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All Journal JOURNAL OF COASTAL DEVELOPMENT Sabda: Jurnal Kajian Kebudayaan Sawwa: Jurnal Studi Gender Indonesian Language Education and Literature KREDO : Jurnal Ilmiah Bahasa dan Sastra ENDOGAMI Jurnal Ilmiah Kajian Antropologi HARMONI JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) COJ (Coastal and Ocean Journal) Cakrawala: Jurnal Pendidikan

Nurdien H Kistanto

Department Of Social Anthropology, Diponegoro University, Indonesia

Author-ID : 299068

Agriculture, Biological Sciences & Forestry Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

Published : 26 Documents Claim Missing Document

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KESENIAN & MATA PENCAHARIAN - Upaya Seniman Tradisional & Populer dalam Pemenuhan Nafkah Kistanto, Nurdien Harry
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The traditional and popular artists have their fans, who are associated with levels of society and socio-economic conditions of the artists. Most artists appreciate the arts as a forum for the fulfillment of subsistence and some other artists treat art not merely as the main work in making a living, but as self-actualization and calling in life. Democratization, way of life & lifestyle have encouraged and accelerated development of new traditions in the arts; industrialization that took place since the early 1970s emphasized the political, policy and strategy choices of economy, trade and commercial business and service-based industries, which are very influential on the lives of the type, variety and artistic tastes. Deployment mode of art with industry and trade system applies to the popular performing arts, both departing from the tradition of Java and the growing management and modern technology, which supported the creation and innovation. With such developments, the traditional artists tend to be marginalized and subsistence efforts to meet with arts performances tend to be unprofitable, while popular artists through the art of business and trade industries tend to prosper. This research, among others, find authentic evidence from the field to confirm the truth of these allegations carefully, so that building theory and the concept of "the efforts of traditional and popular artists in the fulfillment of living life" is a field-based, not based on theory and concepts of the social and cultural sciences - called grand theory. In addition to utilizing the resources of media such as newspapers, magazines and internet websites, techniques of field observation and interviews, as well as in-depth interviews, which are commonly used in qualitative research, the mainstay of this research data collection.

Selingkung Jurnal Sabda Kistanto, Nurdien H
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

GAYA HIDUP MASYARAKAT PASCAMODEREN Kistanto, Nurdien Harry
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 1: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Indonesians are undergoing a socioeconomic transformation from a agricultural society to an industrial society. In the transformation, Indonesian postindustrial society shifts to postmodern society. The postindustrial society is theoretically designated as information society, knowledge economy, post-industrial economy, and network society. In the meantime, the postmodern society is designated with uncertainty, insecurity, and doubt. The lifestyle of the agricultural society is accordingly merged with that of the postmodern society. A class system is present in the agricultural society and in the postmodern society, and the middle class is dominant in between the societies. This essay presents the growth, the shopping pattern and the life style of the middle class. The shopping pattern comprises domestic consumption, technology awareness, banking, and telecommunication sector, food and drinks, and minimarkets. In all, the transformation brings about the mixture between the two societies.

Editorial Team, Daftar Isi, Pengantar Redaksi Kistanto, Nurdien H
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.14.1.iii

TENTANG KONSEP KEBUDAYAAN Kistanto, Nurdien Harry
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 2: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Human consciousness towards the experience encouraged him composing formulation, definitions, and theories about the ways of his life, into the conception about culture. Consciousness thus commenced from the gift of reason, his human instincts and feelings, which are not owned by other beings, such as animals. Leslie White (1973), defined the conception of culture that includes "beliefs, ideologies, social organization, and technology (the use of tools)." In the second half of the 19th century Sir Edward Burnett Tylor, conducted a study of "primitive societies," which functions as the foundation for putting together the concept of culture: "Culture or Civilization ... is that complex which includes knowledge, belief, art, morals, law, custom, and many other capabilities and habits acquired by man as a member of society.â€ Three quarters of a century later, Ralph Linton (1945), offers a formula about the culture that emphasized on the factor of integration achieved through a learning behavior: "A culture is the configuration of learned behavior and results of behavior whose component elements are shared and transmitted by the members of a particular society." While according to Koentjaraningrat (1974), elements of culture include (1) social organization systems; (2) systems of religion and religious ceremonies; (3) livelihood systems; (4) science and knowledge systems; (5) technology and equipment systems; (6) language systems; and (7) arts. Meanwhile, Anthony Giddens (1991), conceptualized culture by referring to the whole way of life of the members of a society. With the concepts of culture, background and multi-cultural experiences, in the communities of nation of Indonesia there can be arranged Indonesian socio-cultural systems.

SISTEM SOSIAL-BUDAYA DI INDONESIA Kistanto, Nurdien H.
Sabda: Jurnal Kajian Kebudayaan Vol 3, No 2: 2008
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Human creature and culture together build a socio-cultural life, patterned and systematically referred to a socio-cultural system. Systematization through adjustments with the socio-cultural thoughts and practices in norms, ideas, values, aesthetics, tradition, all of which can be realized through cultural elements, at one time was the cultural content. Socio-cultural systems can be understood as the bowl of developing cultural elements as the embodiment of cultural contents which are intertwined. Five Indonesian socio-cultural systems, which are formed by cultural background and experiences from period to period, can be considered as the fruits of civilization and nation experiences perpetually moving and growing.

Women Migrant Workers in Fiqh Perspectives Lutfiyah, L.; Kistanto, Nurdien Harry; Akmaluddin, Muhammad
Sawwa: Jurnal Studi Gender Vol 15, No 1 (2020): April
Publisher : Pusat Studi gender dan Anak (PSGA) Universitas Islam Negeri Walisongo Semarang

The purpose of this study is to find information about the law of a wife to be a migrant worker from the perspective of fiqh. This study is qualitative research using library research and uses the fiqh approach. Data sources come from primary and secondary sources. The primary source functions as the main source, obtained by tracing the book of jurisprudence by analyzing the content (content analysis). Secondary sources function to support primary sources obtained through books, journals, and other important documents. The result is that the husband must rethink to permit wives who want to become migrant workers. Changes in Islamic law against migrant workers can occur if they meet the requirements including time, place, intention, and custom. The proof of sadd al-dhari'ah serves to inhibit the rate of sending women migrant workers.

EXPENSES AND YIELDS IN MILKFISH BRACKISHWATER POND CULTIVATION A Descriptive Account of Tambak Cultivators and their Households in “Sumbersari” Nurdien H Kistanto
JOURNAL OF COASTAL DEVELOPMENT Vol 5, No 1 (2001): Volume 5, Number 1, Year 2001
Publisher : JOURNAL OF COASTAL DEVELOPMENT

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (249.171 KB)

Methods of milkfish brackishwater pond cultivation consist of fry pond (for fry to fingerling rearing), milkfish brackishwater pond type 1 (designed for the cultivation of milkfish fingerlings to adult size) and milkfish brackishwater pond type 2 (for the cultivation of fry to adult or marketable size milkfish). Milkfish brackishwater pond cultivation is profitable, especially when the cultivation unit is larger. This account of milkfish brackishwater pond cultivators describes the details of expenses and yields of cultivating milkfish brackishwater pond as practiced by 4 (four) cultivators in “Sumbersari,” a coastal village in north Central Java.

LAND USE, TAMBAK OWNERSHIP, AND TAMBAK CULTIVATION A CASE STUDY OF “SUMBERSARI” IN NORTH CENTRAL JAVA Nurdien H. Kistanto
JOURNAL OF COASTAL DEVELOPMENT Vol 4, No 2 (2001): Volume 4, Number 2, Year 2001
Publisher : JOURNAL OF COASTAL DEVELOPMENT

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (193.521 KB)

The establishment of the plywood factory in “Sumbersari” has changed the pattern of land use. As in many other north coast villages along the Java Sea, agricultural land can be divided into two major categories, namely tambak (brackishwater ponds used for aquaculture) and sawah (irrigated land used for wet-rice cultivation). Landholders may thus own tambak and/or sawah. Tambak can be further divided into tambak bandeng (milkfish brackishwater pond) and tambak udang bago (giant-tiger shrimp brackishwater pond). Both can be farmed alone or they can be combined, which is locally called tambak campuran (mixed brackishwater pond). Tambak bandeng are sometimes further differentiated from tambak ipukan (fry pond), a smaller type of tambak designed for nursing milkfish fry to fingerlings. Still another type of tambak, which is only a portion of an irrigation stream or canal where landless peasants trap fish and shrimp with a bamboo fence, locally called tambak kali (canal pond).

MILKFISH BRACKISHWATER POND CULTIVATION: A CASE STUDY OF TAMBAK BANDENG IN “SUMBERSARI” Nurdien H Kistanto
JOURNAL OF COASTAL DEVELOPMENT Vol 4, No 3 (2001): Volume 4, Number 3, Year 2001
Publisher : JOURNAL OF COASTAL DEVELOPMENT

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (204.546 KB)

Milkfish brackishwater pond (tambak bandeng) in “Sumbersari” can be divided into three types: (a) fry pond; (b) brackishwater pond type 1; and (c) brackishwater pond type 2. Milkfish brackishwater pond cultivation is profitable, especially when the area is large. The idea of cultivating giant tiger shrimp (udang bago) in the brackishwater pond by using a mixed (campuran) method appears to generate considerable additional income for those who practiced it.

Co-Authors Af'idatul Lathifah Af’idatul Lathifah Af’idatul Lathifah Af’idatul Latifah agus Hartoko Akmaluddin, Muhammad Al Farouq Lazuardo Arido Laksono Elsa Fitrianita Fitri Astuti Lestari FS Aristyo Nugroho Ken Widyatwati Khrisna Rizky Meilarani L. Lutfiyah Lutfiyah, L. M. Suryadi Mualimin Mualimin Ratna Dwi Astuti Richa Amalia Riris Tiani* Sam Wouthuyzen Sarah Rosemery Megumi Wouthuyzen Sri Nofitasari, Indah

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