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SALINGKA

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Published by Kementerian Pendidikan dan Kebudayaan

ISSN : 02161389 EISSN : 26153963 DOI : -

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SALINGKA: Journal of Language Studies is published by the National Agency for Language Development and Cultivation. It is a research journal which publishes various research reports, literature studies and scientific writings on phonetics, phonology, morphology, syntax, discourse analysis, pragmatics, anthropolinguistics, language and culture, dialectology, language documentation, forensic linguistics, comparative historical linguistics, cognitive linguistics, computational linguistics, corpus linguistics, neurolinguistics, language education, translation, language planning, psycholinguistics, sociolinguistics and other scientific fields related to language studies. It is published periodically twice a year in June and December.

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Articles 140 Documents

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EUFEMISME DALAM PERTUTURAN BAHASA MINANGKABAU OLEH MASYARAKAT SUNGAYANG (Euphemism in Minangkabau Language Speech by Sungayang Resident) Eva Himyati
SALINGKA Vol 13, No 01 (2016): SALINGKA, EDISI JUNI 2016
Publisher : Balai Bahasa Sumatra Barat

This study is aimed to discuss euphemism in Minangkabau speech spoken by Sungayang people that recently has begun to reduce, especially among young generation. The methodused is descriptive qualitative with deep interview (triangulation) to some informen (recording) dan fieldnote technique. Then, the data were analyzed by matching, distributing reference, interpreting, and ortography-method. The result shows there are three forms of euphemism: mistic, taboo, dan social. The mistic euphemisme is inyiak, dubili, and pauni. Then, taboo euphemism is kaduik, susu, indak sumbahyang, baintaian, and buntiang. Social euphemisme is makanlah (tuak), gadih, dukuang, licin, buruak, duto, iku, lah dak ulu, and ndak banuni. In conclusion, there are three forms of euphemisme found, they are mistic, taboo, and social euphemisme in Minangkabau speech by Sungayang people.

DARA JINGGA, WISRAN HADI: PARODI TERHADAP KEKUASAAN Rusyda Ulva
SALINGKA Vol 12, No 01 (2015): SALINGKA, EDISI JUNI 2015
Publisher : Balai Bahasa Sumatra Barat

This article uses Dara Jingga research was done by using the postmodern parody theory of Linda Hutcheon. Parody theory is utilized to find the implicit and explicit meanings as a new interpretation of the mythical and historical background of Dara Jingga script play. In so doing, it can reveal the author criticisms as an implementation of parodies in this act. The result of this research points outthat the playscript of Dara Jingga is a parody of Dara Jingga or Bundo Kanduang myth and Pamalayu history text. Parody in this script play is a media used by the author to give a critical criticisms toward power that are being passed on among others: criticizing authoritarian government form which prevents the freedom of expressing opinion, criticizing the power holder that monopolizes history, and criticizing power that is carried on with violence

MENGURAI DILEMA MODALITAS DALAM BAHASA KAILI (Parse Dilemma Modality in Kaili Language) Deni Karsana
Salingka Vol 12, No 02 (2015): SALINGKA, EDISI DESEMBER 2015
Publisher : Balai Bahasa Sumatra Barat

AbstractModality is a tool to state an attitude from a speaker while she/he makes a sentence. By knowing the modality that is used, it will make the speaker easy to comprehend meaning or aim in speaking. The method used in this research is descriptive qualitative one. This research found the some kinds of modality in Kaili Language. Modality in Kaili Language is divided into five: intentional, epistemic, deontic, dynamic, and aletic.Keywords: modality, intensional, epistemic, deontic, dynamic, aletic and KailiAbstrakModalitas menjadi alat yang menyatakan sikap pembicara ketika menyatakan sebuah kalimat. Dengan mengetahui modalitas yang digunakan, hal itu akan memudahkan kita memahami isi atau maksudpembicaraan. Metode yang digunakan adalah metode deksriptif kualitatif. Hasil penelitian adalah ditemukan beberapa jenis modalitas dalam bahasa Kaili (BK). Modalitas dalam BK dibagi menjadi lima, yaitu modalitas intensional, epistemik, deontik, dinamik, dan aletik.Kata kunci: modalitas, intensional, epistemik, deontik, dinamik, aletik, dan Kaili

GERAKAN MASYARAKAT MADANI DALAM LAKON-LAKON WAYANG KULIT BALI: SEBUAH PERJUANGAN MASYARAKAT YANG TERHEGEMONI (Civil Society Movement in Balinese Leather Puppet Plays Bali: A Struggle of Hegemonized Society) I Made Budiasa
SALINGKA Vol 11, No 02 (2014): SALINGKA, EDISI DESEMBER 2014
Publisher : Balai Bahasa Sumatra Barat

Appreciation of the literary treasures of the archipelago were removed from the oral literature, especially the play Balineseshadow puppets (LWKB) is an appreciation, preservation, andattempts to document the work of the puppeteer in Bali in his work as a puppet artist. Mastermind as a director and as an actor takoh the language game is able to package the show to be interesting and load with a moral message. As a literary work, LWKB the inner dynamics of the puppeteer hidden inside various problems, such as social criticism, the norms that must be adhered to in the community, and matters relating to ethics in the state and nation. The moral is that posed by the puppeteer, such as the loss of the concept of manyamabraya in society, nervous government in solving the various problems facing thenation, a bureaucratic authoritarian hegemony and strengthening civil society, and the culture of corruption, collusion, and nepotism is a “treat” at any time to be heard, seen, andexperienced by the puppeteer. This phenomenon, recorded and conveyed through dialogues servant figures which is the symbol of civil society.

HASRAT WISRAN HADI DALAM PERSIDEN: KAJIAN PSIKOANALISIS LACANIAN (The Desire of Wisran Hadi in Persiden, a Lanian Psychoanalysis Study) Ricky Aptifive Manik
Salingka Vol 12, No 02 (2015): SALINGKA, EDISI DESEMBER 2015
Publisher : Balai Bahasa Sumatra Barat

AbstractIn its history, desire is created from the lack of subjects. Writing a literary work is an effort of an author to cover their lack of subjects. The novel entitled Persiden is an effort of Wisran Hadi (WH) to cover his lack in Minangkabau social and cultural life. Various roles of social status of Minangkabau people which emerged in Persiden show a sort of anxiety which then becomes the manifestation of WH’s desire. This research aims to identify WH’s desire and how the desire formed in Persiden. The research of this WH’s desire will use Lacanian Psychoanalysis (PL). Through this PL, the method of metaphor and metonymy will be used to find the markers of WH’s desire. This study finds that Minangkabau people in their social and cultural life are constantly faced into paradoxical condition while they position themselves as an uncle, a son-in-law, a mother, a nephew/niece, and a son/daughter. It causes WH ends his identity as paradoxical Minangkabau person who has strong desire to the markers: ‘responsible’, ‘rich’, hard-working’, ‘leader’, ‘talented’, ‘obey’, ‘dicipline’, etc.Keywords: desire, metaphor, Minangkabau, paradox, Wisran HadiAbstrakDalam sejarahnya, hasrat terbentuk dari rasa kekurangan subjek. Menulis karya sastra merupakan upaya pengarang untuk menutupi kekurangan tersebut. Novel Persiden merupakan upaya Wisran Hadi (WH) dalam menutupi kekurangan dirinya di dalam kehidupan sosialkultural Minangkabau. Berbagai peran status sosial orang Minang yang dihadirkan dalam Persiden menunjukan adanya kegelisahan yang kemudian menjadi manifestasi hasrat WH. Tujuan penelitian ini adalah mengidentifikasi hasrat WH dan bagaimana hasrat itu terbentuk dalam Persiden. Telisik hasrat iniakan menggunakan kajian Psikoanalisis Lacanian (PL). Melalui PL ini akan digunakan metode metafora dan metonimia dalam mengidentifikasi dan terbentuknya hasrat WH. Kajian ini menemukan bahwa orang Minang dalam sosialulturalnya selalu pada kondisi yang paradoks, baik sebagai mamak,semenda, ibu, kemenakan dan anak. Inilah yang membuat WH menyudahi identitasnya selaku orang Minang yang paradoks dengan berhasrat pada penanda-penanda: ‘bertanggung jawab’, ‘kaya’, ‘pekerja keras’, ‘pemimpin’, ‘berkemampuan’, ‘taat’, ‘disiplin’ dst.Kata kunci: hasrat, metafora, Minangkabau, paradoks, Wisran Hadi

PIRANTI KOHESI PADA KONJUNGSI: KAJIAN KASUS TULISAN MURID SEKOLAH DASAR DI BUKITTINGGI (Cohesion Markers on Conjunction: A Case Study on Elementary School Students Writtings in Bukittinggi) Yulino Indra
Salingka Vol 14, No 2 (2017): Salingka, Edisi Desember 2017
Publisher : Balai Bahasa Sumatra Barat

AbstractThis research aimed at describing conjunctions functioning as cohesive device. Data weretaken from the writings of the fifth grade of the Bukittinggi’s elementary shool students. Thisresearch was a qualitative and quantitative analysis. The data were collected by using aserial picture. The students had to write a story based on the pictures. The data were proceesedby using 4 steps: (1) to read all the data and eliminate the texts containing the conjunctions,(2) to input the data into computer, (3) to classify data into four types of conjunction, and (4)to count the usage of conjunction for each types. Then, the data were analysed based on fourtypes of cohesive conjunctions proposed by Halliday and Hassan (1976), additive conjunction,adversative conjunction, causative conjunction, and temporal conjunction. The result of theresearch shows that on the additive conjunction type there were only conjunction dan (and)(98,85%) and atau (or) (1,15%).On the adverbial conjunctional type, it was found the usageof conjunction tetapi (88,88%), sedangkan (7,40%), and namun (3,70%). On the causalconjunction type, it was found karena (88,23%), makanya (5,88%), and sehingga (5,88%). Onthe temporal conjunction type, there were lalu (39,24%), kemudian (12,65%), setelah (21,51%),setelah itu (7,94%), sesudah (2,53%), sesudah itu (2,53%), sebelum(3,79%), dan sambil (10,12%). AbstrakPenelitian ini bertujuan untuk mendeskripsikan penggunaan konjungsi sebagai piranti kohesi dalamwacana. Data diambil dari karangan murid kelas lima sekolah dasar di Bukittinggi. Penelitian inibersifat kualitatif dan kuantitatif. Pengumpulan data dilakukan dengan menggunakan gambar berseri.Murid menulis karangan bahasa Indonesia dengan kalimatnya sendiri, namun harus merujuk padagambar berseri yang diberikan. Pengolahan data dilakukan dengan langkah: 1) membaca seluruhkarangan dan menandai teks yang mengandung kohesi konjungsi, 2) menginput data ke dalamkomputer, 3) mengelompokkan data berdasarkan tipenya, dan (4) menghitung jumlah setiap tipekonjungsi. Data kemudian dianalisis berdasarkan 4 tipe konjungsi yang dikemukakan oleh Hallidaydan Hassan (1976), yaitu konjungsi additif (penambahan), konjungsi adversatif (pertentangan),konjungsi kausatif (sebab akibat), dan konjungsi temporal (urutan waktu). Hasil penelitianmenunjukkan bahwa pada tipe konjungsi additif, konjungsi yang digunakan oleh murid-murid sekolahdasar di Bukittinggi adalah dan (98,85%) dan atau (1,15%). Pada konjungsi adversatif konjungsiyang digunakan adalah tetapi (88,88%), sedangkan (7,40%), dan namun (3,70%). Pada tipekonjungsi kausal, ditemukan konjungsi karena (88,23%), makanya (5,88%), dan sehingga(5,88%). Pada konjungsi temporal, konjungsi yang digunakan adalah lalu (39,24%), kemudian(12,65%), setelah (21,51%), setelah itu (7,94%), sesudah (2,53%), sesudah itu (2,53%),sebelum (3,79%), dan sambil sebanyak 8 buah (10,12%).Kata Kunci : wacana, kohesi, konjungsi, murid sekolah dasar

KONSEP PROFESIONALISME ORANG BIAK DALAM CERITA RAKYAT “NEGERI SASORI, NEGERI KEHATI-HATIAN” NFN Sriyono
Salingka Vol 11, No 01 (2014): SALINGKA, EDISI JUNI 2014
Publisher : Balai Bahasa Sumatra Barat

Sastra lisan merupakan refleksi perilaku sehari-hari kehidupan masyarakat pendukungnya. Penelitian ini bertujuan untuk melihat cerminan konsep profesionalisme masyarakat Biak dalam cerita rakyat yang berjudul “Negeri Sasori Negeri Kehati-hatian”. Masyarakat Biak telah memiliki konsep profesionalisme seperti tecermin dalam cerita rakyat mereka. Melalui telaah sosiologi sastra atas karya tersebut, diketahui bahwa mereka telah mengenal profesi seperti: pemimpin, ahli pertanian, ahli berburu, ahli kelautan, ahli teknologi, diplomat, dan seniman. Konsep profesionalisme orang Biak dalam menjalankan profesinya, diajarkan secara tersirat lewat berpantang untuk melakukan sesuatu atau mengonsumsi sesuatu. Dari pantangan tersebut diajarkan sebuah cara bagaimana seseorang seharusnya menjalankan profesinya, serta kualifikasi apa saja yang harus dipenuhi agar mereka bisa menjalankan profesi tersebut dengan sikap profesional.

MALAKOK SEBAGAI DASAR INTEGRASI OLEH ETNIS MINANGKABAU DI KABUPATEN DHARMASRAYA PROVINSI SUMATERA BARAT (Malakok as a Mean for Integrition by Minangkabau Ethnic in Dharmasraya Regency, West Sumatra) Leni Syafyahya; Efri Yades; Fajri Usman
Salingka Vol 13, No 2 (2016): Salingka, Edisi Desember 2016
Publisher : Balai Bahasa Sumatra Barat

AbstractIn this paper, the authors explain the procession called malakok, signs used in the processionof malakok, and the meaning of the signs used in the procession of malakok in the DistrictDharmasraya. The method used in collecting the data was the receptive method and themethod consider ably. Methods of data analysis used the (conversion) method frontier. Inaddition, the data analysis stage also used the editing and coding stage. Based on data analysis,the procession should be conducted by the person who would do malakok, who went to theprospective adoptive parents with his motehr’s brother (mamak bladder). Then, the prospectiveadoptive parents will tell the news to ninik mamak in the village. Furthermore, Ninik mamak/ Datuak will select a certain day and place. Prior to implementation, early in the morning,the women cook a meal for the event in the evening. Event praying ceremoy /Baralek started,which were attended by the invited people, Datuak from other clan, and the youth in thearea. In this malakok procession, there would pasambahan speech be delivered. Tanda-marksused in the procession malakok as a condition for the implementation of this procession,among them, namely: a goat, gold, money, and successor agreement letters. The meaning ofall signs is validation and recognition of the existence of a person in the clan in an area. AbstrakDalam tulisan ini, penulis menjelaskan prosesimalakok, tanda-tanda yang digunakan dalam prosesimalakok, dan makna tanda-tanda yang digunakan dalam prosesi malakok di KabupatenDharmasraya. Metode yang digunakan dalam pengumpulan data ialah metode simak dan metodecakap. Metode analisis data yang digunakan yaitu metode padan. Di samping itu, tahap analisis datajuga dilakukan yakni editing dan koding. Berdasarkan analisis data, prosesi yang harus dilakukanoleh pihak yang akan malakok, yaitu mendatangi calon orang tua angkatdengan membawa mamakkandung (saudara laki-laki ibu). Kemudian, calon orang tua angkat akan memberitahukan kabartersebut kepada ninik mamak yang ada di kampung. Selanjutnya, ninik mamak/datuak akan memilihhari dan tempat yang ditentukan. Sebelum pelaksanaan, pagi-paginya para ibu memasak hidanganuntuk acara di malam harinya. Acara kenduri berdoa,mendoa/baralek, dimulai yang dihadiri olehmasyarakat, datuak dari suku lain, dan para pemuda di daerah tersebut. Dalam prosesimalakokini, ada pasambahan.Tanda-tanda yang digunakan dalam prosesimalakok sebagai syarat pelaksanaanprosesi ini, di antaranya, yaitu satu ekor kambing, emas, uang, dan surat perjajian. Makna darisemua tanda itu ialah pengesahan dan pengakuan tentang keberadaan seseorang dalam persukuandi suatu daerah.

PROBLEMATIKA KAUM MUDA DALAM DUA NASKAH DRAMA INDONESIA SEBELUM KEMERDEKAAN: PEMBALASANNYA DAN LUKISAN MASA (The Youth’s Problems in Two Indonesian Dramas before Indonesian Independence Period: Pembalasannya and Lukisan Masa) Jonner Sianipar
Salingka Vol 12, No 02 (2015): SALINGKA, EDISI DESEMBER 2015
Publisher : Balai Bahasa Sumatra Barat

AbstractTwo Indonesian modern dramas, Pembalasannya by Saadah Alim and Lukisan Masa by Armijn Pane, highlight the problems faced by young people in Indonesia during 1900s i.e. matchmaking, marriage, education, and work. Those problems appear in line with colonization and economic crisis which cause social changes, particularly in young people life. The social changes are indicated by changes of characters, behaviours, and social structures, even the emergence of new pattern of lifestyle. In that time, the social changes appear when young people regard education as an important thing in life, but they hardly find job after studying, causing most of them jobless. The two scripts, which are written during two great periodes in Indonesian literary history, Balai Pustaka (Pembalasannya, Saadah Alim, 1920) and Pujangga Baru (Lukisan Masa, Armjin Pane, 1937), are analyzed through literature review involving the descriptive analysis method and reception theory of literature by Hans Robert Jausz.Keywords: young people, pre-independence, problems, education, jobless, social changes and economyAbstrakDua naskah drama modern Indonesia, yaitu Pembalasannya karya Saadah Alim dan Lukisan Masa karya Armijn Pane, mengangkat problematika kaum muda Indonesia pada dekade 1900-an, yaitu perjodohan, perkawinan, pendidikan, dan pekerjaan. Problematika tersebut dikondisikan oleh situasi terjajah dan krisis ekonomi yang mengakibatkan perubahan sosial, khususnya di kalangan kaum muda. Perubahan sosial ditandai dengan terjadinya perubahan karakter, perilaku, struktur sosial suatu kelompok masyarakat, bahkan terbentuknya pola baru kebiasaan hidup yang sedangdijalani oleh suatu kelompok masyarakat. Perubahan sosial di kalangan kaum muda pada saat itu terlihat ketika kaum muda mulai mementingkan pendidikan, tetapi sulit mendapatkan pekerjaan dan akhirnya menjadi pengangguran. Dua naskah drama yang ditulis pada dua era kesastraan Indonesia itu, yakni era Balai Pustaka (Pembalasannya, Saadah Alim, 1920) dan era Pujangga Baru (Lukisan Masa, Armjin Pane, 1937), dikaji berdasarkan studi kepustakaan dengan metode deskriptif analisis dan menggunakan teori resepsi sastra dari Hans Robert Jausz.Kata kunci: problematika kaum muda, sebelum kemerdekaan, pengangguran, perubahan sosial, deskriptif analisis, dan teori resepsi.

FUNGSI TOKOH SUPERNATURAL DAN WACANA TENTANG PEREMPUAN CERPEN “PINTU MERAH” DAN “JERITAN DALAM BOTOL” KARYA INTAN PARAMADITHA (Supernatural Characters and Discourse about Woman in Short Stories “Pintu Merah” and “Jeritan dalam Botol” Written by Intan Paramadita) Ery Agus Kurnianto
SALINGKA Vol 11, No 02 (2014): SALINGKA, EDISI DESEMBER 2014
Publisher : Balai Bahasa Sumatra Barat

This paper focuses on strategic issues in the text display function supernatural figure inbreaking down the discourse about women in short stories “Pintu Merah” dan “Jeritan dalamBotol” written by Intan Paramaditha. The purpose of this article is to show how the strategyfunction displays text in a supernatural figure in breaking down the discourse on women whoalready grounded by the patriarchy. The method used in this research is descriptive method.The theory used is the theory of gender categories. The conclusion is that supernatural figuresshown by the diamonds in the short story “Pintu Merah” dan “Jeritan dalam Botol” has thefunction to urge all civility and patriarchal norms to be dismantled. Women’s issues rosethrough the dark silence as a form of business worrisome to escape the pressure. Femaleresistance to patriarchal norms that appear in the short story Pintu Merah dan Jeritan dalamBotol tends to be closed, silent, silent and tend to be inward.Keywords: supenatural character, discourse about women.

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