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Patanjala : Jurnal Penelitian Sejarah dan Budaya
Published by Balai Pelestarian Nilai Budaya Jawa Barat
ISSN : 20859937     EISSN : 25981242     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Patanjala means river water that constantly flowing along the path through to the estuary. As well as the characteristics of river water, all human have to work and do good deeds, with focus on future goals. Patanjala is a journal containing research results on cultural, artistic, and film values as well as history conducted by Center for Preservation of West Java Cultural Values (in West Java, DKI Jakarta, Banten and Lampung working areas. In general, the editors also received research articles in Indonesia. Patanjala published periodically three times every March, June, and September in one year. Anyone can quote some of the contents of this research journal with the provision of writing the source.
Arjuna Subject : -
Articles 360 Documents
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KERETA API SCS: ANGKUTAN GULA DI CIREBON IWAN HERMAWAN
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.643

Abstract

Gula merupakan salah satu komoditas perdagangan penting pada masa kolonial Belanda. Hasil yang berlimpah tidak diimbangi dengan ketersediaan angkutan barang. Minimnya volume angkut dan lamanya waktu tempuh merupakan permasalahan yang dihadapi pengusaha gula. Pengembangan moda transportasi kereta api menjadi jawaban atas permasalahan tersebut. Daya angkut besar dengan waktu tempuh yang lebih cepat menjadi kelebihannya. Tujuan penelitian ini adalah menguraikan peranan kereta api dalam pengangkutan gula ke pelabuhan di Karesidenan Cirebon. Metode yang dipergunakan, deskriptif analisis. Data dikumpulkan melalui kegiatan studi pustaka dan pengamatan lapangan. Hasil penelitian menunjukkan, jalur kereta api di Karesidenan Cirebon  merupakan bagian dari jalur Semarang – Cirebon yang dibangun oleh NV. SCS. Tinggalan perkeretaapian di jalur tersebut menunjukkan terdapat persimpangan ke pabrik gula dari stasiun terdekat. Kesimpulan, pembangunan perkeretaapian di Cirebon pada awalnya ditujukan sebagai angkutan komoditas gula.    Sugar was one of the important trade commodities during the Dutch occupation. The abundant production of sugar disproportionated to the availability of freight transportation. Its consequences, the sugar company was hampered by both the low volumes and and the slow journey time of transported goods. As a result, the development of modes of transport was the solution needed. It would provide the solution based on the maximum payload and highest average speeds. The purpose of this study is to describe the role of railways in transporting sugar industry to the port in the Cirebon Residency. The research method used in the study is descriptive analysis. Research data were derived from library study, and field observations. The results of the study have shown that the railway line in Cirebon Residency was actually a part of the Semarang - Cirebon railway line built by NV. SCS. The disused railroad indicate clearly that there was an intersection to the sugar company from the nearest train station. It concluded that the railway construction in Cirebon was initially intended as the sugar transportation.  
POLITIK TUBUH DALAM SERAT KAWRUH SANGGAMA KARYA RADEN BRATAKESAWA AWAL ABAD XX Adi Putra Surya Wardhana; Fiqih Aisyatul Farokhah
Patanjala: Journal of Historical and Cultural Research Vol 13, No 1 (2021): PATANJALA VOL. 13 NO. 1 APRIL 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i1.699

Abstract

Hal-hal yang berkaitan dengan seksualitas selalu menarik untuk dikaji meskipun diikat oleh tabu. Pada awal abad XX, naskah-naskah soal seksualitas cukup populer, apalagi sudah dicetak dalam bentuk buku yang diperjualbelikan di lapak-lapak buku. Salah satu naskah yang memuat seksualitas adalah Serat Kawruh Sanggama. Tujuan penelitian ini adalah untuk mengungkap bentuk, fungsi, dan makna politik tubuh dalam Serat Kawruh Sanggama. Metode yang digunakan adalah analisis data kualitatif-interpretatif dengan pendekatan teori politik tubuh. Hasil penelitian menunjukkan, Serat Kawruh Sanggama ditulis di Kediri dan disebarluaskan oleh penerbit Boekhandel Tan Khoen Swie Kediri. Bentuk politik tubuh berupa narasi tentang tata cara atau aturan bersenggama. Naskah ini mengandung politik tubuh yang berfungsi untuk menundukkan, mengontrol, dan mendominasi tubuh perempuan. Namun demikian, naskah ini dapat dimaknai sebagai upaya laki-laki untuk memahami misteri tubuh perempuan. Selain itu, naskah ini dimaknai pula sebagai daya perempuan, sehingga laki-laki harus berusaha untuk memahami seluk beluk tubuh perempuan.Despite a taboo subject amongst society, the matters related to sexuality are always interesting to study. In the early twentieth century, texts on sexuality were quite popular and had even been printed in the form of books that were sold in the book stalls. One of those was Serat Kawruh Sanggama. The purpose of this study was to analyze the form, the function, and the meaning of the politics of the body in the Serat Kawruh Sanggama. The method used in the research was the qualitative-interpretative data analysis combined with the approach of the Politics of the Body. The results of the study have shown that Serat Kawruh Sanggama was written in Kediri and then disseminated by the publisher of the Boekhandel Tan Khoen Swie Kediri. The elements of the Politics of the Body revealed in the text are in the form of narratives related to the procedures or rules of sexual intercourse. It is evident that the elements of the Politics of the Body found on the text served as an instrument of subjugating, controlling, and dominating the female body. This text can be interpreted as an attempt by men to understand the mystery of the female body. However, on the other hand, the text can also be interpreted as an attempt by men to understand the mystery of the female body. In addition, it also represented as a woman's power that encourages men to understand the ins and outs of the female body.
WACANA KEKUASAAN DALAM UPACARA SIRAMAN DAN NGALUNGSUR GENI DI DESA DANGIANG GARUT Ani Rostiyati
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.645

Abstract

Kajian ini bertujuan mengungkap bagaimama wacana kuasa bekerja dalam upacara Siraman dan Ngalungsur Geni. Wacana kuasa ditelusuri dari relasi pemimpin adat (kuncen dan leluhur) dengan masyarakat Desa Dangiang. Dalam kajian ini menggunakan metode deskriptif explanatory dan teknik analisis data secara kualitatif interpretatif, yaitu mengangkat berbagai fenomena, kemudian diinterpretasi dengan teori dari Foucault tentang kekuasaan yang dikonstruksi secara positif dan tidak represif. Data yang digunakan merupakan hasil wawancara mendalam pada informan, observasi pada saat upacara berlangsung, pengambilan foto, dan studi pustaka. Hasil dari kajian ini adalah kekuasaan dalam pelaksanaan upacara Siraman dan Ngalungsur Geni, dikonstruksi secara dinamis, positif, dan tidak represif yakni kekuasaan yang terpusat pada pemimpin adat kuncen yang didistribusi pada semua warga peserta upacara. Simbol dari distribusi kekuasaan tersebut adalah semua peserta merasakan adanya keberkahan yang didapat dari doa kuncen dan air bekas cucian benda-benda pusaka milik leluhur Desa Dangiang. The research aims to reveal how the power discourse works through Siraman and Ngalungsur Geni ceremonies. The power discourse can be traced through the relationship between traditional leaders (kuncen and ancestors) and the people of Dangiang Village. The study uses descriptive explanatory methods and interpretative qualitative data analysis techniques. The researcher first raises the phenomenon to be interpreted with Foucault's theory of positive and non-repressive constructed power. The data used are the results of in-depth interviews with informants, observations during the ceremonies, photos, and literature study. The research reveals that power during Siraman and Ngalungsur Geni ceremonies has been constructed dynamically, positively, and unrepressively. The power centered on traditional leader ‘kuncen’ is even distributed to all citizens participating in the ceremonies. The distribution of power is reflected when all ceremony participants can feel both the blessings of the prayers offered by the ‘kuncen’ and the water used for washing the heirlooms belonging to the ancestors of Dangiang Village.
TATA RUANG IBUKOTA TERAKHIR KERAJAAN GALUH (1371 - 1475 M) Budimansyah Budimansyah; Nina Herlina Lubis; Miftahul Falah
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.596

Abstract

Penelitian ini bertujuan untuk menguak tata ruang Galuh Pakwan sebagai ibukota terakhir Kerajaan Galuh, sejauhmana pola ruang kota tersebut berkaitan dengan nilai-nilai kelokalan sebagaimana tergambar dalam historiografi tradisional. Dalam penelitian ini metode sejarah akan dipergunakan sebagai fitur utama agar menghasilkan suatu hasil kajian yang komprehensif, dan menggunakan teori tata kota, serta metode deskriptif-kualitatif. Minimnya sumber terkait sejarah Galuh Pakwan, wawancara secara mendalam kepada para narasumber diharapkan bisa menjadi suatu bahan analisis historis. Berdasarkan fakta di lapangan, Galuh Pakwan sebagai ibukota kerajaan berawal dari sebuah kabuyutan. Pada masa pemerintahan Niskalawastu Kancana, kabuyutan tersebut dijadikan pusat politik dengan tetap menjalankan fungsi kabuyutannya. Seiring waktu, Galuh Pakwan menjelma menjadi sebuah kota yang tata ruangnya menunjukkan representasi dan implementasi konsep kosmologi Sunda. Galuh Pakwan terbentuk oleh pola radial-konsentris menerus, sebagai gambaran kosmologi Sunda sebagaimana terungkap dalam naskah-naksah Sunda kuna.The research is not only aimed at uncovering the spatial layout of Galuh Pakwan as the last capital of Galuh Kingdom, but also at exploring how well the relationship between the urban spatial patterns and the local values as depicted in the traditional historiography. Beside having the historical methods as the main feature to produce a comprehensive study result, the study also uses the urban planning theory, as well as the descriptive qualitative methods. The historical sources related to the history of the Galuh Pakuan are very limited. As a result, the in-depth interviews with the resource persons are expected to be appropriate as the observation material for historical analysis. Based on the facts found in the field, the Galuh Pakwan as the capital of the kingdom originated from a Kabuyutan. During the reign of Niskalawastu Kancana, Kabuyutan served as a political center while maintaining its original function as Kabuyutan. As the time passed, the Galuh Pakwan was transformed into a city whose spatial layout represented and implemented the Sundanese cosmological concept. The Galuh Pakwan was formed by a continuous radial-concentric pattern, as a description of Sundanese cosmology in the ancient Sundanese manuscript.
KEPANDUAN DAN POLITIK: GERAKAN PADVINDERS DI PADANG PANJANG 1926-1934 Fikrul Hanif Sufyan
Patanjala: Journal of Historical and Cultural Research Vol 13, No 1 (2021): PATANJALA VOL. 13 NO. 1 APRIL 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i1.630

Abstract

Gerakan kepanduan pernah meledak di Afdeling Batipuh X dan Priaman di awal abad ke-20. Tulisan ini bertujuan menganalisis hadirnya gerakan kepanduan dengan segala dinamikanya. Gerakan kepanduan ini beberapa kali melakukan gebrakan serta tuntutan Indonesia merdeka yang mereka suarakan langsung dari Padang Panjang.  Mulai dari gerakan protes, hingga membentuk Pendidikan Nasional Indonesia, atau dikenal dengan istilah PNI Baru Hatta-Sjahrir. Tulisan ini disusun berdasarkan kaidah metode sejarah –dimulai dengan heuristik, kritik, interpretasi, dan historiografi. Padvinders di Padang Panjang telah dimulai sejak tahun 1924. Gerakan yang hadir di Padang Panjang antara lain International Padvinders Organitatie, El-Hilaal, Hizbul Wathan, dan Kepanduan Indonesia Muslim (KIM). Masing-masing kepanduan lahir dari sekolah-sekolah yang muncul sejak awal abad ke-20, kemudian bermetamorfosis menjadi sebuah gerakan politik. Gerakan politik KIM menjadi PNI Baru, telah mengubah paradigma kepanduan –yang selama ini hanya dianggap sebagai kegiatan ekstrakurikuler sekolah.   The scout movement rose to fame in the afdeling of Batipuh X and Priaman in the early 20th century. This paper is designed to analyze the presence of the scout movement and related matters. It had constituted a break with years of colonial era and pushed for an independent Indonesia, which they voiced directly from Padang Panjang. The movements they organized was from the protest movement to the formation of the Pendidikan Nasional Indonesia or more popularly known as the PNI Baru Hatta – Sjahrir. The paper is organized according to the standard historical method rules; heuristics, criticism, interpretation, and historiography.  The scout movement, it all started in Padang Panjang in 1924. The International Padvinders Organitatie, the El-Hilaal, the Hizbul Wathan, and the Kepanduan Indonesia Muslim (KIM) were around then. They were originally established in schools at the beginning of the 20th century who transformed into the political movement then. KIM, which turned into a political movement or known as PNI Baru, has changed the scouting paradigm, which so far has only been regarded as the extracurricular school activity.
PEMBENTUKAN KABUPATEN LUWU UTARA: KISAH DARI TOKOH DI BALIK LAYAR PADA 1999 Rismawidiawati Rusli
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.617

Abstract

Artikel ini bertujuan untuk menulis sejarah pembentukan Kabupaten Luwu Utara dari perspektif aktor yang terlibat pada proses pembentukan tersebut. Tulisan ini menggunakan metode sejarah, dan hasil penelitian menunjukkan bahwa upaya pembentukan Kabupaten Luwu Utara bukan hanya sekali ini muncul, tapi keinginan tersebut sudah sejak lama diperjuangkan. Usaha tersebut dimulai sejak 1959, diulang kembali pada 1966, dan akhirnya pada 1999 Kabupaten Luwu Utara terbentuk. Pembentukan Luwu Utara adalah berkat perjuangan masyarakat Luwu Utara yang terdiri dari berbagai unsur, unsur mahasiswa yang tergabung pada Forum Komunikasi Mahasiswa Luwu Utara, unsur masyarakat biasa bahkan unsur pemerintah. Cepatnya proses pembentukan Luwu Utara pada 1999 ini berkat politik lobbying yang dilakukan oleh Ryass Rasyid yang memiliki kedekatan khusus dengan Lutfi A. Mutty (Dirjen PUOD). Alasan Utama pembentukan Kabupaten Luwu Utara tidak hanya dikarenakan pertimbangan desentralisasi, demokratisasi dan good governance, serta kalkulasi ekonomis namun juga karena kepentingan aktor-aktor dibaliknya. The study aims to reveal the history of the formation of the North Luwu District based on the perspective of the actors who were directly involved in the formation process. This research, which uses the historical method, shows the results of the research that the efforts to form the North Luwu District have been pursued for a long time. The effort, which had been started since 1959, was re-submitted in 1966, and finally in 1999 the North Luwu District was successfully formed. The formation of North Luwu District was the result of support from the North Luwu communities which consisted of various elements, such as elements of students who were members of the North Luwu Student Communication Forum, elements of societies, and even elements of the government. The process of formation the North Luwu District in 1999 proceeded rapidly because of political lobbying approached by Ryass Rasyid towards Director General for PUOD Lutfi A. Mutty. The main reasons behind the formation of the North Luwu District was not only due to the considerations of decentralization, the democratization and the good governance, as well as the economic calculations but also because of the interests of the actors behind it.
KAMPUNG ANGKLUNG DI CIAMIS: PENJAGA EKOSISTEM BUDAYA ANGKLUNG Risa Nopianti; Hary Ganjar Budiman
Patanjala: Journal of Historical and Cultural Research Vol 13, No 1 (2021): PATANJALA VOL. 13 NO. 1 APRIL 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i1.731

Abstract

Kampung Angklung merupakan perkampungan penghasil angklung yang berada di Kabupaten Ciamis, Jawa Barat. Sejak tahun 2010 angklung telah menjadi warisan budaya yang diakui dunia melalui konvensi yang digelar UNESCO di Nairobi, Kenya. Oleh Karena itulah diperlukan upaya-upaya untuk terus memajukannya melalui kegiatan pelindungan, pengembangan, pemanfaatan, dan pembinaan sumberdaya kebudayaan yang berkelanjutan sebagaimana diamanatkan dalam Undang-undang Pemajuan Kebudayaan No.5 Tahun 2017. Artikel ini melihat masyarakat di Kampung Angklung dalam upaya menghidupkan dan menjaga ekosistem kebudayaan angklung yang berkelanjutan. Penelitian kualitatif dengan melakukan wawancara secara mendalam terhadap para pengrajin angklung di Kampung angklung serta stakeholder pemerintah yang mendukungnya. Ekosistem kebudayaan angklung di Kampung Angklung yang di dalamnya terdapat berbagai subsistem seperti ekosistem tanaman bambu, pengrajin angklung, seniman angklung, sistem produksi dan distribusi, serta kelembagaan masyarakat, telah berkontribusi terhadap upaya menghidupkan dan menjaga ekosistem kebudayaan yang berkelanjutan. Ekosistem kebudayaan angklung mampu menjaga kelestarian ekosistem lingkungan, pada saat yang sama mereka juga dapat mengambil manfaat ekonomis daripadanya sekaligus melestarikan kebudayaan angklung.  Kampung Angklung in Ciamis Regency, West Java is a well-known producer of angklung. Since 2010, angklung has officially become a world-recognized cultural heritage as a result of the UNESCO convention held in Nairobi, Kenya. As a consequence, further steps are needed to continue to advance angklung by providing the activities of protecting, developing, utilizing, and fostering the sustainable resource culture referring to the Law of the Republic of Indonesia Number 5 of 2017 concerning Cultural Advancement. This article describes how the efforts of the people of Kampung Angklung to preserve and conserve the sustainable ecosystem of angklung culture. This research used the qualitative research methods, such as conducting the in-depth interviews with angklung craftsmen in Kampung Angklung, and the government stakeholders who supported the craftsmen. The ecosystem of angklung culture in Kampung Angklung, in which there are various subsystems such as bamboo plant ecosystem, angklung craftsmen, angklung artists, production and distribution systems, and community institutions, has contributed to preserve and conserve the sustainable ecosystem of angklung culture. The ecosystem of angklung culture assured to preserve the environmental ecosystem and, at the same time, to provide the economic benefits while preserving the angklung culture.
DARI RUWAT LAUT MENJADI SYUKURAN LAUT: STRATEGI MEMPERTAHANKAN KELANGSUNGAN TRADISI MASYARAKAT NELAYAN PULAU JAWA DI KABUPATEN LAMPUNG SELATAN Irvan Setiawan
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.644

Abstract

Masyarakat nelayan di Kabupaten Lampung Selatan sebagian besar berasal dari tanah Jawa yang datang ke Lampung dengan berbagai cara. Salah satunya melalui program transmigrasi yang dilakukan sejak zaman penjajahan. Selain melakukan aktivitas sebagai nelayan, aktivitas budaya juga menjadi bagian dari kehidupan masyarakat nelayan tersebut, salah satunya adalah Ruwat Laut. Setelah dilaksanakan selama bertahun-tahun, Ruwat Laut berganti nama menjadi Syukuran Laut. Perubahan nama tersebut menjadi hal menarik untuk diteliti. Penelitian dilakukan dengan menggunakan metode deskriptif dengan pendekatan kualitatif. Hasil yang diperoleh adalah bahwa pergantian nama dari Ruwat Laut menjadi Syukuran Laut disebabkan kekurangan dana dan perbedaan persepsi antara adat masyarakat dari tanah Jawa dengan adat masyarakat Lampung. Syukuran Laut dilakukan dengan meniadakan tahapan tradisi yang dianggap menjadi penyebab Ruwat Laut tidak terlaksana, yaitu pelarungan kepala kerbau, pertunjukan wayang golek, dan berbagai jenis kegiatan yang membutuhkan dana cukup besar.The fishermen communities in South Lampung Regency were once mostly the Javanese who migrated to settle in Lampung in various ways. One of those was through the transmigration program since the colonial era. It was one rewarding way in which many of those have migrated since the era. In addition to doing their activities as the fishermen, they have also carried on their cultural activities as a part of their fishermen life community, that is, Ruwat Laut. After being carried out for years, Ruwat Laut was renamed Syukuran Laut. The name change is interesting for a research. The study was conducted by using a descriptive method with qualitative approach. The studies reveal that the change name was due to lack of funding and perceptual difference between customs of Java and customs of Lampung. Syukuran Laut is carried out without those traditions that once prevented Ruwat Laut, namely buffalo head offering, puppet show, and various types of activities with substantial funds.
THE ENTERTAINMENT WORLD OF MINANGKABAU PEOPLE IN THE EARLY OF THE 20TH CENTURY Meri Erawati; I Ketut Surajaya; Linda Sunarti
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.595

Abstract

This article discusses the entertainment world of the Minangkabau people in the Dutch colonial epoch. The world of entertainment is constructed using the historical method through the collection of written sources particularly contemporary newspapers and is equipped with books in the form of memoirs and autobiographies. The data obtained are then criticized and synchronized to produce historiography. The results show that the entertainment that developed in Minangkabau is identified into two namely traditional entertainment and modern entertainment. The traditional entertainment is entertainment that has been passed down from the Minangkabau culture, while modern entertainment is entertainment influenced by the West.Artikel ini menjelaskan tentang dunia hiburan masyarakat Minangkabau pada masa kolonial Belanda. Dunia Hiburan dikontruksi menggunakan metode sejarah melalui pengumpulan sumber-sumber tertulis terutama koran-koran yang terbit sezaman serta dilengkapi dengan buku- buku berupa memoar dan autobiografi. Data yang diperoleh kemudian dikritisi dan dikronologikan sehingga menghasilkan historiografi. Hasil penelitian menunjukkan bahwa hiburan yang berkembang di Minangkabau terpola menjadi dua yakni hiburan tradisional dan hiburan modern, dimana hiburan tradisional merupakan hiburan yang telah turun temurun dari budaya masyarakat Minangkabau, sedangkan hiburan modern merupakan hiburan pengaruh Barat.
TUBO DALAM PERSPEKTIF EKOLOGI BUDAYA PETANI KERAMBA JARING APUNG DI KAWASAN DANAU MANINJAU PROPINSI SUMATERA BARAT SILVIA DEVI; ROIS LEONARD ARIOS
Patanjala: Journal of Historical and Cultural Research Vol 13, No 1 (2021): PATANJALA VOL. 13 NO. 1 APRIL 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i1.646

Abstract

Tulisan ini bertujuan menggambarkan bagaimana strategi petani Keramba Jaring Apung (selanjutnya disebut KJA) di Kawasan Danau Maninjau Provinsi Sumatera Barat dalam menghadapi tubo yaitu peristiwa kematian ikan secara massal di Danau Maninjau akibat keracunan. Pendekatan ekologi budaya  digunakan untuk menganalisis dan menjawab permasalahan penelitian. Penelitian menggunakan  metode kualitatitf dengan pengumpulan data melalui studi pustaka,  wawancara, dan observasi. Hasil penelitian menggambarkan bahwa  petani KJA menghadapi peristiwa tubo sebagai proses alam yang harus diterima sehingga mereka harus beradaptasi agar kehidupan ekonomi mereka dapat bertahan. Adaptasi petani KJA didasarkan pada pemahaman mereka terhadap lingkungan, tubo, teknologi yang ada, dan nilai-nilai religi yang mereka miliki. Dengan pendekatan ekologi budaya petani KJA mampu menghadapi perubahan alam dan teknologi sehingga mereka dapat tetap bertahan.This work was intended to draw the strategy of the floating net cage farmers (Keramba Jaring Apung, KJA) in the Lake Maninjau in West Sumatera to deal with the ‘tubo’, a mass death of fish as a result of poison-laced bait. To analyze and answer the research question, therefore the research employed the cultural ecology approach. The research also used the qualitative method with the data collection by literature study, interviews, and observations. The study revealed that the farmers accepted the ‘tubo’ inevitably as a natural fact. As the consequence of it, they couldn’t help but adapted in order to survive economically. The adaptation process is based on their understanding of the environment, the ‘tubo’, the existing technology, and their religious values. They were able to adapt to natural and technological changes because of the ecological and cultural approaches they applied. As a result, they were able to survive

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