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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
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SENI PEDALANGAN DALAM PENJAJAGAN MASA DEPAN Suwondo Suwondo
Gelar : Jurnal Seni Budaya Vol 5, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3070.66 KB) | DOI: 10.33153/glr.v5i1.1251

Abstract

Puppetry or the shadow puppet performance has gone into a decrease in its  qualiry and .frequency. This transformation, of course, has positive and negative  impacts. The present puppetry has little chance of being a source of lift guidance for  the Javanese. Unlike puppetry in the past, puppetry as ordinary entertainment does  not take the balance between entertainment and guidance into consideration and is  market-oriented which entertains instantaneouslY so long as it is new and salable.  The importance is that it is livelY and funny and if it is necessary it does not matter  when it creates a pornographic impression. The shadow puppet peiformance has  changed into a commodiry or merchandise.Keywords: Puppetry, commodity, transformation
PERUBAHAN BENTUK PERTUNJUKAN TARI SEMBAH DALAM KONTEKS PARIWISATA DI KABUPATEN MUARA ENIM SUMATERA SELATAN Treny Hera
Gelar : Jurnal Seni Budaya Vol 12, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1131.026 KB) | DOI: 10.33153/glr.v12i2.1531

Abstract

Dance Sembah is a dance for welcoming the bridegroom’s parents in the wedding ceremony that early appearedin the village of Lubuk Empelas, Muara Enim, South Sumatra in 1956 by M. Natar. In 1989, the dancefunction changed to be a welcoming dance of a great guest. The dance, then, is creatively treated by Rasyid,one of dance artists from Muara Enim. He makes the choreography more interesting because the dance is inthe context of welcoming a guest. The change is focused on the movement, make up, and floor design.Dance Sembah has been continuously developing for the local government places it as their tradition inwelcoming important guests and in tourism sector, as the identity of Muara Enim residence.Keywords: dance Sembah, change of form
KRITIK UNTUK KRITIK TARI†MINAT YANG TERJAUHI OLEH PENGGIAT TARI Eko Supriyanto
Gelar : Jurnal Seni Budaya Vol 8, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4126.935 KB) | DOI: 10.33153/glr.v8i1.1305

Abstract

Dance critic in the performing arts becoming a rare field, which people in performing arts are more concern on keen observers and practitioners. In the dance world, the Republic of Dance open many possibilities including the field of dance critic to delivered the ideality to critic of dances. Thus, it should be more established on writing not only as reviews, description, nor personal experiences; but also, the depth of intuition, sense of aesthetic, expertise on the field of performing arts, evaluation, and technique of choreography, dance, music and state production. This field of study is open many opportunities for dancer and choreographer to challenge the continuity and life of the dance world in Indonesian performing arts. Key words : dance, critic, performing art
FILM FIKSI PENDEK “DESAK TERDESAK” Gede Basuyoga Prabhawita; Rahayu Supanggah
Gelar : Jurnal Seni Budaya Vol 15, No 1 (2017)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (868.005 KB) | DOI: 10.33153/glr.v15i1.2065

Abstract

“Desak Terdesak” merupakan sebuah film fiksi pendek yang berangkat dari isu tentang kurangnya “penghargaan” terhadap perempuan Bali. Karya ini mengangkat posisi serta status perempuan Bali dalam hukum adat yangselalu berada di bawah kekuasaan laki-laki. Hal tersebut berkaitan erat dan didasari oleh keyakinan mayoritas penduduk Bali, sistem kekerabatan patrilineal, sistem wangsa dan petuah-petuah orang tua. Dalam film fiksi pendek ini pengkarya berusaha menghadirkan konflik sosial yang lebih tajam dengan menggabungkan permasalahan kekerasan dalam rumah tangga, tekanan ekonomi, dan ketidakberdayaan melawan hukum adat yang membuat posisi perempuan Bali bernama Desak semakin terdesak. Sejak kecil perempuan Balidididik untuk mandiri, bekerja keras dan bukan mahkluk lemah yang harus dilindungi. Orang tua mengajarkan untuk selalu menjunjung tinggi martabat dan siap berkorban demi nama baik keluarga. Perempuan Bali telah diberikan persamaan hak dalam memperoleh pendidikan, pekerjaan dan mengutarakan pendapat, namun disisi lain mereka tetap diikat oleh berbagai sistem yang berlaku di Bali. “Desak Terdesak” berdurasi 20 menit, menggunakan pendekatan Realis medan Hollywood Klasik sebagai bentuk karya dengan plot linier yangsesuai aksi peristiwa. Dialog dalam film ini menggunakan bahasa Bali dialek Singaraja untuk memperkuat setting dan penokohan yang dibangun dalam cerita. Beberapa sumber pustaka seperti Filsafat Timur, Sebuah Pengantar Hinduisme dan Buddhisme, Perempuan Bali, Hukum Adat Bali, Hak Waris Perempuan Bali dan Kesalahpahaman Kasta digunakan sebagai rujukan dalam menciptakan karya ini. Film yang diilhami dari kisah nyata ini memberikan sedikit pengetahuan, informasi, pemahaman kepada pembaca serta penontonterkait posisi perempuan dalam hukum dan pergaulan adat masyarakat Bali yang menganut sistem kekerabatan patrilineal.Kata kunci: film, perempuan, Bali, budaya, sistem, bentuk.“Desak Terdesak” is a film of short fiction based on the issues of the lack of “appreciation” towards Balinese women. This work tells about the position and status of Balinese women in the custom that they are always under the men’s power. It is closely related to and based on the most Balinese belief, the patrilineal kinship system, wangsa system, and the parental teachings. In the short fiction film, the creator tries to present the sharper social conflict by combining the problems of domestic violance, economic depression, and thehelpnessness against customary law that makes Balinese women namely Desak is more distressed. Sinceyoung, Balinese women have been educated to be independent, working hard, and not to be a poor being that mustbe protected. Parents teach to always uphold dignity and to be ready to sacrifice in the name of family’s reputation. Balinese women have been given similar rights in getting education, employment and proposing opinion, on the other hand, they are tied by various systems held in Bali. “Desak Terdesak” has 20 minutes duration using Realism and Classical Hollywood approach as a form of work with linear plots corresponding to the action of events. Dialogue in the film uses Balinese language with Singaraja dialect to strengthen settingand characterization built in the story. Library sources like Eastern Philosophy, An Introductory To Hinduism AndBuddhism, Balinese Women, Balinese Custom, Hereditary Right Of Balinese Women And Misconceptions Of Caste is used as a reference in creating this work. The film that has been inspired by a real storyprovides little knowledge,informations, the reader as well as the audience understanding related to the women position in law and in customary intercommunication of Balinese community that follow patrilineal kinshipsystem.Keywords: film, woman, Bali, culture, system, form.
KONSEP RASA DALAM KEHIDUPAN MASYARAKAT JAWA Katarina Indah Sulastuti
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3346.276 KB) | DOI: 10.33153/glr.v10i1.1373

Abstract

This paper discusses the concept of rasa/sense in Javanese society. Sense is a concept that is widely understood. The meaning is dependent on the text and contextual, that is related to the word sense of the term itself and understanding in the areas of individual and social area of   life. Domains are related to the problems associated with devotional activities, the human relationship with the forces outside of themselves (the supernatural-in the realm of religion), on issues related to social activities (humans with each other-in the realm of ethics) and the issue of aesthetics, as activities related to the issue of reflection on; Sang supernatural, the natural environment, others and himself, through artistic expression. Key words : concept, sense, Javanese
KESELARASAN ALAM DALAM PENCITRAAN Sukirno Sukirno
Gelar : Jurnal Seni Budaya Vol 11, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (377.071 KB) | DOI: 10.33153/glr.v11i1.1443

Abstract

Nature is one of God’s unique creations. Nature, with its perfect structure and balanced system, isable to maintain the continued survival of all creatures in the earth and to offer a variety of possiblecultivation for human welfare. On the other hand, nature also becomes the reference of people inresponding to life. Nature, with its phenomena, becomes an unwritten reference which can be readby anyone who is willing to read it. It is also true in the life of art that nature becomes the referenceand the source of inspiration in creating a work of art. Nature as man’s environment is made useas a sery theme, espeeidlly when the destruction of nature and its environment is getting worse atpresent. Nature gradually sustdins destruction because of human behavior. Consequently, naturewhich should be a blessing turns to be a disaster for human beings. This could happen as theeffect of improper behavior of a creature named a man to his environment. The relation of natureto human beings presented above forms the principle of the idea in creating the painting entitled“The Harmony of Nature in lmage” in the form of an interesting visual image which represents acertain meaning symbolically. The painting is visualized using kerok (scraping) technique andrefers to the combination of natural and expressive style although it seems to be decorativedepending on the idea so that an artistic, symbolic and representational form is created. Throughnew metaphors, the writer improvised innovatively based on the metaphors and then representedit in painting. In other words, the creation of the painting “The Harmony of Nature in lmage” is theresponse to the phenomenon of natural destruction existing in the writer’s surroundings.
Micro Sociological Theories And Their Function Of Aesthetics Donie Fadjar Kurniawan
Gelar : Jurnal Seni Budaya Vol 5, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3412.782 KB) | DOI: 10.33153/glr.v5i1.1231

Abstract

Aesthetics is basically part of ore daily life. It has a very closet meaning to guide, choose and determine in our behavior and attitudes. In Micro sociology, there is also paralel and strong opinions about those, here we know as the phenomenology, ethno methodology,symbolic interaction and hermeneutics. This writing will explore how that micro sociological theories have a strategis interrelationsip among them. It can be seen clearly on the work about discourse, philosophical anthropological, and psiycho analytic theory of arts.Keywords : Micro sociological theories, aesthetics of art
TOLERANSI MASYARAKAT MINANGKABAU TERHADAP PERAN PEREMPUAN DALAM AKTIVITAS SENI BUDAYA Efrida Efrida
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4998.457 KB) | DOI: 10.33153/glr.v7i2.1281

Abstract

Women, in one hand, have a respected position in the matrilineal culture of Minangkabau society and, on the other hand, they are restricted when they want to express themselves in performing art. The efforts made by the female to demand that the Minangkabau society should tolerate women taking part in performing art, especially dancing, cause the pros and cons. However, the choreographers like Huriah Adam, Gusmiati Suid, Syofyani Bustamam, and Ery Mefry help the female gain wider access to take part in Minangkabau performing art. Key words : tolerance, women’s role, art
PERBANDINGAN ORNAMEN PATUNG LIONG PADA ATAP KELENTENG DI JAWA TENGAH DAN YOGYAKARTA Khairul Mustaqin; R., Rustopo
Gelar : Jurnal Seni Budaya Vol 14, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1256.605 KB) | DOI: 10.33153/glr.v14i1.1739

Abstract

Objek kajian ini adalah ornamen patung Liong pada atap Kelenteng di Jawa Tengah dan Yogyakarta, yaituKelenteng Tay Kak Sie di Semarang, Kelenteng Tien Kok Sie di Surakarta, dan Kelenteng Tjen Liong Kiong diYogyakarta. Rumusan masalah yang diangkat yaitu, 1) Bagaimana bentuk ornamen Liong pada atap kelentengdi Jawa Tengah dan Yogyakarta?; 2) Bagaimana perbedaan ornamen Liong pada atap kelenteng di JawaTengah dan Yogyakarta?; 3) Mengapa ornamen Liong pada atap kelenteng di Jawa Tengah dan Yogyakartamemiliki perbedaan? Seni patung dapat dikaji dari unsur seni bentuk, tekstur, posisi, warna, gaya, dan ekspresi.Cara penelitian ini dengan prosedur penelitian kualitatif dengan pendekatan studi kasus. Hasil penelitian inimenemukan perbandingan dan perbedaan ornamen patung Liong pada atap Kelenteng di Jawa Tengah danYogyakarta, dipengaruhi oleh faktor seniman, kebudayaan, Dinasti Ming, lokasi, dan kepercayaan.Kata kunci: Tionghoa, Liong, kelenteng.
UPACARA BERSIH DUSUN NGAGRONG ATAS, DESA NGAGRONG, AMPEL, BOYOLALI SEBUAH STUDI DARI SUDUT SOSIOLOGI SENI Subandi Subandi
Gelar : Jurnal Seni Budaya Vol 9, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6437.759 KB) | DOI: 10.33153/glr.v9i1.1355

Abstract

This research aimed at. finding out a rite using a folk dance. The data were collected using  observation, interview and documentation techniques. The data were processed using the technique  of qualitative data triangulation consisting of data reduction, data reformation and conclusion. The  research result shows that the village purifying ritual is a traditional custom that is still kept alive by  the villagers living on the slope of Merbabu mountain. The ritual is held annually on Friday Kliwon  on Jumadilakir (the sixth month of the Javanese calendar). A certain performing art is always  presented during the ritual. Lembu Sena is one of the folk dances presented as a means of the  ritual by Wahyu Budoyo group of art at dusun Ngagrong, Ngagrong Village, Ampel, Boyolali. For  the completion of the ritual, an offering is served together with a prayer and its intention. Here  acculturation takes place because the ancestor worship is mixed with Islamic beliefs. Traditional  Rodhat is presented before the presentation of Lembu Sena dance. And after the presentation of  Lembu Sena is over, Rodhat Kalijaga is performed. There are some supporting factors, internal  and external ones.Key words: Lembu Sena, ritual, village purifying ritual, acculturation.

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