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Capture : Jurnal Seni Media Rekam
Published by Institut Seni Indonesia Surakarta
ISSN : 2086308X     EISSN : 2338428X     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of the journal will be to promote a global discussion forum and an interdisciplinary exchange among scholars exploring the topic of TV program, film or cinematography, animation, and photography from different perspectives.
Arjuna Subject : -
Articles 16 Documents
 1   2 
Search results for , issue "Vol. 6 No. 1 (2014)" : 16 Documents clear
Narasi Pada Episode Mengenal Syi’ah Sebagai Bentuk Pelanggaran Standar Program Siaran Dalam Program Khazanah Trans7 (Studi Peraturan Pengawasan Pertelevisian Oleh Komisi Penyiaran Indonesia) Agung, I Putu Suhada; Kris, Desi
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (600.311 KB) | DOI: 10.33153/capture.v6i1.715

Abstract

Indonesian Broadcasting Commission has an important role in the world oftelevision broadcasting. KPI create P3SPS that should be done and implemented bytelevision workers on Indonesian television according with Law No. 32 In 2002,KHAZANAH an Islamic program TRANS | 7 which received a reprimand from the KPI,episode Mengenal Syi’ah. Narrative that read maked a lot of controversy from thepublic and Syi’ah groups. Many residents complained to the KPI for give sanction toKHAZANAH. The purpose of this study to determine a infraction of broadcast standardprogram in KHAZANAH program, as well as knowing the KPI measures to providewarning in accordance with applicable law. The method used in this study is qualitativemethods, which will be presented descriptively; accurately depict the actual situation,the data collect from interviews, observation, and documentation. The result obtainedin this study is to know that the true treasures in infraction of applicable SPS and stepsof KPI to carry out his duties as a regulator. Continually look at episode MengenalSyi’ah which opinion publik and IJABI figure contravene broadcast content. KPI heldmediation between KHAZANAH and IJABI. Based on the research conducted, whichwas read on episode Mengenal Syi’ah caused controversy in the community, especiallythe Syi’ah group. The results of the mediation, a decision that KHAZANAH will providean opprtunity to IJABI give right of reply in the next episode, which is MencintaiRasulullah.Kata Kunci : syi’ah, narasi, kontroversi, mediasiIndonesian Broadcasting Commission has an important role in the world oftelevision broadcasting. KPI create P3SPS that should be done and implemented bytelevision workers on Indonesian television according with Law No. 32 In 2002,KHAZANAH an Islamic program TRANS | 7 which received a reprimand from the KPI,episode Mengenal Syi’ah. Narrative that read maked a lot of controversy from thepublic and Syi’ah groups. Many residents complained to the KPI for give sanction toKHAZANAH. The purpose of this study to determine a infraction of broadcast standardprogram in KHAZANAH program, as well as knowing the KPI measures to providewarning in accordance with applicable law. The method used in this study is qualitativemethods, which will be presented descriptively; accurately depict the actual situation,the data collect from interviews, observation, and documentation. The result obtainedin this study is to know that the true treasures in infraction of applicable SPS and stepsof KPI to carry out his duties as a regulator. Continually look at episode MengenalSyi’ah which opinion publik and IJABI figure contravene broadcast content. KPI heldmediation between KHAZANAH and IJABI. Based on the research conducted, whichwas read on episode Mengenal Syi’ah caused controversy in the community, especiallythe Syi’ah group. The results of the mediation, a decision that KHAZANAH will providean opprtunity to IJABI give right of reply in the next episode, which is MencintaiRasulullah.Kata Kunci : syi’ah, narasi, kontroversi, mediasi
Komikalisasi Politik Pada Program Televisi Kabar Bang One: Episode Dipercaya (Analisis Visual Semiotika Roland Barthes ) Sjafi’i, Ahmad; Mujiyono, Mujiyono
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (772.088 KB) | DOI: 10.33153/capture.v6i1.703

Abstract

The focus of this study is the problem of how to structure political content displayedcomically in visual of the characters of the news program Bang One: Episode Dipercayain TV One, by Roland Barthes semiotic viewpoint. This study used a qualitative descriptivemethod. This research analyzes the characters and visual elements on the news BangOne: Episode Dipercaya. In order to assess the political concepts contained in newsprograms Bang One: Episode Dipercaya, used descriptive structure approach. The maindata sources in this study is a video news show Bang One: Episode Dipercaya equippedwith supporting data in the form of written sources and pictures. The results showedthat the visual concept characterizations of the characters in news programs Bang One:Episode Dipercaya based on conflict is relied on the work on the arrest of the criminalswho cause a crisis of confidence personal to the communal. This concept is shownthrough the medium of animation that describes the role of the characters and theirinteraction with the visual setting concept of location; supporting visual elements suchas text, bumper opening, and said balloon; and scenes each scene in news programs BangOne: Episode Dipercaya.Keywords: Bang One News, comicalization, visual, dan semiotics.
Manajemen Program Berita Televisi “Kanal 22” Di Stasiun Tvri Yogyakarta (Perubahan Pola Siaran 6 Jam Ke 4 Jam) DA, NRA. Candra; Rochmadi, Andis Dwi
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (180.147 KB) | DOI: 10.33153/capture.v6i1.719

Abstract

The study aimed to determine changes in the management of the broadcastpattern of six hours to four hours through the television news program “Channel 22”in TVRI Yogyakarta. This study used a descriptive research method with the review ofqualitative approaches. Location of this research is in TVRI Yogyakarta, source of dataincludes primary data and secondary data. The primary data obtained directly throughfield observations, interviews with informants, and literature. Techniques validity of thedata used is triangulation (triangulation, triangulation techniques, and triangulation oftime). Process analysis was performed using an interactive analysis model, then, thepresent data using sentences and utterances of researchers logically and systematically.The results of this study indicate that the broadcast pattern of six hours to four hours(in the news “Channel 22”) on TVRI Yogyakarta in 2013, a change that does appear inthe English language news material planning more emphasis on new material, so thatthe need for coverage in field, and not just repeat the news items that have been aired.In the new program (news “Channel 22”) contained deletion segments that existed inprevious news program (“Yogya Warta” and “BeritaJogya”). In terms of content, thecontent of broadcast news and information not meet the actual nature of the news andup to date. In addition, there is no certainty that the target audience looks at theprovision of the logo is still ambiguous.Keywords: management, television, broadcast, channel 22, and TVRI Yogyakarta
Nafsu Manusia Dalam Karya Film Tari Human Passions Arifianto, Budi Dwi
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (112.585 KB) | DOI: 10.33153/capture.v6i1.707

Abstract

Filmas an audio visual art has evolved into an important part of human civilization,especially in popular culture. One of genre simplying freedom of expression inaccordance with the purpose and desired by the creator of ideas is experimental film.On the one hand, the dancewas chosenas theembodiment ofthe expression ofthe bodywill beconveyed in thevoice of humanity aesthetic rules. Human Passions is a collaboratework ofa udio visual art and the art of dance. The initial idea is knitted from humanexperience as acreator who is accompanied by variouspassions. This film consist oftwo act, “The Birth of Passions”and”Live With Passion”.The body becomes the centralobject of the creation of this work. Choreography that plotshuman life is framed in acinematic composition. Human and the spirit are symbolized by oil lamp. Oil is thehuman’s soul as light forces for lightening the spirit of human passions. This dance filmis a personal statement from the creator about human passions. The audiences as humansare exaggerated to let them know about their spirit of passions.Keywords: dance,film, human passions
Kostum Dalam Membangun Karakter Tokoh Pada Film Soekarno Sintowoko, Dyah Ayu Wiwid; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (657.868 KB) | DOI: 10.33153/capture.v6i1.725

Abstract

This study discusses the procedures of costumes and characters in the Sukarnofilm. This qualitative descriptive research apply the Sukarno film as source of data. Thecollection of data by purposive sampling, with the method of observation, interviews,and literature. Data were analyzed through data reduction, data display, drawingconclusions and verification process. The results showed that the costumes portraythe characterization of the characters. Costume adjusted with basic clothing, headclothing, body clothing, legs underwear, and accessories are known for costume parts.Each character has a unique costume and a differentiator from other figures. Costumealso build characterization of actors according to the physiological dimension (neatness,cleanliness, beauty, beauty, valor, charm, charisma, and authority). Sociological dimensionsindicate socioeconomic class, role in the family / community, ideology, ancestry, levelof education, religion, ethnicity / race, and interaction between the actors. While thepsychological dimensions adapted to the atmosphere and scene. Color and layoutcostume describing feelings, honesty, sincerity, emotion, desire, desire, passion, inneraction, as well as the vision of each character in the film.Keywords: costume, characterization, actor, film, and Soekarno
Strategi Program Melalui Penghadiran Kedekatan Dengan Penonton (Studi Kasus Episode “Misteri Pesona Sinden”) Kurniawan, Donie Fadjar; Pradita, Ahmad Iran
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (398.118 KB) | DOI: 10.33153/capture.v6i1.709

Abstract

Opera Van Java is a television comedy drama show that the idea of the show isin the form of modern puppet show. It is said to be modern because the story is generallydeveloped from stories emerging in society. Opera Van Java is a comedy drama full ofartistic-arrangement elements that support the storyline in each episode. Statement ofthe problem in this research is how the setting, makeup and costume drama televisioncomedy Opera Van Java as a programming strategy through presenting closeness withthe audience. The purpose of this study is to describe how the setting, makeup andcostume of television comedy drama Opera Van Java as a programming strategy throughpresenting closeness with the audience. This study used a qualitative descriptive methodand its sample selection using purposive sampling technique. The selected sample wasepisode “Misteri Pesona Sinden”. The selection of episodes based on the local contentthat can be described and analyzed further. The results of the analysis on an episode ofthe television comedy drama “MisteriPesonaSinden” are artistic-arrangement elementslike setting, make up and costumes shown in things and objects are often seen, perceivedand used in everyday society. In the end, the fact is then able to present and bringcloseness with the studio audience and viewers at home.Keywords: setting, makeup, costume, Opera Van Java, Misteri Pesona Sinden
Representasi Keluarga Jawa Dalam Film Jokowi Hudoyo, Sapto; Mulia, Prajanata Bagiananda
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (329.813 KB) | DOI: 10.33153/capture.v6i1.729

Abstract

Javanese family is smallest scope of Javanese society. Social conditions of thefamily can be represented in various ways through various media, such as through themedium of movie. Movie entitled Jokowi is a biopic film with Javanese background.The film tells the struggle of life in chronological order. The film depicts a life conditionsof character with the Javanese family, set in the period of 1960 through 2012. TheJavanese family concept from literature books that according with time frames or yearsof the story, is used as references for a family reading of social interaction that appearsfrom the primary data, they are pieces of movie scenes. This study aims to determinehow the Javanese family represented through the Jokowi film. The method used in thisresearch is descriptive qualitative method, with approach a representation theory ofStuart Hall as the reading method. Representation approach is used to posit the film asa medium that can construct the meaning through language (constructionist). So, it canappears 6 selected sequences, contains scenes which may represent a social life ofJavanese family inside the film. The results of this study showed a nearly balanced,which appears three equations, two shifts, and one difference. Equations that appearare: (1) social relations childhood in a family through the closeness between father andson was a toddler; (2) the status of teenage boys who attend school; and (3) a patternof domestic cooperation through the division of labor. Then, a shift that appears are: (1)the social status of the family through a way of having a baby; (2) the role of parentsthrough of punishing the child after a fight. In addition, one significant difference thatappear is the closeness of father and son through the way of greeting each other.Keywords: family, Jawa, representation, and Jokowi
Peluang Dan Tantangan Industri Pencetak Insan Kreatif Dan Handal Di Dunia Pertelevisian 1 -, Handriyotopo
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (146.516 KB) | DOI: 10.33153/capture.v6i1.713

Abstract

The growth of the television industry is quite rapid and gives a significant impacton the growth of the audiovisual information media . No exception that in this industryalso demands a reliable and creative human resources in preparing and developing thecontents of the program. Qualified human resources is the key word to be prepared infacing global competition in the television media industry. The power of television isstill able to hypnotize for everyone to search for information and entertainment.Considerable opportunities of this in the end gives a pretty good chance for thosewho want to engage in the creative industry of television programs. It is not surprisingthen that many emerging courses offered employment in the industry. Not only at thelevel of vocational but also on the level of D4 and S1 program broadcasting, television,and film.Keywords: opportunities, television industry, human resources
Komikalisasi Politik Pada Program Televisi Kabar Bang One: Episode Dipercaya (Analisis Visual Semiotika Roland Barthes ) Sjafi’i, Ahmad; Mujiyono, Mujiyono
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i1.703

Abstract

The focus of this study is the problem of how to structure political content displayedcomically in visual of the characters of the news program Bang One: Episode Dipercayain TV One, by Roland Barthes semiotic viewpoint. This study used a qualitative descriptivemethod. This research analyzes the characters and visual elements on the news BangOne: Episode Dipercaya. In order to assess the political concepts contained in newsprograms Bang One: Episode Dipercaya, used descriptive structure approach. The maindata sources in this study is a video news show Bang One: Episode Dipercaya equippedwith supporting data in the form of written sources and pictures. The results showedthat the visual concept characterizations of the characters in news programs Bang One:Episode Dipercaya based on conflict is relied on the work on the arrest of the criminalswho cause a crisis of confidence personal to the communal. This concept is shownthrough the medium of animation that describes the role of the characters and theirinteraction with the visual setting concept of location; supporting visual elements suchas text, bumper opening, and said balloon; and scenes each scene in news programs BangOne: Episode Dipercaya.Keywords: Bang One News, comicalization, visual, dan semiotics.
Nafsu Manusia Dalam Karya Film Tari Human Passions Arifianto, Budi Dwi
Capture : Jurnal Seni Media Rekam Vol. 6 No. 1 (2014)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v6i1.707

Abstract

Filmas an audio visual art has evolved into an important part of human civilization,especially in popular culture. One of genre simplying freedom of expression inaccordance with the purpose and desired by the creator of ideas is experimental film.On the one hand, the dancewas chosenas theembodiment ofthe expression ofthe bodywill beconveyed in thevoice of humanity aesthetic rules. Human Passions is a collaboratework ofa udio visual art and the art of dance. The initial idea is knitted from humanexperience as acreator who is accompanied by variouspassions. This film consist oftwo act, “The Birth of Passions”and”Live With Passion”.The body becomes the centralobject of the creation of this work. Choreography that plotshuman life is framed in acinematic composition. Human and the spirit are symbolized by oil lamp. Oil is thehuman’s soul as light forces for lightening the spirit of human passions. This dance filmis a personal statement from the creator about human passions. The audiences as humansare exaggerated to let them know about their spirit of passions.Keywords: dance,film, human passions

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