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Sabda: Jurnal Kajian Kebudayaan

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Published by Universitas Diponegoro

ISSN : - EISSN : 25491628 DOI : -

Core Subject : Education,

Education

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Articles 233 Documents

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DI BAWAH BAYANG-BAYANG MEDIA : Kodifikasi, Divergensi, dan Kooptasi Agama di Era Internet Irwan Abdullah, Irwan Abdullah
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 2: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Conventionally the construction of religious knowledge is carried out by the authority / person who has a scientific background and / or skills in the field of religion or the person who gets the legitimacy as a religious teacher, among others called ustadz, kiyai / or tengku. Religious knowledge is top-down because the production of knowledge and the truth of religion is determined by the religious elite so that the public becomes the object of religious. The new media era has changed the tendency of religious education by opening public participation in the production of religious knowledge. Religion becomes the object of daily conversation with diverse and contestative meanings, no longer absolute and elitist. The shift of the center of religious knowledge to the public has brought fundamental implications on the development of religion itself, with the occurrence of aqidah siltation, religious divergence / and co-optation of religion. The center of power shifts from the religious elite to the media that is present within the framework of political economic interests.

PERCAMPURAN BUDAYA JAWA DAN CINA: Harmoni dan Toleransi Beragama Masyarakat Lasem Atabik, Ahmad
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 1: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This article explores the fact of harmony and religious tolerance values of the culture assimilation of Tionghoa ethnic dan local people in Lasem. Tionghoa ethnic have lived in Lasem since XI Century. Their existence bear new culture and plurarity for Lasem people that leads to a religiocity and social harmony within the people. The harmonius relation is proven when their both fight against Dutch Collonials in Lasem. The harmonious and tolerance of Lasem moslems can be seen in the interaction of the local people and the newcomer (Tionghoa ethnic), whether they are muslim or not

FUNDAMENTALISME AGAMA : Telaah Artikel “Religious Fundamentalism” dalam Buku Introducing Anthropology of Religion; Culture of the Ultimate Karya Jack David Eller Nur Kholis
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 2: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The discussion in the article "Religious Fundamentalism" has a background in the development of the global cultural situation in the 20th and 21st centuries which shows an atmosphere of "tension" due to the encounter of religion with modern culture and secularity. Religion seemed to feel threatened by modernity so that it carried out self-defense and simultaneously resisted. As a result of being confined to tension that is actually "self-created", according to Eller, religious fundamentalism appears with a ferocious, vindictive and sometimes violent character. This kind of character is increasingly entrenched for those who have similar emotions, attitudes, and puritanical religious orientations. The main message Eller conveyed is that religious fundamentalism is not a single and stand-alone phenomenon, but is interrelated with other cultural factors with high complexity.

ETIKA KEWARGANEGARAAN DALAM SERAT WULANGREH Zuhri, Amat
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 2: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Wulangreh is a literary work that contains piwulang (teaching) written by Pakubuwana IV about the necessities to obey institutionalized kraton (kingdom) ethics. Although parts of this Wulangreh vary, one thing that is clear is about the worship of the state, and more specifically the service to the king. The ethics and manners taught are devoted to the country and the king. Among the set of ethics that must be upheld by the citizens is the necessity for devotion to an absolute ruler without criticism. Ethics as it is based on the belief that the ruler is as representative of the Lord of all policies will always the truth.

TOLERANSI MELALUI MODEL BUDAYA PELA GANDONG Menggunakan Media Board Game untuk Mahasiswa Tangidy, Allez Martin; Setiawan, T. Arie
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 2: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Indonesia which is known by its diversity of cultures, ethnics, races, and religions can create differences which could trigger massive social conflicts. Social conflict which happened in Ambon has been one example that could tear the nation apart. In post conflict period, Pela Gandong as a local wisdom is proven to maintain the relationship in Moluccas. The culture of Pela Gandong, could be a form of national unity that can be a model to the attempt to the cohesion of the Indonesian society. The Pela Gandong is a part of Moluccas culture that contains moral value such as tolerance, unity, respect, equality, and peace. It is worth to be delivered for college students, due to the fact that college students are an important element in the modern Indonesian society. College students are the agent of change for Indonesia future. To deliver Pela Gandong culture to college students, there is a need of media which is more interactive and can simulate a society life in the future. Board game is one of the media that can simulate that condition well. Descriptive method will be used to carry out this research. The result of this research is a board game which can deliver moral values and culture of Pela Gandong.

PENERJEMAHAN CERITA RAKYAT DI OBYEK WISATA TRADISI RELIGI DI PEKALONGAN Ayu Ida Savitri; R.A.J Atrinawati
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 2: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Translation is process of transferring text from source language (SL) into target language (TL). The process can be challenging when there are no translation found on the TL as a result of different politics, economy, social, cultural, historical and religious backgrounds. A text containing folklore is one of the difficult texts to be translated as it contains legend, tradition, art or folktale. When untranslability happens, Venuti (2000: 427) suggests translator to use the original text by adding footnote or glossary. To avoid a shift in translation, Vinay and Dalbernet (1958) suggests two translation methods namely direct translation along with three translation techniques, these are Calque, and literal translation and oblique methods along with four translation techniques named transposition, modulation, equivalence or reformulation, and adaptation. This research applies those model, methods and techniques of translation along with folklore research method from Dundes (2007) to promote tourism at Pekalongan Regency area.

NILAI BUDAYA DALAM PERIBAHASA JEPANG Trahutann, Sri Wahyu Istana
Sabda: Jurnal Kajian Kebudayaan Vol 8, No 1: 2013
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Universally every language in the -world has proverbs. Proverb is one of language elements that inclines to be steady and not experiencing a change both from structure and meaning sides. Proverb is inherited hereditary. Proverb contains social wisdom of the owner. Not only that, proverb also becomes guidance to do and has a long lasting endurance. In the other worlds, Japanese proverbs are used to comm unicate every cultural elements that Japanese has.

ETIKA KEWARGANEGARAAN DALAM SERAT WULANGREH Zuhri, Amat
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Wulangreh is literature that contains piwulang written by Pakubuwana IV which it talks about the necessities to live and follow ethical kekratonan that has institutionalized. Although parts of this Wulangreh varies, but one thing that is clear is about the worship of the state, and more specifically the service to the king. Even likely be mentioned that the entire network of ethics and manners that diwejangkan stringing provisions or imperatives to devotion to the country and the king.Among the ethics that must be upheld by the citizens of the king is a necessity for absolute ruler without criticizing everything, and moral policy by not reveal ugliness. Ethics as it is based on the belief that the ruler is as representative of the Lord of all policies will always be true, so if it does not carry, let alone criticize, someone will meet disaster.Serat Wulangreh adalah karya sastra yang berisi piwulang yang ditulis oleh Paku Buwana IV yang isinya berbicara tentang keharusan-keharusan menghayati dan mengikuti etik kekratonan yang telah terlembagakan. Meskipun bagian-bagian dari Serat Wulangreh ini bervariasi, namun satu hal yang jelas adalah soal kebaktian kepada negara, dan lebih khusus lagi kebaktian kepada raja. Bahkan mungkin sekali dapat disebutkan bahwa seluruh jaringan etik dan tatakrama yang diwejangkan itu merangkai ketentuan-ketentuan atau keharusan-keharusan kepada pengabdian terhadap negara dan sang raja.Di antara etika yang yang harus dijunjung tinggi oleh warga negara terhadap raja adalah keharusan untuk mentaati penguasa secara mutlak tanpa mengkritik segala kebijakan serta moralnya dengan cara tidak membeberkan kejelekannya. Etika seperti itu didasarkan pada keyakinan bahwa penguasa adalah sebagai wakil Tuhan tentu segala kebijakannya akan selalu benar, sehingga apabila tidak melaksanakan, apalagi sampai mengkritiknya, seseorang akan menemui petaka

KARTINI: SANG PENYIBAK FAJAR NASIONALISME INDONESIA Yuliati, Dewi
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 1: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This aticle presents the discussion on Kartini as an Indonesian nationalist heroine who is still becoming public debate. It is very important to trace the historical records of Kartiniâ€™s activities in connection with her dreams to promote the life quality of her nation. It can be stated that Kartini has an important role to open the first gate for the rising Indonesian consciousness through her competence as a cultural diplomat by proposing her letters which were sent to her friends in the Netherlands. Finally, her dream came true when â€œKartini Schoolsâ€ were opened in Semarang, Bogor, Batavia, and Madiun in 1913-1914, and her ideas became the inspiring ideology of the Indonesian nationalism movements which arose after Kartini died on 17th September 1904.

PELAPISAN SOSIAL-BUDAYA PESISIR KELURAHAN MANGKANG KULON, SEMARANG Kartika Dewi
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 1: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The purpose of this study is to identify economic conditions of the fishers and fish farmers and to understand the social stratification and work relation among the coastal society in Mangkang Kulon, a coastal area, with the main income almost entirely dependent on the sea and coast land. Social stratification is a society's categorization of people into socioeconomic strata, based upon their occupation and income, wealth and social status, or derived power (social and political). As such, social stratification is the relative position of person or group within a sociocultural system, category, geographic region, or social unit. Social stratification is the distinction of population or society into classes in multilevel classes (hierarchical); its manifestation is the presence of the upper class, middle class, and lower class.Primary data were collected from the local fishers. Four fishers and two brackish water pond cultivators were in-depth interviewed. Secondary data (village monograph) were collected from the village office. Data were analyzed descriptively. There were three social stratifications found out and formed in the area of Rukun Warga I Mangkang Kulon based on the income among coastal society. First the upper strata, which consists of gogol tambak, second the middle strata which consists of tambak pandega, third the lower strata of individual petty fishers and tambak manual workers.

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