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Pendhapa

pendhapa
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Published by Institut Seni Indonesia Surakarta

ISSN : 20868138 EISSN : 27457249 DOI : https://doi.org/10.33153

Core Subject : Humanities, Art, Social, Engineering,

Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences

Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.

Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)

Articles 139 Documents

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Revitalizing the Interior of Ndalem Puspowijoto as a Laweyan Batik Shop and Museum in Surakarta. Yosafat Adi Pradipta; Raden Ersnathan Budi Prasetyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Revitalizing the Interior of Ndalem Puspowijoto as a Batik Shop and Museum in Laweyan Surakarta is an effort to preserve cultural heritage buildings. The revitalization aims to maintain the building and as a means of education about batik and local wisdom of Laweyan village for the visitors and general public who care about batik. The design process is carried out using Kurtz programming including the orientation stage, the base program stage, interative programming, and design as feedback. The design approach uses the Art Deco style with the theme of Parang Saudagar. The results of the revitalization are in the form of the museum that can be used for educational purposes, and Laweyan Batik shop which has a place that is comfortable, safe, and able to accommodate the needs of both managers and visitors. The facilities consist of a lobby, café, deposit counter, shop, ticketing room, digital audio education, main display, fabric display, item display, maintenance room, multipurpose room, pantry, toilet, office, and prayer room.

The Interior Design of Domestic Departure Hall of Tanjung Emas Port Semarang with Venetie Van Java Concept Jaza Chehata Hadi
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

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Port is a place of land surrounded by waters with certain boundaries as a place for both government and economic activities used as a place to berth, board and disembark passengers, also load and unload goods. Passenger port is a sea transportation infrastructure for the purposes of facilitating passengers sea trips in terms of their arrival and departure. Currently, PT. Pelabuhan Indonesia III is continuously improving in terms of quantity and quality. In this case, the interior design can be influential as a supporting attraction for sea transportation in Indonesia. One of them is through the design of the Tanjung Emas passenger terminal, by elevating the image of the city of Semarang through its colonial buildings which are the identity of the city of Semarang with supporting facilities based on the needs of the passengers. This design work applies the method of innovation design process by Vijay Kumar with seven modes of activities, such as: understanding objectives, knowing the context, knowing the community, compiling ideas, exploring concepts, developing solutions, and realizing offers. The design of the Tanjung Emas domestic departure terminal adopts the architectural form of Lawang Sewu and Mandiri Bank buildings in Kota Lama (old city) of Semarang and is combined with modern facilities inside.

The Interior Designing of Omah Batik in Bayat Annisa Isma; Joko Budiwiyanto
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

The interior Designing of Omah Batik in Bayat is aimed at accommodating the activities of developing traditional batik, especially in Bayat by presenting the theme of several motifs on batik which are packaged in art deco style. This design offers facilities such as galleries, shops, vehicle repair shops, cafes, and lobbies. This goal is achieved by a design method that uses a design process including input, synthesis, and output. The input is in the form of literature, field data, and synthesis through the design analysis process; whereas the output is in the design results. The approach used is the approach to function, ergonomics, themes, and styles as well as materials. The design analysis takes ideas from several batik motifs, such as kawung, sidomukti, and parang motifs combined with art deco patterns. The design result is the interior design of Omah Batik in Bayat which has several main facilities such as a lobby, shop, gallery, café, and vehicle repair shop. Supporting facilities include inns, audio-visual rooms, and a library in art deco style.

The Interior Designing of Lawu Resort Hotel with Tirta Intanpari Batik Theme in Tawangmangu Wahyu Tri Widiyanto; Putri Sekar Hapsari
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

The increasing number of tourists visiting Tawangmangu tourist attraction, Central Java, and yet insufficient lodging facilities are some of what is behind the interior designing of Lawu Resort Hotel. Lawu Resort Hotel is a lodge with facilities to accommodate tourist activities. The design theme is intanpari tirta batik design with a contemporary style, meanwhile the design goal is to present an interior that follows current times advancement but still concerns on the culture. The design method adopted the stages of the Pamudji Suptandar design process with an outline of the process consisting of input, synthesis and output. The scope of work includes a lobby, restaurant, coffee lounge and guest room. The design results are in the form of a design proposal, which includes design concepts, work drawings, material schemes and animation.

The Sensory Sensitivity of Blind People in Creating the Convenience Concept in their House Interior Mahdi Nurcahyo
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

This study aims to examine how a blind person recognizes and presents the aspects of convenience inside the house. The limited ability to see does not make the blind people weak, but it becomes an advantage and an easy walk when carrying out daily activities at home. The experience of the body and senses of the occupied space opens the blind people's awareness to be able to create a "feeling of home" as part of ways of giving the meaning of life for their days. Through a sense of experience, blind people have the ability to organize spaces including scale, shape, material, and distance according to their body's convenience. The sensory sensitivity of blind people in creating a sense of convenience is one of the parts of the process of forming the orderliness of the space they inhabit.

FOREWORD, Pendhapa: Vol. XI, No. 2. sumarno, sumarno
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

History is the circumstances and events of human life in the past including previous achievements that are disclosed again. The glory, advancement, and fame of a certain nation, state, tribe or community group are often retold to educate, remember, and generate a positive spirit to build the future through various ways with various points of view in accordance with their respective fields of knowledge and passion.Jaza Chehata Hadi, in designing the interior of the Port, seeks to bring back the old Semarang atmosphere with the concept of Venice van Java, the nickname of Semarang city â€“ Central Java Indonesia, years ago, due to many rivers in the middle of the city just like the city of Venice (Italy). The icons, documentation and knick-knacks of the past are presented to bring out the old Semarang atmosphere.The second article is Mahdi Nurcahyo's article, revealing how people with visual impairment or blindness recognize and present some aspects of convenience in the house where he lives in, as a part of giving meaning to everyday life through his sense of experience and sensitivity to arrange space according to his body's comfort. The third article by Muhammad Fadilah Fatah and his friends concerns on the design of a chair as a sitting facility which combines functions of bag, charger, as well as table by utilizing waste as its raw material to reduce environmental pollution.The existence of batik for Indonesian people is as the nation's ancestral cultural heritage. Batik covers various aspects such like philosophy, techniques or production, community economy, batik motifs, coloring, identity and other aspects. In the Edition XI, No. 2 of Pendhapa: Journal of Interior Design, Art and Culture, there are three articles related to batik. Two articles contain the results of some designs of the infrastructure facilities for the interiors to protect and develop batik. The revitalization of a noble's residence that had been neglected into a batik shop and museum in Laweyan village, Surakarta, Central Java, Indonesia, is the article of Yosafat Adi Pradipta and Raden Ersnathan Budi Prasetyo. Another article about batik is the interior design of Omah Batik in Bayat, Klaten, Central Java, Indonesia as a means of protecting and developing batik, by Annisa Isma Safitri and Joko Budiwiyanto. The last article is batik motifs as a design idea for hotel design, written by Wahyu Tri Widiyanto and Putri Sekar Hapsari.History stores a lot of knowledge, philosophy, science, wisdom, and many other things. The time span of batik work that has been going on for generations has become a part of the history of the cultural journey of the people, especially in Java. The preservation and development is a shared responsibility. The scholars, the researchers, and the academics morally have the obligation to always be sensitive to various things, especially related to phenomena in their surrounding environment.

A Combination Design of Bag, Chair, Charger, Tables Made with Hazardous Waste Raw Materials in Tackling Environmental Pollution in the 4.0 Revolution Era Muhamad Fadilah Fatah; Melyndo Ari Oftariano; Taksulanapurusa Zakly Setiabudi; Eko Sri Haryanto
Pendhapa Vol 11, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

The design of bags, chairs, chargers and tables is intended for commuter workers who carry out mobility activities every day. Design works that help to support commuter worker activities use a multi-functional system. The multi-function system is indicate by the shape and features attached. This product design method uses several stages including; 1) problem identification; 2) literature study: 3) design sketches, and: 4) design. The design results are turned into chairs, tables for lesehan (sitting on the floor) and bags. In addition, the other things are the storage box to store equipments for commuter workers while doing mobility and a solar cell which functions to capture sunlight which will be converted into electrical energy for energy sources to charge cellphones. Design works can be used in accordance with their respective functions. Design works carry the principle of multifunction, easy use, strong, lightweight and flexible. It is hoped that the design for this multi-functional products can be practical in use in the development of creative industries, and can overcome environmental pollution problems. From a theoretical perspective, it can be a reference for academics and science.

FOREWORD, Pendhapa: Vol. XI, No. 1. sumarno, sumarno
Pendhapa Vol 11, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Interior design as a scientific discipline related to problem solving is in harmony with the quality of human life, living creatures, to the micro-organisms contained therein. The scope of study of Interior Design, of course, covers various aspects which are interrelated and complementary.The interrelated fields include the conditions of natural environment, social, political, cultural, traditional, and local genius of the community, which also have an influence in interior design. The combination between/of these interrelated aspects can produce unique and distinctive interior design works.Being consistent with the previous editions, volume XI, number 1, Pendhapa: Journal of Interior Design, Art and Culture this edition presents nature-social environment as an idea in the interior design of a music school, written by W Ranta Cosynala and Ahmad Fajar Ariyanto, entitled â€œThe Interior Design of a Music School for Persons with Vision Impairment With the Concept of Landmark Perception in Surakarta, Indonesiaâ€.Two articles in this edition highlight interior design with the integration between natural environments and culture. The natural wealth and biological features of plants that inspire the designers for the making of batik motifs become the themes that, then, are actualized in the design. Anam Nur Cahyono and Indarto captured the potential of the surrounding nature with its natural beauty and cool weather in the design of Candi Loka Restaurant Ngawi, East Java, Indonesia. The unification of interior design with its natural and cultural atmosphere is reflected on the highlighted theme that is batik with tea leaves motif. The shape, color, and character of the tea leaves are explored as elements of unifying designs. The article entitled Interior Designing of Semarang Convention Center under the Theme of Asem Arang-Arang, by Devi Wijiyanto and Sumarno also highlighted thewealth and the uniqueness of local culture associated with natural wealth as its identity. Asem as an icon of the city of Semarang, Central Java, Indonesia is then used as a design idea and design theme.The design based on the natural wealth of culture is unavoidable because it concerns the universality of human-beings in which they grow and develop. Identity is a gift that exists in every human being, as a universal thing. The relationship between culture and universal human nature is very close that the design should also consider its universality aspect.Rangga Firmansyah and his friends researched the importance of a system for interior design to help people with special needs. Interior designs should accommodate the universal characteristics of people with disabilities or special needs to have the same opportunity to access user-friendly and barrier-free facilities. Some limitations are also felt by nursing mothers in breastfeeding their children, especially when they are in public spaces. Siti Badriyah and I Nyoman Suyasa write a research article on the convenience and ergonomics aspects of lactation rooms in public spaces, especially in the several public general hospitals in Surakarta, Central Java, Indonesia.Â Chief EditorSumarno.

Exploration Aesthetic Values and Meaning Local Wisdom of Tongkonan Traditional Houses as Identity Toraja Tribe Society Maulana Yuan Aldana; Sunarmi Sunarmi Sunarmi
Pendhapa Vol 12, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

The traditional Toraja house known as Tongkonan is a work of aesthetic expression and architectural image of the Toraja tribe that has the value and meaning of local wisdom in its architectural design. This study aims to further study the Tongkonan house and explore the aesthetic value and meaning of local wisdom contained in the Tongkonan traditional house as the identity of the Toraja tribal community. With qualitative research methods and data collection techniques using library studies from several sources of documents or literature related to the research topic, it can be seen if visually, the architectural design construction of the Toraja traditional house (Tongkonan) consists of the legs formed by wooden poles, the body part which contains the spaces that are lined up and the upper part is a roof made of bamboo which is divided into two and arranged overlapping each other. Each of its components is considered to have visual and ritual elements that have symbolic meaning, both in the form of the Tongkonan itself as a whole and in its complementary visual elements. From the results of this study, it can be concluded that the Tongkonan house is not only a residence for the Toraja people, but in it there are various functions and meanings that cover all aspects from belief to life which become an identity for the Toraja people themselves. both in the form of Tongkonan itself as a whole and in the complementary visual elements. From the results of this study, it can be concluded that the Tongkonan house is not only a residence for the Toraja people, but in it there are various functions and meanings that cover all aspects from belief to life which become an identity for the Toraja people themselves. both in the form of Tongkonan itself as a whole and in the complementary visual elements. From the results of this study, it can be concluded that the Tongkonan house is not only a residence for the Toraja people, but in it there are various functions and meanings that cover all aspects from belief to life which become an identity for the Toraja people themselves.

The Interior Design of a Women’s Health and Beauty Center with Postmodern Style in Surakarta City Putri Widyaningrum; Joko Budiwiyanto
Pendhapa Vol 12, No 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

The Interior Design of a Women’s Health and Beauty Center in Surakarta City, precisely in a building of fitness and beauty center, applies a postmodern style. This design aims to create the interior design of a Women’s Health and Beauty Center in Surakarta City which is able to facilitate all activity needs in comfortable and safe ways, and provides excellent beauty care and body fitness services. The interior design of a Women’s Health and Beauty Center adopts Kurtz's programming method consisting of orientation stages, basic program creation, programming repetition, until the design reaches approval. The design foundation used is the aesthetic, ergonomic, and functional approaches. This design, with eclectic concept, is objected to gain attraction from the visitors by the creation of a space with a post-modern style that presents the theme of parang batik motifs. Surakarta's local wisdom in the form of such batik motifs aligned with modern elements with tropical nuances will answer the typical Indonesian comfort within several spaces, including: Main Lobby, Fitness Area Lobby, Gymnastics Studio, Fitness, Beauty Area Lobby, Whirlpool Room, Day Spa Room, Facial Treatment Room, Pedicure &Manicure Room, and Sauna Room.

Page 9 of 14 | Total Record : 139

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Home Page

OAI Link

Editorial Team

Contact

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Contact Name Sumarno

Contact Email sumarnoisi.ska05@gmail.com

Phone +628174129542

Journal Mail Official pendhapa@isi-ska.ac.id

Editorial Address Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126

Location Kota surakarta, Jawa tengah INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Sumarno

Contact Email
sumarnoisi.ska05@gmail.com

Phone
+628174129542

Journal Mail Official
pendhapa@isi-ska.ac.id

Editorial Address
Jl. Ki Hadjar Dewantara 19, Surakarta, Jawa Tengah, Indonesia 57126

Location
Kota surakarta,

Jawa tengah

INDONESIA