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Sabda: Jurnal Kajian Kebudayaan

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Published by Universitas Diponegoro

ISSN : - EISSN : 25491628 DOI : -

Core Subject : Education,

Education

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Articles 219 Documents

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TRANSFORMASI SOSIAL-BUDAYA MASYARAKAT INDONESIA Nurdien Harry Kistanto
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 2: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Social scientists have conceptualized several stages of sociocultural transformation as societal development. One version modified in this article constitutes a typology of preindustrial and industrial societies which consists of one, hunting & gathering societies; two, pastoral societies; three, village agrarian societies; four, advanced traditional agrarian societies; and five, industrial societies; and six, postindustrial societies. To analyse the sociocultural transformation which happens in the Indonesian society, one has to observe and consider the long historical background which produces social heterogeneity. Thus, the direction and ideals of sociocultural transformation can be identified and conceptualized.

DEKONSTRUKSI BUDAYA KEKUASAAN DALAM CA BAU KAN KARYA REMY SYLADO Asmarani, Ratna
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 2: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The focus of analysis in this paper is about how the power of the powerful is deconstructed by people in the peripheral sphere. The male protagonist, Tan Peng Liang, is a peripheral Chinese man who does not only deconstruct the central power controlled by powerful ruler of different race, but he also deconstructs the power of the Chinese committee officially established by the colonizer. On the other side, Tinung, ca bau kan Jodo River, is a poor, illiterate Javanese woman who deconstructs Tan Peng Liangâ€™s power. Using Derridean deconstructive approach towards the text, it can also be known that the deconstructive attempts applied by Tan Peng Liang tend to be deliberate, full of calculated power, using all means, with the purpose of gaining profit and power. On the other side, Tinungâ€™s deconstructive attempts tend to be accidental, soft and natural, based on the power of the powerless, but have no purpose of gaining profit or power for herself.

DUA BUDAYA: PERTANIAN DAN INDUSTRI Studi Kasus dalam Masyarakat Pesisir Dukuh Tapak, Kelurahan Tugurejo, Kecamatan Tugu, Kota Semarang Ningwuri, Astrid Aditika
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 2: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This study examines two cultural forms of livelihood in coastal communities Dukuh Tapak, Kelurahan Tugurejo, Semarang. This research purpose is to identify the conditions of each individual and family livelihood, a reason to the dualism of livelihood, and the influence of industry on the social and economic life. This research use a qualitative method, collecting primary data through in-depth interviews and observation, secondary data obtained from study of literature and documents. The results showed that Dukuh Tapak's people have a livelihood as factory employees while managing the fish farm as a sideline. Most people who work in factories are women and youth as a bid to shore up their family economy. Industrialization did not significantly affect the socio-economic conditions, in which a sense of kinship and mutual help are still well preserved. While in terms of economic, a family with two types of livelihood tend to be more established than a family with only working either in the industry or the agricultural sector.

TRADISI MERDANG MERDEM KALAK KARO DI DESA JUHAR, KECAMATAN JUHAR, KABUPATEN KARO, SUMATERA UTARA Sibero, Mada Triandala; Sibero, Diandala
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 1: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Juhar village is located in Subdistrict Juhar, District Karo, North Sumatera. Majority of society in Juhar village are farmers and cattlemen. A few of farmers farm in the forest and collect forest products. The society do the traditional ceremony known as merdang merdem and also known as kerja tahun. Merdang merdem in Juhar Village is organized by youth and held every year on August 17th. Merdang merdem was held as thanksgiving to the ancestral spirits for the success and good harvest. Today, merdang merdem is held for family gathering. In this event, there are traditional performances like rende and landek

Editorial Team, Daftar Isi, Pengantar Redaksi Matter, Front
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 1: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

KESENIAN & MATA PENCAHARIAN - Upaya Seniman Tradisional & Populer dalam Pemenuhan Nafkah Kistanto, Nurdien Harry
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The traditional and popular artists have their fans, who are associated with levels of society and socio-economic conditions of the artists. Most artists appreciate the arts as a forum for the fulfillment of subsistence and some other artists treat art not merely as the main work in making a living, but as self-actualization and calling in life. Democratization, way of life & lifestyle have encouraged and accelerated development of new traditions in the arts; industrialization that took place since the early 1970s emphasized the political, policy and strategy choices of economy, trade and commercial business and service-based industries, which are very influential on the lives of the type, variety and artistic tastes. Deployment mode of art with industry and trade system applies to the popular performing arts, both departing from the tradition of Java and the growing management and modern technology, which supported the creation and innovation. With such developments, the traditional artists tend to be marginalized and subsistence efforts to meet with arts performances tend to be unprofitable, while popular artists through the art of business and trade industries tend to prosper. This research, among others, find authentic evidence from the field to confirm the truth of these allegations carefully, so that building theory and the concept of "the efforts of traditional and popular artists in the fulfillment of living life" is a field-based, not based on theory and concepts of the social and cultural sciences - called grand theory. In addition to utilizing the resources of media such as newspapers, magazines and internet websites, techniques of field observation and interviews, as well as in-depth interviews, which are commonly used in qualitative research, the mainstay of this research data collection.

UPACARA ADAT SEDEKAH LAUT di Pantai Cilacap Suryanti, Ani
Sabda: Jurnal Kajian Kebudayaan Vol 3, No 2: 2008
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The Ceremony of Sedekah Laut is a traditional event held annually in Syura or Muharram month on Javanese calendar Tuesday or Friday Kliwon by fisherman community in Cilacap of Central Java to thank God for His blessings. This paper describes the practice of Sedekah Laut and its function for the Cilacap people. The data are taken through participatory observation in the Sedekah Laut event. The result shows that the ritual has several functions for the society covering social, cultural, economic, as well as religious dimensions. Special functions of the ceremony are as to express gratitude to God the Almighty for His generosity of blesssing the community with abunndant of fish subsistence and as to pray for life safety.

PERANG OBOR Upacara Tradisi di Tegal Sambi, Tahunan, Jepara Aristanto, Zaenal
Sabda: Jurnal Kajian Kebudayaan Vol 6, No 1: 2011
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Torch war is a traditional attraction that must be preserved as a local grateful expression to God on post-harvest favor. This article discusses a ceremony procession with symbolic meaning as practiced in Tegal Sambi village, Tahunan, Jepara, where communities believe that this ceremony of torch war can avoid misfortune and calamities to the village and villagers.

KEARIFAN LOKAL DALAM PENGELOLAAN SUMBERDAYA PERIKANAN Nanang Widarmanto
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 1: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Indonesia has large potential fishery resources, both marine fisheries and inland public waters. The potential of existing fishing is expected to have an impact on the people’s beneficiaries. However its resources are open access and common property without the accompaniment surveillance which tends to encourage people at maximum utilization patterns and unsustainable. One approach to resource management effort, which is quite effective is the power of local construction. This paper aims to find out the various models of local construction in the management of fishery resources, especially in public waters. The writing method uses the desk or literature study. The study shows that the implementation of community-based management model is proven to deliver results quite effective and efficient. Management efficiency, which reduces conflict of fishermen and the sustainability of the resource is obtained from the management model based on local wisdom, which puts public participation as a key indicator in the implementation of resource management.

SERAT PAMORING KAWULA GUSTI Perwujudan Islam Kejawen Barowi, Ahmad
Sabda: Jurnal Kajian Kebudayaan Vol 3, No 2: 2008
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Serat Pamoring Kawula-Gusti is a form of elements of Java Islamic mysticism. The book contains points of doctrine of Islamic mysticism or Sufism processed and adapted to the Javanese thoughts. The book is often called suluk when in the form of poetry and called wirid when in the form of prose. The largest and richest book of suluk with elements of Sufism, namely Serat Centhini, while the books of famous wirid Serat Wirid Hidayat Jati and Kitab Kunci Swargo. The books are the books of Java sufism enriched and refined with elements of mysticism and the teachings of nobility. Serat Pamoring Kawula-Gusti is a crowning invaluable achievement of Javanese culture. Javanese culture is progressing brilliantly during its rise since the kingdom of Kartasura. Main ideas taught by R. Ng. Ranggawarsita in the book is an expression of the basics of Islam to the Java language and lifestyle in accordance with the teachings of Islamic mysticism (Sufism). Mystical teaching of Islam expressed in the language and lifestyle of Java is that life in this world is not a destination, but a journey towards a more perfect life to the afterlife or in union with God again.

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