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<![CDATA[Analisis wacana kritis Norman Fairclough terhadap bahasa slogan aksi demonstrasi guru di Samarinda ]]>
<![CDATA[Rinda Cahya Mudiawati]]>;
<![CDATA[Yusak Hudiyono]]>;
<![CDATA[Bibit Suhatmady]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.694
<![CDATA[This research discusses the great turmoil that occurred in October 2022 in the education environment of Samarinda City regarding the issue of removing teacher incentives. Thousands of teachers carried out demonstrations using written language contained in slogans. Slogans were used to protest against the circular letter from the Mayor of Samarinda concerning the alignment of incentives for teachers and education personnel. Critical discourse analysis was conducted to understand the meaning of the written language in the demonstration's slogan. Observation techniques, unstructured interviews, and photo documentation were also used as supporting methods in data collection. The research uses Norman Fairclough's three-dimensional analysis, which uses three main dimensions: the text, discourse, and social practice. This three-dimensional analysis can provide a more comprehensive and critical understanding of slogan language in a broader social, political, and cultural context. It can help reveal the power, meaning, and social implications of slogans and understand how slogans influence action and change in society.]]>
<![CDATA[Analisis perspektif kritis generasi z terhadap wacana pada media sosial ]]>
<![CDATA[Kasmantoni Kasmantoni]]>;
<![CDATA[Pebri Prandika Putra]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.698
<![CDATA[This study aims to know the perspective of Gen Z in understanding the discourse contained in social media. The perspective means the ability to change Gen z’s perspective in understanding the text on social media, the ability to see points of view, focus on a developing issue, and describe how to take action after understanding a discourse. The research method used the quantitative method. Respondents of this research are Gen Z, who are active in youth organizations. Data collection techniques are observation and questionnaire. The results showed that Gen Z had detected a discourse that contains partiality to certain interests by providing a different perspective. It can be seen in the positive response on the average instrument (mean) above 53%; able to provide a more neutral point of view with the number of positive responses on the average instrument above (mean) 51%; able to see a developing issue in a discourse that has a tendency from the author with a positive response above 56%; and able to take action from the discourse that has been read with an average positive response above 59%.]]>
<![CDATA[Dehumanisasi ujaran kebencian dalam penggunaan kata ‘lu’ pada komentar Instagram Rachel Vennya ]]>
<![CDATA[Hira Tri Windasari Ilham]]>;
<![CDATA[Sajarwa Sajarwa]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.702
<![CDATA[The purpose of this study is to determine the discursive representation of the word 'lu' in the speech written on Rachel Vennya's Instagram comments that have the potential to express hatred using the synergy of linguistic corpus methodology and to identify illocutionary speech acts using Searle's pragmatic theory. This study is a qualitative study in which researchers serve as research tools. The research data collocates with the word 'lu' processed using the Sketch Engine Tool. The hate speech corpus was compiled from Rachel Vennya's Instagram comments from 2020 to 2022. The Instagram Comments Scraper tool was used to capture these comments. The total number of utterances is 4,865, with 22,986 words. The word 'lu' appears in 88 different speech patterns in Instagram comments. The collocation analysis also reveals differences in the proclivity to utilize terms in R1 and L1. Apart from 'dakjal' vs 'setan' and 'kya' vs 'kek,' there was also a proclivity to use other words with similar meanings. One example is the colloquial R1 for the word 'anjing' in the (n+lu) pattern. Then, at 48%, directive speech acts dominated the rise of hate speech, followed by expressive speech acts at 33% and assertive speech acts at 19%.]]>
<![CDATA[Telaah dimensi proses kognitif pada soal pengayaan buku teks bahasa Korea untuk penutur asing ]]>
<![CDATA[Alfia Rizky Zulianty]]>;
<![CDATA[Didin Samsudin]]>;
<![CDATA[Risa Triarisanti]]>;
<![CDATA[Arif Husein Lubis]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.706
<![CDATA[This study aims to assess the application of cognitive processing dimensions to the enrichment questions in the Korean book entitled 아하 한국어 2/Aha Hanguko 2 which contains 141 questions in 12 chapters. The cognitive process dimension is divided into six levels with two categories, namely lower order thinking skills and higher order thinking skills. The method used in this research is qualitative by using textual analysis. The results of the research in the book are that the enrichment questions do not yet contain all levels of cognitive process dimensions because there are no questions at the C5 - Evaluation level. However, there are still questions with other higher order thinking skills categories, namely levels C4 - Analysis and C6 - Creating. The enrichment questions are still dominated by the level C2 - Understanding which is a category of lower order thinking skills. Based on the results of the research, it can be seen that the book does not contain enrichment questions with the level of dimensions of cognitive processes that are included in the category of higher order thinking skills optimally. This can have an impact on the lack of sharpening of students' critical thinking skills.]]>
<![CDATA[The Citra perempuan ningrat dalam novel Panggil Aku Kartini Saja karya Pramoedya Ananta Toer: kajian simbolik Roland Barthes ]]>
<![CDATA[Siti Bagja Muawanah]]>;
<![CDATA[Siti Ansoriyah]]>;
<![CDATA[Siti Gomo Attas]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.715
<![CDATA[This research aims to understand the image of noble women contained in the novel “Panggil Aku Kartini Saja” by Pramoedya Ananta Toer using Roland Barthes' Symbolic study. This research uses a descriptive qualitative method. The data collection techniques used are description method and literature research. The data analysis technique used in this research is descriptive-analytic. The result of the research that has been carried out is that there are 60 lexia found in the novel “Panggil Aku Kartini Saja” by Pramoedya Ananta Noer, which are spread into three kinds of Roland Barthes symbolic studies in the form of 45 lexia antithetical, 12 lexia 'kemenduan', and 3 lexia opposition of two elements. The whole lexia illustrates that Kartini is a noblewoman who has an image: upholding the religion she adheres to, loving her father, and fighting for the interests of the people by writing and establishing special schools for women, a product of the shift in eastern and western culture, likes to read, and so on.]]>
<![CDATA[Proses pembentukan slang Ceindan di kota Samarinda ]]>
<![CDATA[Fauziah Hajjah]]>;
<![CDATA[Tri Mastoyo Jati Kesuma]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.722
<![CDATA[Ceindan merupakan slang yang berasal dari Kota Samarinda. Tujuan penelitian ini yaitu untuk menjelaskan proses pembentukan slang Ceindan yang terdiri atas dua suku kata. Penelitian ini menggunakan pendekatan kualitatif dengan metode pengumpulan data berupa pengisian kuesioner untuk mengumpulkan kalimat. Data yang dianalisis adalah kata dalam slang Ceindan yang terdiri atas dua suku kata dengan langkah-langkah sebagai berikut. Pertama, mereduksi kalimat dengan memilah jumlah suku kata yang dimiliki oleh masing-masing kata. Kedua, mengklasifikasikan dan menyajikan kata berdasarkan alofon yang dimiliki suku kata pertama. Ketiga, menarik kesimpulan proses pembentukan yang terjadi. Hasil analisis data disajikan menggunakan metode informal dan formal. Hasil penelitian menunjukkan bahwa kosakata yang terdiri atas dua suku kata dengan suku kata pertama yang memiliki alofon [a], [o], [ɔ], [e], atau [ɛ] mendapatkan penambahan fonem /i/, sedangkan suku kata pertama yang memiliki alofon [i], [ə], [u], atau [ʊ] mendapatkan penambahan fonem /e/. Penambahan fonem tersebut diletakkan di awal suku kata pertama. Sementara itu, kosakata dengan suku kata pertama yang terbuka akan mengalami pelesapan sebagian suku kata kedua, sedangkan suku kata pertama yang tertutup akan mengalami pelesapan suku kata kedua secara utuh.]]>
<![CDATA[Interaksi referen dan konteks dalam antologi memoar Guru Welas Asih ]]>
<![CDATA[Anjas Rusdiyanto Soleh]]>;
<![CDATA[Atiqa Sabardila]]>;
<![CDATA[Markhamah Markhamah]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.741
<![CDATA[This study aims to describe the form of reference and context contained in the anthology of “Guru Welas Asih” memoirs. Qualitative descriptive method used in this study. This research aims at mapping references contained in the form of changes in the meaning of synesthesia. The data in this study are the form of words or phrases in the anthology of “Guru Welas Asih” memoirs. The data source for this research is an anthology of memoirs by the Komunitas Menulis Memoar entitled “Guru Welas Asih”. The memoir consists of 17 titles written by 17 members of the community. Provision of data in this study using note-taking techniques and documentation. Furthermore, data analysis uses the equivalent method with the application of referential techniques. The results of this study indicate that referent references cannot be separated from context. According to the findings of this study, the references contained in the anthology of “Guru Welas Asih” memoirs are: (1) reference words and (2) deictic words. The identified deixis is (1) persona deixis, (2) pointer deixis, and (3) place deixis. The type of reference refers to something that is bound by context. Therefore, the referent and context interact to show the reference.]]>
<![CDATA[Pemakaian kode tutur bahasa Jawa oleh pedagang di pasar ]]>
<![CDATA[Erlin Kartikasari]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.712
<![CDATA[Language as a means of human interaction is related to human speech acts, especially in the use and selection of language when communicating. Traders in the market are identical to using certain language codes to sell their goods to attract buyers. Using speech codes during buying and selling transactions shows the trader's self-identity in the market environment. Market traders use various speech codes to talk to buyers. This paper focuses on the speech codes the traders use to convince customers. This research uses a descriptive qualitative research method. The research data source comes from the speech of market traders, especially herbal medicine traders in the Magetan Market. The data were collected with the support of recording, note-taking, and interview techniques. The data analysis starts by grouping the speech data based on the speech code used and then analyzing the speech code based on the problem formulation. The results of this study show that traders in the market interacting with buyers use speech codes of Javanese 'ngoko' and 'krama' and Indonesian. In addition, jamu sellers also code-switch and code-mix in communicating with buyers.]]>
<![CDATA[Puisi Nikah Sungai dan Nikah Pisau karya Dorothea Rosa Herliany dalam perspektif ekofeminis Mary Daly ]]>
<![CDATA[Iswadi Bahardur]]>;
<![CDATA[Putri Dian Afrinda]]>;
<![CDATA[Rina Sartika]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.737
<![CDATA[This research is motivated by the problem of the relationship between women and nature with male power which is reflected poetically by Dorothea Rosa Herliany in two poems entitled "Nikah Sungai" and "Nikah Pisau". Based on that problem, this study aims to describe (a) the power of male patriarchal necrophilia over women; and (b) the attitude of women as an effort to free themselves from the necrophiliac power of men. The research method used is qualitative with descriptive content analysis techniques. The research findings show two things. First, the poems "Nikah Sungai" dan "Nikah Pisau" reflect men's efforts to destroy women's natural reproductive abilities using the power of necrophilia through manipulating various natural resources such as plants, rocks, sand, animal carcasses, soil, and poison as weapons. Second, the attitude of women's resistance to the power of male necrophilia which is reflected by Dorothea in her two poems is manifested in acts of physical violence such as stabbing the heart and tearing the male genitalia.]]>
<![CDATA[Strategi ketidaksantunan sarkasme warganet pada kolom komentar Instagram Ganjar Pranowo ]]>
<![CDATA[Risya Ayu Irawati]]>;
<![CDATA[Eva Tuckyta Sari Sujatna]]>;
<![CDATA[Susi Yuliawati]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 6 No 3 (2023) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v6i3.739
<![CDATA[This study is motivated by the increasing use of social media among people who do not fully understand the rules of interacting and communicating. This study aims to (1) reveal the strategy of impoliteness of sarcasm displayed and (2) reveal the markers of impoliteness that show sarcasm of netizens in the comments column on Ganjar Pranowo's Instagram account. Data were obtained from 7 posts on Ganjar Pranowo's Instagram account from March 28 to April 4, 2023. This research is descriptive qualitative research using the methods of listening, noting, and recording with a pragmatic approach. The results showed that netizens used irony in writing sarcasm disrespect strategy comments. In addition, four markers of sarcasm impoliteness strategy are in the comment column on Ganjar Pranowo's Instagram. These markers include the use of profanity-related diction by 35%, the use of ALL CAPS by 25%, excessive use of exclamation marks by 20%, and inappropriate name-calling used by 20%. There were no markers found related to taboo language, such as animal names or body parts. Some data also showed the use of figurative language to indicate sarcasm. Netizens' impoliteness is often triggered by several issues concerning football, politics, and religion.]]>
