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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Dinamika Garis Dalam Sketsa Analisis Karya Ipe Ma' aroef Dan Fadjar Sidik Suyasa, I Nyoman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1498.295 KB) | DOI: 10.33153/bri.v4i1.337

Abstract

It is often said that the sketch is the most authentic trail, the exit from the artists themselves. Sketches reflect not just motor work, spontaneity, but also are difficult to be released from the documentary and a biography of the artist. Sketches are personal records in the form of visual and lines as its main element. Line shape can give birth once textures, tones, shades, and a certain volume, so as to give birth to a special character or disposition of a person. Character is owned by Ipe Ma'aroef and Dawn. They had a long journey in the creative process and the line is breath in his work. Pure lines of the sketch they showed strong character, who rarely owned by the artist now. Key words: Dynamics, outline, sketch, Ipe Ma'aroef and Fajar Sidik
Kontemplasi Diri Dalam Lukisan -, Syamsiar
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (668.974 KB) | DOI: 10.33153/bri.v6i1.447

Abstract

Creating works on the theme of contemplation themselves in my paintings come from my series of contemplative experience in life that are particularly religious. That is an afterthought to an essential aspect of my life, that I experienced a wide range of activities, observe and biodiversity during the past and the present are associated with signs of the presence or existence of God in the mystery of life that I live everyday. The formulation of the concept of self-creation is a religious contemplation as a means to achieve harmony, harmony and happiness in life. Creation method using the theory of the creation process LHChapman among others 1). Efforts to find an idea (the inception of an idea) or find a source of ideas, inspiration or inspiration, 2). Enhance, develop, and establish initial ideas (elaboration and refinement), 3) .Visualisasi into the medium (heention in a medium) .Media to be used in the embodiment of the works are oil on kanvas.Subject matter in creating works rooted in reflection of contemplation myself among others: drapery (Inside the cloth) and other subjects such as a series of letters of the Arabic alphabet, clouds, light and so forth as a visual form to affirm the meaning of the painting.Keywords: self-contemplation, the creation of art, paintings
PERILAKU BURUK MANUSIA DALAM HAL KEMUNAFIKAN SEBAGAI IDE PENCIPTAAN KARYA SENI LUKIS Hasan, H.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (602.632 KB) | DOI: 10.33153/bri.v9i1.2114

Abstract

ABSTRAK Laporan penciptaan yang disusun dengan judul “Perilaku Buruk Manusia Dalam Hal Kemunafikan Sebagai Ide Penciptaan Karya Seni Lukis” ini dilatar belakangi oleh permasalahan-permasalahan yang kaitannya dengan segala bentuk atau representasi perilaku munafik manusia dalam kehidupan sosial yang terjadi di Negeri ini, maupun di belahan Bumi yang lain. Tujuan dari laporan penciptaan ini adalah memahami dan mendalami tentang tema kemudian memvisualisasikan tentang ide dasar dan menciptakan metafor dalam karya seni lukis terkait dengan judul yang diangkat.Untuk mewujudkan ide tersebut secara deskripsi diawali dari latar belakang karya, pembicaraan rujukan, tujuan dan manfaat, gagasan, garapan, bentuk karya, dan media. Selanjutnya dilakukan metode proses penciptaan karyanya dengan menggunakan tahapan-tahapan di antaranya adalah: pra penciptaan, teknik yang digunakan, dan penciptaan. Hasil dari studi penciptaan seni lukis ini adalah karya seni lukis yang mampu merepresentasikan kemunafikan manusia. Kata kunci: seni lukis, manusia, munafik.    ABSTRACT The creation report that was written under the title of "Bad Man Behavior in Hypocrisy as the Idea of Creation of Paintings" is based on problems related to all forms or representations of hypocrisy of human behavior in social life occurring in this country or in the hemisphere another. The purpose of this creation report is to understand and explore the theme then to visualize the basic idea and to create a metaphor in painting related to the title that is raised. To realize the idea in description begins from the background of the work, referral talks, goals and benefits, ideas, arable, forms of work, and the media. Furthermore, the method of creating the process of his work by using the stages of which are: pre-creation, techniques used, and creation. The result of the study of the creation of painting is a work of art that can represent the hypocrisy of humans.Keywords: painting, human, hypocrite. 
Menyoal Seni Lukis Indonesia Kini -, Dharsono
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 1 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3288.758 KB) | DOI: 10.33153/bri.v1i1.239

Abstract

Our painting trip since pioneering   R. Saleh until the beginning of this XXI, was still swayed by the impact of conception. Indonesian art esta-blishment that has not reached the level of success, it has been devastating by western modernism that produce alternative art, with the emergence of the concept art (art conseptual): "Installation Art", and "Performance Art", which once flourished in college campuses throughout the art of the late 20th century. Then came the various alternatives such as "collaboration" as the final mode. Along the same conventions of painting adorned with a variety of styles-galleries, which is no longer as a token of appreciation to the community, but an alternative investment business. Now (the early 21st century) painting exposed to two forces; art remains a classic value of conventional forces from the inner consumption that belonged to the community, cha-llenged by the phenomenon of art as a market management forces in berorentasi leading commercial value in popular culture. Art no longer belongs to the people ....... Keyword: arts, painting, popular culture
Media cat Minyak dan Pendukungnya Gozali, Amir
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2536.091 KB) | DOI: 10.33153/bri.v2i2.311

Abstract

The artwork must not only be measured/ assessed from the outside impression of the observer but also the good and bad quality of the physical. It depens how the process works is made, for the quality of course work rwquired precision in the selection of good materials and application of proper techniques in making a painting. Media oil paint, began to be known/discovered in the 15th century (the time Renisance in Europe). This medium was found closely related to the spirit if the Renaissance itself is the rebirth of ideas, thoughts Ancient Greek and Roman times are based on human reason(rationalism) and values of humanity (humanism) and the view that humans are used as a source all actions. As a result of the industrial revolution had improved oil paints in term of shape as it begins to be mass produced. Form of oil paint which originally separate between base material and developed into oil and solids in the form of a paste-like tube packaging at this time with different brands and package sizes. This makes oil paint more and more popular today because it has the character of a flexible and practical in its use.Keywords : painting,medium,oil paint
Simbolisme Ragam Hias Sisik Batik Demak Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 2 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (308.296 KB) | DOI: 10.33153/bri.v5i2.415

Abstract

Sisik ornament on Demak’s Batik is considered as cultural form, artifact that is contains self representation discourse which is framed by cultural ideographic aspect. However, Demak’s Batik vanished for hudred years from Demak society and emerged in 2006. Therefore, there is cultural communication that vanished in Demak society, particularly it is connected to meaning or value system which is contained in sisik ornament Demak’s Batik for life of Demak’s society. Therefore, it is essential to observe about sisik ornament as particular motif of Demak and the symbolism of sisik ornament on Demak’s Batik and the implication to Demak’s life society. The approach that is used is cultural approach. This approach observes sisik ornament on Demak’s Batik as culture and as part that is never divide, even become the cultural center of Demak’s society.Keywords: Demak’s Batik, Sisik Ornament, Simbolism
PENGARUH INTENSITAS KEGIATAN MEMBATIK TERHADAP KECERDASAN EMOSIONAL REMAJA Shokiyah, Nunuk Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (434.03 KB) | DOI: 10.33153/bri.v8i2.1815

Abstract

Penelitian ini bertujuan untuk mengetahui pengaruh Intensitas kegiatan membatik terhadap kecerdasan emosional remaja. Ada dua variabel dalam penelitian ini yaitu Intensitas kegiatan membatik sebagai variabel bebas dan kecerdasan emotional sebagai variabel tergantung. Uji Hipotesa untuk mengetahui pengaruh antara Intensitas kegiatan membatik dengan kecerdasan emotional  remaja menggunakan analisis simple linear regression, sedangkan penghitungannya dilakukan dengan bantuan program komputer SPSS 16. for windows release.Subjek dalam penelitian ini adalalah seluruh mahasiswa Seni Batik Institut Seni Indonesia Surakarta yang masih aktif. Data yang terkumpul dalam ada 47 Subjek. Alat ukur yang digunakan adalah skala intensitas kegiatan melukis dan skala kecerdasan emotional.  Hasil penelitian Berdasarkan analisis regresi yang dilakukan antara Intensitas kegiatan membatik dengan kecerdasan emotional remaja maka diperoleh, R = 0,552 (positif) dengan p = 0.000 (p<0,05). Hasil ini menunjukkan ada hubungan positif yang sangat signifikan antara intensitas kegiatan membatik dengan kecerdasan emotional pada remaja. SeorangRemajasemakinbanyakmeluangkan waktunya untuk melakukan kegiatan membatik semakin menumbuhkan kecerdasan emosionalnya. Karena dalam melakukan kegiatan membatik, remaja dilatih kesabaran dan ketelitian untuk mendapatkan hasil yang bagus, hal ini yang mampu menumbuhkan kecerdasan remaja. Sedangkan R2 = 0.305 artinya sumbangan efektif intensitas kegiatan membatik terhadap kecerdasan emotional remaja sebesar 30,5 %.  Uji linearitas menunjukkan kedua variabel linear dengan F = 19,733 Nilai F hitung > 4, dan p = 0,000 dan hasil ini juga diartikan bahwa model cukup baik yaitu pemilihan variabel intensitas kegiatan membatik sudah tepat Kata Kunci : Kecerdasan Emosional Remaja, Intensitas Kegiatan Membatik
Kajian Seni Lukis Lekra Dengan Pendekatan Fenomena Estetik Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1806.898 KB) | DOI: 10.33153/bri.v2i1.283

Abstract

LEKRA (1950) is a cultural institution established by the PKI. LEKRA brings an artistic concept with the background of party ideology oriented worship Mark, Lenin, and Mao. LEKRA form of art is Socialist Realism, but different with Social Realism that grows in America.Many Indonesian artists who take shelter in LEKRA institutions including: Tarmizi, Affandi, S. Soed-joyono, Henk Ngantung, Hendra Gunawan, Basuki Resobowo, Joko Pekik, also Bumi Tarung studio in Yogyakarta. Situation and political conditions in this country are always changing, bringing art LEKRA find their own fate, in the early turnout revered PKI, which was marginalized in the New Order regime, and now the work of the former painter LEKRA become prey items of art collectors by selling value fantastic and in terms of value of works of art LEKRA a sign of an era of vulgar chaos . Keywords: LEKRA, Art, Ideology. PKI.
Peran Riset Dalam Perwujudan Desain -, Sunarmi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (203.282 KB) | DOI: 10.33153/bri.v5i1.383

Abstract

This paper is to discuss the results of a literature study on the role of research inthe design embodiment . The design has an important role in the formation of thehuman character , can pattern the design of the human mind at work as one of habit .Correspondence between the design of the user is the highest degree on the success ofthe design , the design is good . There are several stages in one embodiment is aresearch design . Research conducted to determine the design work on the designobject . In order to do proper research needs to be an understanding of designobjectives and benefits of the research design . What are the element that must beconsidered in the research design , in order to obtain work on the design of appropriateobjects . To answer these problems need to be addressed on the research design in thedesign process .The results of the research study design required in the design process at every stage .At the formulation stage of the research design required design . Target research toformulation design is ( 1 ) Potential Areas , ( 2 ) The level of competition , ( 3 )Consumer Dynamics , ( 4 ) Opportunity Design , ( 5 ) development of technology . Fouraspects are the basis for the formulation of feasibility or design work on the object .These data can be obtained from various sources including: literature , informants , andsocial facts or data field . The selection of literature on the eligibility or qualificationdidasarakan author and recency literature . Informants were selected based on relevantqualifications in accordance with the purposes of information . Selected for each socialfacts based on relevant qualifications .
KAJIAN SENI LUKIS KARYA SUATMADJI TEMA SAVE THE CHILDREN PERIODE 2004-2013 Wulandari, Diyah Eka
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (764.446 KB) | DOI: 10.33153/bri.v8i1.1797

Abstract

Pokok bahasan artikel ini adalah: perjalanan seni lukis karya Suatmadji, dengan tema "Save The Children",  periode 2004-2013, proses penciptaan seni lukis karya Suatmadji, dan estetika seni lukis karya Suatmadji dengan tema "Save The Children",  periode 2004-2013. Pendekatan penelitian menggunakan teori estetika dari Teori Monroe Beardsley untuk menganalisis bentuk lukisan. Pendekatan penelitian lainnya dengan menggunakan aspek teknis dengan analisis interpretatif. Hasil penelitian menunjukkan bahwa Suatmadji adalah seniman yang memiliki gaya seni lukis kontemporer dengan teknik mixed media, menggunakan medium readymade (barang jadi). Bagi Suatmadji, kontemporer adalah sarana komunikasi. Selain itu, Suatmadji tetap memasukan elemen-elemen tradisional berupa aksen-aksen Jawa yang kental. Semua karya Suatmadji mengharapkan kesederhanaan, kejujuran kedamaian, bagi kehidupan masyarakat dengan konsep jawa sebagai pendidikan budi pekertinya. Lewat metode analisis Interpretasi pada lukisan Suatmadji dapat mengetahui bahwa karya Suatmadji tema Save The Children periode 2004-2013 menggunakan asas informal (tidak simetris) untuk menggekspresikan makna agar dapat mudah dipahami dan dimengerti oleh penikmat. Kata kunci : Seni lukis, Suatmadji, Save The Children periode 2004-2013

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