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Studi Budaya Nusantara
Published by Universitas Brawijaya
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Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 180 Documents
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MAKNA FILOSOFIS SUNTIANG SEBAGAI HIASAN KEPALA TRADISIONAL WANITA MINANGKABAU Husni, Nurul Izzati; Riza, Yulfira
Studi Budaya Nusantara Vol. 6 No. 2 (2022)
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Abstract

Indonesia is a rich country. Indonesia not only has abundant natural wealth but also the richness of the diversity of tribes, cultures, nations, and languages adds to the wealth of Indonesia. These differences create unique diversity. Therefore, every nation has it's their customs and culture. In its implementation and use, it follows the prevailing traditions in the community where they live. Traditional clothing used by each region has its characteristics, one of which is indicated by traditional jewelry that carries its meaning and value. As for Minangkabau society, a woman when holding a wedding party (baralek) is given the title anak daro. At a wedding party, a anak daro wears traditional clothes with suntiang as traditional jewelry. Suntiang holds many philosophical values in it and symbolizes the greatness of the daro child. This paper aims to explain the meaning and philosophical value of suntiang for a woman who is getting married in Minangkabau. This research was conducted with a qualitative method that produces descriptive data and data collection techniques using library research techniques. The results of this study are known to the meaning and philosophical values contained in the Minangkabau suntiang.
DISKURSUS ALAM SEMESTA ORANG LAMAHOLOT DALAM TERANG FILSAFAT ALAM GEORG WILHELM FRIEDRICH HEGEL Tatap, Eric Yohanis
Studi Budaya Nusantara Vol. 6 No. 2 (2022)
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Abstract

The discourse on the cosmology or universe has recently received special attention in intellectual circles. This attention arises because the universe is understood by humans differently. The wisdom of Lamaholots, means that the universe is the manifestation of God's self or is referred to as Lera-Wulan Tana- Ekan. In Philosophy, especially for German Idealism, the universe is defined as the place of self-alienation of the Absolute Spirit. From these two different perspectives, researchers want to analyze the meaning of the universe further. This research uses a comparative study method to perform a two-way analysis. The goal is that wisdom and philosophy can act as formal and material objects. His findings are that the universe cannot be denied having different meanings. The universe can be interpreted as a manifestation of the Divine or the Absolute Spirit or vice versa. In addition to these differences, there are also one or two similarities that can be accepted rationally and accounted for.
GANENAN, PAWON, DAN DIENG CULTURE FESTIVAL: MEDIA INTERAKSI DAN PARTISIPASI MASYARAKAT DALAM PARIWISATA DIENG Nursaid, Dede; Muhadli, Rahmat Aminullah; Zurinani, Siti
Studi Budaya Nusantara Vol. 6 No. 2 (2022)
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Abstract

Dieng Kulon is a potential tourism village that attracts tourists. In addition to their tourism potential, the Dieng people have traditions and culture: ruwatan, ganenan, and pawon. Ruwatan is a Dieng “rambut gimbal” shaving procession. Children in Dieng who have dreadlocks are the chosen children and the incarnation of Kyai Kolodete (Dieng's ancestor). This Ruwatan, which was later managed by the Pokdarwis Dieng Pandawa, became an annual cultural festival called the Dieng Culture Festival. The results of this study are that the Dieng Culture Festival provides benefits to the local community because the tourism industry in Dieng Kulon is starting to be managed properly. The management uses the community based tourism method brought by Pokdarwis Dieng Pandawa and is implemented in the development of Dieng tourism. The CBT method is considered to have been successfully implemented, although not completely because some people are still refused to participate in Dieng tourism. Stakeholders consisting of several actors collaborate and participate. In CBT there are dimensions that need to be produced, namely the economic dimension, social dimension, political dimension, cultural dimension, and environmental dimension. These five dimensions can be seen through the process and method of the Dieng Pandawa Pokdarwis implementing CBT in Dieng tourism. Ganenan and pawon are a local community tradition to warm the body and a way for the community to strengthen interaction. From this, how the culture and traditions in the community are managed by the Pokdarwis Dieng Pandawa with the concept of CBT so that community participation is the main point. Community participation is the main gate of tourism development with the CBT concept.
HUMOR DAN SPIRITUALITAS DALAM SENI GAMBAR: REFLEKSI LAKU WIRID DAN ESTETIKA SUREALIS PADA KARYA "SRENGENGE NYUNAR" Setiawan, Romy; Pradhikta, Dyanningrum
Studi Budaya Nusantara Vol. 9 No. 1 (2025): Jurnal Studi Budaya Nusantara
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Abstract

Penciptaan karya seni ini dilatarbelakangi oleh fenomena Coligo in sole (melek tetapi tidak melihat), sebuah analogi bagi masyarakat modern yang membutuhkan humor sebagai media katarsis dan penyadaran diri di tengah tekanan psikologis. Penelitian ini bertujuan untuk memvisualisasikan sintesis antara naluri humor dan kedalaman spiritualitas ke dalam media seni gambar (drawing), yang dipandang sebagai medium paling jujur dan spontan dalam merekam jejak batin. Metode penciptaan yang digunakan mengacu pada teori L.H. Chapman yang meliputi tahap penemuan gagasan, penyempurnaan, dan visualisasi. Landasan estetik karya bertumpu pada konsep metafora untuk meredeskripsi realitas dan pendekatan surealisme yang menekankan pada otomatisasi psikis. Hasil penciptaan ini terwujud dalam karya berjudul "Srengenge Nyunar" yang terinspirasi dari lirik lagu Alm. Djaduk Ferianto, menggambarkan narasi syukur semesta (matahari, angin, dan hewan) yang memuji Tuhan. Temuan esensial dalam proses ini adalah pemaknaan teknik arsir (drawing) sebagai laku "wirid"; sebuah aktivitas meditatif yang repetitif menyerupai filosofi tarian Sufi untuk mencapai ketenangan jiwa. Melalui karya ini, humor tidak hanya hadir sebagai hiburan, melainkan jembatan reflektif menuju kesadaran spiritual.
Being Vulnerable, Being (In)Dependent: Understanding Liminality Experiences of the Elderly in Central Java, Indonesia Windarti, Yayuk
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.01

Abstract

A number of studies have examined elderly care, yet most narratives tend to position older people as dependent on their families, particularly their children. Such perspectives often overlook the complexity of lived experiences, as well as the challenges and adaptive strategies that the elderly develop in navigating vulnerability. This paper therefore addresses three main questions: how do the elderly transform and endure conditions of vulnerability? To what extent can they rely on their children? And what happens when such dependency is no longer possible? This research explores the experiences of elderly people in Gotong Village, Central Java, focusing on the dynamics of care and life transitions. The analysis draws on Viktor Turner’s concept of liminality, which outlines three phases of transition: preliminal, liminal, and postliminal. The findings show that the preliminal phase is marked by a disengagement from previous social roles and relationships. During the liminal phase, the elderly experience ambiguity, including unclear social roles, ongoing negotiation between formal and informal care, and uncertainty about the future. This phase highlights how the elderly are not only vulnerable but also actively navigating and making sense of their changing circumstances. In the postliminal phase, they enter a stage of reaggregation under new conditions, often shaped by cultural values, particularly notions of self-acceptance. Overall, the experiences of the elderly should not be understood solely in terms of dependency, but as dynamic processes involving negotiation, adaptation, and meaning-making in the face of vulnerability. Keywords: elderly, vulnerable, liminal, care, dependency
Tren Fashion Berkain Bersama, Tantangan Komodifikasi Wastra Batik: Studi pada KCBI Cabang Bandung Lyra Nindya Asyafa Rahman
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.05

Abstract

The popularity of the Berkain Bersama fashion trend in society, pioneered by Swara Gembira, brings its own challenges for the commodification of batik. Berkain is the use of Indonesian textiles such as batik in modern fashion creations. This study will discuss the KCBI Cabang Bandung as a berkain community that existed before the existence of the trend. This study aims to observe the practice of berkain and the community's response to various forms of commodification as the Berkain Bersama trend develops. Using a qualitative case study approach, data was obtained through in-depth interviews, participatory and digital observation, and documentation. The results show that the community's berkain practice is to use batik as a bottom instead of pants or skirts by adhering to three traditional batik cloth rules that have existed for generations. The rules function as a defense strategy to maintain the originality of batik from commodification. The form of batik commodification in the Berkain Bersama trend is seen in the use of printed batik, which is rejected by the community. Similarly, another form of commodification, namely the modification of batik cloth into four kalcer-style models, was not adopted due to age considerations and a firm commitment to the rules. Through commodification, it can be analyzed that batik, once sacred, is now used as a fashion item that follows the development of modern market trends and tastes. Keywords: Trends, Berkain Bersama, batik, commodification, community
EKSISTENSI PEMUDA DALAM MENJAGA KEARIFAN LOKAL PADA RITUAL KESENIAN JARANAN PUTRO GUNUNG SARI KABUPATEN MALANG Nisa', Nisa
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.04

Abstract

Indonesia merupakan negara dengan keberagaman budaya yang melahirkan kesenian tradisional sebagai bagian dari identitas sosial. Namun, Kesenian Jaranan menghadapi tantangan globalisasi yang berdampak pada menurunnya minat generasi muda dan pergeseran nilai sakral. Penelitian ini bertujuan untuk menganalisis prosesi ritual, eksistensi pemuda, serta strategi pelestarian kearifan lokal dalam kesenian Jaranan Putro Gunung Sari. Penelitian ini mengisi kesenjangan studi sebelumnya yang lebih banyak membahas identitas budaya, makna simbolik dan pelestarian kesenian jaranan secara umum, tetapi belum secara khusus mengkaji keterlibatan pemuda sebagai pelaku utama dalam menjaga keberlanjutan ritual ditengah perkembangan zaman. Penelitian ini menggunakan teori fakta sosial Émile Durkheim untuk melihat ritual sebagai praktik kolektif yang mengikat solidaritas sosial dan bersifat memaksa, serta teori eksistensi Jean-Paul Sartre untuk memahami keterlibatan pemuda sebagai bentuk pilihan sadar dalam mempertahankan identitas budaya. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan pendekatan fenomenologi. Data diperoleh melalui wawancara, observasi, dan dokumentasi. Hasil penelitian menunjukkan bahwa eksistensi pemuda Putro Gunung Sari tidak hanya tampak dalam keterlibatan sebagai pemain, tetapi juga sebagai pelestari keberlanjutan ritual serta penggerak regenerasi yang mencerminkan eksistensi mereka dalam melestarikan kearifan lokal. Meskipun menghadapi berbagai tantangan, grup ini mampu bertahan melalui musyawarah, gotong royong, serta pemanfaatan media sosial. Temuan ini menegaskan bahwa pelestarian kesenian Jaranan tidak hanya bergantung pada pewarisan budaya secara turun-temurun, tetapi juga pada kemampuan pemuda dalam melestarikannya tanpa menghilangkan makna sakral, agar tetap hidup dan relevan di tengah arus modernisasi.
MENELUSURI ASPEK KERENTANAN BURUH KOPI DALAM SISTEM KERJA PANGGILAN DI KOPI KUTJUR Tabina, Chiara; Siahaan, Clarisia Elleora Basaria; Sofiyulloh, Muhammad Aufah
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.02

Abstract

ABSTRAK Menelusuri Aspek Kerentanan Buruh Kopi dalam Sistem Kerja Panggilan di Kopi Kutjur. Penelitian ini mengkaji kerja panggilan dan kerentanan buruh kopi dalam usaha kopi skala rumah tangga yaitu Kopi Kutjur di Dusun Kucur, Desa Sumberrejo. Berada di kawasan lereng Gunung Arjuno, Kopi Kutjur berkembang sebagai simpul produksi kopi yang melibatkan buruh laki-laki dan perempuan dalam sistem kerja fleksibel yang mengikuti musim panen dan permintaan pasar. Melalui pendekatan kualitatif dengan observasi partisipan dan wawancara mendalam, penelitian ini menelusuri bagaimana kerja panggilan dijalani dalam praktik sehari-hari serta bagaimana kerentanan dimaknai oleh buruh dan pemilik usaha. Temuan menunjukkan bahwa fleksibilitas kerja memungkinkan buruh menyesuaikan ritme kerja dengan kehidupan domestik dan pekerjaan lain, namun juga menghadirkan ketidakpastian penghasilan dan relasi ketergantungan pada pemilik usaha. Kerentanan tersebut tidak selalu dipahami sebagai masalah struktural, melainkan sering diterima sebagai bagian dari kehidupan melalui nilai nrimo, meskipun buruh tetap melakukan bentuk-bentuk negosiasi kecil dalam keseharian mereka. Kata Kunci: kerja panggilan, buruh kopi, kerentanan kerja, relasi gender, nrimo ing pandum ABSTRACT Exploring the Vulnerability of Coffee Workers within an On-Call Labor System at Kopi Kutjur. This study examines on-call labor and workers’ vulnerability in a small-scale household coffee enterprise, Kopi Kutjur, located in Dusun Kucur, Sumberrejo Village. Situated on the slopes of Mount Arjuna, Kopi Kutjur has developed as a local coffee production hub that involves both male and female workers within a flexible labor system shaped by harvest seasons and market demand. Using a qualitative approach through participant observation and in-depth interviews, this research explores how on-call work is practiced in everyday life and how vulnerability is understood by both workers and the business owner. The findings show that labor flexibility allows workers to adjust their working rhythms to domestic responsibilities and other forms of livelihood. At the same time, it produces income uncertainty and relations of dependency on the owner. Such vulnerability is not always perceived as a structural problem, but is often accepted as part of everyday life through the cultural value of nrimo. Nevertheless, workers still engage in small, informal forms of negotiation in their daily practices. This study highlights how flexible labor, gender relations, and vulnerability are intertwined in the everyday production of coffee in a rural setting. Keywords: on-call labor, coffee workers, labor vulnerability, gender relations, nrimo ing pandum
Transformasi Pemakaman Elite Puncak Nirwana Menjadi Leisure Space di Desa Sumberrejo Awanda, Alaissa Kalila Putri; Syahrani, Shahiba
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.06

Abstract

Abstrak Pemakaman di Indonesia umumnya dipahami sebagai ruang sakral yang senyap, sederhana, dan hanya dikunjungi pada momen ritual tertentu. Namun, keberadaan Puncak Nirwana, sebuah kompleks pemakaman elite di Dusun Ketuwon, Desa Sumberrejo, Pasuruan, Jawa Timur menghadirkan fenomena yang berbeda. Pemakaman ini dibangun dengan infrastruktur yang mewah dan tertata rapi di tengah lingkungan pedesaan agraris, serta dimanfaatkan oleh warga sekitar sebagai ruang sosial dan rekreasi. Penelitian ini mengkaji bagaimana infrastruktur yang mewah mengubah makna pemakaman dari sacred place menjadi leisure space. Penelitian menggunakan metode etnografi melalui observasi lapangan dan wawancara mendalam dengan warga desa, pekerja pemakaman, serta pengelola Puncak Nirwana. Hasil penelitian menunjukkan bahwa transformasi makna ruang terjadi melalui pengalaman ruang yang dihasilkan oleh desain, estetika, dan pengelolaan infrastruktur pemakaman. Puncak Nirwana diproduksi sebagai ruang bermakna melalui perpaduan nilai budaya Tionghoa, representasi kelas sosial, serta relasi sosial antara yayasan dan warga desa. Meskipun menghadirkan kesenjangan visual dan kepemilikan ruang, pemakaman ini tetap diterima secara pragmatis oleh warga karena manfaat ekonomi dan fungsi sosial yang ditawarkan. Penelitian ini menegaskan bahwa infrastruktur memiliki peran penting dalam membentuk pengalaman, relasi sosial, dan perubahan makna ruang di wilayah pedesaan. Kata Kunci: Puncak Nirwana, pemakaman elite, transformasi ruang, infrastruktur, leisure space Abstract In Indonesia, cemeteries are commonly understood as sacred spaces that are quiet, simple, and visited only during specific ritual moments. However, the presence of Puncak Nirwana, an elite cemetery complex located in Ketuwon Hamlet, Sumberrejo Village, Pasuruan, presents a contrasting phenomenon. This cemetery is developed with luxurious and well-managed infrastructure in the middle of an agrarian rural environment and is actively used by local residents as a social and recreational space. This study examines how luxurious infrastructure transforms the meaning of cemeteries from sacred places into leisure spaces. This research uses ethnographic methods, including field observations and in-depth interviews with village residents, cemetery workers, and the management of Puncak Nirwana. The findings show that the transformation of spatial meaning occurs through spatial experiences shaped by the design, aesthetics, and management of cemetery infrastructure. Puncak Nirwana is produced as a meaningful space through the interplay of Chinese cultural values, class representation, and social relations between the foundation and village residents. Despite the presence of visual and ownership-based inequalities, the cemetery is pragmatically accepted by local residents due to the economic benefits and social functions it provides. This study highlights the important role of infrastructure in shaping experience, social relations, and the transformation of spatial meanings in rural contexts. Keywords: Puncak Nirwana, elite cemetery, spatial transformation, infrastructure, leisure space
LEGITIMASI SOSIAL PAWANG HUJAN DI TENGAH KEISLAMAN DAN MODERNISASI MASYARAKAT DUSUN MANGGIHAN MAULIDINA, RISMA; Nida Khoirunnisa Afifah
Studi Budaya Nusantara Vol. 10 No. 1 (2026): Jurnal Studi Budaya Nusantara
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2026.010.01.03

Abstract

Abstrak Praktik pawang hujan masih bertahan di tengah masyarakat pedesaan meskipun modernisasi dan islamisasi sudah berkembang. Pawang hujan dipahami sebagai figur sosial yang memediasi hubungan antara manusia dan alam, serta berperan dalam memastikan acara penting berjalan dengan lancar. Penelitian ini mengkaji legitimasi sosial pawang hujan dengan menyoroti bagaimana praktik tersebut dimaknai, dinegosiasikan, dan dipertahankan dalam lanskap sosial-keagamaan. Penelitian menggunakan pendekatan kualitatif dengan metode etnografi melalui observasi partisipatif, wawancara mendalam, dokumentasi serta pencatatan lapangan. Hasil penelitian menunjukkan praktik pawang hujan tetap eksis karena berfungsi secara simbolik praktis, dan sosial. Selain itu, pawang hujan juga mengalami akulturasi dengan ajaran Islam, melalui doa, ayat-ayat Al-Quran, dan berpuasa. Legitimasi sosial pawang hujan muncul dari pengalaman spiritual, praktik ritual yang efektif, pengakuan dari masyarakat, dan pertukaran simbolik antara pemberi jasa dan pengguna jasa. Pawang hujan bukan sekadar praktik magis, melainkan aktor sosial yang memperkuat solidaritas komunal dan pelestarian nilai budaya lokal. Kata kunci: Pawang hujan, legitimasi sosial, akulturasi, keagamaan Abstract The practice of rain shamans (pawang hujan) persists in rural communities despite the ongoing processes of modernization and Islamization. Rain shamans are understood as social figures who mediate the relationship between humans and nature, and play a role in ensuring the smooth running of important events. This study examines the social legitimacy of rain shamans by highlighting how their practices are interpreted, negotiated, and maintained within the socio-religious landscape. The research employs a qualitative approach with ethnographic methods, including participant observation, in-depth interviews, documentation, and field notes. The findings indicate that the practice of rain shamans continues to exist because it functions symbolically, practically, and socially. Moreover, rain shamans have undergone acculturation with Islamic teachings through prayer, Quranic recitations, and fasting. Their social legitimacy arises from spiritual experiences, effective ritual practices, recognition from the community, and symbolic exchanges between service providers and users. Rain shamans are not merely practitioners of magic but social actors who strengthen communal solidarity and preserve local cultural values. Keywords: Rain shamans, social legitimacy, acculturation, religion

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