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Patanjala : Jurnal Penelitian Sejarah dan Budaya
Published by Balai Pelestarian Nilai Budaya Jawa Barat
ISSN : 20859937     EISSN : 25981242     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Patanjala means river water that constantly flowing along the path through to the estuary. As well as the characteristics of river water, all human have to work and do good deeds, with focus on future goals. Patanjala is a journal containing research results on cultural, artistic, and film values as well as history conducted by Center for Preservation of West Java Cultural Values (in West Java, DKI Jakarta, Banten and Lampung working areas. In general, the editors also received research articles in Indonesia. Patanjala published periodically three times every March, June, and September in one year. Anyone can quote some of the contents of this research journal with the provision of writing the source.
Arjuna Subject : -
Articles 360 Documents
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THEOLOGICAL DIMENSIONS IN MEMITU RITUALS IN CIREBON B Busro; Ai Yeni Yuliyanti; Abdul Syukur; Rifki Rosyad
Patanjala: Journal of Historical and Cultural Research Vol 12, No 2 (2020): PATANJALA VOL. 12 NO. 2 Oktober 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i2.636

Abstract

Indonesia is very famous for its rich culture. Cirebon as one of the districts in West Java is also very thick with its culture. This article discusses one of the cultures in Kedungsana Village Cirebon, the phenomenon of ritual slametan Memitu. The purpose of this study is to examine the practice of ritual slametan Memitu carried out by Kedungsana community together with its theological dimensions. The research subjects were the community of Kedungsana Village, Plumbon District, Cirebon Regency. The process of collecting data through direct observation and to get deep information in interviews, we use a purposive sampling technique. The results of the study found that the purpose of carrying out the ritual slametan Memitu was as a manifestation of gratitude for all the favors that had been given from the "Invisible Power" and also the hope of the smooth birth process. Express gratitude and the request is addressed to those considered to have the power to determine the smooth process of birth. In ritual slametan Memitu, there are theological dimensions that can be identified as belief in Invisible Substance and values for living in harmony together among residents of Kedungsana Village community. The theological dimensions in the earth alms ritual have been developed in such a way as to be in line with the development of social reality.Indonesia sangat terkenal dengan kekayan kebudayannya. Cirebon sebagai salah satu kabupaten di Jawa Barat juga sangat kental dengan budayanya. Artikel ini membahas salah satu budaya di Desa Kedungsana Cirebon yaitu fenomena tradisi ritual slametan Memitu.  Tujuan dari penelitian ini adalah untuk meneliti praktek ritual Memitu yang dilakukan oleh masyarakat Kedungsana bersama dengan dimensi-dimensi teologisnya. Subjek penelitian adalah komunitas masyarakat Desa Kedungsana Kecamatan Plumbon Kabupaten Cirebon. Proses pengumpulan data dilakukan dengan observasi langsung, untuk pendalaman dilakukan wawancara dengan teknik purposive sampling. Hasil penelitian ditemukan bahwa tujuan dilaksanakannya ritual slametan Memitu adalah sebagai manifestasi syukur atas segala nikmat yang telah diberikan dari “Kekuatan Tak Terlihat” dan juga pengharapan kelancaran proses kelahiran. Ungkapan rasa syukur dan permohonan tersebut ditujukan kepada yang diyakini memiliki kekuatan untuk menentukan kelancaran proses kelahiran. Dalam ritual slametan Memitu terdapat dimensi-dimensi teologi yang dapat diidentifikasi sebagai kepercayaan terhadap Zat Yang Gaib dan nilai-nilai untuk hidup rukun berdampingan antar-warga masyarakat Kelurahan Kedungsana.  Dimensi-dimensi teologis dalam ritual sedekah bumi ini telah dikembangkan sedemikian rupa agar sejalan dengan perkembangan realitas sosial.
NILAI BUDAYA PADA LANSKAP INDUSTRI PERKEBUNAN KINA CINYIRUAN BANDUNG PADA MASA KOLONIAL Lia Nuralia; Iim Imadudin
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.848

Abstract

Perkebunan Kina Cinyiruan di Bandung telah berdiri sejak tahun 1855. Sekarang ini telah menjadi kebun afdeeling dari Perkebunan Kertamanah PTPN VIII, sejak digabungkan secara manajerial di masa kemerdekaan. Jejaknya dapat ditelusuri sebagai lanskap budaya industri perkebunan berupa area bekas kebun kina dan permukiman emplasemen, yang mengandung nilai budaya. Apa dan bagaimana nilai budaya tersebut menjadi permasalahan pokok dalam tulisan ini. Metode penelitian adalah desk research dengan pendekatan arkeologi industri serta konsep nilai budaya dan lanskap budaya. Hasil yang diperoleh adalah lanskap budaya industri Perkebunan Kina Cinyiruan memiliki tata guna lahan beragam dengan tinggalan budaya benda beraneka fungsi. Nilai budaya yang terkandung di dalamnya merupakan nilai budaya tradisional Sunda dan nilai budaya kolonial, terkait kearifan lokal dan teknologi modern barat. Kedua nilai budaya tersebut tampak pada tata letak dan arsitektur bangunan permukiman, serta tata guna lahan area kebun sebagai sistem ekonomi subsistensi dan perkebunan sebagai sistem ekonomi modern Barat yang komersial.The Cinyiruan quinine plantation in Bandung has been established since 1855. After the managerial merger during the independence of Indonesia, it is now the government-owned plantation of PTPN VIII Kertamanah. The existence of the plantation can be traced as a cultural landscape of the plantation industry. It includes the area of the former quinine plantation and the emplacement settlement. Both contain cultural values. The main problem in this paper comprise what and how the values are. The research method used is the desk research with an industrial archeology approach and the concept of cultural values and cultural landscapes. The results obtained indicate that the cultural landscape of the Cinyiruan quinine plantation industry has a variety of land uses with cultural relics of various functions. The cultural values contained are the Sundanese traditional cultural values and colonial cultural values which relate to the local wisdom and western modern technology. These two cultural values are traceable in the layout and architecture of residential buildings as well as the land use of the garden area as a subsistence economic system and the plantations as a modern commercial Western economic system.  
THE CULTURAL VALUES OF THE BULANGAN LONDONG SEMBANGAN SUKE BARATA RITUAL OF THE INDIGENOUS PEOPLE OF TORAJA Markus Deli Girik Allo; Nilma Taula’bi; Elim Trika Sudarsih; Eka Prabawati Rum
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.798

Abstract

The purpose of this study was to investigate the cultural values in the ritual of Bulangan Londong Sembangan Suke Barata as part of the Toraja indigenous people life. The research method used in this study is a qualitative method. Meanwhile, the respondents involved in this study include culturist, linguists, and the Toraja community. The research instruments used in this study were document files, interviews with the subjects, and observations using a video recorder that recorded the ritual process of Bulangan Londong Sembangan Suke Barata. The data analysis technique in this study includes three main steps, namely data reduction, data presentation, and drawing conclusions. The results showed that the cultural values contained in the rituals of the Bulang Londong Sembangan Suke Barata were 'Manuk' which symbolized the value of the work ethic, 'Ussembang Suke Barata' which represented the religious value of bamboo slashed by 'Mina', and 'Kayunan Londong' which personifies the leader's patriotic value.Tujuan dari penelitian ini adalah untuk menyelidiki nilai-nilai budaya dari ritual bulangan londong sembangan suke barata dari masyarakat adat Toraja. Penelitian ini menggunakan metode kualitatif. Responden penelitian ini adalah budayawan, ahli bahasa, dan komunitas Toraja. Instrumen penelitian yang digunakan adalah file dokumen, wawancara dengan subjek, dan pengamatan dengan menggunakan perekam video pada ritual bulangan londong sembangan suke barata. Teknik analisis data mencakup tiga langkah utama, pengurangan data, presentasi data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa nilai-nilai budaya yang terkandung dalam ritual bulangan londong sembangan suke barata adalah manuk yang melambangkan nilai etos kerja, ussembang suke barata yang mewakili nilai religius bambu yang ditebas oleh mina, dan kayunan londong sebagai personifikasi nilai patriotik pemimpin.
MENILIK PERTUNJUKAN ADU DOMBA DI PRIANGAN PADA MASA KOLONIAL Budi Gustaman
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.788

Abstract

Adu domba sangat populer di Priangan, khususnya di wilayah Garut. Popularitas adu domba (Garut) tidak bisa dilepaskan dari historisitasnya. Penelitian ini ditujukan untuk mempertanyakan kemunculan domba Garut serta pertunjukan adu domba pada awal perkembangannya. Metode yang digunakan adalah metode sejarah, dengan memanfaatkan sumber berupa buku dan koran yang diproduksi pada masa kolonial. Temuan utama penelitian ini ialah kemunculan jenis domba Garut dilatarbelakangi impor domba yang diinisiasi oleh K.F. Holle untuk tujuan budidaya wol. Kawin silang domba impor dan domba lokal menghasilkan jenis domba petarung yang lazim disebut domba Garut. Pertunjukan adu domba muncul dari kebiasaan masyarakat pribumi dalam mengadu binatang, hingga berkembang menjadi hiburan yang sering diselenggarakan pada setiap event besar. Kesimpulan penelitian ini adalah sebagai domba petarung, domba Garut muncul dari ‘ketidaksengajaan’ hingga menjadi populer sejak akhir abad ke-19, dengan diiringi berbagai kecaman dari perspektif orang Eropa perihal esensi permainannya.      Fighting sheep is very popular in Priangan, especially in the Garut region. The popularity of fighting sheep can't be separated from the history that lies behind it. This research is intended to answer the questions about the emergence of Garut sheep and sheep fighting show at the beginning of its development. The method used in this research is the historical method by utilizing sources of books and newspapers produced during the colonial period. The main finding of this study is that the emergence of the Garut sheep breed was motivated by the import of sheep initiated by K.F. Holle for wool cultivation purposes. The crossbreeding of imported sheep and local sheep has resulted in the type of fighting sheep which is now commonly referred to as Garut sheep. The fighting sheep show itself emerged from the indigenous people's habit of fighting animals which later developed into an entertainment that was often held at every major event. The conclusion of this study is that Garut sheep as fighting sheep emerged from an 'accidental habits' and then became popular since the late 19th century. On the other hand, it has also drawn criticism from the perspective of Europeans who are concerned about the essence of the fighting sheep.
KOTA KOSMOPOLITAN BANTEN PADA MASA KEJAYAAN JALUR REMPAH NUSANTARA ABAD XVI HINGGA ABAD XVII Gregorius Andika Ariwibowo
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.800

Abstract

Abstrak Kota kosmopolitan merupakan bagian atau simpul dari jaringan-jaringan transnasional yang terbentuk dari aktivitas ekonomi dan perdagangan, dimana kemudian terciptalah berbagai interaksi dan pertukaran budaya, ide, dan beragam aktivitas manusia. Kehidupan kosmopolis yang tercipta di Banten telah memberikan warna dalam sejarah Jalur Rempah Nusantara. Toleransi dalam keberagaman dan kemajemukan yang tercipta di kota-kota pelabuhan di sepanjang garis pantai Nusantara selama masa kejayaan Jalur Rempah merupakan nilai penting dalam melihat Indonesia pada masa kini. Kajian ini secara lebih dalam akan melihat seperti apakah rupa dari keberagaman yang tercipta di Banten? serta bagaimanakah mereka dapat saling menjaga keberagaman ini sehingga mampu menjadikan Banten sebagai pelabuhan kosmopolitan yang kaya pada masa tersebut?. Banten menurut Anthony Reid merupakan salah satu contoh dari kota yang berhasil memadukan kemajemukan-kemajemukan yang hidup dan tinggal di dalamnya. Kondisi ini menurut Reid disebabkan oleh keberhasilan kota-kota tersebut dalam menarik para pedagang asing dan orang-orang kaya untuk bergantung kepada mereka. Keduanya dalam beberapa hal terintegrasi menjadi elit yang dominan dan menciptakan kemajemukan budaya yang memungkinkan terselenggaranya perdagangan. Kota pelabuhan Banten telah menjadi kota perdagangan terbuka yang disinggahi oleh berbagai pedagang dari berbagai negeri di Nusantara dan Asia. Banten dalam pandangan Emily Erikson ketika itu merupakan kota yang memang dibangun dan dikelola untuk menjadi sebuah kota dagang yang terbuka bagi berbagai bangsa. Kata Kunci: Kesultanan Banten, Perdagangan Lada, Kosmopolitan, Jalur Rempah, Keberagaman Abstract A cosmopolitan city is a part or node of transnational networks that form by economic and trade activities, which then creates various interactions and exchanges of culture, ideas, and various human activities. The cosmopolitan life in Banten has given a unique color to the history of the Nusantara Spice Route. Tolerance in diversity and plurality that was creating in port cities along the coastline in the Indonesia archipelago during the heyday of the Spice Route era is a high-and-mighty value in seeing Indonesia today. This study will see what kind of diversity that was creating in Banten?, and how they could mutually maintain this diversity to make Banten became a fortune cosmopolitan port at that time? Anthony Reid said that Banten was an example of a city that has succeeded in combining the diversity that lives and lives in it. This condition, according to Reid, was caused by the success of these cities in attracting foreign traders and fortune people to depend on them. In some ways, both are integrated into a dominant elite and create cultural pluralism that makes trade possible. The port city of Banten has become an open trading city visited by various traders from various countries in the archipelago and Asia. Banten, in Emily Erikson's view, was a city that was built and managed to become an open trading city to various nations. Keywords: Banten Sultanate, Pepper Trade, Cosmopolitan, Spice Route, Diversity
KRISIS POLITIK DI KALIMANTAN BARAT 1950: SUATU PROSES MENUJU INTEGRASI KE DALAM REPUBLIK INDONESIA Mohammad Rikaz Prabowo; Aman Aman
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.796

Abstract

This event was based on the background of competition between political groups after the recognition of Indonesian sovereignty on December 27, 1949, namely the pro-integration groups into the Republik of Indonesia through the West Kalimantan National Committee (KNKB), with those who wanted to maintain the status of the Special Region of West Kalimantan (DIKB) within the framework of a systemized Federal RIS. This competition resulted in a political crisis that affected the entire province. The republicans in the KNKB demanden the DIKB Government that West Kalimantan be part of the Republic of Indonesia. This desire was responded coldly, even though the DIKB figures rejected the entry of the TNI. This sparked demonstration that led to the arrest of republicans and a general strike which resulted in a political crisis. The political crisis subsided after the arrival of the RIS and DPR-RIS Commissioners. The arrest of Sultan Hamid II on April 5 1950 paralyzed DIKB and accelerated joining the Republic of Indonesia.
MENYELISIK BUDAYA PASAR TRADISIONAL DI PASAR BARU BALIKPAPAN, KOTA BALIKPAPAN, KALIMANTAN TIMUR Budiawati Supangkat; Rahman Latif Alfian; Johan Iskandar
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.795

Abstract

Artikel ini membahas mengenai budaya pasar yang berlangsung di Pasar Baru Kota Balikpapan. Budaya pasar sendiri merupakan keseluruhan norma dan nilai yang melingkupi kegiatan pemangku pasar tradisional dalam berkegiatan di pasar. Penelitian ini menggunakan metode etnografi dalam menggali data dari para pemangku Pasar Baru yang menjadi lokus penelitian. Etnografi dipilih karena penelitian ini berusaha menjaring data baik itu data lisan, visual maupun tertulis dari sudut pandang pengampu Pasar Baru Balikpapan. Hasil penelitian ini menunjukkan bahwa para pedagang yang berdagang di Pasar Baru Balikpapan berasal dari latar budaya yang beragam. Mengingat Balikpapan merupakan salah satu wilayah strategis juga pintu masuk dan jalur perniagaan khususnya di Kalimantan Timur. Dalam melakukan aktivitas perdagangan, pedagang membawa nilai budaya masing-masing. Meskipun demikian secara perlahan tercipta pola tindakan dari para pedagang. Meskipun berasal dari latar budaya yang berbeda, secara tidak tertulis para pedagang seperti telah mencapai kesepakatan dalam berkegiatan di pasar.This article discusses the market culture at Pasar Baru in Balikpapan City. The market culture in this study can be defined as the overall norms and values adopted by traditional market stakeholders in their daily activities in the market. This study uses ethnographic methods to collect data from the stakeholders of Pasar Baru as the research locus. Ethnography was chosen based on the consideration that this research seeks to collect data, both oral, visual and written data from the point of view of the Pasar Baru supervisor in Balikpapan. The results show that the traders who trade at Pasar Baru in Balikpapan originate from the diverse cultural backgrounds. It is a consequence of the City of Balikpapan as one of the strategic areas as well as the entrance and route of commerce, especially in East Kalimantan. In their trading activities, the traders bring their respective cultural values. It slowly encourages the creation of new patterns in the behavior of traders. They seem to have reached an agreement in their activities in the market.
SATU KAMPUNG TIGA MAESTRO: JEJAK WARISAN BUDAYA DI KOTA BENGAWAN Gregorius Andika Ariwibowo
Patanjala: Journal of Historical and Cultural Research Vol 13, No 2 (2021): PATANJALA VOL. 13 NO. 2 OKTOBER 2021
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v13i2.861

Abstract

FUNGSI DAN MAKNA BEBEGIG SUKAMANTRI SEBAGAI IKON BUDAYA ASTRAL SUNDA Edi Setiadi Putra; Dedy Ismail
Patanjala: Journal of Historical and Cultural Research Vol 12, No 1 (2020): PATANJALA VOL. 12 NO. 1 April 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i1.557

Abstract

       Penelitian ini mengungkap makna dan fungsi Bebegig Sukamantri, suatu karnaval rakyat yang berpotensi menjadi ikon budaya masyarakat Sunda di Kabupaten Ciamis, Jawa Barat. Bebegig Sukamantri dilestarikan oleh masyarakat desa setelah mengalami perubahan fungsi dan makna seiring perkembangan zaman. Studi tentang Bebegig Sukamantri masih jarang tetapi cukup sering ditampilkan dalam tulisan media sosial. Dalam memahami makna dan fungsi Bebegig Sukamantri, penelitian dilakukan dengan menggunakan metode kualitatif dalam bentuk teknik triangulasi yang merujuk pada penggunaan berbagai metode atau sumber data untuk mendapatkan pemahaman yang komprehensif tentang fenomena sosial budaya yang berkembang di masyarakat. Berbagai data primer diperoleh dari proses observasi, wawancara, dan partisipasi subjek. Sekitar 54 bentuk topeng diidentifikasi memiliki karakter unik dan berbeda serta dapat dikelompokkan ke dalam tiga kategori karakter Raksasa-Détya-Dénawa yang merupakan visualisasi dari jenis makhluk astral yang dikenal dalam budaya Sunda kuno.  The study reveals the meaning and function of a Bebegig Sukamantri. Also known as a festival of traditional dance performance, it has a potential of becoming an outstanding Sundanese cultural icon in Ciamis Regency, West Java. After its function and meaning has changed over time, Bebegig Sukamantri is preserved by the  the village community. The study on Bebegig Sukamantri has attracted few researchers. However, it appears frequently on social media. To understand the meaning and function of Bebegig Sukamantri, the qualitative methods with triangulation method data has been used.  Triangulation refers to the use of multiple methods or data sources in qualitative research to develop a comprehensive understanding of social-cultural phenomenon. Various primary data collection methods involved the process of observation, interviews, and subject participation. Research identified 54 masks. Each consists of unique and different characters. The masks are subsequently categorized into three character, namely Raksasa – Détya – Dénawa. Those visualize the astral creatures known in ancient Sundanese culture.
SIKAP KRISTEN CALVINIS TERHADAP KELOMPOK AGAMA LAIN DI BATAVIA PADA ABAD KE XVII Sukamto Sukamto; Nina Herlina Lubis; Kunto Sofianto
Patanjala: Journal of Historical and Cultural Research Vol 12, No 1 (2020): PATANJALA VOL. 12 NO. 1 April 2020
Publisher : Balai Pelestarian Nilai Budaya Jawa Barat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30959/patanjala.v12i1.514

Abstract

Artikel ini meneliti sikap Kristen Calvinis terhadap agama-agama yang ada di Batavia pada abad ke-XVII. Dengan menggunakan Metode Sejarah, didapat beberapa kesimpulan: (1) VOC hanya mengakui satu agama yang sah (publieke kerk) yaitu Kristen Calvinis, (2) Dengan menggunakan VOC, sikap Kristen Calvinis terhadap komunitas Katolik Roma sangat tegas, banyak pastor Katolik Roma yang dipenjara. Untuk membatasi perpindahan penduduk Batavia ke Gereja Katolik Roma, dibuat peraturan bahwa sakramen Katolik Roma (Baptisan) dianggap tidak sah secara hukum dan tidak bisa dijadikan sebagai syarat pernikahan, (3) Islam dan Kong Hu Cu di Batavia tidak diakui sebagai agama resmi, namun karena secara politik dan ekonomi mereka kuat, VOC menjadi sangat berhati-hati dalam membuat kebijakan-kebijakan, khususnya yang berkaitan dengan hidup keagamaan mereka.The article presents the findings of the research of Calvinistic Christianity’s attitude towards the other religion groups in Batavia during the 17th century. By using the Historical Method, the conclusions are obtained as follows: (1) The VOC recognized exclusively the Calvinistic Christianity as the only legitimate religion (publieke kerk), (2) The Calvinistic Christianity manipulated the VOC to behave strict towards the Roman Catholics so that many Roman Catholic priests were consequently imprisoned. To prevent the Batavia citizens from embracing the Roman Catholics, the Calvinistic Christianity had the Roman Catholic's sacrament of Baptism considered as as not legally valid by the VOC so that it could not fulfill the marriage requirements, (3) Meanwhile, Islam and Confucianism in Batavia remained unrecognized as official religions. However, their political and economic influence forced the VOC to be very careful in decision-making, especially concerning their religious lives.

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