Garuda - Garba Rujukan Digital

REDESAIN STAN PEDAGANG SUVENIR DILINGKUNGAN MUSEUM SANGIRAN SRAGEN DENGAN PENDEKATAN ERGOKULTURAL Haryanto, Eko sri; Utomo, Tri Prasetyo
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

The souvenir product booth is an important tool that is used to support the smooth running of business activities in public space for traders. The souvenir product booth is used by sellers to display their merchandise to attract visitors to come and do buying and selling activities. This applied research aims to determine the condition of the souvenir merchant product booth at the Sangiran Museum, then analyze and synthesize, then do a new booth redesign that is in accordance to the demands of function, ergonomics, culture and image of Sangiran Museum tourism object. The design of the new booth was made so that it could function properly to support the display of the typical Sangiran products sold. In the end, it was hoped that there would be additional transactions so as to increase the sales turnover of souvenir merchants in Sangiran Museum area. The design is made based on the rules of function, safe and comfortable ergonomically, and has a distinctive character according to the tourist destinations in Sangiran Museum.The object of applied design research is the product stand for souvenir merchants in SangiranMuseu. The method used is descriptive with a qualitative approach supported by quantitative dataor can be called a multiple research strategy. Quantitative data here means using numerical data which is the result of measurement in the field, then compared to the references, resource persons and analyzed based on the researcher interpretation. The design activities begin with product discovery stage to obtain innovative creations in the product design process.The results of applied art / design research are in the form of designs and booths that are in accordance to the rules; functions, ergonomics, beauty and image of Sangiran Museum. The results of the creation of art / design are also expected to provide material for the Interior Design and Furniture Design Courses in Interior Design Study Program, ISI Surakarta. Keywords : booth redesign, ergonomics, culture, Sangiran Museum

KEMASAN DALAM RANGKA PENUNJANG IDENTITAS KAWASAN (PERANCANGAN KEMASAN APEM SEWU SURAKARTA) Panindias, asmoro nur hadi
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

ABSTRAKKelurahan Sewu atau disebut juga Kampung Sewu merupakan salah satu kelurahan di Kecamatan Jebres.Daya tarik sejarah di Kelurahan Sewu diwujudkan dalam bentuk festival, yaitu Festival Gethek dan Festival Apem Sewu.Festival Apem Sewu dan keberadaan produsen apem membuat Kelurahan Sewu mulai dikenal dengan kelurahan penghasil kuliner apem yang memiliki ciri khas sendiri.Berbagai upaya dilakukan untuk meningkatkan kualitas, diantaranya dilakukan pelatihan membuat dan mengkreasi apem, pengemasan serta pemasaran.Produsen apem belum mengetahui teknologi dan manfaat kemasan, termasuk diantaranya adalah branding dan pemasarannya.Kendala utama yang dikeluhkan oleh peserta adalah desain kemasan sebagai identitas usaha yang mereka miliki.Produk apem sewu telah memiliki kekhasan tersendiri, sekarang yang perlu dilakukan adalah menyampaikan kelebihan dan keunikan apem tersebut kepada calon konsumen.Kemasan sesuai fungsinya, dapat menjadi corong dalam mengkomunikasikan keinginan produsen.Bahkan kemasan tidak hanya memasarkan produk yang ada didalamnya, tapi juga dapat mengkomunikasikan potensi sebuah wilayah.Kata kunci: Kemasan, Kelurahan Sewu, apem sewu ABSTRACTKampung Sewu is one of the villages in Jebres District. The historical appeal in Kampung Sewu is manifested in the form of festivals, namely Gethek Festival and Apem Sewu Festival. The Apem Sewu Festival and the apem producers make Kampung Sewu known as the apem culinary producer that has its own characteristics. Various efforts were done to improve quality, including training in making and creating apples, packaging and marketing. Apple producers don't know the technology and benefits of packaging, including branding and marketing. The main obstacle complained by participants is the packaging design as their business identity. Apem Sewu has their own peculiarities, and one thing that needs to be done is to convey the advantages and uniqueness of the apem to the consumers. Packaging according to its function can be a means of communicating the hopes of producers. Even packaging not only markets the products inside, but also can communicate the potencies of a region.Keywords: Packaging, Sewu village, Apem Sewu

Eksistensi Karawitan Putri Di Kota Budaya (Studi Kasus Karawitan Sekar Praja Putri, Pemerintah Kota Surakarta) Fatimah, Mutiara Dewi
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

ABSTRAKKarawitan adalah bagian dari hidup oleh masyarakat Solo. Kondisi psykologis masyarakat Solo juga mempengaruhi berkembangnya karawitan di kota budaya. Salah satunya fenomena karawitan putri yang sampai saat ini masih terdengar meski lirih gaungnya di lingkungan seniman Solo dan sekitarnya. Sekitar tahun 80an karawitan putri mulai bermunculan, seiring diadakannya Lomba Karawitan Putri di Radio Republik Indonesia (RRI Surakarta). Fokus dari penelitian ini adalah karawitan sekar praja putri dimana karawitan putri masih diterima baik oleh masyarakat dan mampu bertahan walaupun telah digerus jaman. Sampai sekarang karawitan putri terus berkembang, adanya sekolah seni SMK N 8 Surakarta (SMKI/ Konser Vatori Surakarta) dan Perguruan Tinggi Seni (ASKI menjadi STSI sekrang ISI Surakarta) serta sanggar-sanggar seni menjadikan karawitan selalu ada dan tetap hidup.Kata Kunci: karawitan, karawitan putri. ABSTRACTKarawitan is a part of life for the people in Solo. The psychology condition of Solo community also influenced the development of karawitan in the cultural city. One of them is the female karawitan which is still heard, until now even with the soft echo among the Solo artists and its surroundings. In 1980s the female karawitan music began to emerge, along with the Women's Karawitan Contest that was held at Radio Republik Indonesia (RRI Surakarta). Focus of this research is the Karawitan Sekar Praja Putri with the female musicians which are still well received by the community and are able to survive even though it has been crushed by the era. The female karawitan continues to grow until now. The existence of SMKN 8 Surakarta (Vocational High School), ISI Surakarta (Indonesia Institution of Arts) and art studios make karawitan always exist and stay alive.Keywords: karawitan, female karawitan.

MEME DI ERA DIGITAL DAN BUDAYA SIBER murfianti, Fitri
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

Abstract The rapid dissemination of meme cannot be separated from the development of communication technology. Memes that circulate are not just a joke but a reflection of offline reality and presented with interesting visuals. Image processing technology encourages people to be more creative. This study focuses on the process of consumption, production, and distribution of internet memes and the formation of cyberculture because of these process by using the literature study method. In consuming this internet meme commodity, a "work of consumption" process is needed. When the audience consumes information, it also has a "work of production" .The effort when the audience consumes and reproduces these information is called "work in progress". In consuming internet memes, there are several underlying motives, namely entetainment motives, self-expression motives, socializing and community building mottives, and informativeness Motives. Today Meme internet develops into a new communication style as a form of participatory digital culture. Cyber culture that is formed is the result of the construction of virtual identities that combine to form a new cultureKeyword : Internet Meme, Digital Era, Cyberculture

PROSES KREATIF (STRUKTUR TEKNIK KARYA LUKISAN) DEWA MADE MUSTIKA Syamsiar, Syamsiar
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

AbstractThis study aims to describe the ceative process (techniques and structures) of Dewa Made Mustika’s paintings in 1994-2018. Dewa Made Mustika is a man born in Tegalalang, Gianyar, Bali, on August 25, 1974. He grew up in Bali and continued his art education at the Indonesian Institute of Arts Yogyakarta in 1994 and graduated in 2000. The creative process of Dewa Made Mustika, reflected in his paintings, is interesting because the energy that exists in the creative process is extraordinary over time. His work on display at the Cultural Park of Yogyakarta in 2017 showed a remarkable energy, not only big that reaches 2800 cm long and 280 cm wide but also with excellent expressive-figurative cultivation technique. If the work of Dewa Made Mustika has tremendous energy at this time, then what about-the works that were created at the beginning of the study at the Indonesian Institute of Arts Yogyakarta up to his present super jumbo works, how the shape structure, the coloring and the techniques used in order to give an idea of how the creative process takes place. This is important for artists from an arts institute to become inspiration in learning the progress of a successful artist in developing his career. The research technique used is descriptive research technique by collecting data based on the facts, summarizes the existing data and presenting it.Keywords: Creative Process, Structure, technique, Paintings, Dewa Made Mustika

Studi Eksperimentasi Teknik Pewarnaan Akrilik dan Outlinefirst Pada Kekaryaan Lukis Wayang Beber Sutopo, Sutopo
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

Penelitian berjudul Studi Eksperimentasi Teknik Pewarnaan Akrilik Dan Outlinefirst Pada Kekaryaan Wayang Beber ini menekankan pada studi eksperimentasi kekaryaan wayang beber dengan fokus pengembangan teknik sungging wayang beber pada media kain primisima. Penganekaragaman teknik sungging dengan bahan pewarnaan cat akrilik dimaksudkan untuk mencari alternatif pengembangan produk-produk kriya.Perlunya hal tersebut diangkat dalam penelitian ini karena teknik sungging khususnya teknik sungging dengan menggunakan cat akrilik merupakan salah satu hasil budaya tradisi klasik. Dengan penelitian ini nantinya akan diperoleh sebuah alternatif pengembangan seni lukis sungging wayang beber yang akan memperkaya kasanah seni rupa tradisi yang berdampingan dengan bentuk-bentuk seni modern saat ini, terutama aplikasi teknik outlinefirst.Adapun tujuan penelitian ini adalah untuk mengembangan teknik sungging agar dapat digunakan oleh para mahasiswa di perkuliahan, para seniman, dan pengrajin sehingga secara tidak langsung akan meningkatkan nilai jual sekaligus memberi alternatif pengembangan teknik. Selain itu juga untuk menganekaragamkan teknik sungging pada produk kriya. Sedangkan metode yang digunakan dalam penelitian ini dilaksanakan menggunakan metode kualitatif dengan pendekatan holistik yang memanfaatkan salah satu keunikan dalam seni tradisi yaitu teknik sungging wayang beber.Kata Kunci : wayang beber, teknik sungging, teknik outlinefirst.

Sense Of Multikulturalisme: Potensi Integrasi Dalam Kelompok Teater Pelajar SMA Di Kota Solo Ansari, Isa; Dipoyono, Achmad
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

In general, this study departs from a large scheme of research on Sense of Multiculturalism initiated by the Center for Theater Studies and Social Integration. This is a basic research to explore the potencies that exists among adolescents, both related to the conflict as well as efforts to integrate in high school theater groups. Problems of this research include; first, what potencies that can lead them into conflict areas? What potencies that develops in youth theater groups that can anticipate and strengthen the social integration? Data collection is done by interview, observation, and documentation. The results of this study indicate that the potencies that directs group members into conflict is due to the impartiality experienced by students participating in theater extracurricular activities, both from the school as well as from their family. But their potencies in integration is strongerthan the potencies in conflict, namely independence, maturity, togetherness, cooperation, and kinship among members of the student theater group. Keywords: integration, conflict, students theater

BERGADA RAJAMALA SEMANGGI Mulyadi, Tubagus; Slamet, Slamet
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

ABSTRACTRajamala is a puppet character from Mahabarata story which represents an incarnation of Dewi Loroamis’ disease in a form of a small-giant little boy. Rajamala is a symbol of disaster that must be removed from human life. This event inspired Sultan HB X to create a ship Cantik Baito in the form of Rajamala’s face in order to get safety trip to Madura through Semanggianchorage at Bengawan Solo River. The Rajamala at Cantik Baito, then, became inspiration for the Semanggi community to create“Bergada Rajamala”, an army with Rajamala mask. This creation is related to the anchoragesite in Semanggi. The problem of this study is about how to brand Rajamala as an icon of Semanggi and why it is necessary to make “Bergada Rajamala” in Semanggi parade. This study uses the method of creation through observation, exploration, experimentation, reflection, and formation. The results obtained include the creation of the parade dance or “Bergada” dance that use Rajamala mask costumes that is called “BergadaRajamalaSemanggi.”KeyWords: Rajamala, Bergada, Semanggi.

PENINGKATAN KEMAMPUAN GARAP CIBLON IRAMA DADI DENGAN MODEL PEMBELAJARAN KOOPERATIF TIPE STAD PADA MAHASISWA SEMESTER II TAHUN AKADEMIK 2017/2018 Sosodoro, Bambang
Acintya Vol. 11 No. 1 (2019)
Publisher : Institut Seni Indoensia Surakarta

This class action research was conducted to improve the ability of students in kendangan ciblon irama dadi in Karawitan Surakarta II. The mastery of kendangan ciblon irama dadi is considered very important for it is the foundation for kendangan ciblon irama wiled in the form of inggah ladrang, kethuk 4, and kethuk 8 in the next course. Kendangan ciblon irama dadithat are emphasized are gambyongan ciblon which has a high complexity. Therefore,it needs more attention. So far, there are still many problems encountered in the learning process of the course, especially in mastering kendangan ciblonduring the middle semester, namely semester III, IV, IV. The problems include the scheme of kendangan, sekaran ciblongambyongan and wiledan. It may happen because most sudents do not master well the ciblon irama dadi at the second semester. It needs an appropriate learning method. In order to increase the students’ abilities in kendangan ciblon irama dadi semester II, during this time, the method of speech, drill and demonstration seem insufficient to overcome the problem, so that it is necessary to use another method namely the Stad Type Cooperative Learning Model. This method is in fact very effective and useful to improve the students’ practical skills. This is indicated by an increase in group learning activities and a more live class and the good student achievement.Keywords: learning, ability, ciblon

PETA TEORITIK PENGKAJIAN TEATER: DARI TEORI STRUKTURALIS SAMPAI POSTRUKTURALIS Novianto, Wahyu
Acintya Vol. 11 No. 2 (2019)
Publisher : Institut Seni Indoensia Surakarta

AbstractThis article tries to map out the structuralist and poststructuralist theories as the basis of theater studies. So far, the studies of theater performed by theater academics have always been based on structuralist views; examining aspects of form, meaning, style and exclude the human aspects as forming agents of the structure. Structuralist view is antihumanist. It says that the sign has meaning when it is associated with other signs in a systematic unity of structure and not from its relation to the individu (artists). According to poststructuralist view, it is very possible to do a cultural study of theatrical text by looking at the interrelationship between one text and another outside, including social, cultural, literary, political, and other texts that are present randomly and overlapping (juxtaposition). Therefore, this theoretical mapping needs to be done in order to enrich the theater academics to conduct theater performances studies.Keywords: studies, theoretical map, structuralist, poststructuralist

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA