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INDONESIA
Sabda: Jurnal Kajian Kebudayaan
Published by Universitas Diponegoro
ISSN : -     EISSN : 25491628     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 219 Documents
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PENGELOLAAN SUMBERDAYA PESISIR BERBASIS MASYARAKAT (PBM) MELALUI AWIG-AWIG DI LOMBOK TIMUR DAN SASI DI MALUKU TENGAH Setiyono, Edi
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 1: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (529.32 KB) | DOI: 10.14710/sabda.11.1.46-54

Abstract

Community Based Management (CBM) makes people as the one who has a main role in the natural resource management. This management involves local people in planning, executing and also enjoying the result of that natural resource management. The basic principle of SBM is the government empowers the potency of local wisdom available in an area and make it as the principle of the coastal resource management. CBM can be seen in Awig-Awig Tradition in East Lombok and Sasi Tradition in Middle Maluku. Awig-Awig is a convention of East Lombok people. This convention becomes a written traditional law legalized by Village Regulation containing rules to regulate coastal resource management along with the sanction if it is broken. Awig-Awig is highly obeyed by East Lombok people that makes it suitable for empowering local people to manage their natural resources. Meanwhile, Sasi tradition on in Middle Maluku can be simply described as prohibition and license of catching fish in a certain period. As Awig-Awig in East Lombok, Sasi is also legalized by the traditional law and has sanction for those who break the law. These two traditions, Awig-Awig Tradition in East Lombok and Sasi Tradition di Middle Maluku, are both aimed at preserving the natural resources so that it can be the basic principle in Coastal Resources Community Based Management.
Editorial Team, Daftar Isi, Pengantar Redaksi Kistanto, Nurdien H
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/sabda.14.1.iii

Abstract

PEMAKNAAN BEBERAPA SIMBOL DARI PENOKOHAN SANTIAGO DALAM NOVEL THE OLD MAN AND THE SEA KARYA ERNEST HEMINGWAY Jumino, Jumino
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 1: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (255.585 KB) | DOI: 10.14710/sabda.11.1.89-97

Abstract

For some people, life means struggle and hard work to achieve their goals. This is experienced by Santiago, the main character of Ersnest Hemingway’s novel translated into Indonesaan entitled The Old Man and the Sea. The way of life seems to be the motto of American people pursuing American dream. However, the spirit is not only the main factor, there are also some factors influencing their acomplishement, such as nature and fate. This reality can be seen from the struggle of Santiago representing American dream to search his fortune.
HANTU PEREMPUAN JAWA DALAM ALAMING LELEMBUT SEBAGAI REPRESENTASI FEMME FATALE Halimah, Umi
Sabda: Jurnal Kajian Kebudayaan Vol 10, No 1: 2015
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (511.813 KB) | DOI: 10.14710/sabda.10.1.1-24

Abstract

This research entitled “The Javanese Female Ghost in “Panjebar Semangat” as a Representation of Femme Fatale”aims to show the feminist value in Javanese horror stories with female ghost as a villain and men as most of their victims. This research uses feminism as a main approach and femme fatale theory as the specific approach theory. This research shows that there are three kinds of of female ghost, they are female ghosts who experienced a miserable life before her death, sensual women and women whose background is not known. For the three kinds of women it can be revealed the causes of the female spirits to become evil spirits, the modes of female ghosts to ensnare and trap victims, the female ghost‟s harmful effects to men, and the solutions as the anti-climac in the story
MAKNA RITUAL KEMATIAN DALAM TRADISI ISLAM JAWA Abdul Karim
Sabda: Jurnal Kajian Kebudayaan Vol 12, No 2: 2017
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (399.791 KB) | DOI: 10.14710/sabda.12.2.161-171

Abstract

Death is an important event that is deeply moving in a drama of life, so that such events never allowed to pass. In the traditiorfoiety, the death is always raising different ritual, that is, the sacred ritual. Javanese moslems have special ritual. The ritual is acculturation between Hindu, Budha and Islamic continually in the past, and now it appears a new tradition. This tradition is different from those in other countries
STRIP KOMIK SEBAGAI WADAH PERISTIWA BUDAYA Savitri, Ayu Ida
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 1: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (644.833 KB) | DOI: 10.14710/sabda.11.1.25-34

Abstract

Comic Strip is “a short series of amusing drawings with a small amount of writing which is usually published in a newspaper” (Cambridge 2003: 239). It usually contains stories of what happened at the moment of the comic strips published in the newspaper. That is why, although it cannot be considered as a historical document, it can be considered as a medium of factual events happening at the moment of the newspaper published, delivered in an entertaining packaging. One of those factual events is cultural event related to the culture of the people where the newspaper published. Those events can be considered as cultural one by revealing the readers’ interpretation of the comic strips by using semiotic and pragmatic theories to see whether the events is considered as part of their culture or not. As comic strip consists of pictures and utterances, the analysis can be done by using Semiotics theory to analyse its picture (visual element) and Pragmatics theory to analyse its utterance (verbal element). Firstly, the informant reveals the conversational implicature of the utterances. The result is then analysed by using the Relevance Theory from Sperber and Wilson (1986: 1996) to describe the utterances’ meaning, how they get it, and why they get it that way. Secondly, the informant interprets the comic strip (the picture along with the utterance’s analysis). The result is then analysed by using the Signifying Order Theory by Danesi and Perron (1999) to describe the comic strip’s meaning, how they get it, and why they get it that way.
LANGGHAR, KOPHUNG DAN BHAQAF Konservasi Kebudayaan Khazanah Keislaman Madura Mohsi Mohsi
Sabda: Jurnal Kajian Kebudayaan Vol 14, No 1: 2019
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (534.358 KB) | DOI: 10.14710/sabda.14.1.14-20

Abstract

Langghar, Kophung and Bhaqaf in Madurese society exist as a distinctive cultural entity, whose uniqueness is continually contributing to the cultural treasures of the past. Langghar, Kophung and Bhaqaf are a distinctive Madurese culture that has never been lost by the gradation of the age, and the change of time. Their existence serves as a form and effect of conservation and the expression of the strength of the Madurese community in preserving the culture of their ancestors. The existence of langghar, kophung and bhaqaf can be a very important part of the culture for the Madurese community, especially in terms of ethical values, religious values, and philosophical values that are found in them. These values continue to be searched more intensely, in an effort to uncover the sacredness and uniqueness that are still neatly stored. One of the values which continues to be respected in langghar, kophung and bhaqaf is the value of religiosity which has never been dispirited up to the present.
LAMUT DAN MADIHIN Kesenian Tradisional Banjar di Tengah Arus Modernisasi Jahdiah, Jahdiah
Sabda: Jurnal Kajian Kebudayaan Vol 7, No 1: 2012
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (155.056 KB) | DOI: 10.14710/sabda.7.1.105 - 116

Abstract

There are various types of Banjar traditional arts flourishing in South Kalimantan. Among others are rare types of traditional arts that are feared to be extinct. Lamut is one of those rare types of traditional arts, while Madihin seems to have significant progress. In performing Lamut, a big tambourine is played as an interlude by a palamutan, while Madihin is performed by a madihin artist called pemadihinan who also plays a tambourine. The tambourine is played by using two hands beating the tambourine in stomping rhythm of the opening, content and the act of performing rhyming quatrains.
PERUBAHAN PERAN PEREMPUAN DALAM PEREKONOMIAN RUMAH TANGGA SUKU DAYAK DI DESA KUALA ROSAN, MELIAU, KALIMANTAN BARAT Lathifah, Af’idatul
Sabda: Jurnal Kajian Kebudayaan Vol 11, No 2: 2016
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (362.144 KB) | DOI: 10.14710/sabda.11.2.76-82

Abstract

The change of economic resources in society also often followed by changes of social relations between community members. In remote area of Indonesia, the role of women in the family economy commonly is only a complementary role. However, in the village of Kuala Rosan, the family's economic responsibility is also taken by women, due to the growth of rubber and palm agriculture in the village of Kuala Rosan which needs more labor. This article is the result of a study conducted in the village of Kuala Rosan, Kecamatan Meliau, Kabupaten Sanggau, West Kalimantan, using qualitative research method with descriptive analysis. The results showed that women have a significant economic role. The views on women also change, as changes in their role within the household, women have more access to economic resources. However, men remain important decision makers in the household. 
PANGGUNG KEINDONESIAAN Berebut atau Berbagi? Mudji Sutrisno S. J.
Sabda: Jurnal Kajian Kebudayaan Vol 13, No 2: 2018
Publisher : Fakultas Ilmu Budaya Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (397.18 KB) | DOI: 10.14710/sabda.13.2.154-157

Abstract

This article discourses an imagined society along with real practices on mutual respect to become Indonesia. The article explicates the essence of cultural Nusantara in comparison with republic Indonesia. As a case of point of the practices, the articles take the life wisdom of the religions in Indonesia; how the wisdom is relevant to the culture of Nusantara. Besides that, the article gives the illustration of how art workers give their best for Nusantara and respect each other for Indonesia. Lastly, the article questions the willingness of the citizen of Republic of Indonesia: whether or not they are ready to share all resources in the country for the sake of the future generation

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