouragment of responses to enviromental situatons by paying attention to the suitability contents of the song lyrics with the existing social, political and cultural situations. This research discusses Fadjar's creative process in creating tembang Banyumasan that have a distinctive Banyumas character. This research uses a descriptive qualitative method that aims to understand the object studied in more depth. This research uses a case study design, which is focuses on exploration of finite system. The data collection techniques used are observation, interviews, and literacy studies. The interview was conducted directly with the main informant Fadjar 'Sopsan'. The study results prove that Fadjar went through several continuous stages in the creation of Banyumasan songs, including creative ideas, cultural knowledge, experience, work concepts, and creative act.
Elaboration of the Sinden Technique with Mime in the Creation of Merajut Dimensi Masa Wiflihani Wiflihani; Frisdo Ekardo
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.48695

Abstract

Merajut Dimensi Masa is a theatrical performance that is the result of elaboration of the sinden technique with pantomime motion techniques. The researcher initiated a musical theater that uses Mime Gestures as a concept for creating acting in the work. This has implications for an actor to study acting, music, and pantomime. The concept of this show elevates the spirit of the Javanese Koeli Kontrak in North Sumatra as the main story idea and theme in Merajut Dimensi Masa. The method used in this research is a qualitative research method. In collecting data using observation techniques, documentation, in-depth interviews and followed by interactive analysis. The stages of the training that the researchers carried out revolved around body exercises, vocal exercises, singing, sinden and pantomime exercises. So that through this systematic work, the concept of singing theater was born using mime as a concept of acting in the medium of performing arts. This research also seeks to offer new ideas in dramaturgical acting to create dramatic elements through the arts of singing and pantomime.
Study of Forms and Meanings Simalungun Folk Song Urdo-Urdo in Bahapal Raya Village Sara Dewanti Purba
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.40556

Abstract

This study aims to determine the origins of Urdo-urdo chants, to know the study of Urdo-urdo chants, to find out the forms of Urdo-urdo chants, to find out the meaning contained in Urdo-urdo chants, and to find out the characteristics of Urdo-urdo chants in Bahapal Raya Village, Pematang Raya District, Simalungun Regency. The theoretical basis used in this study is the theory of study which explains the meaning of study, namely or describes a detailed matter so that it conducts a study; music theory, namely music is a cultural activity that is very familiar with human life, form theory, namely form is a scheme or arrangement that intact from several phrases, the theory of meaning that uses semiotic theory and semantic theory, the theory of Urdo-urdo songs, namely those that function as lullabies and songs to calm crying children. The research method used in this study is a qualitative descriptive method. Based on the results of the research conducted, it can be seen that the origin of Urdo-urdo singing is an ethnic song passed down from the ancestors of the Simalungun people to their generation orally. The hallmark of Urdo-urdo singing is using Iggou Simalungun. The Urdo-urdo singing form consists of four forms: A, B, C, and D. The meaning contained in the Urdo-urdo singing presented by the resource person is a lullaby for children, which contains advice..
Manggopoh dalam Bingkai: Weaving the History of Siti Manggopoh Into the Choreography of a Dance Work Quinta Sari; Venny Rosalina
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49555

Abstract

The figure of Siti Manggopoh is an inspirational Minangkabau woman who fought for human rights. The dance work "Manggopoh Dalam Bingkai" showcases and symbolizes her unwavering spirit as she led a war against the Dutch. It reflects the traditional martial art of "silek" as the dancers' fundamental movement. This dance work carefully incorporates local idioms with distinct Minangkabau nuances, including the setting, music, costumes, dialogue, and etiquette. Its main objective is to nurture creativity in the creation of dance art, an aspect that has been studied throughout the course of education."Manggopoh Dalam Bingkai" sets a benchmark for choreographers aspiring to transform historical events into dance works with compelling storylines. Drawing inspiration from the phenomenal figure of Siti Manggopoh, this production aims to preserve and carry forward the precious local wisdom from the land of Minang.Through this dance work, we revitalize the spirit of resilient and courageous Minangkabau women. It serves as a powerful reminder of the values of bravery, tenacity, and an unyielding spirit in defending their homeland from oppression. With its captivating movements and expressions, "Manggopoh Dalam Bingkai" aims to inspire present and future generations to cherish and continue the struggle and cultural heritage of great significance.

Page 15 of 29 | Total Record : 287

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