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Jurnal Sendratasik
Published by Universitas Negeri Padang
ISSN : -     EISSN : 23023201     DOI : 10.24036
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences
Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 32 Documents
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Search results for , issue "Vol 8, No 2 (2019)" : 32 Documents clear
TEKNIK PENILAIAN GURU DALAM PRAKTIK TARI PADA PEMBELAJARAN SENI BUDAYA DI SMP NEGERI 1 PULAU PUNJUNG KABUPATEN DHARMASRAYA Anjani, Welly; Yuliasma, Yuliasma
SENDRATASIK UNP Vol 8, No 2 (2019): Seri B Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106797

Abstract

Abstract The sudy aims to find out the techniques of learning assessment of dance and the obstacles encountered in designing dance techniques of learning assessment in SMP Negeri 1 Pulau Punjung. This study used desciptive qualitative approach. The research instrument was the researcher and was assisted by supporting instruments such as audio visual stationery and smartphone. Techniques of Data collection were carried out by taking library studies, observations, interviews and documentation. The steps in  analyzing data were collecting, describing  and making data conclusions. The result shows that the assessment techniques that are performed by the cultural arts teacher (Dance) in SMP Negeri 1 Pulau Punjung are performance, product, project, portfolio and practice appraisals. Meanwhile, the obstacles in designing assessment techniques in SMP 1 Pulau Punjung are difficulties in choosing material and determining assessment indicators. So it can be concluded that not all assessments based on the curriculum 2013 can be carried out optimally, because of the limited ability of teacher’s can not be carried out properly because in addition to the constraints of students and the training room, it can also be seen from the limited hours of cultural arts lessons making it difficult for the teacher to implement all assessment techniques. Keywords: teacher assessment techniques, dance practices, cultural arts
KEBERADAAN KESENIAN RABAB BADOI SEBUAH PENDEKATAN PENGGUNAAN DAN FUNGSI BAGI MASYARAKAT JORONG PAMATANG ANJUNG DI NAGARI MUARO KABUPATEN SIJUNJUNG Alfahrus, Muhammad; Wimbrayardi, Wimbrayardi
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106711

Abstract

Abstract The purpose of Rabab Badoi art study is to describe the existence of Rabab Badoi in the jorong Pamatang Anjung community, Nagari Muaro, Sijunjung Regency. This type of study was qualitative with using descriptive method that was to provide clearly about the object under study. The main instrument in this study was the researcher and it was assisted by using camera, stationery and interview lists. Techniques of data management were done by analyzing, classifying primary and secondary data and then compiling them systematically. The result of this study is the existence of Rabab Badoi Art in the terms of theirs use and function in jorong Pamatang Anjung, Nagari Muaro, Sijunjung Regency. Based on the aspect of the use, Rabab Badoi Art is played on the elevation of Pangulu, Bakau and Request of the Local Government. The functions of Rabab Badoi art were as emotional expression, communication, entertainment, community continuity.Keywords: existence, use, function, Rabab Badoi art
Koreografi Tari Piriang Bakencak Di Sanggar Tari Tuah Sakato Kecamatan Pauah Kota Padang Rafi Rafi; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 2 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (742.901 KB) | DOI: 10.24036/jsu.v8i1.106522

Abstract

This article aims to reveal and describe the choreography of Piriang Bakencak dance at Sanggar Tuah Sakato in Kecamatan Pauh Kota Padang. This type of research is qualitative research using descriptive methods. This research instrument is self-research and assisted by supporting instruments such as stationery and cameras. Data types use primary data and secondary data. Data collection techniques are conducted by way of library studies, observations, interviews and documentation. The steps for analyzing data are data collection, data reduction, data presentation and withdrawal of conclusions. The results showed that Piriang Bakencak dance was a group-shaped creation that used the composition of the group, and was directed by a lift in the Koto Anau tradition. This Bakencak dish dance is a development of tradition with a choreography approach. In Piriang Bakencak dance There are elements of dance composition consisting of theme, motion, top design, floor design, dramatic design, music design, process, equipment and choreography group. It was concluded that Piriang Bakencak dance was directed by planning choreography by the fact. Because Piriang Bakencak dance in the start of an idea that is present from the tradition, and was directed in a form of a clear, then directed again with more new movements.
STRUKTUR DENDANG LELA AMPALU DALAM RABAB PASISIA DI DESA AMPALU KECAMATAN SUTERA KABUPATEN PESISIR SELATAN Khairullah, Khairullah; Marzam, Marzam
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106621

Abstract

Abstract The purpose of this research was to describe the dendang lela ampalu in the presentation structure of Rabab Pasisia in Ampalu Village, Kecamatan Sutera, Pesisir Selatan Regency. This type of research was a qualitative study using descriptive methods. The main instrument in this study was the researcher self and assisted with supporting instruments such as stationery and cameras. Techniques of data collection were observation, literature study, interviews and documentation. The steps for analyzing data were collecting data, clarifying data and making conclusions.The results showed that Dendang Lela Ampalu was included in the structure of the presentation of dendang in a Rabab Pasisia show. However, Dendang Lela Ampalu does not stand alone but Dendang Lela Ampalu is also a part of the Dendang. Dendang Lela Ampalu is conveying the message of suffering experienced by a household. In the past, Dendang Lela Ampalu was only sung by mothers who were initially without any instruments. But at this time Dendang Lela Ampalu has been accompanied by the instrument of Rabab Pasisia and displayed in the performing arts of Rabab Pasisia Keywords: Structure, Dendang Lela Ampalu, Rabab Pasisia
UPAYA MENINGKATKAN MINAT SISWA TERHADAP KEGIATAN EKSTRAKURIKULER DRUMBAND DI SMK NEGERI 2 PADANG Fitriani, Nursyah; Yensharti, Yensharti
SENDRATASIK UNP Vol 8, No 2 (2019): Seri B Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106752

Abstract

Abstract This study aims to increase students' interest toward drum band extracurricular activity in SMKN 2 Padang. This study was qualitative with using descriptive data processing. Data were collected based on the results of library research, observations and interviews. The instrument used in this study was the researcher and the supporting instruments used notebooks, stationery, photo cameras / cellphones, and song scores.Based on the result of the study, it is found that the efforts to increase students’ interest toward drum band extracurricular activity in SMK N 2 Padangwere carried out by using some ways, first, the trainer gives motivation tostudents, then practices by guided practice, and appoints a friend as a tutor to teach friends who are not good at song material. Then, supporting from the school by encouraging and completing facilities and infrastructures such as buying new musical instruments and finally, the support that are  given by parents to students. By doing some efforts that are made by the trainer and the school, the students’ interest increase to take part in this extracurricular activity. It can be seen from the number of students attendance at each meeting and how fast students in mastering the song material that is given by the trainer. Keywords: effort, student interest, extracurricular drum band activities
Hubungan Pelatih Terhadap Kreativitas Siswa Dalam Pengembangan Diri Seni Tari Di SMP Pembangunan Laboratorium Unp Reza Trinanda; Indrayuda Indrayuda
SENDRATASIK UNP Vol 8, No 2 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (639.455 KB) | DOI: 10.24036/jsu.v8i1.106517

Abstract

This article aims to find out and describe the trainer's relationship to the students ' creativity in the development of dance art in junior high School of UNP. This type of research is a descriptive study that produces Qualitative data. The main instrument in this research is its own researchers. Data collection techniques are conducted by way of library studies, observation and documentation. The stage for analyzing data is to reduce data, data presentation and withdrawal of conclusions. The results showed that the activities of self-development in SMP UNP Laboratory development do not have a regular trainer and have different strategies and methods. The impact is that students lack the ability to develop patterns of motion, students feel corner and not confident if unable to mimic the techniques taught by the trainer, as well as students do not freely explore and express themselves. Therefore, the idea arises to see how the technique, and expression of the students in the dance of the Pasambahan, which has been given by his trainer.
KEBERADAAN DAN PERAN PEREMPUAN DALAM TARI TAMPURUANG DI NAGARI KOTO BARU KABUPATEN SOLOK SELATAN Ningsih, Lisa Wahyu; Indrayuda, Indrayuda; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106685

Abstract

Abstract This study aimed to reveal and explain the existence and role of women in the Tampuruang dance in Nagari Koto Baru, South Solok regency. Besides, to reveal the role and reason why there must be a female dancer in the Tampuruang dance performed at the nagari Koto Baru until this time. This type of research was qualitative using descriptive methods. Data were obtained through direct observation and interviews, as well as documentation and literature studies. Data were analyzed based on the approach of Miles and Huberman, namely analyzing the phenomena that occur in Tampuruang dance performance activities and the phenomenon of women in Tampuruang dance. After collecting the data, it was collected, reduced, presented and verified and concluded. The results showed that the presence of women in Tampuruang dance became an important part of the performance. Also, women's activities are not only as dancers but also as musicians. Women are a symbol of sako and pusako holders and as a symbol of Bundo Kanduang, and as manager of internal family matters. Women are the owners of traditional houses that need to be highlighted in welcoming guests to the Koto Baru village. The reason for the need for women in the Tampuruang dance is as a dance icon and as a symbol of kinship matrilineal which symbolizes Bundo Kanduang as manager of household matters. Keywords: Tampuruang dance, female dancers, and roles.
SISTEM PEWARISAN KESENIAN TALEMPONG PACIK DALAM MASYARAKAT NAGARI PAUH KAMANG MUDIAK, KABUPATEN AGAM Prayudha, Angga; Lumbantoruan, Jagar
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106577

Abstract

ABSTRACT The purpose of this study is to reveal the traditional musical inheritance system of talempong pacik by traditional artists from the village Pauh Kamang Mudiak. The type of research was qualitative research. The main instrument in the study was the researcher and it was assisted by supporting instruments such as stationery, photo and video camera. Techniques of data collection were carried out by doing observation, interview and literature study. The type of data were primary and secondary data. Techniques of analysis data were done by collecting, classifying and making data conclusions. The result shows that inheritance system of talempong pacik arts through training in one of the studios in the Pauh Kamang Mudiak village, where the inheritance of talempong pacikcould  can be learned by all the community of  Pauh Kamang Mudiak village. The inheritance process can also be carried out in a community and family environment where parents provide a direct introduction to their children toward talempong pacik arts which is held in the community environment through traditional arts performance events. In order that the inheritance process to run effectively, artists and teenagers arrange a good schedule for the training process so that the talempong pacik arts can develop and its preservation is maintained until the next generation. Keywords: system, inheritance, Talempong Pacik
KOREOGRAFI TARI ZAPIN KAMPONG BOLAK DI KECAMATAN TEMBILAHAN KABUPATEN INDRAGIRI HILIR PROVINSI RIAU Nadila, Sagita Dwi; Mansyur, Herlinda
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106726

Abstract

Abstract The purpose of this study is to reveal and describe the ZapinKampong Bolak dance in Tembilahan District, Indragiri Hilir Regency, Riau Province based on Choreography aspect. This type of studywas a qualitative with using descriptive methods. The main instrument in this study was the researcher and was assisted by supporting instruments such as stationery and camera. The type of data used primary and secondary data. Techniques of Data collection were carried out by taking literature study, observation, interviews and documentation. The steps in analyzing data were done by collecting, reducting, presentating and drawing data conclusions. The result shows that the Zapin Kampong Bolak Dance in Citra Sebati Studio Tembilahan District, Indragiri Hilir Regency, Riau Province is a dance that illustrates the life and excitement of young people who do not become arrogant when meeting their friends in the village even though each of them has been successful overseas. The Zapin Kampong Bolak dance is played by a group of dancers  that are consisting of eight dancers and is divided into two male dancers and six female dancers. TheZapin Kampong Bolak dance has dance elements such as motion, music, themes, costumes, make-up, floor design, dramatic design and top design. The Zapin Kampong Bolak dance is first made to take part in a regional dance parade contest, then also staged for entertainment and greetings in Tembilahan District, Indragiri Hilir Regency, Riau Province.  Keywords: choreography, Zapin Dance, Kampong Bolak
Kontribusi Tugas Siswa Terhadap Hasil Belajar Seni Tari Kelas VIII Di SMP N 2 Koto XI Tarusan Kabupaten Pesisir Selatan Syelvi Juni Santika; Yuliasma Yuliasma
SENDRATASIK UNP Vol 8, No 2 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (906.44 KB) | DOI: 10.24036/jsu.v8i1.106521

Abstract

This article aims to find out how much the contributions of the students’ task toward dance art learning outcomes at class VIII in SMP N 2 Koto XI Tarusan Kabupaten Pesisir Selatan.This type of study was quantitative with a correlational method. The population in this study was all eighth grade students of SMP N 2 Koto XI Tarusan, while the sampling technique was carried out by the Cluster Sample technique where in this study the samples were taken which were 25 people. Data analysis was done by using product moment correlation using the correlation test.The result of the study shows that there is a contribution between coordination of students’ tasks towards dance art learning outcomes at class VIII in SMP N 2 Koto XI Tarusan Kabupaten Pesisir Selatan and a contribution of 18.5% is obtained. It is recommended for  the teachers and students to pay attention to these factors.

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