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INDONESIA
Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 14124181     EISSN : 2685287X     DOI : 10.33153
Core Subject : Education, Art,
Arts Education Languange, Linguistic, Communication & Media Other
International Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography. These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 271 Documents
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RENTAK NANDUNG FORESTS IN FRAME COMPOSITION MUSIC Uswan Hasan; Rahayu Supanggah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 11, No 2 (2016)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.68 KB) | DOI: 10.33153/dewaruci.v11i2.2561

Abstract

AbstractForests are a source of life for living beings. Especially humans, forests serve as a place for food, medicine and “education”. Forests currently experiencing damage done by parties who are not responsible. This has led some aspects is hurt, such as; economic aspects and aspects of nature, and also have a negative impact on the life and culture to grow and flourish in it. This raises concerns, sadness, disappointment, and anger the people who live in the forest. This problem pengkarya lift and present in the works of the musical composition entitled “Forest In Frame Composition Music”. Performing the musical composition is also working with some actors who brought the traditional art of their traditional arts. This musical composition entitled “Rentak Nandung”3, which consists of four parts, the work, namely; “Nandung Tanah Tanjung”, “Satang Rimbo”, “Membentang Jolo”, and “Tabuh Tutup”. Each of these works gives a moral message about the importance of maintaining forest preservation. Musical composition is presented in Taman Budaya Jambi with a duration of 50 minutes.Keywords : Forests, work is a musical composition “Rentak Nandung”IntisariHutan merupakan sumber kehidupan bagi makhluk hidup. Khususnya manusia, hutan dijadikan sebagai tempat mencari makanan, obat-obatan dan “pendidikan”. Hutan saat ini sedang mengalami kerusakan yang dilakukan oleh pihak-pihak yang tidak bertanggung jawab. Hal ini menyebabkan beberapa aspek ikut dirugikan, seperti; aspek ekonomi dan aspek alam, serta juga berdampak negatif terhadap kehidupan dan kebudayaan yang tumbuh dan berkembang didalamnya. Hal ini menimbulkan keprihatinan, kesedihan, kekecewaan, dan kemarahan masyarakat yang tinggal di dalam hutan. Permasalahan ini pengkarya angkat dan hadirkan dalam karya komposisi musik yang bertajuk “Hutan Dalam Bingkai Komposisi Musik”. Pertunjukan komposisi musik ini juga berkerja sama dengan beberapa pelaku kesenian tradisi yang membawakan kesenian tradisi mereka. Komposisi musik ini diberi judul “Rentak Nandung”6, yang terdiri dari empat bagian, karya, yaitu; “Nandung Tanah Tanjung”, “Satang Rimbo”, “Membentang Jolo”, dan “Tabuh Tutup”. Masing-masing dari karya tersebut memberikan pesan moral akan pentingnya menjaga menjaga kelestarian hutan. Komposisi musik ini disajikan di Taman Budaya Jambi dengan durasi 50 menit.Kata Kunci : Hutan, Karya komposisi musik “Rentak Nandung”
PUSAT SUMBER MUSIK DUNIA DI ISI SURAKARTA: PERAN, MASALAH, DAN KEBIJAKAN S., Santosa
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 10, No 1 (2015)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (195.274 KB) | DOI: 10.33153/dewaruci.v10i1.2142

Abstract

Pusat Musik Dunia di ISI Surakarta memainkan peran penting dalam menyediakan informasi mengenai musik dan kegiatan-kegiatan masyarakat yang berhubungan dengan musik. Dengan beragam gaya dan aliran yang ada di dalam koleksinya, artikel ini bermaksud menyediakan informasi yang bisa digunakanuntuk memahami masyarakat dan proses budaya. Penggunanya, yang memiliki pendapat serta sudut pandang yang berbeda, dapat membangun pemahaman yang lebih baik mengenai pertunjukan serta prosesproses masyarakat tempat pertunjukan digelar, entah itu di masa lalu maupun di masa kini. Denganpemahaman-pemahaman ini, mereka akan bisa menggunakannya untuk membangun gagasan-gagasan untuk riset serta penciptaan seni pertunjukan.Kata kunci: pusat musik dunia, gaya, kebijakan, koleksi musik, persepsi.
SANGGIT DALAM PERTUNJUKAN WAYANG KULIT PURWA LAKON BANJARAN DASAMUKA SAJIAN PURBO ASMORO Agung Sudarwanto
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 3 (2012)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4567.167 KB) | DOI: 10.33153/dewaruci.v7i3.1055

Abstract

Dalam artikel hasil riset ini berusaha memahami fenomena dalam lakon Banjaran Dasamuka yang menggunakan metode diskriptif analitis. Data yang diperoleh selanjutnya diseleksi dan dianalisis menggunakan konsep ataupun teori terkait dengan Estetika Pedalangan dan dengan menggunakan pen­dekatan Ilmu Komunikasi serta Semiotika Teater untuk mengungkap kejelasan makna. Purbo Asmoro telah menyajikan bentuk struktur dramatik sajian pakeliran semalam garap yang berbeda dengan struktur dramatik sajian pakeliran tradisi semalam. Sanggit yang disajikannya mampu memenuhi fungsi teknis dan estetis sehingga menciptakan rasa penghayatan yang estetik. Makna sanggit dalam lakonBanjaran Dasamuka menggambarkan perasaan senang, gembira, mencintai, dan penggambaran dari akibat yang ditimbulkan dari rasa senang yang berlebihan. Pesan yang disampaikannya sebagai sarana pembentukan karakter bangsa.Kata kunci: Kreatifitas, ceritera pertunjukan wayang Banjaran Dasamuka
GEDUNG KAVALLERIE-ARTILLERIE PURA MANGKUNAGARAN SURAKARTA Andereas Pandu Setiawan
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 3 (2010)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3988.15 KB) | DOI: 10.33153/dewaruci.v6i3.949

Abstract

This article is result of the research entitled Building Kavallerie Artillerie Pura Mangkunagaran Surakarta: Changes in Form and Function, conducted to answer the problem that focuses on three main points, which is why Kavallerie-Artillerie buildings in the complex of Pura Mangkunagaran was built, how the basic structure of Kavalerie-Artillerie Pura Mangkunagaran building and how changes in form and function that occur in Kavallerie- Artillerie Mangkunagaran Pura building. The purpose of this study is to trace the appearance of the building in the Pura Mangkunagaran environment, describing the shape of Kavallerie-Artillerie building, and describing and explaining the changes in form and function of Kavallerie-Artillerie Pura Mangkunagaran building within 135 years (1874- 2010), and the factors influencing them. To achieve the goals, the research was conducted by analysing multikausal historical approach that involves the use of Arnold Friedmann’s theory and the Talcott Parson’s theory of societal change to explore and discover the changes that occur. The study was done by direct observation and data collection in the field along with in-depth interviews supported by the data documents to generate the depth of meaning for this study. Changes in form and function that occur in the buildings of Kavallerie-Artillerie are influenced by political and military factors that appear in each period of Mangkunagaran conducted jointly with the Dutch colonial administration. These changes are also influenced by Mangkunagaran policy given to communities around Pura Mangkunagaran that foster community building settlers in Kavallerie-Artillerie. The results of this study are useful for policy-makers and local government all parties in Surakarta and Indonesia concerned to the direction of urban development and preservation of ancient buildings. Keywords: Change , Function, Kavallerie-Artillerie Building, Mangkunagaran
RUPA TOPENG KLATEN KOLEKSI BAMBANG SUWARNO Bening Tri Suwasono
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 8, No 3 (2013)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1047.089 KB) | DOI: 10.33153/dewaruci.v8i3.1125

Abstract

This article results from research that focuses on study how the Klaten masks. How the symbolic meanings of the Klatenmaska. How the appearce of the Klaten masks Bambang Suwarno’s collection. The aim of the research was to discover andexplain the existence of the Klaten masks, symbolic meanings, and appearce of the Klaten masks Bambang Suwarno’scollection. The method used for the study was a qualitative research method, the interaction analysis approach which wasstructured to cover a historical study, symbolic meanings, and analysis Klaten masks Bambang Suwarno’s collection (Panji,Candrakirana, Klana, Penthul, Tembem), and conclusion. The results was studied of the details as part of the masks likes eyeshape, eyebrows, nose, mouth, ornaments and other. The symbolic meanings of the Klaten masks is the connection betweenthe microcosm and macrocosm embodied in the characters and colors.Keywords: Klaten mask, symbolic meaning, characters.
Proses Penciptaan Film Pendek "PeNSiunan" RB. Armantono -
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 2 (2011)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2882.645 KB) | DOI: 10.33153/dewaruci.v7i2.1015

Abstract

Hubungan manusia dan pekerjaannya selalu menjadi masalah aktual dan sering menimbulkan persoalan yang kompleks. Ironisnya,  tema ini nyaris tak tersentuh dalam produksi film nasional. Pekerjaan dianggap sebatas sebagai bagian dari karakterisasi tetapi bukan sebagai fokus utama cerita. Film pendek ‘PeNSiun’ mengisi celah ini dengan mengangkat kisah tokoh yang baru saja memasuki masa pensiun sehingga kehilangan pekerjaan dan jabatan karena dianggap sudah tidak produktif lagi. Berlandaskan pemikiran Horkheimer bahwa pengertian produktif sesungguhnya tidak bebas nilai, ‘PeNSiun’ menafsir ulang makna produktif itu sendiri. Dengan pendekatan realisme dan disajikan dalam struktur dramatik tiga babak, film pendek ‘PeNSiun’ mengajukan perenungan bahwa pekerjaan dan produktivitas harus dimaknai dalam konteks kerendahan hati manusia terhadap sesama, alam sekitar dan sebagai bentuk tanggung-jawab manusia kepada Tuhannya.Kata kunci: pensiun, produktif, realisme, struktur dramatik tiga babak.
DIALEKTIKA ANTARA REALITAS DAN IDELITAS TEATER PAYUNG HITAM BANDUNG Kurnain -
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 6, No 1 (2009)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1173.683 KB) | DOI: 10.33153/dewaruci.v6i1.877

Abstract

This Script is reflection of the trip of Payung Hitam Theater which are expressed in some manuscript, such as “ Menunggu Godot (1991), “Kaspar” (1994-2003), and “ Merah Bolong Putih Doblong Hitam” (1996-20080) constitute the result of stretching of Indonesia modern theater which develops from un-satisfaction feeling in viewing factual reality which exist in the society. Inheritance which develops on the Modern Theater according to Saini constitutes an effort to express collision or the conflict of values that is difficult to be separated from its artist. The script of dialectic between reality and ideality of the theater Payung Hitam basically starts from the change which is appeared by group through the show of “Kaspar”. “The function of drama manuscript is not dominant anymore. The stage of show doesn’t give exposition of story or describe characters of art figure fully and realistically. The Metaphoric happening and archaic emotion are mort showed trough body expressivity of the actor, while verbal language expression becomes more minimal. The expression of theater of this period can be seen as effort to refuse hegemony of verbal language, to refuse the linearity of the story, then to open the slices of the new discourse trough the appearance of boy artistic of the language and things personification”. The peak of rebellion which is done by the group of Payung Hitam Theater is laid on “Merah Bolong Putih Doblong Hitam”,that is not anymore using of main character manuscript as reference in working. Body and expression of the players then becomes language which substitutes text verbally. For stressing the happening change, in this term is chosen one of drama which is conventional, that is “Menunggu Godot”, as a measuring tool. Keywords: Dialectic, Realistic, and Idealistic.
MUSIK VOKAL ETNIK MINAHASA BUDAYA TRADISI DAN POPULER BARAT Alrik Lapian; Aton Rustandi Mulyana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 12, No 2 (2017)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (320.017 KB) | DOI: 10.33153/dewaruci.v12i2.2529

Abstract

AbstrakPerkembangan musik vokal di Minahasa memperlihatkan pengaruh budaya Barat yang kuat. Musik-musik tradisi Minahasa khususnya lagu beserta gaya-gaya tradisinya bercampur dengan pola-pola musik populer Barat, dari bentuk lagu hingga alat musik yang digunakan mengacu pada musik populer. Musik vokal etnik Minahasa dengan berbagai elemen musiknya hampir hilang wujudnya dalam perpaduan tersebut. Oleh sebab itu dengan pendekatan budayadan konsep-konsep musik vokal etnik Minahasa, tulisan ini menunjukkan ciri khas budaya Minahasa dan praktek bernyanyi etnik Minahasa pada musik tradisi dan musi populer Barat.Kata Kunci: Budaya, Musik, Minahasa, Populer.
GAJAH DALAM TERAKOTA MAJAPAHIT Prima Yustana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 7, No 1 (2011)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (444.047 KB) | DOI: 10.33153/dewaruci.v7i1.979

Abstract

Elephant’s manifestation in the shape of Majapahit’s terracotta more interesting with aesthetic approach. The artifact is an discovery of archeologists’ in Trowulan which is estimated as a city center of Majapahit Kingdom. Many manifestations of the elephant are interested to be observed. Many findings, so far, will be observed especially from art. To increase the accuracy in the analysis process, data searching is conducted to the relief on Hindu and Buddha temples, so, hopefully, it can be understood the background why the animal appears in the Indonesian art and, especially, why there is also the manifestation of the animal in the shape of terracotta in Trowulan. Elephant manifestation in terracotta is considered to have many functions and symbolical meanings in religion. Terracotta has been known as an ancient human creation. The using of terracotta in Indonesia achieved its triumph in the classic period which was 13–15 century A.D., along with the golden age of Majapahit Kingdom. The materials in the research use the basic of aesthetics and iconography sciences because the artifact has art shape structure related to beauty and aesthetics. To find out the functions and the meanings in the relation religious activities, the discussions are focused in terracotta artifact manifested in statue and other things so iconographic science very supports to find out what meaning exist in the elephant manifestation. Elephant, in its shape, is manifested realistic and deformatif. Both manifestations have the background of the belief from Trowulan society in Majapahit period, which had Hindu and Buddha in their religion. In the period, elephant was considered to have symbol of strength, virility and wisdom. Besides that, elephant was also the vehicle of God Indra, named Airavata. Elephant is also the symbol of Budha’s birth story (Jataka). Elephant was also considered as God, called Shri-gaja. The last, elephant was also considered as a symbol of social status and fertility because elephant was a king’s pet and was used for war,so only the rich persons were able to have the animal.Keywords: Elephant, Majapahit’s terracotta, function and meaning.
RAPA'I UROH DALAM ARAK-ARAKAN KAMPANYE DAMAI ACEH TAHUN 2005 Dharminta Soeryana
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 5, No 3 (2009)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1134.566 KB) | DOI: 10.33153/dewaruci.v5i3.825

Abstract

After tsunami, Aceh culture experienced very rapid development, especially rapa’i uroh music which had ever halted due to armed conflict.  The Procession of Aceh peace campaign on 7-8 August 2005 by attending rapa’i uroh music which carry- ing of Aceh peace campaign is the first rise of the existence of rapa’i uroh music in NAD province.In the use of rapa’i uroh music in the context of procession that carrying the Aceh peace  campaign, there are some part obtaining benefits as useful value, such as social value, emotional expression and raises nationalism values, namely: the group of the rapa’i artist  itself, the holders (the local and the central government), and large Acehnese society.In the use of the useful value of the rapa’i uroh music in the procession that carry- ing the Acehnese peace campaign, there are some functions that can be obtained: As Image,  expressing emotion, communication, integrity and cultural symbol.In order this writing contains annalistic explanation, it is required that idea meth- ods  and system with borrowing the concepts of culture, music, integration and social  community to find the symptoms from procession that carrying Aceh peace campaign On  7-8 August 2005. Keywords: Rapa’i uroh, procession, peace campaign

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