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Sabda: Jurnal Kajian Kebudayaan

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Published by Universitas Diponegoro

ISSN : - EISSN : 25491628 DOI : -

Core Subject : Education,

Education

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Articles 219 Documents

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BUDAYA BAHARI DAM TRADISI NELAYAN DI INDONESIA Yunandar, Yunandar
Sabda: Jurnal Kajian Kebudayaan Vol 1, No 1: 2006
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

There are at least five phenomena which mark the complexity of maritime culture and fisherman tradition in Indonesia; social group of the maritime society, the development of economic sectors concerning sea products, social hierarchy in the daily maritime activities, the relationship between the elements of maritime culture and life sectors of the society, and the continuation and alteration of maritime culture's elements. In order to acquire a deep study on the complexity of maritime culture, there are several concepts used in this paper: Koentjaraningrat's concept of "three forms of culture", Sanjek's concept of "the dynamic culture and creation", and Vadya's concept of "contextual progressive explanatory method". The forms of maritime culture include the system of culture, belief, institution, and production technology. Meanwhile, the dynamics of maritime culture and fisherman tradition is determined not only by the internal factors but also the external forces, such as, innovation on technology, government policy, university interventions, nongovernmental organizations, donor institution, and regional, national, and even global market. Apparently, those external forces have brought negative impacts on the life of maritime society, marked by the decrease of economic prosperity, natural resources and sea environment. The negative impacts can be avoided by applying community-based management in the development of maritime culture

PEMBAURAIN KOMUINITAS TIOINGHOA MUSLIM DI KUDUS 1961 - 1998 Santoso, Budi; Puguh, Dhanang Respati
Sabda: Jurnal Kajian Kebudayaan Vol 1, No 1: 2006
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

This research discusses the assimilation process of Chinese moslem community in Kudus in the year 1961-1998 by using historical method. There are four factors which formed Chinese moslem community in Kudus, namely environment, education, marriage, and willingness. There are two unique typologies owned by Chinese moslem community, first, 'abangan'Chinese moslem and second, 'putihan' Chinese moslem. Behavioral configurations of social religiousness of abangan Chinese moslem still entangle ancestor's traditional procedures, such as doing worshiping to ancestor, celebrating Imiek, and installing to 'rajah' (tatto) Chinese. On the contrary, putihan Chinese moslem configurations have eliminated all ancestor's traditional procedures and they are active in running Islam teaching, like conducting shalat five times a day, holy fasting in ramadlan, zakat, and haji. The logical consequence from the assimilation process between Chinese moslem and native moslem is the decreasing orientation to ancestor's culture. The reduction orientation of the ancestor's culture can be seen from assimilation channels, such as name changing, marriage, communication and language, education, and earn living

TRADISI SAMBATAN DAN NYADRAN DI DUSUN SURUHAN Anam, Choerul
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 1: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The people of Suruhan, Jubelan, Sumowono, Semarang has two important traditions, Sambatan and Nyadran which have been done since Kyai Bumi and Nyai Bumi (folktale figures) era. The word Sambatan derives from two words Sambet and Batan meaning helping someone who is doing a particular activity (traditional ceremony) including building a house. Meanwhile, Nyadran is a way of thanking God, Allah Subhanahu wa taâ€™ala, for the blessing given to all people of Suruhan and a way of praying fot the dead. There are two types of Nyadran, one which is held in the house of the dead at night of his/her death, and the other one in the cemetery on the next morning after his/her death. In Suruhan, Nyadran is always done on Friday before fasting month (Ramadhan). In this study, Semiotics theory is used to reveal the meaning of these two traditions by interviewing people of Suruhan who understand well about these traditions.

SISTEM SOSIAL-BUDAYA PANTAI: Mata Pencaharian Nelayan dan Pengolah Ikan di Kelurahan Panggung Kecamatan Tegal Timur Kota Tegal Shinta Septiana
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 1: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Panggung is located in Tegal City, a coastal village whose heterogeneous social structure, with a high work ethic, strong social solidarity, open to change and with closed social interactions. The livelihood system of this community is heterogeneous which evolve from traditional to modern types of work, including traditional fishing by local fishermen and fish processed food for commercial purpose by local house wives. Fishermen and local families not only sell raw fish but also produce a household scale of processed products so that the local livelihood system experiences and develops not only traditional fishing but also the business of processed fish products of household scale.

NILAI-NILAI DAN MAKNA SIMBOLIK TRADISI NGANGGUNG Waluyo, Muhammad Edy
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 2: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The tradition of Nganggung in Petaling Bangka, Province of Bangka Belitung Islands is a tradition that has been rooted in its community. This study reveals about values and symbolic meanings of the Nganggung tradition in the village of Petaling in which in the tradition have these values of 1) spiritual, 2) economical, 3) mutual cooperation and togetherness and 4) political. This tradition also has a symbolic meaning, we can see it at Nganggung attributes such as tudung saji that represents the preservation of the indigenous plants of pandanus forest, as well as means of preserving of lofty values of its ancestors; from its shape, tudung saji resembles a parabole that represents the tradition of Nganggung as a shelter for all; red, as a dominant color of tudung saji symbolizes courage and high work ethic; cord symbolizes the fastener with a diversity of community and a sense of belonging; while talam, a round pan, shape symbolizes the dynamic attitude and flexibility of its inhabitants.

BAHASA DAN IDENTITAS BUDAYA Santoso, Budi
Sabda: Jurnal Kajian Kebudayaan Vol 1, No 1: 2006
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Language is an arbitrary system of sound used by members of a social group to cooperate, communicate, and identify one self. The paper discusses the use of language to identify personal identity, social class, ethnicity, and nationality. Language can determine the identity of an individual and a group. Language is also used to identify or to show the personal identity of a person. Furthermore, language shows the social class of a person. A person who comes from the low level class has a different language style from those of the higher level class. As ethnic identity, language can be used to denote ethnicity or the membership of a person or group in a certain ethnic group. Language can also become the national identity as well. Thus, every country has its own national language

PENGARUH PARIWISATA TERHADAP KEHIDUPAN SOSIAL BUDAYA PESISIR di Kawasan Taman Nasional Bali Barat dan Taman Wisata Pulau Menjangan Ernawati, Ni Made
Sabda: Jurnal Kajian Kebudayaan Vol 6, No 1: 2011
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Province of Bali is the main destination for foreign tourists to Indonesia. Bali's tourism sector is most developed with diverse attractions such as the natural attractions of West Bali National Park and Menjangan Island Marine Park. Development of Tourism in West Bali National Park and Menjangan Island Marine Park has positive and negative impacts which are not significant to the economy and socio-cultural life of the local community because most people are not dependent on the tourism sector.

MUDRA UN VISUAL AIND PERFORMING ARTS: Codes for Expression Sedyawati, Edi
Sabda: Jurnal Kajian Kebudayaan Vol 1, No 1: 2006
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Tulisan ini bertujuan untuk membahas kode-kode visual da/am seni selama Periode Jawa Kuna, yaitu mudra yang mencakup: kode-kode untuk menyatakan tempat dan Hngkungan, membatasi sebuah adegan atau perubahan adegan-adegan, menyatakan tingkat kosmografi, peranan dan status sosial, gaya tan, dan perasaan.

SISTEM SOSIALBUDAYA MASYARAKAT PESISIR Nelayan dan Bakul Ikan di Kampung Tambak Lorok, Kota Semarang Nurdien H Kistanto
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

In accordance with the natural environment, namely coastal area, livelihood and employment of many people of Tambak Lorok are fishing, carried out by fishermen as husbands or household heads, and accompanying activities such as processing and selling of marine products, mainly fish, by female fish processors and/or traders. Based on the field data collection and reading the literature, this study analyzes functional interrelationships of fishermen and fish traders in the sociocultural system of Tambak Lorok community in north Semarang City.

PENERAPAN PRINSIP HIDUP KAMASE-MASEA MASYARAKAT ADAT AMMATOA KAJANG, BULUKUMBA SULAWESI SELATAN DALAM PENGELOLAAN SUMBER DAYA ALAM Disnawati, Disnawati
Sabda: Jurnal Kajian Kebudayaan Vol 8, No 1: 2013
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

The community ofAmmatoa in Kajang have faith to "Pasang" which teaches them to live in simplicity, as the principle of Kamase-masea. Pasang contains the rules that regulate the relationship between humans and God, among human beings, and humans with nature. They are very obedient to preserve the environment, especially their forests. Forest management practice based on "Pasang" is an interesting phenomenon, because certain part of the Pasang actually implements conservation practices and sustains forest management.

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