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DETERMINAN PERUBAHAN DESAIN OMAH MBOK MASE TERHADAP KARAKTER KAMPUNG LAWEYAN DI SURAKARTA Hastuti, Dhian Lestari
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

This articleis the result of research about change design determination of Omah Mbok Mase To Character Kampung Batik Laweyan Surakarta Year 2004-2015. The research method is used phenomenology by using the Social Change Theory aproach. The result is the process of design changes Omah Mbok Mase caused by: 1) Fortress (front wall fence) built souvenir shop, 2) Tear down of buildings and replace with new buildings, 3) Selling of building structures 4) Sell all the assets, 5) Revitalize the building as a souvenir shop. The determinants of such design changes are influenced by internal factors, namely: the financial problems of the Omah Mbok Mase heirs, the inheritance system, and the mindset of trading that still using conventional means. External factors are the influence of technology and regulation of Surakarta City Government. Technological influences play a role in the cultural lag of process in economic activity. The Omah Mbok Mase heirs are evolving in a social change from a closed-character society to an open character, which must serve the tourists.Keywords: Determinant, design changes, Omah Mbok Mase, social changes, Laweyan

THE IDENTIFICATION OF CONTRIBUTION OF GOVERNMENT GALLERY IN SUPPORTING INDONESIAN FINE ARTS DEVELOPMENT (CASE STUDY OF INDONESIAN NATIONAL GALLERY MANAGEMENT SYSTEM) Cholis, Henri
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The research examines the existence of Indonesian National Gallery in Jakarta. The Indonesian National Gallery is managed by the government. The focus of the research is in the contribution of Indonesian National Gallery in Indonesian fine arts development, especially in the local fine arts development and to understand strategy or effort of Indonesian National Gallery in managing an organization for fine arts activities and its stake holderâ€™s network. The research also discusses a glance about management problems applied in the National Gallery. The research method, research kind or research model is a qualitative descriptive research, by using phenomenology and curatorial approach which is the management of Indonesian national Gallery and phenomena of the result of the interaction between the subjects involved in the Indonesian National Gallery activities, and understand the situation, the events, and the meaning existed in Indonesian Â National Gallery. Data are collected from interviews, especially person involved in the structure of Indonesian National Gallery organization and several persons related with the existence of the gallery, such as artist and curator. Another data is book taken from Indonesian National Gallery and also the books containing articles about the gallery and the pictures used as the observing technique in this research. Data collecting uses open interview technique (not structured natural interview), direct observation with situation observer, events, and everything related with the events happened in Indonesian National gallery. Data analysis uses cycle analysis related each other which is interactive analysis related with several steps: data collection, data reduction, data presentation and conclusion. Research result: Indonesian National Gallery is able to stand and exist and experience long journey because of the strong efforts from the government officials in the department of education and culture. The facilities and the infrastructures of Indonesian national gallery is quite representative even though the building used is a former school, at first it is not designed to become a gallery. The contribution of Indonesian National Gallery is very wide; it is opened for everyone for education, training, information service, and appreciation purposes. Indonesian National Gallery opens itself for cooperation inter related instances existed in several regions. It also provides place for the person wanting to held exhibition there. National Gallery management is quite good proven by many art activities held in regional, national, and even international level which has been conducted successfully. The collection of fine arts works in Indonesian National gallery is quite many with 1750 fine arts works; some of them are a grant from foreign countries. The existence of chosen curator make Indonesian National Gallery has a good image in Indonesian fine arts. And no less important, Indonesian National gallery always keeps its quality by using selection system for everyone who proposes to make exhibition there, both from the invitation from Indonesian National Gallery and from the proposal proposed by the artist who desire to held exhibition there.Â Key word: Â Gallery , management, contribution.

BUKU TUTORIAL PEMBUATAN WAYANG BEBER KERTAS KORAN UNTUK MENDUKUNG PROGRAM EKONOMI KREATIF DI SURAKARTA Zarkasi, Much Sofwan
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

The making of books tutorial how to make a work of art wayang beber of newsprint material on thiscanvas is an effort to support government programs Surakarta creative economy in this case is aproduct development process featured art made from paper craft paper which functioned as souvenirsSurakarta . Book a tutorial how to make a work of art wayang beber of newsprint material onthis canvas that is expected to be read and studied community craftsmen made of old newspapers inSurakarta.Keywords: tutorial book, wayang beber, newspaper

MURALDEFINISI DAN SEJARAH PERKEMBANGANNYA Isnanta, Satriana Didiek
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

The presence of the mural in the development of human civilization have been found long ago. Murals or painted walls has existed since prehistoric times that the site is in caves. Mural always followÂ human civilization, including modern human civilization now. In modern civilization, mural functionsÂ continue to evolve, as well as wall hangings, mural also serves as a medium for propaganda, protestÂ against the authorities, the existence of self-identity politics and group, artistic expression, and as anÂ advertising medium. In the context of contemporary art, murals entry in the genre of public art (publicart) and street art (street art), which in conjunction with other types of street art like graffiti. ProblemsÂ arise when, performers (creator), public (apresiator) and government (stakeholders-holder regulation) do not understand the definition and historical development of this mural, so it can not distinguish between murals and graffiti. This gives rise to misunderstanding among them. On the one hand,Â considers that the expression of art, on the other hand considers murals make the city dirty. Therefore, it is important to make a study of literature relating to the definition and development mural to beÂ a reference material for mural artists and government policy makers. Kepustakan research method isÂ using a discourse analysis of data taken from various books, scientific articles, photo and videoÂ documentation, catalogs and media coverage.Keywords: murals, public art, contemporary art.

IDENTITAS VISUAL DESA WISATA BATIK COKROKEMBANG MELALUI ENVIRONMENT GRAPHIC DESIGN SEBAGAI PENGEMBANGAN DI KABUPATEN PACITAN Prilosadoso, Basnendar Herry; Suyanto, S.,; Rosmiati, Ana; Handriyotopo, H.,
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Moral value awareness had begun to be shifted by the western culture that tended to be incompatiblewith the condition of our society. This research was an effort to give reinforcement of local wisdomcontained in wayang beber figure, as a source for the development of batik patterns of Pacitan. Thegeographical condition of Pacitan Regency was very potential to be developed as a superior ecotourismwhere Pacitan got the nickname as Word class karst geopark tourism area. The economic condition ofthe community was mostly supported by a variety of small and medium industries. Batik industrydeveloped rapidly and had great potential to be developed and improved from the aspect of productivity, so that later could increase the economic level of Pacitan society. This research used actionresearch theory where there were four stages, namely select a focus, collect data, analyze and interpret data, and take action. Methods performed in several stages: assessment, design, socialization,mentoring and training, production, and launching. The research results aimed to increase batikproductivity and creativity through the development of Cokrokembang batik tourism village, Ngadirejo,Pacitan through corporate identity design, so it was expected to increase the economy of the peopleand the opening of the leading tourist attraction in Pacitan.Keywords: local wisdom, corporate identity,, batik tourism.

CCTV BERBASIS WEB SEBAGAI SISTEM KEAMANAN Agung, I Putu Suhada
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Experiment research about CCTV under web for security system, is made to design a prototype remote security system. This security system can be develope for remote security system that can be accessedfrom intranet and internet networks. Streaming is an effective methode to send big capacity files like audio and video from intranet or internet networks. The benefitfor using streaming is a very big capacity offile(s) can be shown has no need all parts offile(s) be accessed. Ussually streaming proccess (Windows Media, Real Media, Quicktime and Flash) pass through a crucial phases and need very long time process. Else ussually streaming format needs much bandwidth and very large saving media. Unreal Streaming Server is an under windows streaming software, that has more function like online (live) features and offline (on demand) steraming than old differentÂ StÂ reaming software. Unreal Streaming Server is the right choice for developed as CCTV under web for security system. This software needs only 1 Giga Byte / 1 GB to record online/live seasson as long as 1 month. Unreal Streaming Server no needs decode an originalfile that will be used; all offile is streamed as an originalfile format. Player can receive stream, if codec is installed on. Security level can be set from server with security choices like : password, authent~fi cation, session and blocking acccess. Other main facility is CCTVstream can be access from cellular phone (celiphone) that has WindowsÂ OIS,Â Symbian 0/S or Java that can be accessed everywhere.Â Keywords: CCT1 Â Streaming, Unreal Streaming Server

PENCIPTAAN MOTIF BATIK UNTUK SERAGAM(UNIFORM) CIVITAS AKADEMIKA ISI SURAKARTA SEBAGAI UPAYA PENCITRAAN INSTITUSI YANG BERKARAKTER Marwati, Sri
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Batik is one of the Indonesianâ€™s prides. The government, batik craftsman, and people have tried many efforts to preserve batik. We have to be proud of for based on the decision of the United Nations Educational, Scientific, and Cultural Organization (UNESCO) it is decided that batik Indonesia is considered to be an intangible cultural Heritage of Humanity. Batik as a uniform of a community or an institution is actually able, psychologically, to bring it to the sense of kinship, togetherness, and solidarity. Batik as a uniform is also able to form peopleâ€™s brand image toward the community or institution. It means that, indirectly, imaging of a certain community or institution can be built up by the uniform adjusted to its vision and mission. One of the efforts is through â€œPenciptaan Motif Batik Untuk Seragam (Uniform) Civitas Akademika ISI Surakarta Sebagai Upaya Pencitraan Institusi Yang Berkarakterâ€ (Creating A Batik Motive for Uniform of All Staffs in ISI Surakarta as An Effort to the Imaging of A Characteristic Institution). The motives that can be created have some elements that are motives of logo ISI Surakarta, the gate of ISI Surakarta, Pendapa (grand hall), book and lotus flower as well as plants â€œlungâ€. The motive elements are held together to be the symbol of ISI Surakarta as a home for togetherness in reaching the highest ideals in the field of science, art and culture including education, research, and workmanships, as well as community services by upheld the sustainable honesty and integrity. The color of purple represents greatness. Keywords: character, batik motive, imaging

IKONOGRAFI TOPENG MALANG DALAM TOKOH DEWI SEKARTAJI DAN PANJI ASMOROBANGUN Fatmawati, F.,; Zurinani, Siti
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

The shape and character masks in each region are rooted from local values and mythology in theÂ local community. Each element of line, color, and pattern on the mask is a symbol that implies meaning. Panofski describe art object studies includes three stages. The first stage is called pre iconography, such as the interpretation of the textual aspect of a work of art is accompanied expressionalresponse. The second stage is called the stage of iconography, such as the interpretation of the themeÂ and concept embodied in a work of art and the correction of the themes and concepts, and the thirdÂ stage is called the stage of iconology, in the form of interpretation of the meaning in the context ofsocio-cultural. The third stage of the process are found to form, meaning and benefits of the existenceÂ of Malang Mask for society.Keywords: iconography, malangâ€™s mask, Dewi Sekartaji, Panji Asmorobangun

PENCIPTAAN KARYA SENI INSTALASI BERBASIS EKSPERIMEN KREATIF DENGAN MEDIUM GEMBRENG Cholis, Henri
Acintya Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

This research is a study on an installation work of art based on an experimentation exploring newÂ possibilities of the product of gembreng (zinc) handicrafts in Kabangan market, Laweyan, Surakarta.Â The product is used as one of the aesthetic elements of the installation art in a ready made shape or anew one which can be developed using a technique craftsmen in Kabangan market have. This researchÂ aims at studying to create an installation work of art with zinc as the main medium. This research isÂ designed as an explorative developing research. Therefore, it tends to be experimentative to findÂ possible innovation in shape, technique, medium, and material exploration. The data were collectedÂ through in-depth interview and an observation in the zinc industrial centre in Kabangan market,Â Laweyan, Surakarta. The subjects of this research were the craftmen of zinc to find out the techniqueÂ they usually used and the technical achievement which could be explored to create an installationwork of art. The object observed in this research was the product produced and the technique used toÂ create the handicraft in Kabangan market. It is important to do this to find out various possibilities ofÂ developing shapes as an aesthetic element of an installation work of art.To enhance the validity andquality of the work of art in this research, â€œtrial and seeâ€ or the controlled trying out by an adaptiveÂ strategy is used. The data were analyzed using SWOT analysis and the result of the analysis was usedÂ as the principle to make an installation work of art. The idea of shape in this installation work of artis based on Garuda and Jatayu, a kind of birds thought to be sacred in Javanese myth. The stages inÂ creating this work of fine art are as follows: exploration, improvisation, and shaping. The result ofÂ this research is an installation work of art of which the main material is zinc and its shape, colourÂ and ornament originate in Javanese culture.Keywords: Javanese myth, handicraft made of zinc, installation work of art.

KEUNIKAN, KEARTISTIKAN, DAN KENYAMANAN INTERIOR WARUNG MAKAN LESEHAN PADA MODEL BANGUNAN RUMAH BAMBU DI WILAYAH KABUPATEN SUKOHARJO JAWA TENGAH Moedjisoewasti, Moedjisoewasti
Acintya Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Bamboo house as a subject matter of this research will be examined in a whole sphare which is reach design interior aspecst in about its uniqueness, its artistic, and its convenience. This article is also will strives what kind of study of bamboo house applied in the interior design of restaurants especially on those previous aspects above. Because of an effective propose it will be limited to the sample population among restaurants in around Sukoharjo district, Central Java. Through this article description, I would like to expose the bamboo materials had not only useful functionally but it had been a uniqueness, artictic, and convenience for the user who stay and enjoyablein all thing related to its interior design of the bamboo, besides it can be searched all thing of the construction included in the materials entirely.Keyword : bamboo construction, interior design, uniqueness, artistic, convinience

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
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Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email acintya@isi-ska.ac.id

Phone -

Journal Mail Official acintya@isi-ska.ac.id

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA