cover
Contact Name
Les Pingon
Contact Email
lespingon21@upi.edu
Phone
+6282144647693
Journal Mail Official
hendriklempeh@gmail.com
Editorial Address
Jl. Udayana No.11, Banjar Tegal, Singaraja, Kabupaten Buleleng, Bali 81116
Location
Kota denpasar,
Bali
INDONESIA
Jurnal Pendidikan Seni Rupa
ISSN : -     EISSN : 26139596     DOI : http://dx.doi.org/10.23887/jjpsp.v11i2.39468
Core Subject : Education, Art,
Jurnal Pendidikan Seni Rupa Undiksha is a scientific journal published by Jurusan Pendidikan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Pendidikan Ganesha. This journal aims to accommodate articles of research results and the results of community service in the field of education and learning about education.
Articles 552 Documents
PENERAPAN MOTIF CAKRA PALAH PADA KAIN BATIK PRODUK UMKM BATIK LWO LWANG WENTAR KABUPATEN BLITAR Laela Farndatul Alifah; Luh Suartini; Langen Bronto Sutrisno
Jurnal Pendidikan Seni Rupa Undiksha Vol. 16 No. 1: April 2026
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v16i1.113928

Abstract

This study examined the application of the Cakra Palah motif on batik fabrics produced by UMKM Batik Lwang Wentar in Blitar Regency as a form of cultural transformation based on local wisdom. The main focus of the research included the process of motif implementation, visual form, and the symbolic meaning embedded within it. The method used was a descriptive-analytical qualitative approach with data collection techniques consisting of observation, interviews, and documentation. The results showed that the implementation process involved several systematic stages, including conceptualization, pattern design, motif transfer, waxing, coloring, and finishing. Visually, the Cakra Palah motif displayed a complex geometric structure combined with supporting ornaments, resulting in a harmonious aesthetic composition. In terms of meaning, the motif represented life philosophy, self-awareness, and the relationship between humans, nature, and God. The transformation from the relief of Penataran Temple into batik media indicated a creative reinterpretation that was adaptive to techniques and contemporary needs. The role of UMKM was crucial in maintaining the sustainability of the motif through innovation, education, and marketing strategies. Thus, batik functioned not only as an economic product but also as a dynamic and sustainable medium of cultural preservation. Keywords: Cakra Palah, batik, symbolism, cultural transformation, UMKM
HEGEMONI BUDAYA POP: BUDAYA BALI TERKOMODIFIKASI I Putu Yogantara; I Nyoman Rediasa; I Wayan Sudiarta
Jurnal Pendidikan Seni Rupa Undiksha Vol. 16 No. 1: April 2026
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v16i1.114217

Abstract

This research explores the phenomenon of popular culture hegemony that triggers a systematic commodification process of Balinese culture in the postmodern era. Bali, renowned for the nobility of its local wisdom, currently faces major challenges in the form of cultural clashes due to the dominance of global influences that prioritize visual-commercial aspects over fundamental values. This hegemony causes Balinese culture to be frequently repackaged into commodities that are marketable and "Instagrammable" to meet global market demands. Through the Design and Development (D&D) method, the author created interactive intermedia artworks titled "Lost Paradise" and "Antara Mengikuti dan Diikuti". These works utilize the assemblage technique by integrating found objects and sensor technology as a medium for sociocultural reflection. The results of the creation demonstrate that interactive art can act as a critical instrument involving the active participation of the audience to reflect on their position amidst the currents of modernity. This work concludes that the effort to preserve the essence of local culture amidst the pressure of global hegemony is the collective responsibility of every individual. Keywords: Pop Culture Hegemony, Commodification of Balinese Culture, Intermedia Art, Assemblage Art, Interactive Art.