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INDONESIA
HUMANIKA
Published by Universitas Diponegoro
ISSN : 14129418     EISSN : 25025783     DOI : -
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Humanika ISSN 2502-5783 (online), ISSN 1412-9418 (print) is an open access and peer-reviewed journal published by Faculty of Humanities, Diponegoro University, Indonesia. This Journal published twice a year (January-June and July-December).The scope of journal is: Literature, Linguistics, History, Art, Religion, and Philosophy.
Arjuna Subject : -
Articles 249 Documents
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TANTANGAN TERHADAP EKSISTENSI NEGARA BANGSA INDONESIA DAN PEMAKNAAN KEMBALI NASIONALISME Sugiyarto Sugiyarto
HUMANIKA Vol 16, No 9: Desember 2012
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (104.684 KB) | DOI: 10.14710/humanika.16.9.

Abstract

Concrete experience in the past has made the term nationalism very important in constructing Indonesian identity, as a unifying factor of diverse communities throughout the archipelago, not merely an academic, theoretical concept. The nation state ideology found its final expression in Pancasila and the 1945 Constitution. But even since the birth of this Republic, ideological conflicts never stop happening. And unfortunately, since the new order regime, the meaning of nationalism keeps on being distorted, manipulated, and then decreases into phenomena of separating actions from many local communities, showing their refusal to continue to be a part of Indonesia nation state. There is a need to reinterpret nationalism through Pancasila values in the current global era. Keywords: nationalism, Pancasila, globalization  
REPRESENTASI DRAG QUEEN PADA TOKOH AMBU DALAM UPACARA ADAT MAPAG PANGANTEN SUNDA kurniawan, Adi; Priyatna, Aquarini; Muhtadin, Teddi
HUMANIKA Vol 26, No 2 (2019): Desember
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (436.278 KB) | DOI: 10.14710/humanika.v26i2.23940

Abstract

 Artikel ini berjudul representasi drag queen pada tokoh ambu dalam upacara adat mapag panganten Sunda. Artikel ini membicarakan bagaimana tubuh laki-laki menampilkan diri sebagai perempuan dalam sosok tokoh ambu ditampilkan dalam upacara adat mapag panganten Sunda dan bagaimana praktik drag queen dalam upacara adat mapag panganten mewujud dalam berbagai sosok tokoh ambu. Praktik ini juga dapat diargumentasikan sebagai upaya mengekspresikan hasrat gender non-normatif para pelaku ambu. Metode yang digunakan dalam penelitian ini adalah metode deskriptif melalui pendekatan kualitatif terhadap lima pelaku ambu. Pengumpulan data dilakukan dengan teknik observasi, wawancara, studi literatur dan dokumentasi. Penelitian ini berargumentasi bahwa tokoh ambu yang dimanifestasi oleh tubuh laki-laki menampilkan bentuk-bentuk ekspresi gender yang lebih beragam dan melintasi konstruksi gender yang normatif. Selain itu, penelitian ini juga mengkategorisasi wujud tokoh ambu dalam upacara adat mapag panganten dalam tiga kelompok: karakter cantik, karakter nenek-nenek dan karakter fantasi. Kata kunci : Drag queen;  upacara adat; pelaku ambu
DINAMIKA ISLAMISASI DI KUDUS : MENGGALI NILAI-NILAI KETOKOHAN PARA SUNAN PADA WISATA ZIARAH DI KUDUS* Indrahti, Sri; Alamsyah, Alamsyah; Maziyah, Siti
HUMANIKA Vol 18, No 2: Desember 2013
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (227.095 KB) | DOI: 10.14710/humanika.18.2.

Abstract

ABSTRAK Islamisasi di Kudus tidak lepas dari peran sunan yang ada di lokasi tersebut. Antara lain Sunan Kudus, Sunan Muria, Kyai Telingsing, dan Mbah Dudo. Mereka telah menyebarkan agama Islam dengan berbagai dinamikanya. Para tokoh ini meninggalkan jejak historis berupa makam, masjid, dan tradisi. Selain berupa jejak historis, para sunan ini juga meninggalkan nilai-nilai ketokohan yang dapat diwariskan bagi generasi berikutnya. Para sunan ini mempunyai keterkaitan dengan budaya lokal masyarakat dan diyakini masyarakat akan keberadaannya pada masa lalu. Melalui penggalian identifikasi maupun pemaknaan simbolik nilai-nilai ketokohan tersebut, diharapkan dapat disosialisasikan kepada para pengguna, pemakai maupun penikmat wisata ziarah. Para sunan mewariskan nilai-nilai kearifan lokal yang positif sebagai tokoh agama dan penyebar agama Islam yang gigih. Sosoknya merupakan pribadi yang cukup toleran terhadap perbedaan kepercayaan penduduk di sekelilingnya. Metode dakwah yang dikembangkan menghargai perbedaan namun tetap berpegang teguh pada ajaran Islam. Beliau-beliau merupakan pribadi yang mempunyai kemampuan ilmu agama dan ilmu kanuragan yang mumpuni sehingga disegani kawan maupun lawan. Makna simbolisasi dari perjuangan para sunan adalah keteladanan yang baik dan mulia, hidup sederhana, dekat dengan yang dipimpin, dan bijaksana. Nilai-nilai warisan budaya lama serta tradisi yang telah berakar dalam hati masyarakat, tetap dihargai dan dihormati, sepanjang tidak bertentangan dengan nilai dan cita-cita agama Islam. Justru nilai-nilai lama diperkaya dengan nilai-nilai budaya Islam Kata-Kata Kunci : Dinamika, Ketokohan, dan nilai-nilai.
PRASASTI PLUMPUNGAN SEBAGAI IKON BATIK KOTA SALATIGA SERTA DAMPAKNYA BAGI PENINGKATAN EKONOMI DAN PARIWISATA Widyatwati, Ken
HUMANIKA Vol 21, No 1: JUNI 2015
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (336.204 KB) | DOI: 10.14710/humanika.21.1.20-35

Abstract

Javanese society still steeped in culture and mystique there are a lot of myths, one of hich is the myths associated with the presence of legends inscriptions . Inscription Plumpungan and Plumpungan which is the origin story of Salatiga. Salatiga community later made into an icon inscription plumpungan the name of   Batik Plumpungan. Plumpungan batik is batik drawing pattern is a form of inscription Plumpungan. As one of cultural studies, this research is very important because Inscription Plumpungan used as an icon with the name of Salatiga batik “Batik Plumpungan”. Legends and inscriptions Plumpungan in Salatiga a local cultural heritage that should be preserved and conserved as an effort to increase the cultural richness of Indonesia. The existence of legends and inscription Plumpungan used as a traditional batik icon Salatiga have an impact for the improvement of people's income Salatiga and also support an increase in the arrival of tourists both local, domestic and foreign so salatiga tourism sector in the city has increased. Small industrial centers established Batik Plumpungan together in one container that Joint Business Group. Joint Business Group is a group of batik artisans who make batik and obtain capital loans to both individuals and groups. In addition to their capital loan craftsmen also have no trouble selling the results because the centers adannya Batik buyers usually consists of tourists, both domestic, local directly come to the center of batik.
BUDAYA ADAT PENGANTIN MELAYU RIAU DALAM PENGEMBANGAN BUDAYA KEWARGANEGARAAN Malasari, Yosi; Darmawan, Cecep
HUMANIKA Vol 24, No 1 (2017): Januari-Juni
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (582.721 KB) | DOI: 10.14710/mkmi.%v.%i.1-9

Abstract

This research aims to find out how the description of the indigenous culture of bride Malay Ujungbatu Riau in the civic culture’s development. Bride Malay Ujungbatu’s Indigenous culturein the development of civic culture explores and examines the bride indigenous. The results this research show that a) the bride custom culture of Malay Ujung Batu has a culture that are: menjalang mamak, kampung suku, kampung penghulu and menjalang mintuo. In the context of civic culture, there is the value of silaturrahim, religious, family, responsibility, deliberation, and togetherness, b) the procession of bride Malay Ujung Batu includes: antar tanda, khatam Al-qur’an, tepung tawar, berinai, ber-arak or ber-dikie. In the context of civic culture, there is the value of belief, attitude, ability of cooperation, solidarity, togetherness, responsibility, mutual cooperation, c) the civic culture’s developmentas the part of civic education (PKn) takes place naturally in the family and society. The research subjects are indigenous figure, youth and society. The efforts made in preservation are motivating simultaneously from both the indigenous figure and the parents in a family environment. It can be concluded that there are civic cultural values in the indigenous of bride Malay Ujungbatu Riau as part thecivic culture’s development.
HIJAB DAN EMANSIPASI PEREMPUAN DI DUNIA KERJA Herawati, Yunie
HUMANIKA Vol 14, No 1: Desember 2011
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (222.031 KB)

Abstract

Moslem women is instructed by Quran and the prophet to cover their bodies with hijab. This instruction is based on the religious duty for every moslem woman to keep her honor while practicing her important role in the society. Recognizing that Islam pays respect and does teach gender equality and woman’s basic rights, hijab should be in no way limiting women’s freedom both in daily life or professional career like many accusers of hijab argue. Islam views women as having an equal position with men in jihad, worship, and work, while still maintaining their honor and religious duties. Even in this modern era, hijab may become a symbol of one’s (woman’s) conscious chosen identity, faith, and integrity.   Keywords: hijab, gender equality, basic woman rights
COGNITIVE INTERJECTION IN INDONESIAN AND JAPANESE Shalika, Mayang Putri; Mulyadi, Mulyadi
HUMANIKA Vol 26, No 1 (2019): Januari-Juni
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (79.988 KB) | DOI: 10.14710/humanika.v26i1.22053

Abstract

Cognitive interjection conveys a message that is more oriented to cognition or thought, namely something that is known as information and becomes new knowledge. This type of Interjection is different from emotive interjection and volitive interjection. This study aims to reveal the form and meaning of cognitive interjection in Indonesian and Japanese. This research is a kind of qualitative descriptive research and at the data collection stage the method used is the refer method. Natural Semantic Metalanguage Theory (NSM) is used to identify and describe the form and meaning of cognitive interjection in both languages. The forms of cognitive interjection in Indonesian are: Aha, aah, wah, ooh, hmm, oopps, hah, well, well. In Japanese the forms of interjection are: Aa (あ あ), Yaa (や あ), Maa (ま あ), Aa (あ あ), Eeto (え え と), Ee (え え), Are (あ れ), Sora (そ ら). This study found groups of meanings for cognitive interjection, which were divided into interjection expressions of thought, interjection of expressions of difficulty, interjection of agreed expressions, interjection of expressions only knowing something, interjection of expressions of distrust, interjection of expressions of guilt, interjection of expressions recalled. Keywords: Cognitive Interjection, NSM (Natural Semantic Metalanguage), Cognition
BUDAYA SYAWALAN ATAU LOMBAN DI JEPARA: STUDI KOMPARASI AKHIR ABAD KE-19 DAN TAHUN 2013 Alamsyah, Alamsyah
HUMANIKA Vol 18, No 2: Desember 2013
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (279.396 KB) | DOI: 10.14710/humanika.18.2.

Abstract

ABSTRAK Lomban atau syawalan di Jepara telah berlangsung sejak ratusan tahun yang silam. Pada tahun 1868, kegiatan syawalan berlangsung semarak dengan didukung oleh bupati, lurah, dan masyarakat. Pesta rakyat Jepara ini dikunjungi masyarakat dari berbagai daerah seperti Rembang, Semarang, dan Juwana. Kegiatan yang dilakukan tujuh hari setelah lebaran pada tahun 1868 tidak terjadi di daerah lain. Bila dibandingkan aktivitas lomban tahun 1868 dengan tahun 2013 terdapat persamaan dan perbedaan. Persamaannya, kegiatan syawalan diwarnai oleh aktivitasi budaya melarung kepala kerbau. Bupati serta pejabat yang lain dan masyarakat guyub rukun mendukung aktivitas lomban ini. Perbedaannya adalah pada tahun 2013 terdapat pengembangan kegiatan antara lain pentas wayang kulit dan hiburan. Namun demikian, esensi dari kegiatan lomban masih tetap sama yaitu meminta kepada yang Maha Kuasa agar kegiatan mencari rezeki di laut pada tahun mendatang semakin mudah. Kata-Kata Kunci : Kegiatan, Budaya, Syawalan, Komparasi, Jepara
RITUAL “KLIWONAN” BAGI MASYARAKAT BATANG Widyatwati, Ken
HUMANIKA Vol 20, No 2: DESEMBER 2014
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (439.458 KB) | DOI: 10.14710/humanika.20.2.51-61

Abstract

The narrative have a meaning and structure. The structure of kliwonan  myth is representation form the society, who to support. Structure or model to become representation from the society to exist in stage unconscious, and only to be looking for with structuralism Levi-Straus Analysis. Kliwonan  Ritual  for Batang Society is a folklore wich Batang  society.  Kliwonan Ritual   is not ritual content, but it have many contents be trusted by community, The aim of this research is description of  kliwonan  Ritual for Batang Society are  component Identification, and the content of myth. This Ritual perform every Jumat Kliwon day  in Javanese Callender. Time is  14.00-18.00 am. The place is Alun-alun Batang, Central Java. The content of  Exorcism Ritual  for Batang Society is place, time, instrument, ritual offering, prayer and myth. This myth is jumat kliwon  and kliwonan   Ritual..
PERGESERAN NILAI-NILAI BUDAYA PADA SUKU BONAI SEBAGAI CIVIC CULTURE DI KECAMATAN BONAI DARUSSALAM KABUPATEN ROKAN HULU PROVINSI RIAU Prayogi, Ryan; Danial, Endang
HUMANIKA Vol 23, No 1 (2016): Januari-Juni
Publisher : Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (615.145 KB) | DOI: 10.14710/humanika.23.1.61-79

Abstract

This research was grounded by social problems, which is a shift of cultural values and global transformation with positive and negative values including waning identity tribe Bonai, such as change the culture in the form of traditional values in traditional ceremonies as a result of changes in the environment their lives, both the natural environment and the physical and social environment such as the loss of a sense of kinship, courtesy, honesty, and mutual cooperation. The findings in this study revealed that 1) the tribe Bonai a principle of life that becomes a guideline and regulations that must be adhered to by the tribal people Bonai hereditary implemented include: Birth, Circumcision Rosul, Employment, Education, Marriage Married, Leadership System Society, Death. 2) The shifting cultural mores which are currently experiencing a shift towards cultural values that include a shift in values Nativity, Circumcision Rosul, Marriage, and Ritual Dewo. 3) Preservation made to the successor or the younger generation by providing knowledge about the culture, following the race on culture or festival and explain the meanings contained in each ceremony they have done, executing each set of tribal Bonai traditions, which are birth, circumcision messenger, dewo mating and rituals for marriage. 4) Development of indigenous culture as do general should be imparted to young people from birth to adulthood through education and infomal also goes by way of natural or natural and spontaneous. In particular the development of the cultural values taught to elementary school through high school

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