cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
pramesti
Contact Email
fadesti@gmail.com
Phone
-
Journal Mail Official
fadesti@gmail.com
Editorial Address
-
Location
Kota surakarta,
Jawa tengah
INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
 14   15   16   17   18 
KONSEPSIONAL ALI MARKASA DALAM PENCIPTAAN TARI NGREMO JOMBANGAN Pance Mariati; Nanik Sri Prihatini
Gelar : Jurnal Seni Budaya Vol 13, No 1 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (899.242 KB) | DOI: 10.33153/glr.v13i1.1541

Abstract

Dance Ngremo Jombangan is one of the dances Ngremo in East Java that has a special characteristiccompared to other dance Ngremo. The dance is created by Ali Markasa, a pengreman (Ngremo dancer) fromJombang. Ali treats the movements in such a way that they are able to bring a technique of an attractive anddynamic movement in dance Ngremo Jombangan. The research aims to convey Ali Markasa’s concept increating dance Ngremo Jombangan. It uses the method of qualitative analysis descriptive with etnokoreologiapproach. The result shows that Ali Markasa wants to create dance Ngremo because of his experience as apengreman in Ludruk performance. He learns that the movement of dance Ngremo is common and spiritless.For the reason, he wants to create a dance Ngremo that is more attractive and dynamic called Dance NgremoJombangan. His creativity in dance ngremo is able to give a special characteristic. It can be seen in themovements of sadukan sampur, tanjak, and ayam alas. His technique of movements is dynamic and attractive.It is often known as njangkrik upo because of his agility in dancing. Keywords: concept, Ali Markasa, dance Ngremo Jombangan
NILAI-NILAI YANG TERKANDUNG DALAM APRESIASI TEMBANG-TEMBANG JAWA S. Hesti Heriwati
Gelar : Jurnal Seni Budaya Vol 8, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3783.657 KB) | DOI: 10.33153/glr.v8i1.1315

Abstract

Javanese songs (tembang) have their own charisma as educational as well as entertaining media. In the society that has not been influenced by diatonic songs and music, tembang is used as a popular media or means of rocking to sleep. However, in line with technological advance and information progress, the position of tembang is pushed aside from top position to the edge. The advancement of science and technology has an impact on all elements of life, including the existence of tembang. Starting from those facts, this writing aims at revealing the values contained in Javanese tembang as an effort for preserving Javanese culture. The appreciation of Javanese tembang is hoped to be a corridor to popularize Javanese culture we own. Understanding values will lead us to have a good knowledge of a value which can be a guideline for the society, especially the younger generation as the cultural continuer. With this kind of understanding, the younger generation are hoped to be able to show respect for the cultural heritage full of philosophical values (like religious, moral, social, heroism, tangible values). Key words : appreciation, Javanese songs, values
BENTUK ESTETIK ONDEL-ONDEL S., Supriyanto; D., Dharsono
Gelar : Jurnal Seni Budaya Vol 15, No 1 (2017)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1246.318 KB) | DOI: 10.33153/glr.v15i1.2071

Abstract

Studi tentang keberadaan Ondel-ondel di Jakarta sebagai sajian dan fungsi Ondel-ondel. Penelitian ini menjelaskan bentuk dan pemaknaan Ondel-ondel dikaji dengan pendekatan estetik digunakan teori De Witt H. Parker. Pembahas masalah tersebut menggunakan metode penelitian kualitatif. Analisis data menggunakan interaksi analisis dan interprestasi analisis tekstual. Keberadaan Ondel-ondel di Jakarta berdasarkan dari latar belakang sejarah Ondel-ondel sebelumnya bernama Barongan setelah mendapatkan kembang kelapa (ronceronce) yang terbuat dari kertas nama Barongan diganti dengan Ondel-ondel. Barongan di yakini masyarakat Betawi memiliki kekuatan magis berkarakter seram berfungsi sebagai penolak mara bahaya (sedekah desaatau sedekah bumi) dan peresmian gedung pada masa lalu. Tetapi sekarang Ondel-ondel dengan bentuknya yang ramah berfungsi sebagai hiburan seremonial dan dekorasi untuk tujuan estetis.Kata kunci: Ondel-Ondel, Estetik.It is a study on the existence of Ondel-ondel in Jakarta as an entertainment and a function of Ondel-ondel. This research tells about the form and meaning of Ondel-ondel. It is analyzed through aesthetic approach of De Witt H. Parker’s theory and uses qualitative method. Data is analyzed by using interaction analysis and textual analysis interpretation. Based on the historical background of Ondel-ondel, it is previously named Barongan and after getting coconut flower (ronce-ronce) made of paper, it is changed to Ondel-ondel.People inBetawi believe that Barongan has a magic power with scary character functioning to avoid danger (offerings to village or earth)) and building inauguration in the past. But nowadays,Ondel-ondel with a kindly form becomesa ceremonial entertainment and decorations for aesthetic meaning.Keywords: Ondel-ondel, Aesthetic.
BAHASA UNGKAPAN DALAM PERTUNJUKAN WAYANG KULIT SEBAGAI CERMIN PANDANGAN HIDUP Tatik Harpawati; Jaka Rianto
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2000.835 KB) | DOI: 10.33153/glr.v10i1.1383

Abstract

Expression language is a product of Javanese culture. Therefore, the expression for the Java  language is a reflection of local wisdom . Expression language in the realm of Javanese literature has variations designations, such proverbs, peribahasan, bebasan, saloka, and pepindhan. Expression language in the Wayang indeed a product so as to interpret the      Javanese to be seen by the Javanese worldview. The use of the expression language puppet show scattered in chess (Janturan, pocapan, and ginem). The problem in this article, namely how to form a language expression, functions, and values   of life contained therein. The goal is to describe, an explanation of the expression language function, and get an explanation of the values   of life contained therein. Based on the key word  metaphors, expression language in the Wayang classified into eight types, namely:  animals, plants, people, body parts, relatives, things in heaven, things in earth, and water. Based on the study of the meaning of the obtained results that address how people live in harmony with family, friends, community, neighborhood, country, and God. Different outlook on life is packaged in the form of language and expression when applied in chess puppet show that will add weight to the aesthetic presentation.      Key words : expression language, puppet show, the value of life
POTENSIALITAS UNSUR KOMUNIKASI SOSIAL DRAMATARI TOPENG BABAD I Nyoman Putra Adnyana Adnyana; R.M. Pramutomo
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (195.692 KB) | DOI: 10.33153/glr.v11i2.1457

Abstract

This article originally based on a research’s results in the first years of the drance drama genre inBali called Topeng Babad dance drama performance. In the first year this article tried to concentrateon the Topeng Babad dance drama as a media of social communication amongs both theperformers and the audience either. The urgency of this article focussed on the identificationpropose to the dramatic materials sources of the performance, a choreographycal aspect as aprototype on the performance, and a guiding book based on chooreographycal aspects on thedance drama itself. For this reason this article will examine a descriptive method which is exposeof the basic materials in Topeng babad tradition related to its function to the media of socialcommunication. While this article exploring the descriptive method, one of the important resultswas also related to the action research through the several ways like library review, observation inTopeng Babad dance drama dance style, interview with some informan, and focus group discussionamong experts and artist in the Topeng Babad dance drama.
CITRA SRIKANDHI DALAM CERITERA MAHABARATA (Pencitraan Nilai -Nilai Kewanitaan dalam Budaya Jawa ) mamik Widyastuti
Gelar : Jurnal Seni Budaya Vol 5, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3870.619 KB) | DOI: 10.33153/glr.v5i1.1241

Abstract

One of art forms capable for being used as the source of moral values in lift  is Javanese shadow puppet because it contains various kinds of principles and ethic  values. Indonesia people can make use of the principles and values to survive. The  glorious principles and values made use of Indonesian people (espetialIy the Javanese)  have existed since the old days.S rikandhi, one of female figures in the Mahabarata, is often thought of as  an ideal figure because this female figure has the personality that is suitable for a  model for responsibility, discipline, bravery, skills, and leadership. She is willing to  put her own interest a side for the sake of the interest of others or her country.  S rikandhi’s character has the image of  femininity value.Javanese femininity value in the figure of  Srikandhi is different from gender  and feminism at issue which tend to think that Javanese  women are always positioned  as subordinate, weak and hopeless. The figure of Srikandhi projects an image of  femininity value which positions women as strong characters, having strong potential  as resources and not subordinate to men. Gender and feminism at issue aimed at  Javanese women are strongfy rejected   Srikandhi becomes the figure who presents the  rejection of the issue through the estbetic image morally and artistically.Keywords: Srikandhi, Women, Value
MENDIDIK TANPA MENGGURUI MELALUI DONGENG ANAK Trisno Santoso; Tatik Harpawati; Nanik Prihartanti
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5778.513 KB) | DOI: 10.33153/glr.v7i2.1297

Abstract

This plan tris to create a story form carried out by children. The children will fell the function of the story more real, they do not only become hears but also can use it as a developing media for their characteristics and personalities in accordance to the need, ability as well as psychology belong to children of 7 years until 12 years in elementary or intermediate school (Madrasah Iftidaiyah). This research aims to produce guie-line to tell story for children and it is hoped to be used as an effort to develop arts creativities for the elementary students. Some steps are taken to reach the target starting from observation towards learning and teaching activities in several elementary schools in Surakarta. the design of story telling guide-line is made attractively inorder hat it can raise the students’ interest to express their personal creativities in front of audiences harmoniously and structurally. For the reason, the main target is that children will be able to tell story skillfully and attractively. The forms of the plan including: (1) Buku Pedoman Tehnik Mendongeng dan Materi Cerita (The Guide-line of Story Telling Technique and Story Material; (2) Practical instructions for story telling completed with examples of stories and the performing forms to identify problems found in subject material, demonstrating instruments, the ways of conveying, and the achieve result. Other product of this research is a guide-line for story telling and its needed equiprment according to the physic and psychology belong to children of 7 years to 12 years. Based on the result, socialization is executed in order to test whether the result of the plan is surely effective, efficient, and multifunctional as a unified learning media in accordance to the children’s needs and abilities or not. Key words : story, children, personality, creativity
IWA, SEMANGAT NASIONALISME TOKOH TRIPAMA M., Marjono
Gelar : Jurnal Seni Budaya Vol 14, No 1 (2016)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (687.285 KB) | DOI: 10.33153/glr.v14i1.1753

Abstract

Jiwa, semangat kepahlawanan (nasionalisme) yang tersimpul dalam tokoh Tripama menjadi suatu teladanyang patut dimiliki oleh seorang prajurit. Jiwa pengabdian Sumantri, Karna dan Kumbakarna sebagai prajurittelah ditunjukkan dalam bentuk kerelaan berkorban demi bangsa dan negara dengan tanpa pamrih. Sumantrimerupakan tokoh yang konsekuen dan energik sehingga mampu mencapai tataran tertinggi dalampengabdiannya di Maespati dan rela mengorbankan jiwanya untuk kepentingan Maespati. Basukarna (Karna)adalah tokoh yang cerdas, bersemangat tinggi dan teguh dalam memperjuangkan prinsip hidup. Ia relamengorbankan jiwa dan raga untuk bangsa dan negara Ngastina melawan saudaranya sendiri seibu tanparagu. Tokoh Kumbakarna berjiwa luhur (berbudi luhur) yang lebih mengedepankan kebenaran sebagaiidealismenya, meskipun dalam membela bangsa dan negara sudah terlambat dalam mana negara sudahdalam keadaan darurat, tetapi tetap berjibaku mempertahankan eksistensi bangsa dan negara Ngalengkabukan semata-mata membela kehendak rajanya.Kata kunci: jiwa, semangat, nasionalisme.
MELUKIS SEBAGAI MEDIA PENGEMBANGAN PENDIDIKAN KREATIVITAS PADA ANAK-ANAK Ana Rosmiati
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1528.93 KB) | DOI: 10.33153/glr.v10i1.1365

Abstract

Painting is an activity full of stimulation of the growth and development of children. As well as writing and playing activities, painting has benefits for child development. Painting has benefits that help activate the right brain ‘creativity can thrive. The problem in that will be described in this paper is the development of alternative methods of painting as a medium of education. This paper aims to discover the impact of media use to paint on children’s learning. The benefits of this research are: (a) help the child is able to create something based on imagination; (b) can be adopted by teachers and parents as a means of education, particularly early childhood, (c) can be used as a source of material and inspiration for performers (d) to motivate young children to get to know and appreciate the works of art, especially the art of painting; (e) assist early childhood to develop sensitivity, and (f) to motivate young children to express themselves using a variety of media through painting. Sources of data in this study were collected through (1) the study of literature contained in many libraries as in Play Group and workers, library Surakarta, (2) direct observation to see learning methods, and (3) are supported by in-depth interviews conducted sound recording the informant. Painting for children will learn to invent or create, pouring his ideas, as well as visualize and realize the imagination in a work; help the development of the cognitive, emotional intelligence and intelligence their motor; Hone talents of children who may have a significant impact on the ability and the skills they in the future, and to foster interest in learning, as well as methods of learning and creativity-based education, providing children allowed to express their thoughts and feelings through images without always given mock object. Key words :  painting, children, creativity Pengantar
FAKTOR-FAKTOR YANG MEMPENGARUHI KUALITAS RASA DALAM TARI JAWA GAYA SURAKARTA Katarina Indah Sulastuti
Gelar : Jurnal Seni Budaya Vol 11, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (331.951 KB) | DOI: 10.33153/glr.v11i1.1435

Abstract

This article discusses the factors that affect the quality of taste/ rasa In Surakarta Style Javadance. The quality of the taste in dance has subjective nature that arise a various interpretation ofeach individual. The differences that appear to be an obstacle in communication. The discussionis analyzed using the communication psychology theory, especially symbolic communication.The result of discussion is explained by several factors namely: emotional mood, cognitive scheme,atmosphere exposure, individual predisposition, and the level of character/ theme identification. Inthe following discussion also raise the essential elements as the determinants of quality of taste orrasa in Surakarta style Java Dance, which consist material and immaterial elements.

Page 16 of 43 | Total Record : 426

 14   15   16   17   18 

Filter by Year

2006 2025


Reset
Filter By Issues
All Issue Vol. 23 No. 2 (2025) Vol. 23 No. 1 (2025) Vol. 22 No. 2 (2024) Vol. 22 No. 1 (2024) Vol. 21 No. 2 (2023) Vol. 21 No. 1 (2023) Vol 21, No 1 (2023) Vol 20, No 2 (2022) Vol. 20 No. 2 (2022) Vol 20, No 1 (2022) Vol. 20 No. 1 (2022) Vol. 19 No. 2 (2021) Vol 19, No 2 (2021) Vol 19, No 1 (2021) Vol. 19 No. 1 (2021) Vol 18, No 2 (2020) Vol 18, No 1 (2020) Vol 17, No 2 (2019) Vol 17, No 1 (2019) Vol 16, No 2 (2018) Vol 16, No 1 (2018) Vol 15, No 2 (2017) Vol 15, No 1 (2017) Vol 14, No 2 (2016) Vol 14, No 1 (2016) Vol 13, No 2 (2015) Vol 13, No 1 (2015) Vol 12, No 2 (2014) Vol 12, No 1 (2014) Vol 11, No 2 (2013) Vol 11, No 1 (2013) Vol 10, No 2 (2012) Vol 10, No 1 (2012) Vol 9, No 2 (2011) Vol 9, No 1 (2011) Vol 8, No 2 (2010) Vol 8, No 1 (2010) Vol 7, No 2 (2009) Vol 7, No 1 (2009) Vol 5, No 1 (2007) Vol 4, No 2 (2006) More Issue