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Studi Budaya Nusantara
Published by Universitas Brawijaya
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Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
APLIKASI MOTIF MANUSKRIP PADA BATIK: Pewarisan Budaya melalui Proses Pembelajaran terhadap Mahasiswa ISI Padangpanjang yanuarmi, dini
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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This paper describes the motives found in manuscripts or ancient manuscripts are tangible cultural heritage, which can be categorized as visual culture. Its presence can be seen in plain view and all the time. A noble and monumental cultural heritage, can be threatened by extinction due to human activities and natural disasters. It is fitting for the cultural heritage of the heritage of the past to be preserved and maintained. To maintain the sustainability of these motifs can be revitalized and applied to various media and techniques, such as batik. Batik in the form of one technique in decorating the fabric surface with the application of motifs found in the manuscript. More than that, the existing motives can be developed by creating without changing the original shape. The Craft Art Study Program at the Indonesian Art Institute in Padangpanjang after collaborating with the Regional Literature Study Program of Andalas University, tried to maintain the historical heritage by applying manuscript motifs to batik. The motive that has been applied is the manuscript motif found in the Pakandangan area of Padangpariaman district and Lunang Silaut in the South Coast district. Some works designed by students interested in textiles are made using natural and synthetic coloring. So that batik illumination is born that is creative, innovative and competitive.
STRUKTUR KELAS DAN OTONOMI PEREMPUAN TENGGER DESA ARGOSARI KECAMATAN SENDURO KABUPATEN LUMAJANG Aliffiati, Aliffiati; Kaler, I Ketut
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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Family and household studies are one of the initial anthropological studies related to studies beginning at the household is a study of women, specifically the role and status of women in the family / household as individuals, wives and mothers. Women in a household play a role in maintaining the stability and economic survival of thefamily, as experienced by most women in rural areas. Gender inequality that occurs in the community, especially in rural areas is one interesting problem to be studied with various approaches, one of which is the science of anthropology. The following study analyzes the Tengger ethnic women farmers in Argosari Village, Senduro District, Lumajang Regency, East Java. The research objective is to find out and identify about women's autonomy and women's social power in the family and community. Especially the social strafication of women in society is related to the status and role of women in the domestic and public spheres. The study was conducted using the ethnographic approach as a variant of the qualitative approach. Research activities include field assessments to understand the condition of the research location, followed by field data collection carried out using interviews, observation, literature, and document checks. Data collected from various sources are then processed, analyzed, then presented in the form of descriptive descriptions.
BOKOL MONGONG-KELI REPIS DALAM KONSEPSI TANGGUNG JAWAB EMMANUEL LEVINAS Wele, Marianus
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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This study examines the local wisdom in the tradition of Riung cultural of Bokol Mongong-Keli Repis. Bokol Mongong-Keli Repis implies the understanding of maintaining the unity that has existed in order to remain sustainable and to knit again which had been scattered and one another "far apart." Bokol Mongong-Keli Repis as a material object will be examined with a formal object that is the conception of responsibility Emmanuel Levinas. This research method uses qualitative phenomenology with some steps: that is doing a description, interview, and interpretation. The results of the research found that Bokol Mongong-Keli Repis is (1) an expression of the desire to unite together and make peace; (2) has a content of a rational function; (3) respecting others lyan; (4) responsibilities in the life together; and (5) there is love as a binder. The conception of responsibility can be a recommendation as a basis for maintaining relations in the tradition of Riung cultural.
MEMBINGKAI RELASI ORANG HIDUP DAN MATI MELALUI TRADISI LISAN UPACARA TEING HANG Selatang, Fabianus
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
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The teing hang, a traditional ceremony in honour to the ancestors or the deceased is deeply rooted within the  culture of the Manggarai society. Although this ritual  is part of the local culture it still has many unresolved issues. The questions that often arise are: is teing hang a religious syncretism? Is it a dualistic faith practice? Does this not contradict to the content and the essence of Christian faith? Is this a form of idolatry? These questions encourage writers to explore the depth of the significance and the message of the teing hang ceremony. This study aims to explore the relationship between the living and the dead based on the oral tradition of the teing hang ceremony. Conceptually, the idea of the relationship meant here is based on the concept of birth. In the frame of the birth concept, the Manggarai has built a pattern of relationship with the ancestors or deceased people. This research is carried out through the use of qualitative methods. The data is analysed through structural and semiotic studies. The data is taken from a traditional figure in village N Sub-district Macang Pacar, West Manggarai regency. The results of this study show that the practice of  the teing hang ceremony in honour to the ancestors or deceased people is not a form of syncretism or idolatry. This is actually a way of proclaiming faith. The Church wants to say to the Manggarai society that by the teing hang ceremony there is a supranatual power that isn't enough explained by reason completely. The Church wishes to show to its believers that the message of the teing hang ceremony is far beyond what is visible to the human eyes. It is a spirituality rich ceremony that envelopes supernatural realities. Thus, the teing hang ceremony provides a new means of expressing faith through symbolic languages.
KOREOGRAFI KELOMPOK: MEDIA PEMBENTUKAN NILAI KARAKTER Bulan, Indra
Studi Budaya Nusantara Vol. 4 No. 2 (2020)
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This study highlights group choreography material in learning, whether at the elementary, junior high, or high school level. Character values are one of the main objectives of the learning process. One way to achieve this is by providing dance lessons in the form of group choreography. Group choreography is a dance performed by a group of dancers consisting of at least two people. Values such as discipline, cooperation, responsibility, etc. can be realised by learning group choreography.
IDENTIFIKASI PEPALIHAN BEBADUNGAN PADA GEDONG RATU DALEM DI PURA DALEM TOH JAYA Wasista, I Putu Udiyana
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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Bebadungan style preservation is important, because of the large- scale renovation without paying attention to the legacy of knowledge for future generation. In addition, writings that spesifically discussing the various type of pepalihan bebadungan have not been found. This paper contain an identification of the various type of pepalihanbebadungan used in Gedong Ratu Dalem at Pura Dalem Toh Jaya, Banjar Lemintang, Dauh Puri Kaja Village, Denpasar City. This paper used qualitative method with descriptive presentation. This paper aims to documented and contributed to literacy that play a role in cultural preservation at the Denpasar City. The result is that there are 10 different types of pepalihan used, including palih dandan and palih cakep gula that is the spesific characteristics of bebadungan style. The whole things is visualized in a game of linear lines, with variations of bricklaying back and forth to create depth.
Perilaku Sunda Sebagai Entitas Karakter Kebangsaan yang Terancam Hilang Parhan, Muhamad
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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The phenomenon of ethical and moral degradation has become a discussion and complaint of every society. The values of politeness which are the core of a human being who are marginalized by the hegemony of science and technology development. There is nothing wrong with the development of science and technology, but society seems not yet ready to accept the onslaught of the new and talkative cultures that adopt them. This study wanted to determine the level of application of Sundanese values in everyday community interactions. In addition, it measures people's concern in transferring Sundanese values to the younger generation. The research method used is descriptive qualitative. The data were obtained using a google form filled out by 117 respondents. The data were filled in by respondents aged 19-21 years, the rest were respondents aged 25-50 years. The data shows that respondents who strongly apply Sundanese values in their daily life and do not feel proud. The data also shows that of the people who take part in transferring these local wisdom values, the minimum is the value of technical courtesy that is carried out in the need of interaction. For example, in speaking kind words to older people, getting in love, and saying excuse me when in society. This is if teachers and familiarize themselves at every level of society, it will form a harmonious national character. National character is the main asset and value if it is owned by individuals. Having this will attract him to other people and become a unique identity. There are still people who care about the preservation of local wisdom values, only transferred in different ways. This is because the character of society has also shifted due to various times of development.
PERAN GELAR ADAT SAI BATIN DALAM STRUKTUR SOSIAL DAN PELAKSANAAN UPACARA ADAT PADA MASYARAKAT DESA WAY EMPULAU ULU wijaya, rolim
Studi Budaya Nusantara Vol. 5 No. 1 (2021)
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In the village of way empulau ulu, the status and roles of each individu are called in a society called the sai inner's tribal title. The traditional title of sai batin holds a central role in the social structure and ritualistic practice in the village of way empulau ulu. The study uses a descretive qualitative approach. Studies are carried out in the village of way empulau ulu, in the districts balik bukit, Lampung barat, in the Lampung province, study to kepaksian sekala berak paksi buay bejalan di way dan nyerupa . Research has shown that (1) the role of the title adat sai batin in social structure is to regulate socialized and socialized processes and manage communities to respect each other. (2) in the performance of the traditional ceremony the title adat sai batin funcion to, control and planning of various performing rituals to be performed. (3) induvidu who has earned his degree adat have to understand its function and duties in kebot and society so as not to create new problems in kebot and society.
KONSEP BULUIH DALAM PERTUNJUKAN LUAMBEK PADA MASYARAKAT SICINCIN DI MINANGKABAU Yusfil, Yusfil; Saaduddin, Saduddin; Gusmail, Sabri
Studi Budaya Nusantara Vol. 4 No. 2 (2020)
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The study of the concept of Buluih in Luambek performances among the Sicincin community in Minangkabau aims to describe the function and aesthetic value of the concept of buluih in Luambek performances among the Sicincin community. The concept of buluih is one of the attractions that has a function and aesthetic value, making Luambek performances a cultural heritage that remains preserved in the community. The presence of Buluih in the Luambek dramaturgy is reflected through the movements produced and integrated with the concept of life in the Sicincin community, making the performance well-received by the community. The analysis employed combines The Liang Gie's aesthetic concept with Richard Kraus's functional theory. This study utilises a qualitative research method with an aesthetic approach, employing observation, interviews, and literature review as data collection techniques. The research findings indicate that Luambek possesses aesthetic value due to its sensory-evaluable form and its life value, which positions the concept of buluih as the primary benchmark for upholding the reputation of the community (tribe) during major traditional ceremonies within that community (tribe).
KREASI PATUNG KERAMIK LANDSCAPE SEBAGAI PENDUKUNG ARTISTIK PADA OBJEK WISATA MELALUI PROGRAM KEMITRAAN DESA WISATA SELOREJO Ponimin, Ponimin
Studi Budaya Nusantara Vol. 4 No. 2 (2020)
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Ceramic material landscape statue design process with “Mother and Children Harvesting Oranges” theme has purpose to strengthen Selorejo village potential as tourism village. Activity was done through PPDM LP2M UM Village Partnership Program to drive partner community creativity. Program method includes preparation, application, and evaluation. (1) Preparation includes coordination with local tourism village administrators to produce concept and design of artistic landscape statue artwork by using terracotta ceramic, cement and sand. (2) Application includes preparation of tool and material for statue artwork creation process through collaborative work between PPDM UM team and village tourism administrator team, until displaying process in tourism object and artwork finishing. (3) evaluation is by searching feedback critics by PPDM LP2M UM team and village partner to the creative activity, and this evaluation result is used as improvement tool. This activity produce one set of landscape statue artwork which displayed in Selorejo tourism village region which is located in Dau subdistrict, Malang regency.