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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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ESTETIKA BATIK KHAS SEMARANGAN MOTIF “WARAK NGENDOG” Handayani, Sarah Rum; Bahari, Nooryan; Mursidah, M.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (491.136 KB) | DOI: 10.33153/bri.v8i2.1813

Abstract

Batik Semarangan memiliki motif khas yang cukup beragam. Antara lain motif arsitektural (Lawang Sewu, Tugu Muda, Sam Po Kong, dan lain-lain) dan motif flora fauna (asem, sulur-sulur, ikan, dan lain-lain). Salah satu motif batik Semarangan yang unik dan menarik adalah motif Warak Ngendog. Visualisasi motif Warak Ngendog dibuat dengan merujuk pada hewan mitologi kepercayaan warga Semarang. Jurnal ini akan mendiskusikan visual motif Warak Ngendog melalui sudut pandang estetika Wilfried Van Damme.Pengkajian estetika terhadap karya motif batik Warak Ngendog bertujuan untuk mengetahui kandungan nilai-nilai keindahan universal dari karya tersebut.Kata Kunci: Batik Semarang, Estetika, WarakNgendog. 
Lukisan Tabik Karya Bibit Waluya Sebagai Parodi Visual Dan Ekspresi Kritik Identitas Anggoro, Albertus Rusputranto Ponco
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1812.904 KB) | DOI: 10.33153/bri.v2i1.281

Abstract

Painting, as one form of matter creation of art works not only offer an aesthetic experience, imagination and sensory perception for their apreciations but also knowledge. The work of art seen from perspectif hermeneutics is an autonomous artistic phenomenon in the interpret-tation of meaning.To understand the hidden or latent meaning of a painting of hermeneutic theory is needed to unravel the particular text or set of potential marks. The painting, entitled adieu, the work of Seeds 'Jrabang'  Waluya is the subject of art is interpreted by using the rules of hermeneutics to understand its role as a visual parody of criticism and expression of identity. Keywords: Painting, Works of Art, Hermeneutics, Interpretation, Pa-rody, Criticism
Makna Pendhapa Ageng Mangkunegaran Sebagai Bangunan Adat Jawa Adisukma, Wisnu
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 5 No. 1 (2013)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (202.287 KB) | DOI: 10.33153/bri.v5i1.379

Abstract

This article analized about themeaning of javanesse building which is represented byPendhapa Ageng Mangkunegaran. Pendhapa Ageng Mangkunegaran in cultural frame is not onlybuilding for conference or ceremony but also has wider role. Although, this building as materialbut still has psychological role meaning. Explicit or implicit meaning in building and ornamentform at Pendhapa Ageng Mangkunegaran has particular meaning, massage and role. As,particular system, the myth is built by second meaning system. In this myth, also signified thathas several signifier.
BATU NISAN ITU BERNAMA “IDENTITAS” Problem “Refleksivitas” dalam Pemikiran filsafat “Post-Modernisme” terhadap masyarakat multikultural Dharsono, D.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (787.031 KB) | DOI: 10.33153/bri.v7i2.1603

Abstract

Post-Modern merupakan fenomena baru yang berkembang di dunia belahan barat. Sekelompok filosuf Perancis yang terlibat dalam upaya menjelaskan hal-hal yang berkaitan dengan kebenaran, makna dan subyektivitas: Foucault, Derrida, lyotard, Lacan dan Deleuze. Kaum Post-Strukturalis dan akhir-akhir ini sering disebut sebagai pemikir post-modernis mengajukan gugatan dan menentang pandangan dunia universal yang menyeluruh, tunggal dan mencakup; baik yang bercorak politik, religius maupun sosial seperti marxisme, kristianitas, kapitalisme, demokrasi liberal, humanisme, islam, fiminisme dan sains modern.Kaum post-modern juga mempertanyakan gagasan tentang kemajuan (progress) serta keunggulan masa kini atas masa lampau. Mereka tidak mengakui adanya batas yang tegas antara ilmu alam, humaniora, ilmu sosial, seni dan sastra, antara budaya dan kehidupan, fiksi dan teori, citra dan realitas. Mereka juga menolak gaya ‘discourse’ akademis yang konvensional (pemikiran modern). Penilaian yang negatif ini berasal dari kesalahan memposisikan pemikiran tradisi filsafat Barat secara umum. Pertama, pemikiran pukul-rata dan dimasukan ke dalam satu kotak dengan sesuatu yang jamak disebut “post-modernisme”. Kedua yaitu Dengan menyamaratakan dekonstruksi dengan post-modernisme, orang-orang cenderung memberikan label nihilis, relativis dan anarkis terhadap dekonstruksi. Ruang Fleksibilitas: mediasi musikal dalam konsep post-modernitas merupakan ruang inter-refleksitas terhadap masyarakat multikultur. Apabila di dalam konsep modern dalam mediasi kesenian  terikat oleh konvensi-konvensi yang beku maka di dalam pemikiran pos-modern secara konsepsi kembali ke konteknya walau dalam situasi yang berbeda oleh pranata sosial masyarakat Kunci: modern, dekontruksi, post-modern, ruang fleksibelitas
KUASA SIMBOLIK PATUNG RUANG PUBLIK : STUDI KASUS DI WILAYAH KOTA SURAKARTA Himawan, Muhammad Hendra
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1376.549 KB) | DOI: 10.33153/bri.v10i1.2177

Abstract

ABSTRACTThis article is the result of research examining how the development of public art, definitive public space sculpture and conventions that surround it, to see the extent to which the political dimension sees how to make the existence of public sculpture as a tool of legitimacy of power, development of image and power and contact with social discourse that develops in society.From the qualitative method of the Slamet Riyadi Statue on Jalan Slamet Riyadi, the Major Achmadi Statue in the Banjarsari Lima Proximity (Proliman), 45 Banjarsari Monument Statue (Serangan 4 Hari Monument in Surakarta) is located in Banjarsari Park, and the Statue Soekarno at Manahan Sports Complex, Surakarta, found that the existence of the statue was a proof of how the symbolic system was carried out to legitimize power by government authorities.Various forms of work that illustrate the dominance of militaristic icons compared to civilian icons, which shows how the quo vadis of military-civil relations are explicit and implied. Furthermore, this research found evidence that so far there have been a lot of public space sculptural works that do not idolize the public's need for living space.Symbolic power practices are continuously echoed through a system of visual language and symbolization that shows how power sneaks under the conscious space of society. The community is not aware of how the power system stands and hides behind these sculptures of public space, whatever the reason for their establishment; inheritance of nationalism, development of moral values, even ideology.Keywords: history, public space sculpture, symbolic of power, Surakarta City
Multimedia Pembelajaran Mixed Media dan Kolaborasi Rachman, Anung
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2055.18 KB) | DOI: 10.33153/bri.v1i2.251

Abstract

The role of education world always must be dynamic and listens carefully in facing and anticipates all changes in happened. Some problems experienced by teacher in process of pure art study at university with material scope Mixed Media and collaboration is the subject difficult to be comprehended without in backing with media because teacher in giving lesson still conventionally, and instructor which has not so mastering is information technology, and curriculum now is delivered university autonomy causing teacher is claimed to makes method and strategy in teaching Study model applied in research to distinguish computer by using Adobe Flash is being based on Multimedia with approach of the constructivism theory in overcoming study problems of pure art.This paper describes the process of making multimedia learning, concept, design, until programming. In the end section also described the results of produce including an analysis of the multimedia learning Keyword : mixed media and collaboration, Multimedia, learning
Perancangan Mainan "Odong-Odong" Sebagai Media Edukasi Tradisi Lokaluntuk Anak Usia 1-5 Tahun Zarkasi, Much. Sofwan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 4 No. 1 (2012)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2428.28 KB) | DOI: 10.33153/bri.v4i1.351

Abstract

This article is a summary of the research that has been conducted by the author, titled “Designing Toys” Odong-odong “As Media Education Local Traiding For Children Aged 1-5 Years”. this study is to reintroduce the children intheir world, which according to the present writer has been captured by the electronic mass media capitalists. Media odong-odong toys are usually only as a medium of entertainment media modified as local tradition based art education game,expected results of this designs is able to inspire people to develop and be differentiation products are much in demand by the children, which will indirectly increase the interest odong0odong to play, and also increase income enterpreneurs and artisans odong-odong. On the other side, the nature of entertainment media education is expected that children will be more familiar with local traditions and art imprint will continue until they later grow up, so they do not visually cultural identity tercaput of local cultural roots. This is important, because the issue is what actually became the main issue in the development of national identity.Keywords : odong-odong, media education, children, traditions.
SIFAT DAN PERILAKU BURUK MANUSIA SEBAGAI SUMBER INSPIRASI PENCIPTAAN KARYA SENI LUKIS Hasan, H.,
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (843.283 KB) | DOI: 10.33153/bri.v7i1.1583

Abstract

Creation report compiled under the title "The nature and Bad Behavior Humans as a Source of Inspiration Creation of Art Works" is motivated by the problems associated with the bad behavior of human nature and the social life in this country and in the other hemisphere. The purpose of the report is the creation and deepen understanding of the theme and then visualized on the basic idea and created a metaphor in works of art related to the title is lifted. Methods used his creation stages include: pre-creation, creation and post-creation.After going through the pre-stage of creation, then moved to the stage of creation which explains some of the process include: design sketches and shapes composition, manufacture background, the removal of sketches and drafts composition forms on the canvas, coloring, details, improvisation, and finishing. In the creation of this post is a process gives fixatif works made in order to become more maximal and durable.The creation of the work will run smoothly with maximum results when there is a unified whole or mutual support between the selection of appropriate materials and work on good engineering capability in the process of creating the work that has been programmed, so the results are as expected.Keywords: bad behavior, human, creation of works, painting
KARAKTERISTIK SENI LUKIS KARYA SOEGENG TOEKIO Isnanta, Satriana Didiek
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 9 No. 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (725.28 KB) | DOI: 10.33153/bri.v9i2.2167

Abstract

The study entitled "Characteristics Of Soegeng Toekio's Paintings". The focus of this research is to find the character of Soegeng Toekio’s paintings in order to know the weaknesses and shortcomings Soegeng Toekio’s works together. The first step taken is collecting data from all three sources of information required by the holistic art criticism, namely, the creation of works Soegeng Toekio’s backgrounds as genetic information, Soegeng Toekio’s paintings as objective information and gazerer comments as affective information. Once the source of the data collected and analyzed using analysis of interaction (the Information sources of genetic and affective) and interpretive analysis of sources of objective information. After all the data is analyzed and then synthesized and conclusions drawn with regard to the characteristics of Soegeng Toekio’s painting.Results from this study is the character of Soegeng Toekio’s painting are illustrative figurative decorative style, the paintings with decorative styles, with strength in typical comical figure with forms like wayang beber. Illustrates the tradition of events identified from the human figure clothes which are then contrasted/ contrasted with popular contemporary colors. Keywords: Soegeng Toekio, characteristics, painting, art criticism, holistic
Lukisan Wakidi Dalam Semiotika Kemalasari, Rita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1502.183 KB) | DOI: 10.33153/bri.v3i2.319

Abstract

Nature unfold as a teacher maybe this minang proverb is a guidance for a wakidi in creating paintings with a naturalist genre his loving of minagkabau nature led him to remain faithful to paint the beauty of nature till the rest of his life, and in he is being well known as the mooi indie personage. Even though wakidi is not from west sumatera, but as a founding father of tradition, social behavior, and kinship system that belongs to the societies. No wonder there is a lot of researchers who want to explore and critize because his artwork has so much meaning and marks contained threin. By using various approchment as in this writing which is a combination between trichotomy icon, index, symbol and cannotative semiotics. keywords:nature, wakidi painting, semiotic.

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