CMES (Center of Middle Eastern Studies)
The CMES (Center of Middle Eastern Studies) journal is a distinguished peer-reviewed academic publication dedicated to advancing rigorous scholarly research on Middle Eastern studies. It publishes high-caliber research articles, theoretical studies, and critical reviews that engage with both contemporary and historical issues relevant to the region, employing a multidisciplinary approach. The CMES journal serves as a dynamic intellectual platform for researchers, academics, and practitioners to exchange innovative findings and perspectives, advancing Middle Eastern studies through a multidisciplinary framework grounded in the epistemological foundations of the humanities and social sciences. In the humanities, the journal emphasizes linguistics, literature, and Arab culture, while in the social sciences, it focuses on politics, economics, education, and the social dimensions of Arab societies. CMES encourages scholarly work that engages these disciplines through monodisciplinary inquiry, interdisciplinary synthesis, or transdisciplinary dialogue, fostering conceptual integration and methodological interaction across disciplinary boundaries. Manuscripts submitted to CMES must be pertinent to Middle Eastern studies and demonstrate clear engagement with the epistemic traditions of their respective fields. Submissions are expected to exhibit rigorous methodology, original insights, and significant contributions to regional studies, while appealing to a global academic audience.
Articles
166 Documents
<![CDATA[الوسطية الإسلامية في رواية يوما ما كنت إسلاميا للكاتب أحمد أبو خليل ]]>
<![CDATA[Nur Hidayah]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 1 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.1.25998
<![CDATA[Islamic moderation is the Islamic balance which includes all aspects of Islam, whether in the way of thinking and practical application. This word has another meaning, which are the best, ideal, proportion and moderation. But the emergence of Islamic movements such as Salafism, Muslim Brotherhood, or jama’ah Tabligh and Da'wah, which have acknowledged its centrality, has alienated Islam from its true moderation. Novel Yauman Ma Kuntu Islamiyyan by the Egyptian writer Ahmed Abu Khalil is a story about the main character, the generation who grew up in the environment of the Muslim Brotherhood and was influenced by the concept of these movements while searching for the true way of Islamic life. This study aims to understanding the concept of Islamic moderation of a main character by knowing the concept of Islamic moderation presented by the writer in this novel. This study will be conducted the social elements involved in this literary work to understand the social phenomena existing outside the literary text.]]>
<![CDATA[PROSODI QIRĀ’AH SABʻAH PADA SURAH AL-FĀTICHAH KAJIAN FONETIK AKUSTIK ]]>
<![CDATA[Artia Cindherukti Fatimah, Arifuddin]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 1 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.1.26010
<![CDATA[Penelitian ini mengkaji tentang prosodi qirā’ah sabʻah pada Surah Al-Fātichah yang dibacakan oleh Syaikh Mishary Rashid Al-Afasy. Objek material penelitian ini adalah qirā’ah sabʻah pada Surah Al-Fātichah, sedangkan objek formalnya adalah ciri prosodi yang meliputi frekuensi, intensitas, dan durasi. Metode penyediaan data yang digunakan dalam penelitian ini adalah metode simak, dengan teknik dasar sadap, serta menggunakan teknik lanjutan simak bebas libat cakap dan catat. Metode analisis yang digunakan adalah metode padan serta menggunakan aplikasi software Praat versi 6.0.21, sedangkan metode penyajian hasil analisis menggunakan metode penyajian informal. Hasil dari penelitian ini secara umum menunjukkan bahwa frekuensi tertinggi bacaan Surah Al-Fātichah adalah ketika menggunakan qirā’ah Imam ʻĀshim dan frekuensi terendah ketika menggunakan qirā’ah Imam Chamzah. Intensitas dengan kelantangan tertinggi didapatkan ketika menggunakan qirā’ah Imam ʻĀshim dan intensitas dengan kelantangan terendah didapatkan ketika menggunakan qirā’ah Imam Abū ʻAmr. Adapun durasi terpanjang adalah ketika menggunakan qirā’ah Imam Nāfiʻ dan durasi terpendek ketika menggunakan qirā’ah Imam ʻĀshim.]]>
<![CDATA[THE DREAM OF AN ISLAMIC STATE: FROM ISLAMIC POLITICAL MOVEMENT OF AL-IKHWAN INTO ISIS ]]>
<![CDATA[istadiyantha istadiyantha]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.26280
<![CDATA[Timur Tengah merupakan pusat keagamaan bagi muslim di seluruh dunia, termasuk Indonesia. Hubungan keagamaan antara Islam dan Timur Tengah mencakup proses politik dan sejarah yang kompleks. Perjuangan Islam puritan di era dominasi nilai imperialisme dan nilai kebaratan merupakan alasan utama penyebaran gerakan-gerakan politik Islam di berbagai belahan benua Asia. Tujuan penelitian ini untuk menguji hubungan antara gerakan politik Islam di Timur Tengah dan gerakan-gerakan yang telah berkembang di Innesia. Terdapat beberapa aspek yang perlu dipahami mengenai munculnya gerakan-gerakan politik Islam. Penyebaran gerakan-gerakan politik Islam di Indonesia telah menunjukkan perubahan signifikan sejak tahun 1970-an dan 1980-an. Perkembangan gerakan-gerakan politik Islam mulai memperoleh momentum seiring meningkatnya jumlah pelajar dan mahsiswa Indonesia yang belajar ke Timur Tengah, yang menyebabkan eratnya hubungan Indonesia dan Timur Tengah pada banyak aspek. Pada tahun 1980-an, pelajar dan mahasiswa Indonesia di Arab Saudi, Mesir dan negaranegara Timur Tengah lainnya menyerap berbagai ide terkait politik Islam atau gerakan fundamentalis Islam dari Timur Tengah.]]>
<![CDATA[PENCITRAAN PEREMPUAN DALAM TEKS DRAMA SYAHRAZĀD KARYA TAUFῙQ AL-CHAKῙM (KAJIAN FEMINISME) ]]>
<![CDATA[Eva Farhah, Ervina Pradestya Indriyani]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.26992
<![CDATA[Woman’s images are images, dreams, or thoughts about women. The image or image of woman also varies in character. Indirecly, the character of the female figure will give an image, a shadow about the woman’s personality. The orientation of the talk about the image of women rests on the issue of the world view, the attitudes and the behavior of the woman. In this article, the images of woman contained in the Syahrazād, work of Taufīq Al-Chakīm are analyzed. The study of feminism and qualitative methode was used. The results of the study suggest that the images of woman contained in the drama text are, first; the image of women in their relationship with God, second; the image of women in relation to themselves, and the third; the image of women in relation to other humans.]]>
<![CDATA[KEPADUAN UNSUR VERBAL DAN NONVERBAL DALAM MEME INSTAGRAM BERBAHASA ARAB: ANALISIS WACANA ]]>
<![CDATA[Masrukhi, Moh.]]>
<![CDATA[ Jurnal CMES Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Letters and Department ]]>
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DOI: 10.20961/cmes.11.2.26994
<![CDATA[Meme Instagram generally uses two views, as well as verbal and nonverbal text. This article will reveal the verbal and nonverbal structure of the Instagram meme. The aim is to find out what are the elements of meme its pattern and how the interrelationships between these elements are interrelated and aligned together into one unit. The meme data is taken from the @Mzajeat instagram and @Iq.Shabab which is in Arabic. Furthermore, the data is analyzed by utilizing concepts or theories of discourse and semantics. The result is the opening element of memes can be verbal or nonverbal elements, as well as the body or contents of memes can be in the form of verbal or nonverbal elements. From this research, it can be argued that the integration or linkage and the existence of these two elements make memes a discourse that is very interesting and very diverse in interpretation, especially on nonverbal elements. Through these two elements the meaning and message of the meme writer can be conveyed.]]>
<![CDATA[MODEL PERHITUNGAN PENDAPATAN NASIONAL DALAM PERSPEKTIF EKONOMI ISLAM ]]>
<![CDATA[Dumairy, Syamsul Hadi, Muhammad]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.26996
<![CDATA[In conventional economics one will find a basic macroeconomic model formulated as Y=C+I+G. This basic model is a formulae for counting national income with expenditure approach. Economists and economic students are quite familiar with it. According to conventional economists, in any economy there are three sectors that spend expenditures and earn income; those are household, business, and the government sectors. Economic actors or agents in household sector are individuals or families. Actors in business sector consist of firms, companies, or corporations. The actor in the government sector is the central government as an institutional entity. In the aforementioned model C symbolizes expenditures spent by household sector, I reflects investment spending by business sector, while G represents the government expenditure. This article is the product of a research which reveals that the basic macroeconomic model Y=C+I+G is less realistic. National income figures resulted from applying that model have been underestimated. Not only the model less realistic, underlying assumptions in building the model also are not Islamic. It is even worse that those assumptions have also been proven unfitted to the real world.Endowed with concepts in Islamic economics, this article provides a new model, a model that is not merely Islamic but more realistic as well. In the model being proposed here an additional economic sector is introduced, namely, social sector. Economic actors or agents in this sector consist of social organizations and non-profit institutions, a segment of community whose role and economic contributions have so far been neglected in conventional economics. Now in our presently proposed model, by recognizing them as a specific economic entity the new basic macroeconomic model is to be Y=”C”+”I”+G+A.]]>
<![CDATA[DEKLARASI BALFOUR : TRAGEDI BAGI BANGSA PALESTINA DALAM PUISI-PUISI ARAB TAHUN 1920-1948 ]]>
<![CDATA[Hindun Hindun]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.26990
<![CDATA[The arrival of Jews in Palestine since 1882 changed the order of life of the Palestinian people. Jews began to buy land from Palestinians with the aim of mastering all Palestinian land in the future. This mastery is carried out to realize the ideals of establishing a Jews country that has been proclaimed by The World Zionist Organization. The achievement of control of Palestinian land became apparent when the Ottoman Government in Palestine was defeated and turned into British hands. In 1917, Britain gave way to the Zionist Organization by signing the Balfour Declaration which gave permission to them to make Palestine a homeland. In three decades, the Zionist Organization succeeded in annexing Palestine and making it a Jewish state called Israel. The establishment of the state of Israel became a tragedy to the Palestinians. Arab poets have resisted since the signing of the Balfour Declaration until the tragedy of Israel's annexation of Palestine with their poems. Literary works, in the theory of adab almuqawamah, were written to arouse the spirit of resistance of a nation against colonialism. Arab poets through their poems warn of the adverse consequences of the Balfour Declaration for Palestine. Their poetry is also to arouse the fighting spirit of the Palestinian people against Israel.]]>
<![CDATA[TEKNIK PENERJEMAHAN UNSUR KOHESI GRAMATIKAL KONJUNGSI PADA NOVEL FĪ SABĪLI A'T-TĀJ ]]>
<![CDATA[Ticha Fauziyatul Anwar, Muhammad Yunus Anis]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.28596
<![CDATA[This research will elaborate deeply about the variant of conjunction in Arabic language and its techniques of translation. The investigating of translation techniques had the significant role in the process of translation. The translation problems had been found in the process of translation, especially related to the arabic conjunction. The analysis of variant techniques of translation towardsthe arabic conjunction can be investigated by the theory of gramatical equivalence between Arabic (L1) and Bahasa Indonesia (L2). This research aims to elaborate comprehensively about the variant construction of cohesive conjunction in Arabic language and its variant models of translation into Bahasa Indonesia. The second aim of this research is to investigate the techniques of translation toward the construction of cohesive conjunctions, especially in the Arabic prose Fi Sabiili At-Taaj which had been translated by Choirul Anwar into Bahasa Indonesia as "Ambisi Meraih Mahkota" published by Fajar Pustaka (2001). This research had been classified as descriptive qualitative model. The data had been classified using the random sampling method. The result of the research had been concluded that: (1) the Arabic adversative conjunctions had been translated into "tidak", "tetapi", and "bahkan" in Bahasa Indonesia. (2) the Arabic additive conjunctions had been translated into "dan", "lalu", and "maupun" in Bahasa Indonesia. (3) the Arabic temporal conjunctions had been translated into "kemudian" and "akhirnya" in Bahasa Indonesia. (4) the Arabic causal conjunctions had been translated into "sehingga" and "sampai" in Bahasa Indonesia. (5) several techniques had been implemented in the translations of Arabic novel FiiSabiili At Taaj, such as: literal, reduction, discursive creation, linguistic amplification, established equivalence, transposition, linguistic compression, and calque.]]>
<![CDATA[PENERJEMAHAN INGGRIS-ARAB NAMA ALIRAN POLITIK: STUDI KASUS PADA MAUSŪ’AH AS-SIYĀSAH KARYA ABDUL-WAHHAB AL-KAYYALIY ]]>
<![CDATA[Hamdan Hamdan]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 11, No 2 (2018) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.11.2.28598
<![CDATA[This article aims to discuss the Arabic translation of the names of English political doctrines by focusing on Mausū’ah as-Siyāsah written by ‘Abdul-Wahhab alKayyaliy. This research was conducted in three steps, namely data collection, analysis, and presentation of results. The source of this research data is literature data that is the names of political doctrines which was translated to Arabic in Mausū’ah as-Siyāsah. The names are recorded on the data card with certain marks and are classified to obtain terminology that clearly describes the process of its formation. In the next step, the terminologies chosen as a sample are analyzed using the theory of semantic fields. The study shows that the Arabic translation for the names of the political doctrines has two types, namely the Arabization (taʻrīb) and using the equivalent of Arabic. Besides, the translation itsels was conducted through a hermeneutical process in which the translation as much as possible took a high accordance with original English text.]]>
<![CDATA[KONDISI SOSIAL PENYAIR DALAM TEKS SYAIR 1999 KARYA ACHMAD MATHAR (KAJIAN STRATA NORMA ROMAN INGARDEN) ]]>
<![CDATA[Ikhti Nur Halimah, Afnan Arummi]]>
<![CDATA[ Center of Middle Eastern Studies (CMES): Jurnal Studi Timur Tengah Vol 12, No 2 (2019) ]]>
Publisher : <![CDATA[Arabic Literature Department ]]>
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DOI: 10.20961/cmes.12.2.37884
<![CDATA[This research discusses the text structure and social condition of the poet in poetry “1999” by Achmad Mathar. The purpose of this research is to outline and to describe the text structure, and the social condition of the poet in that poetry. This research uses qualitative-descriptive method by elaborating of data text that contains words, phrases, or verses. The data were analyzed using the theory of strata Roman Ingarden norm and theory of solipsism. The result shows that the text structure in the poetry ”1999” by Achmad Mathar has five layers, namely the sound layer, the meaning layer, layer of things, the world layer, and metaphysical layer. The five layers of strata give rise to the impression of reading and provide in-depth meaning which can arouse the spirit of fighting to achieve independence. As for the social conditions of the poet expressed through two interrelated phenomenasof the poet. The phenomenons namely: Saddam Hussein's life story and cartoon Hanzhala by Nājī al-'Alī. Both have lofty ideals for freeing the Middle East from the influence of the West and its allies importances.]]>
