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ika ismurdiyahwati
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INDONESIA
Jurnal Budaya Nusantara
Published by Universitas PGRI Adi Buana Surabaya
ISSN : 23553367     EISSN : 25978802     DOI : https://doi.org/10.36456/b.nusantara.vol3.no2
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Environmental Science Languange, Linguistic, Communication & Media Social Sciences
Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 216 Documents
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Era Cyberspace Sebagai Prospek dan Tantangan Pendidikan Karakter Bangsa Karyono, Tri
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1966

Abstract

Cyberspace era is characterized by the blurring the different types of boundaries including nations, and is signalized by leaving the data trace (log files) and not leaving the physical documents (paperless). Industrial revolution 4.0 with its use of cyber physical systems is no exception. Information technology at one pointmakes the distance closer, but at another point it potentially also leads to educational, social, cultural and behavioural problems. In this regards, there should be an awareness of how to create healthier environment. This study, therefore, is aimed at providing illustrative solutions of the problems in connection with the accessibility of diverse information in the era of cyberspace which affect on the people’s way of thinking, actions and attitudes. The results of this study are expected to contribute to the ideas of charater education which is being the core to achieve the quality of national education in Indonesia. Moreover, the results of the study are expected to provide some insights of how to help society smarter in the era of cyberspace in which eventually they will have a capacity to reduce the big data information and empower this information for their better life.
Kajian Makna, Konsep, dan Teknologi Pembuatan Motif Batik Tradisional, Wilayah Barat, Provinsi Jawa Timur ismurdyahwati, ika; ., Atiqoh
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1967

Abstract

This research looks for the basic pattern of meaning that traversesall the journey soft tribal history,through the 'old' batik motif, which originates from the western part of the East Java province.Through these mythologies, the position of man will be reflected in his cosmology and try to surveyhis life, be safe and happy according to his position in thisworld order. Its in terestis to document themotives to make inspiration for the developmen to fart in the future, with out putting aside theconcept soft its predecessors and the technology it uses. His research method, using qualitativeresearch, by optimizing observation and observation. Another goal ist okey now the extent to whichthese motives develop. In connection with the government program on the creative economy, it ispossible to develop the forms of motifs and functions of batik cloth that are not only used as clothfor the lower part of clothing, and kebaya (women) or beskap (men) as superiors. The resultsobtained in its development were, batik cloth with sacred motifs, became profane because of thelack of understanding of the concep to motives in the younger generation. Then in itsdevelopment,the batik cloths not only became profane but became material forother things to use, such as;negligee, casualpants, vacationclothes, hotel sandals, to formal clothes for uniforms andcelebrations.
komparasi karya seni lukis MOOI Indie Antara Seniman Indonesia dan Seniman Dari Barat Periode 1930-an Pandanwangi, Ariesa
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1968

Abstract

The purpose of this study is to compare the 1930s indie mooi painting works between Indonesianartists and western artists. The samples of this study were paintings of Indonesian artists andWestern artists made in 1930s. Each work of these artistsis selected to represent his period. Hiswork is, therefore, analyzed using Feldman's theory. The results of this study show that manyartists' creative ideas are inspired by the scenery of Indonesia. These creative ideas lead to themesemerged which visualizing fields and mountains on their indie mooi paintings. The primarilyreason of visualizing the beautiful scenery on their paintings is that these paintings are intended tofavourEuropean communities living in Java. Another result of the study is that paintings at thattime still used traditional techniques and media, oil paint on canvas and the colours used aremostly bright.
PENERAPAN METODE TUTOR SEBAYADALAM MENINGKATKAN KREATIVITAS BERMUSIK PESERTA DIDIK PADA MATA PELAJARAN SENI BUDAYADI KELAS VIISMP NEGERI 1 SUKARESMI Kurniadi, Dedi
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1969

Abstract

This study aims to analyze the reality of improving the students’ musical creativity through peer tutor on arts and culture lesson at VII grade, State Junior High School 1 Sukaresmi. Quasi experiment with statistical test is used in this study. The result of the study shows that peer tutor significantly improves the students’ musical creativity compared to that of conventional method. This improvement can be seen from the control class which uses conventional method showing average score of 60.7 and the experiment class which uses peer tutor method showing the higher average score of 79.7.
RUANG PUBLIK DAN SENI PUBLIK Jabaril, Rahmat
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1970

Abstract

Public Space and Public art, are two different senses. Public Space is a space that can be spread out because of the existence of a community that has the imagination that engages in it. Society is created and creates public space as a real democratic space. This is because, every actor in it interferes with imagination, and ideas that make that space continue to be spread out as public space. Public art is unconstitutional, so its beauty is a dynamic process. In that, then the public space and the art of public are compounds which have no meaning. Often it is not revealed that what we see on the streets, for example, provides reflective space and gives inspiration to the street performers. Public art, public space and public actors will make public dynamics an aesthetic form.
TANTANGAN DALAM PENCIPTAAN SENI RUPA TRADISI DI ERA REVOLUSI INDUSTRI 4.0 ., Karsam
Jurnal Budaya Nusantara Vol 2 No 2 (2019): NUSANTARA & TEKNOLOGI
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol2.no2.a1971

Abstract

The industrial revolution 4.0 was an era where all aspects were made, carried out, carried out with tools and facilities that were all modern including the creation of traditional art. The order of human behavior in work that cannot keep up with changes in the digital age will be marginalized. This condition can marginalize and even destroy the existence of traditional art.This research was carried out by using qualitative method in which data are obained from observation, literature review and direct practice in the field, where the author is the actor of the creation of traditional art.The purpose of this study is to preserve and preserve the existence of traditional fine art on this earth, so the creators (Artists, Masters, Kriyawan, Craftsmen, etc.) must be able to use media, tools, materials, facilities that develop in this time. The author hopes that this research can benefit readers, researchers, reviewers and traditional art actors to continue working in this era of industrial revolution 4.0 without abandoning traditional artistic values.
UNSUR RUPA DAN MAKNA PADA BUSANA PENGANTIN BETAWI Woelandhary, Ayoeningsih Dyah
Jurnal Budaya Nusantara Vol 3 No 1 (2019): NUSANTARA & MEDIA
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no1.a2109

Abstract

Bridal dress is found in all cultures in the archipelago, its existence is often used as a focal pointfor invited guests, so it is not surprising that fashion is one of the elements that most brides payattention to. Variety of designs and modifications are made by designers and brides to wear,but ingeneral the basic form is not removed, it is manifested in maintaining the spirit of culturalvalues embedded in it. The focus of this research is the Betawi regional wedding dress. ThisBetawi tribe is a tribe whose majority of the population used to be people who lived and settledin this region since the time of the formation of Batavia, they grew up and developed as a largeethnic group, the result of intermarriages and mixed marriages of various ethnic migrants.The form of acculturation can be seen in the designation of the clothes worn by the bride andgroom, namely the wedding dress 'haji care' for the bride and groom, and the "rias besar dandanancare none pengantin cine" for the bride. In this study will reveal a lot of the elements of formand symbolic meaning embedded in it, then the method in this research is descriptive analysiswith qualitative methods, the analysis process uses visual art review theory, descriptive in nature,where data and pictures will be broken down and explanations about various things relating tothe visual elements in the object of research that have been redrawn with illustration techniques.The most interesting finding in this study is the existence of different absorption elements, inthis Betawi bridal costume is in the bride costume thick with Chinese culture, but in the malecostume, thick with nuances of Arabic culture, and as we know that in history two this culturereally has a strong influence on the development and growth of Betawi people.
REPRESENTASI BUDAYA DALAM IKLAN: (Analisa Semiotika Iklan Marjan Versi Tari Betawi dan Sepatu Roda) Handayani, Dian
Jurnal Budaya Nusantara Vol 3 No 1 (2019): NUSANTARA & MEDIA
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no1.a2111

Abstract

The purpose of this research is to understand the culture representation and the meaning ofBetawi dance and roller skate's version of Marjan advertising. This research used some theories,they are:Mass Communication, Advertising, Cultural Imagery, Semiotics, Culture Study, Semiologyby Roland Barthes. This research was analysed by Roland Barthles as denotation and connotationmeaning. This research showed that Marjan advertisement represented two cultures, they aretraditional culture through mask dance and modern culture trough roller skate's show. Thisadvertisement was successful to represent Betawi and modern culture through the show ofOndel-ondel who played the roller skates.
PENERAPAN TEKNIK DIGITAL PRINTING DAN BORDIR DENGAN INSPIRASI BANGUNAN HOTEL SAVOY HOMANN BANDUNG UNTUK PRODUK FESYEN Fernanda, Deanita Nabilla; Bastaman, Widia Nur Utami
Jurnal Budaya Nusantara Vol 3 No 1 (2019): NUSANTARA & MEDIA
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no1.a2112

Abstract

Buildings are one of the major inspiration frequently used on design theme for fashion industries.The purpose of this research is to raise the potential of a functional historical building in Bandungby the name of Hotel Savoy Homann. The visual potential of Hotel Savoy was used as inspirationfor fashion products in the form of women's clothing. To represent the value of Hotel SavoyHomann, the writer choosed to use two varieties of surface design techniques which is digitalprinting and embroidery. This research carried out the qualitative method by doing field observationand collecting data from related literature studies. The execution was in the form of explorationsketches from images inspired by the exterior design of Hotel Savoy Homann. The outcomeof this research is the application of digital printing and embroidery techniques on fashionproducts inspired by the building design of Hotel Savoy Homann Bandung whichprovidesfurther alternative choices for fashion products in women's clothing and acquaint Hotel SavoyHamman to citizens of Bandung.
ESTETIKA DALAM SENI ISLAM MENURUT SAYYED HOSSEIN NASR ., Iswahyudi
Jurnal Budaya Nusantara Vol 3 No 1 (2019): NUSANTARA & MEDIA
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36456/b.nusantara.vol3.no1.a2113

Abstract

The discussion about the phenomenon of religion and the cultural arts system is very interestingbecause the two have a close relationship. Islamic art, according to Nasr, has three elements.First, religious art is art that completely avoids something secular, can be a fence of expressionto hold back pagan art or the like. Secondly, Islamic art must be extracted from aesthetic elementswhich must animate the meaning of monotheism, so that it contributes to always remind againof the majesty of God. Third, Islamic art must be truly wisdom, because it is inspired by spiritualvalues. Associated with aesthetics, is to provide beauty that reflects aspects of positive judgment.The problems that arise in this case, how far beauty can be felt by someone and once able toevaluate it. Ethical and aesthetic freedom are often seen in relation to diametric patterns. Binaryopposition between ethical freedom governed by various normative rules and aesthetic freedomthat tends to be explosive is often a problem especially when art is associated with religiousvalues. Based on this, it is known that Nasr paid great attention to spirituality in building hisphilosophy of Islamic aesthetics and rejecting modernism.

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