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Acintya

acintya
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Published by Institut Seni Indonesia Surakarta

ISSN : 20852444 EISSN : 26555247 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Arjuna Subject : -

Articles 512 Documents

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PENCIPTAAN KARYA SENI LUKIS IMPRESIONISME MIXED MEDIA Haryono, Santoso
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Research art work titled â€œCreation of Art Work Impressionism Mixed Mediaâ€œ aims to create paintingsÂ impressionism to approach the creation of mixed media techniques. This study seeks to synergize theÂ strengths and peculiarities of character style impressionism mixed media in a creative, free and unique.Research work is important to do given the current world of art creation is growing, so that it takes theÂ experiments cross-media art. Creation method used is the method of research that began with theÂ development of exploration, experimentation, embodiments, and evaluation. Research work resultswill be useful for the development of the arts, in particular on the development of the creation ofÂ works of art.Keywords: Impressionism, art, mixed media.

PELATIHAN SABLON DENGAN TEKNIK COLET CRAYON BAGI SISWA BERKEBUTUHAN KHUSUS DI SLB BINA KARYA INSANI KARANGANYAR Syafiâ€™i, Achmad
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Screen printing businesses still had great opportunities to serve as potential entrepreneurial activities. The purpose of screening training with colet crayon technique to students with special needs(disabled) in SMPLB and SMALB Bina Karya Insani was to prepare the skills of SLB students in orderto gain recognition and be able to be independent in society besides could be used for entrepreneurship. Activities that were carried out involving 40 studentsof Deaf-Speech impaired (B-class) andMentally Disables (C-class). The execution technique used brainstorming method and the method ofspecial classroom action techniques. The brainstorming method was used so that the active workshopparticipants expended their ideas in the form of visual design to be transferred on paper throughscreen printing with colet crayon technique. While the specific classroom action method was meant,was a persuasive approach, because people with special needs required more attention. So with theindividual approach in fishing ideas and their imagination, students were expected to be honed andwell developed.Keywords: colet crayon, screen printing, special need students.

ETNOGRAFI DAN GENRE SASTRA REALISME SOSIALIS Setyobudi, Imam
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The ethnography writing was completely based on field (empiric) data. Anthropologist always holds on the present events. This article constitutes a beginning effort to design ethnography writing method using one genre or style in literature. Formerly, ethnography held on bourgeois realism. The writer changes realism in ethnography which doesnâ€™t seem potential and objective with militant social realism literature. The writer labels it â€œliberation ethnographyÂ â€œ. This article just takes a genre spirit of realism-socialist literature as â€œcontrasting literatureâ€ to become â€œliberation ethnographyâ€ or â€œethnography as a liberation movementâ€. The birth of anthropology with ethnography as its textual product represents the son of imperialist and colonialist. Along with the collapse of imperialist and colonialist, the awakening of ex-colonies to become new countries, entering post colonial era and global culture, the disorder of culture, the appearance of sub culture and counter culture, the foundation of anthropology becomes porous. The purpose of ethnography writing needs to be reviewed because there is an interest to write ethnography as a politi cal practice.Â Key words: Ethnography, Social Realism Literary, Liberation Ethnography

STUDI PENCIPTAAN KARYA PERFORMANCE ART DENGAN FOKUS EKSPLORASI RUANG DAN CAHAYA Isnanta, Satriana Didiek
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Study the creation of works of performance art â€œThe Light of Clear Soulâ€ is a study of the creation of works that explore the performance art, space and light. The form of mywork is explores space, practical and elastic that can be presented anywhere, either in the conventional stage, in the parks, in the forest, in a public toilet, or on the street. The form and the essence of its performance over the motion and the selected symbol. In this work performance, the light becomes important as one of the aesthetic elements. This work not only in the spot light like a standard show, but also flexible in accordance with the conditions and needs, such as spot lights, flashlights, lanterns, candles, or even a slide projector or video projector though. This work is actually very open, kind of ideas and forms. Even open to get in on the area of collaborative work. With my idea of an artist as a performer and installator (because of my art background) then no wonder I create works that will be open to the other performer-based dance, music and theater. The study uses the method of creation is the creation of works that have several stages of phase observation, experimentation phase and creating phase works. In the observation phase in addition to the observations of some performance art in person and also the documentation of a location that will be used. It is given such importance in the performance art space. Furthermore, the findings were used by the author as the basis for the creation of premises experimentation space and light which then continued into a work of performance art intact. Forms of performance art whose works are just that moment will be tricked by audiovisual documentation that could later be accounted for in a long time. Keywords: Performance art, space, light, experimentation

MEDIA WAYANG SEBAGAI MODEL PEMBELAJARAN BAHASA INDONESIA UNTUK MAHASISWA ASING DI ISI SURAKARTA Mariani, E.R. Elis Noviati
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Foreign students who study at ISI Surakarta is still plagued with the problem of the use of the Indonesian language. Indonesian official use in teaching and learning in the classroom. Indonesian teachers in the Art Institute of Indonesia Surakarta challenged fortunately find an innovative learningÂ model to address the problems faced by foreign students. Indonesian model of learning through theÂ medium of puppets are considered appropriate to teach the Indonesian language teaching. In addition, the puppet as one of Indonesiaâ€™s cultural assets can be used as a form of promotion to introduceÂ Indonesian culture in other countries. Puppet art that is rich in philosophical values and character ofthe characters are very appropriate for learning in the classroom. This study will discuss the alternative learning models with media Indonesian wayang effective for foreign students at ISI SurakartaÂ and introduce philosophical values of what is contained in learning the art of puppet to introduceÂ Indonesian culture. This study includes qualitative research. The results of this study are a Indonesianlearning model that uses media puppets and philosophical values contained in the puppet.Keywords: puppet, media, models, learning, language

PENYAJIAN WAYANG ORANG LAKON KADHARMANING KUNTHI Subono, Blacius
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

The presentation of wayang orang (man puppet) refers to the characterization existed inÂ wayang kulit (leather puppet). The difference lies in the media of expression (man as three dimensionsÂ and puppets as two dimensions). The improvement of wayang orang movements is all forms ofÂ treatment changes done by the dalang or the lakon (story) composer. However, it is still closed to theÂ previous story repertoire. This work raises the issue of how the creative process in arranging theÂ script and text form of wayang orang lakon Kadharmaning Kunthi is. The thinking base of creativity isÂ used to solve the problem. Creativity is not marked by imitation, adjustment, or binding on the existedÂ pattern. Creativity involves ideas and imaginative action including: sensing, feeling, imaging, as wellÂ as searching and explanation of truth. Sensing means the absorption of sense which represents theÂ starting point of artist to actualize creativity. Creativity is also based on feeling and emotion. Feelingalso occurs because of the mutual relationship between man and man, man and nature, man andÂ things, and all events that happen in man life.Keywords: art works, wayang orang, creativity, Kunthi.

BATIK OEY SOE TJOEN KONSISTENSI TRADISI DAN KUALITAS BATIK ENCIM DI PEKALONGAN Purnomo, Muh. Arif Jati
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

The research is conducted to answer various problems about how batik encim style in Pekalongan in generally is and especially batik â€œOey Soe Tjoenâ€. Beside it is also conducted to answer the question about what the tradition and quality that wanted to be maintained from batik â€œOey Soe Tjoenâ€ products. The purposes of the research are to describe and document batik encim style or batik style getting influence from China culture in Pekalongan, especially batik Oey Soe Tjoen. The research will use aesthetic approach by using E.B. Feldman theory to answer the various problems. The credibility of data is secured by the application of method and source of triangulation. The research concludes that batik Oey Soe Tjoen style, which is one sample of batik encim in Pekalongan has different characteristics with batik encim style occurred outside Pekalongan, especially on the process of flower, leaves, and soil form done in the detail and perfect quality of making. The consistency or the steadiness in keeping the quality of tradition that has been thought by their parents, related with technique, equipment, material, and pattern is still strongly maintained. Based on that condition , it is possible to become one of reasons why batik Oey Soe Tjoen can survive in facing market competition whichÂ

KONSEP KOREOGRAFI BEDAYA HERJUNA WIWAHA Kristiyanti, Dewi
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

This research is entitled A Choreography Concept ofÂ Bedaya Harjuna Wiwaha Dance. The Yogyakarta style of Bedaya Harjuna Wiwaha dance was composed by KRT Sasmintadipuro performed in Tingalan Dalem Sri Sultan Hamengku Buwana IX in 1976. In Bedaya Harjuna Wiwaha dance, all dancers have their respective roles. The role of the dancersÂ in Bedaya Harjuna Wiwaha dance is like the other Bedaya dance. The roles of the dancers includeEndhel Pajeg, Batak, Jangga, Dhadha, Buntil, Apit Ngajeng, Apit Wingking, Endhel Wedalan Ngajeng and Endhel Wedalan Wingking. Some of these roles represent characters in the story contained in Bedaya Harjuna Wiwaha dance, such as Prabu Newatakwaca, Harjuna and Dewi Supraba. In addition, norms or rules for the arrangement of Bedaya Harjuna Wiwaha dance include: rules for the use and application of dance motives, rules for the use and application of floor patterns, rules for the use of rhythm of motion, story sources, dance forms and dance styles .Â Keywords: Choreography Concept, Bedaya Herjuna Wiwaha

ASPEK TANGIBLE DAN INTANGIBLE KOTA SEBAGAI ASPEK PENDUKUNG PENCITRAAN KOTA SOLO Marwanto, Aries Budi
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

The study entitled â€œIMAGE STRATEGY OF SOLO AS A CITY OF CULTUREâ€ includes excavation of a city image that is communicated through marketing efforts. Image of the city includes aspects of artifacts (tangible) and values (intangible). Excavation of the two aspects of imaging supports Solo as a City of Culture.Tangible aspects of the city of Solo is quite diverse as palaces, villages, buildings,temples, reservoirs, recreation areas, plateaus and many interesting sights to visit. Intangible cultural heritage, among others in the field - a field as follows oral traditions and expressions, including language; performing arts; social customs, rites, and celebrations - celebrations; knowledge and practices about nature and behavior of the universe; and traditional craft skills. Keywords: Strategy, image, city.

ANALISIS HUBUNGAN ANTARA KEGIATAN MELUKIS DENGAN KEBUTUHAN PSIKOLOGIS PADA REMAJA Shokiyah, Nunuk Nur
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

This research aims to learn the correlation between painting activities and psychological needs of theteens. There are two variables in this research covering painting activities as the independent variableand psychological needs as the dependent variable. The correlation technique of Product MomentPearson is used to know the correlation between painting activities and the psychological needsof the teens, while the calculation uses the computer program SPSS 15 for windows release. Subjectof this research is all active students of the Pure Fine Arts Department in Institut Seni IndonesiaSurakarta. All data that is collected covers 61 subjects. The measuring instrument used is the intensityscale of painting activities and the scale of psychological needs. The result of this research showsthe coefficient correlation (rxy = 0,746; p = 0.000), it means that there is a significant correlationbetween the painting activities and the psychological needs to the teens. Meanwhile, the determinationcoefficient of the correlation is R2 is 0,556. It means that the painting activities give the effectivecontribution to the psychological needs to the teens as much as 55,6 % while the rest of 44,6 % isdetermined by other variables.Keywords: painting activities, psychological needs.

Page 13 of 52 | Total Record : 512

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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acintya@isi-ska.ac.id

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Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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Phone -

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Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

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Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA