cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Panji Suroso
Contact Email
panjisuroso@unimed.ac.id
Phone
+6285173022012
Journal Mail Official
gondang@unimed.ac.id
Editorial Address
Program Studi Pendidikan Musik, Fakultas Bahasa dan Seni, Universitas Negeri Medan Jl.Willem Iskandar Ps. V, Medan Estate.
Location
Kota medan,
Sumatera utara
INDONESIA
Gondang: Jurnal Seni dan Budaya
Published by Universitas Negeri Medan
ISSN : 25990594     EISSN : 25990543     DOI : https://doi.org/10.24114/gondang.v8i1
Core Subject : Humanities, Art,
Arts Humanities
Gondang is a Journal of Art and Cultural for information and communication resources for academics, and observers of Art and Culture, Performing Arts, Educational Arts, Methodology of Art and Cultural. The published paper is the result of research, reflection, and actual critical study with respect to the themes of Art and Culture. All papers are peer-reviewed by at least two referees. The scope of Gondang is the Science of Art and Culture. Published twice a year (June and December) and first published for print edition in June 2017.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 287 Documents
 14   15   16   17   18 
KauAku: Interpretation of Toxic Relationships and Senandung Jolo Mirnawati Mirnawati; Asril Asril
Gondang: Jurnal Seni dan Budaya Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.49854

Abstract

Toxic relationships are dangerous. Toxic relationships are often found in dating relationships. The cause of a toxic relationship is when in a relationship there is intimidating behavior towards their partner, being rude, reluctant to blame and winning alone. The social phenomena of toxic relationships or toxic relationships above become ideas in the creation of works. The creators interpret the atmosphere and emotions experienced in dating such as joy, sadness, anger, chaos and moral messages about dating as important parts that can be expressed. In developing the work, the artist uses the local idiom of the Senandung Jolo tradition. The creation method used in the cultivation is based on the testimony of the creative thinker Graham Wallas (1926) in the book Psychology of Art by Irma Damayanti it is stated that there are three stages, namely the data collection stage, the observation stage, and the work embodiment stage. The author interprets that a toxic relationship always begins with harmony, but there is also an emotional imbalance with the big title Composition KauAku, which consists of three works entitled "Selaras", "Kentara" and "Swantantra" with world music approach.
Synchronization Functions of “Mickey-Mousing” in Animation Film Rhapsody Rabbit Alvriza Mohammed Fadly; Hery Supiarza; Zakiah Pawitan
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.57435

Abstract

Synchronization between visual animation and music has been widely known as mickey-mousing. Notable old animation films have used this particular technique to reinforce action with a musical flourish and convey a certain meaning. Furthermore, animation music is commonly based on popular music, such as The Hungarian Rhapsody No.2 in Rhapsody Rabbit. The music is utilized not just as a scoring aspect but to dictate every Bugs Bunny's action when playing the piano. This research aims to study the implementation of the mickey-mousing technique in Rhapsody Rabbit film. It uses a qualitative content analysis approach to analyze visual and aural aspects—primary data is sourced from the Rhapsody Rabbit film and the Hungarian Rhapsody No. 2 music sheet. Secondary data is collected from literature studies related to the topic. Data collection is conducted through observation, interview, and documentation study. The data is analyzed using Klaus Krippendorf's content analysis technique which divided into six steps. The result of this study is that the mickey-mousing technique is implemented through a combination of a fast pace of visual and musical play altogether. Animation adapts to several parts of the musical composition so that articulation, illustration, and accentuation occur as a function of the mickey-mousing technique.
The Effectiveness of BmT Accompanied by Music Therapy for Neurology Patients at Martha Friska Multatuli Hospital Happy Majesty Waruwu; Junita Batubara; Ronald Heriko Saragih; Samsa Tamara Lumbangaol
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.52964

Abstract

This research focuses on the application of BmT (Box Music Therapy) as a music therapy medium for treating neurological patients in Martha Friska Multatuli hospital, Medan. The aim of this research is to test the performance of BmT and its effectiveness in treating patients with neurological disorders. In this case, the nervous disorders experienced by the patient are mild/severe strokes, pinched nerves, and weak nerves. The BmT is an instrument equipped with four main components, namely the Galvanic Skin Response (GSR) sensor to detect stress levels, the MPX5050dp sensor to detect Beat Per Minute (bpm). Memory card as a storage medium for 16 instrumental music works and songs created by composer Prof. Junita Batubara, S.Sn., M.Sn and headphones as a medium for listening to music. Through the use of quasi-experimental methods, the results of this study show that out of 22 (twenty two) outpatients in the neurology unit at Matha Friska Hospital in Medan, the patients experienced a decrease in GSR and BPM numbers based on the results of the numbers that appeared on the BmT monitor screen before and after being given music therapy treatment. Furthermore, researchers also obtained information that the patient experienced a feeling of relaxation, which eased the pain in the patient's limbs both during the process and after music therapy.
Bubuka Lawang Dance in Nyiar Lumar as a Media for Cultural Communication in Ciamis Annastasya Nur Intandiani; Juju Musunah; Tati Narawati
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56571

Abstract

Dance performance is not merely a sequence of artistically arranged movements. Instead, a dance performance serves as a cultural communication medium between the creator and the audience. In the presentation of dance, expressed through each movement, there is meaning that goes beyond the physical aspects alone. Whether through harmonious movement or the selection of specific themes, a dance performance acts as a window that opens the audience's view into the world of emotions, values, and stories intended by the creator. The Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency, West Java, showcases a community that continues to preserve and uphold its culture through Nyiar Lumar activities held every two years. Since 1998, Nyiar Lumar has been organized with the aim of building social solidarity through artistic activities in public spaces. This article aims to describe the research findings on the presentation of the Bubuka Lawang Dance during Nyiar Lumar in Kawali, Ciamis Regency. The research method employed is descriptive with a qualitative approach. The results reveal three stages in Nyiar Lumar: ngawalan (Opening ceremony), lalampahan (Journey), and magelaran (Performance). Additionally, there is a distinctive dance always featured during Nyiar Lumar titled "Tari Bubuka Lawang," with a different concept each year. Nyiar Lumar is closely related to the historical event of the Bubat War, which serves as the theme for Nyiar Lumar. The stage concept utilized is an outdoor stage with lighting relying on torches and candles. The movements are categorized into locomotion, pure movement, and symbolic gestures. Nyiar Lumar has become a biennial event to commemorate the history of West Java, Indonesia.
Increasing Branding Awareness of Alfath Mart as UMKM in Medan City Through Video Advertising Creative Media Fuad Erdansyah; Mukhlis Mukhlis; Khaerul Saleh
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i1.50501

Abstract

This research was conducted to produce an advertising video concept that is attractive, creative and economically valuable. This research is based on the desire to produce a creative and innovative product that can be applied as a promotional medium that can be useful for building the economic activities of the Medan City UMKM group. This research aims to produce a method for producing video advertisements for UMKM products as branding media for Medan City UMKM. The method used in this research is a qualitative approach. The process of searching for data and information was carried out using in-depth interviews with videography experts, Medan city UMKM, and Medan city UMKM product consumers as informants. Apart from that, literacy studies were also carried out such as journals, newspapers, magazines and other materials containing information about branding and UMKM. The research results concluded that in introducing and promoting a product or brand, the use of promotional videos could be an option. Publication of Medan City UMKM products through advertising video media can be done as an effort to increase brand awareness. Promotional videos are able to convey messages well so that they get the desired response.
The Function of the Basuh Lantai Tradition for the Daik Village Community Panca Dwi Kora; Daryusti Daryusti
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.47564

Abstract

Culture is the characteristic identity of any group or community, which is upheld within its boundaries. Culture as a product of human thought records community traditions in various ceremonies such as births, funerals, agricultural rituals and musical performances. One of the ingrained traditions is the Washing the Floor custom in Daik Village, Lingga Regency, Riau Islands Province, which is carried out before giving birth. This qualitative research conducted in Daik Village immersed researchers in the local community, aiming to understand the social significance and evolution of the Basuh Floor tradition. By demonstrating solidarity and actively participating with the locals, the researcher aims to gather accurate information for this study. The results reveal the tradition's connection to animist beliefs and its role in protecting against mystical forces. Despite modernization, the decline of these traditions reflects changing attitudes towards childbirth practices and health care. This study underscores the importance of preserving cultural heritage amidst societal change. Despite its decline, the Basuh Floor tradition remains an integral part of the cultural identity of Daik Lingga Village and the Riau Islands as a whole. It serves as a symbol of cultural continuity and resilience, reminding the community of their heritage and providing a sense of belonging and identity. Additionally, it underscores the importance of understanding and preserving cultural practices, not only for their symbolic value but also for their role in maintaining social cohesion and collective memory.
The Innovative Marketing Strategy to Introduce Traditional Woven Fabrics of Kubang as a Minangkabau Cultural Heritage Dilla Engla Sari; Atika Dwi Putri; Alvi Syukirman; Susi Evanita; Friyatmi Friyatmi; Try Wahyu Purnomo
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.50320

Abstract

Kubang Payakumbuh Weaving is a cottage industry that produces traditional woven fabric using the unique weaving techniques of the Minangkabau culture. The efforts of the Kubang Payakumbuh Weaving UMKM to maintain and modernize the weaving production are aimed at remaining relevant in an increasingly advanced era. They have adopted contemporary technology and designs to enhance the attractiveness of Minangkabau woven products, thus reaching a wider market. The marketing strategy employed by the Kubang Payakumbuh Weaving UMKM to promote their products involves the use of social media and e-commerce platforms to increase the visibility and accessibility of Minangkabau woven products globally.This research reveals the positive impact of innovation and marketing strategies by the Kubang Payakumbuh Weaving UMKM in introducing the cultural heritage of Minangkabau to both local and international communities. Not only do they preserve the weaving tradition, but they also create new economic opportunities for the local community. The research methodology includes observations and interviews with the owners of Kubang Payakumbuh Weaving UMKM as well as their customers. The collected data is qualitatively analyzed to understand the implementation of innovation and its impact on the introduction of Minangkabau cultural heritage. In conclusion, the innovation of the Kubang Payakumbuh Weaving UMKM in introducing the cultural heritage of Minangkabau has brought about positive changes to the traditional weaving industry. Through the use of technology and smart marketing strategies, they have been able to expand their market and introduce the richness of Minangkabau culture to the world.
Characteristics of Worship Music at HKBP Simpang Limun Medan Church Ezra Susilawaty Pangaribuan; Mauly Purba; Pulumun Peterus Ginting
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

Abstract

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.
The Effect of Kebyar Duduk Peliatan’s Performance During the Covid-19 Pandemic in Bali Ni Nyoman Manik Suryani
Gondang: Jurnal Seni dan Budaya Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v7i2.49317

Abstract

The purpose of this research was to reveal the phenomenon of the kebyar dudukpeliatan dance during the COVID-19 pandemic. In general, Balinese performing arts activities are very rare because of the red zone and demands for adaptation to health protocols. However, the kebyar duduk dance in the peliatan style was seen being performed. The performance of the kebyar duduk dance in the peliatan style during the COVID-19 pandemic looked different from usual. The questions are: 1) What is the form of the kebyar dudukpeliatan performance during the COVID-19 pandemic?; 2) What was the impact of staging the kebyar duduk peliatanperformance during the COVID-19 pandemic?. This research was completed based on qualitative methods. Secondary data was obtained through literature studies on COVID-19 and the kebyar duduk dance. While the primary data was obtained by means of observation and interviews with informants in Ubud. All data were analyzed qualitatively with aesthetic theory and practice theory. The results of the research show : (1) the people of Ubud present the kebyar duduk peliatan dance through digital technology; (2) the presentation of the kebyar dudukpeliatan dance through digital media has a positive impact on flexibility in learning the kebyar duduk peliatan dance and has a negative impact on the enculturation of the kebyar duduk peliatanperformance in the culture of the Ubud people.
Main Characters and Relief of the Ramayana Story at the Siwa Temple of Prambanan Asep Deni Iskandar
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.53701

Abstract

The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.The Ramayana story reliefs in the Prambanan temple, which are considered artifacts of the past, not only present information about the heroic Ramayana story, but also present a way of drawing that was considered modern at that time. The way of drawing done by the carvers is very distinctive, which is very different from the modern way of drawing or the Western naturalist-perspective-momentopname drawing system. With the typical way of drawing, the carvers can tell many events in one relief panel. The scenes depicted in the relief panels are the embodiment of selected scenes in the Old Javanese Ramayana literature. The transformation from literature into a relief story is similar to a movie derived from a novel. Filmic in the relief of the story can be seen in the selection of the right scene in the literature and the series of scenes arranged into a unified story. The carvers at that time tried to draw the character of each character according to their imagination and used a unique way of drawing. This way of drawing is used to examine the reliefs of the Ramayana story at Prambanan Shiva temple. This research uses qualitative methods and data is obtained through observation and literature review. Research to reveal how to draw the main character and the arrangement of each object based on the Old Javanese Ramayana literature. From the results of the analysis, it can be seen that the previous sculptors have described the character and relief depiction of the Ramayana story by adjusting to the existing literature.

Page 16 of 29 | Total Record : 287

 14   15   16   17   18 

Filter by Year

2017 2025


Reset
Filter By Issues
All Issue Vol. 9 No. 1 (2025): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2025 Vol. 8 No. 2 (2024): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2024 Vol. 8 No. 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA, JUNE 2024 Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA Vol 7, No 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol. 7 No. 2 (2023): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2023 Vol 7, No 1 (2023): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2023 Vol 6, No 2 (2022): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2022 Vol 6, No 1 (2022): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2022 Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021 Vol 5, No 1 (2021): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2021 Vol 4, No 2 (2020): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2020 Vol 4, No 1 (2020): GONDANG: JURNAL SENI DAN BUDAYA, JUNI 2020 Vol 3, No 2 (2019): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2019 Vol 3, No 1 (2019): Gondang: Jurnal Seni dan Budaya, Juni 2019 Vol 2, No 2 (2018): Gondang: Jurnal Seni dan Budaya, Desember 2018 Vol 2, No 1 (2018): Gondang: Jurnal Seni dan Budaya, Juni 2018 Vol 1, No 2 (2017): Gondang: Jurnal Seni dan Budaya, Desember 2017 Vol 1, No 1 (2017): Gondang: Jurnal Seni dan Budaya, Juni 2017 More Issue