Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa

brikolase
Website

Published by Institut Seni Indonesia Surakarta

ISSN : 20870795 EISSN : 26220652 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.

Arjuna Subject : -

Articles 452 Documents

9 10 11 12 13

Kajian Tehnik Menggambar Wayang Beber Gaya Pacitan Joko Sri Yono Gozali, Amir; -, Sutriyanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

This study aimed to Pacitan style wayang beber, which has the characteristics of a very complicated background and has a very interesting artistic value. Of the two also has a different procedure for the manufacture especially when applying the colors used. This study examines the anatomy of the body found in wayang beber, either the main character or some other supporting cast. Anatomy directed against members of the body found in various types of puppets such as the eyes, nose, mouth, ears, hands, feet up used clothing and accessories. In addition, this study will reveal some of the symbols contained in the background, where the background can be seen from the condition and location that is happening in each scene. In this study, the object is wayang beber with emphasis minitik studies on aspects of the art techniques and media apparently namely the manufacture of Pacitan style wayang beber Sri Yono Joko work. To solve some of the issues raised using a direct approach to the puppeteers, craftsmen and artists who are still there, especially Joko Sri Yono as an artist who holds the grip Pacitan style wayang beber, and a review of the existing literature. By using some of the theoretical approach is expected to answer the problem.Keywords: Wayang Beber, Style, Pacitan

KAJIAN BENTUK SENI LUKIS LORO BLONYO KARYA KOEBOE SARAWAN Yulianto, Y.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Seni lukis merupakan salah satu bentuk ekspresi dari cabang seni rupa murni.Seiring perkembangan zaman eksistensi seorang pelukis kian teruji.Sehingga kreativiatas seorang pelukis menjadi suatu hal penting untuk diperhatikan.Salah satu pelukis Indonesia yang diyakini memiliki kreativitas tingi adalah Koeboe Sarawan. Kajian Bentuk seni lukis loro blonyo karya Koboe Sarawan difokuskan untukmengungkapkarakteristikdannilai-nilai kreativitas seniman dalam menciptakan karya seni lukis.Terdapat dua hal yang diuraikan dalam kajian ini, yakni; 1) latar belakang munculnya karya seni lukis loro blonyo Koeboe Sarawan, 2) struktur karya karya seni lukis loro blonyo Koeboe Sarawan. Kajian ini merupakan kajian kualitatif dengan menggunakan analisis interaksi. Sumber data kajian diperoleh melalui sumber utama, yakni Koeboe Sarawan dan selebihnya diperoleh melalui narasumber yang terkait, kajian pustaka dan informasi melalui internet. Hasil kajian ini adalah seni lukis loroblonyo karya Koeboe Sarawan, secara artistika memiliki nilai yang tinggi, di mana unsur cipta (tema, bentuk, isi) dipengaruhi oleh budaya lokal yang melekat pada jati diri seorang seniman. Struktur seni lukis loroblonyo karya Koeboe Sarawan, secara konseptual bernuansa surealis dan menghadirkan kembali bentuk ikon budaya local dengan ekspresi personal.Kata kunci: Senilukis, loroblonyo, KoeboeSarawan, struktur

Alice in Wonderland versus "Alice in Wonderland": Praktik Apropriasi Dalam Teks (Komik) Poskolonial Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

Children's novel Alice's Adventures in Wonderland by Lewis Carrol (fisrt published in 1865 in England) is one of the literary works of the 19th century which still popular as tales children. A myth that, once created the film version (1903), better known by the title of Alice in Wonderland represents the spirit of colonialism and imperialism. Alice's Adventures in Wonderland represent peoples of Europe who sailed the seas, explore alien worlds without a map that led to the occupation; Alice is a nation of "civilized" that comes in foreign lands., whisch they consider to disorder and "uncivilized", for make it civilized. Emerging resistance-cultural rsistance by the colonized, among which are appropriatied of colonial texts. They do imitation (mimicry) to mock (mockery). In the perspective of postcolonial resistance-resistance was studied and identified to understand the impacts of colonialism that still exists today. Comic / manga works Katherin alice in Wonderland is practice of appropriation : comics / manga that made a lot of time post-colonial after political decolonization in Indonesia.Keywords :Â colonialism,imperialism,orientalism,postcolonial,abrogation,appropriation,mimicry,mockery,comics,manga

Melukis Sebagai Media Pembentukan Kecerdasan Emosional Pada Remaja Shokiyah, Nunuk Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Positive activities is necessary for teenagers to channel emotions, great . One of theactivities that can be selected is a credible form of painting . Some teens find it easier toexpress what is in themselves through graffiti , through activities such as painting .Painting is a positive activity for youth as an alternative activity to give him the freedomto express all emotions . This activity is very useful for young people to exerciseresponsibility and independence , which in turn is able to recognize her youth and theenvironment , in other words painting can foster emotional intelligence in adolescents.Emotional intelligence is the ability of individuals to recognize their emotions and theemotions of others and have the ability to channel his emotions appropriately , able tomotivate yourself , resilience in the face of failure , delay gratification and able to set themood . Painting could be interpreted as an expression of an expression of a statementof intent aimed feelings or thoughts or communicated to others . Feelings can becommunicated properly it will make teens become more in control of himself and theenvironment dengann able beriinteraksi good way.

SARANG BURUNG MANYAR SEBAGAI IDE PENCIPTAAN KARYA SENI RUPA Dardiri, Achmad; Bahari, Nooryan; Ardianto, Deny Try
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Penciptaan Karya Seni dengan mengangkat Judul Sarang Burung Manyar sebagai Ide Penciptaan Karya Seni Rupa ini bertujuan untuk : (1). Menggali nilai ArtistikÂ dan simbolik dari Sarang Burung Manyar (2). Mengeskpresikan kegelisahan akan permasalahan kondisi ekologi burung akibat berkurang habitat bagi burung, dengan harapan mampu memberikan kesadaran kepada masyarakat akan pentingnya perlindungan akan alam.Â (3). Mengaplikasikan Medium plat besi Janur recycle yang memiliki karakter sebagaimana medium dalam sarang burung Manyar kedalam karya seni (4)Penerapan teknik Anyam Acak dari medium Limbah Besi Janur menjadi karya seni.Hasil karya dalam penciptaan karya ini ada 6 buah karya dengan media utama limbah besi janur dengan didukungÂ plat besi dan besi Hollow. 6 karya tersebut antara lain: 1.Egg Shadow (120 X 50 X 152 cm), 2. Beda Bolehkan ?(Sarang Thick Billed) (170 X 50 X 195 cm), 3. The Apartemen (70 X 70 X 205 cm), 4. Home of The Explorer (60 X 90 X 60 cm), 5. Calon Generasi Penganyam ( 60X120X100 cm) , 6. Maaf Aku Mengambil Makananmu ( 40X40X140 cm). Ke enam karya mencoba mengkomunikasikan tentang sarang burung Manyar.Kata Kunci : Karya seni rupa, sarang burung Manyar

PEMANFAATAN SENI KOLASE SEBAGAI PRODUK KREATIF UNTUK PENGEMBANGAN KARYA PROYEK STUDI MAHASISWA JURUSAN SENI RUPA FBS UNNES Fiyanto, Arif
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

Efforts to develop artworks from student study projects at the FBS UNNES Department of Fine Arts which choose collage art are very interesting when applied to tottebag, as a creative product. After going through observations and various considerations, collage artworks that have been worked on as student study projects will be more economically valuable, and become creative products. So that the work can collaborate into handmade products with archipelago images. Because the material used in making these products uses batik patchwork with designs that utilize Indonesian decorative motifs, especially in developing the tourism potential of Semarang. Thus the use of collage art as a creative product for the development of student study project works can be a research that discusses inspirational and innovative methods of development.Â Keywords: study projects, creative products, collage art

Seni Lukis Kaca Cirebon Refleksi Akulturasi Budaya Cholis, Henri
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

This research was an attempt to find out the existence of the painting style in Cirebon. The decision to choose the topic was based on the aims at having a good knowledge of glass painting for improving the subject of glass painting. Cirebon was chosen as the location for the research because glass painting had been the inseparableÂ part of the cultural history of the city. In the course of time, the glass painting of Cirebon had come up with its unique style or characteristics which deve-loped until the present day. The problem studied in this research was the existence of the painting and glass painting style of Cirebon. The style ofÂ this research is description of a qualitative nature, and the study takes the form of a field study using an aesthetic approach.The results of the research show that the glass painting developing in Cirebon is the result of the cultural acculturation of Arab, China, Java and that the unique style elements Â of fine arts come into existence. The painting objects such asÂ padasanÂ ( a kind of water jar with a spout for ritual cleansing), rain cloud, three fish with one head, macan ali, figures ofÂ wayang, calligraphicÂ wayang,Â sunya ragi,Â Singo BarongÂ are the themes as the reference for the artists of glass painting in Cirebon. However, the younger artists of glass painting develop painting style outside the traditional themes. The glass painting of Cirebon can survive because of the support of the government, the court, the artists, curators, gallery, and market.Â Key words: style, glass painting, Cirebon.

Performance Art Antara Media Penyadaran, Kepentingan Pasar Dan Partisipasi International Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 2 (2012)
Publisher : Institut Seni Indoensia Surakarta

Good performance art is work that managed to amaze the public. Successfully influenced public to observe every detail. Instead, the public will demand the uniqueness of the event that makes it willing to pay attention to the performance, detailed for detailed. From the above explanation affirmation finally appeared a question, when a performance art relies heavily once with the right choice of space and how the public (audience or the audience), thus creating a unique event and can amaze the public. In the video performance, no other consciousness to show more conceptual performance: performance scene that has been designed, presented in video media. May be more readily as experimentation on attempted filmed theater, but completely abandoned the live performance itself, because of the possibility of a repetition of the scene to be there. As an avant-garde art (avant garde) as described above,â€ originalityâ€ and the seriousness of the challenges of performance art gets a modern capitalist society. Performance art that was originally to be agents of change in the value of the community, the are deflected by spearheading the advertising to market interests.Â keywords : performance art, agent of change, ambient media

PERANCANGAN IDENTITAS VISUAL KELURAHAN BALUWARTI SEBAGAI KAMPUNG WISATA BUDAYA DI SURAKARTA Zarkasi, Much. Sofwan; Panindias, Asmoro Nurhadi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Untuk mencapai tujuan sebagai kampung wisata budaya, dibutuhkan branding agar Baluwarti tertata dan terarah, memiliki satu tujuan, satu gaya, satu visual sehingga memiliki brand image atau citra di benak target konsumen. Tujuan dari kekaryaan seni ini adalah untuk memecahkan masalah dalam merancang destination branding identitas visual Baluwarti sebagai Kampung Wisata Budaya dengan menguatkan image tradisional dan klasik melalui media komunikasi visual. Perancangan ini menggunakan pendekatan A-A Procedure sebagai pentahapan komunikasi persuasif mulai dari usaha membangkitkan perhatian (attention) kemudian berusaha mempengaruhi orang untuk melakukan kegiatan (action) seperti yang diharapkan. Kemudian dalam mendapatkan data karakter kawasan BaluwartiÂ Â Â digunakan teori dari Kevin Lynch yang menyebutkan 5 elemen yang membentuk kawasan yaitu Path (jalur), Edge ( tepian ), District (kawasan), Nodes (simpul), Landmark (Tetenger) dan selain itu juga data dari Consumers journey (pengamatan kunjungan konsumen). Produk perancangan yang dihasilkan, berupa prototype pedoman sistem identitas termasuk eksplorasi dalam perancangan nama, logo, warna, tipografi berupa logo Baluwarti dan nama kampung di kawasan Baluwarti yang menjadi bagian rangkaian sistem identitas. Penguatan image tradisional menjadi acuan utama dalam perancangan ini mengingat Baluwarti masuk dalam kawasan Kraton Kasunanan Surakarta yang masih menjunjung tinggi nilai tradisi, diharapkan akan menunjukan keunikan, kekhasan dan kekuatan dari Baluwarti.Â Kata kunci : Identitas visual, destination branding, Baluwarti

KEBERADAAN KERAJINAN LOGAM DI TUMANG CEPOGO BOYOLALI Darmojo, Kuntadi Wasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

ABSTRACT Metal Crafts in Tumang, Cepogo, Boyolali, is one of the nation's cultural assets that has been passed down through generations from generation to generation, which is still occupied by the majority of Tumang people. The tradition of making products in Tumang metal handicrafts has undergone significant changes, where from the beginning of its establishment until before the 1960s, the results of products oriented to household items, then in the early 1970s until now have experienced object-oriented product changes ornamental.Factors that cause cultural change through new products include: internal and external factors, impulses and direction of the process of change (innovation), as well as various phenomena of socio-cultural change. Internal factors are driven by the creativity of metal craft makers, while external factors are triggered by scholars, artists, or other innovation figures.Changes in Tumang metal handicraft products have implications for the community, marked by a professional division of labor and the establishment of new institutions. The existence of metal crafts in Tumang, as an art product in society is still accepted in accordance with the development and changes in civilization of its supporting society.Â Keywords: crafts, metals, Tumang, changes and products

Page 11 of 46 | Total Record : 452

9 10 11 12 13

Filter by Year

2009 2025

Filter By Issues

All Issue Vol. 17 No. 1 (2025) Vol. 16 No. 2 (2024) Vol. 16 No. 1 (2024) Vol. 15 No. 2 (2023) Vol. 15 No. 1 (2023) Vol. 14 No. 1 (2022): Brikolase Juli 2022 Vol. 14 No. 2 (2022) Vol. 13 No. 2 (2021): Brikolase Desember Vol. 13 No. 1 (2021) Vol. 12 No. 2 (2020) Vol. 12 No. 1 (2020) Vol. 11 No. 2 (2019) Vol. 11 No. 1 (2019) Vol. 10 No. 2 (2018) Vol. 10 No. 1 (2018) Vol. 9 No. 2 (2017) Vol. 9 No. 1 (2017) Vol. 8 No. 2 (2016) Vol. 8 No. 1 (2016) Vol. 7 No. 2 (2015) Vol. 7 No. 1 (2015) Vol. 6 No. 1 (2014) Vol. 5 No. 2 (2013) Vol. 5 No. 1 (2013) Vol. 4 No. 2 (2012) Vol. 4 No. 1 (2012) Vol. 3 No. 2 (2011) Vol. 2 No. 2 (2010) Vol. 2 No. 1 (2010) Vol. 1 No. 2 (2009) Vol. 1 No. 1 (2009) More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
pramesti

Contact Email
fadesti@gmail.com

Phone
-

Journal Mail Official
fadesti@gmail.com

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name pramesti

Contact Email fadesti@gmail.com

Phone -

Journal Mail Official fadesti@gmail.com

Editorial Address -

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
pramesti

Contact Email
fadesti@gmail.com

Phone
-

Journal Mail Official
fadesti@gmail.com

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA