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Studi Budaya Nusantara
Published by Universitas Brawijaya
ISSN : -     EISSN : 26211068     DOI : -
Core Subject : Religion, Humanities, Art, Social,
Religion Arts Humanities Environmental Science Social Sciences
Jurnal Studi Budaya Nusantara (SBN) adalah media komunikasi ilmiah yang diterbitkan oleh Jurusan Seni dan Antropologi Budaya, Fakultas Ilmu Budaya, Universitas Brawijaya Malang. Jurnal ini dimaksudkan untuk mewadahi hasil penelitian dan kajian ilmiah di bidang seni dan budaya Nusantara sebagai bentuk sumbangan masyarakat ilmiah bagi pengembangan wawasan seni dan budaya dalam kehidupan masyarakat yang lebih luas. Terbit 2 kali setahun (Juni dan Desember).
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Articles 173 Documents
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KAJIAN ESTETIKA SENI BATIK KONTEMPORER MELALUI KARYA KOLABORASI SENIMAN AGUS ISMOYO-NIA FLIAM Ernawati, Ernawati
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.05

Abstract

Abstract The purpose of this research is to understand batik art contemporary aesthetics created by collaboration of artists Agus Ismoyo-Nia Fliam. This research use qualitative description method using art criticism and aesthetics approach from meaning and fungction of the work aspect. The result of this research, show that the meaning of batik art contemporary contain aesthetic values include cosmological cultural values that is manifested bt visual form and inspired by nature/cosmos. Symbolic value that is an image that contains the meaning and ethical values or attitudes of a cultured life orientation. Work art has personal and social fungtions. This is important in addressing the work of artists as intangible knowledge, knowledge transfer method by local basis and value of main tradition as a concept of growth in work art.
PEREMPUAN DAN PANGGUNG DIALOG KEINDAHAN DUA SISI DUNIA PERAN Rohman, Muh Fatoni
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.06

Abstract

Abstract This article is about women's relations and the stage in performing arts. So far the relationship between the two has been read through internal readings that reveal the existence and dominance of gender. So in this paper, the external context is presented in analyzing the relationship between women and the performing arts stage. In this context, the process of reading relations between women and performing arts can be done by putting these two variables in the function of subjects and objects so that in this paper two reading perspectives are produced, namely: (a) The role of women in the stage, and (b) Functions stage for women. In the part of women's role on the stage can be seen in the analysis of female figures of performing arts (actress R.A. Srimulat and Tjijih) and women's functions in the performance stories (in the story of Sarip Tambak Oso). Whereas on the stage function for women, it can be seen that as a means of movement, the stage gives the same proportion between men. But as a means of expression, the stage provides more open space for women.
AKSIOLOGI BUDAYA LOKAL JAWA-BALI PADA PROSES KREATIF BERKARYA PELUKIS BALI DI YOGYAKARTA Sucitra, I Gede Arya; Maharani, Septiana Dwiputri
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.02

Abstract

ABSTRACT Every human being has aspects of life which include philosophy, belief, science, and art. These four aspects interact and complement each other into one whole system. This research seeks to investigate deeper about the axiological aspects of the acculturation of local cultural values in the interaction of the environment of society (culture) of different ethnic, racial, religious, and local genius values which have a shared awareness of mutual respect, tolerance and "open" to the presence of other cultures. The object of this research material is Balinese artists / painters diaspora who are creative in Yogyakarta, and their formal object is Axiology. By investigating and examining the expression of art and the output of works of art produced by Balinese diaspora painters in Yogyakarta, it can be seen the condition of the development of art, adaptation of cultural values, and the personal abilities of artists as personal and social creatures in mingling and sometimes syncretic. Artists as part of cultural support, certainly can not be separated from the various influences that are in the surrounding environment. Theory of ethics, aesthetics, and habitus become a strong capital to see the 'touch' and the mix of local cultural values between artists and the local culture that they inhabit, so that it will look at how social relations and reflections of visual relations in the work. Researching and observing the development of art through the path of creation, indeed leads us to the axiology dimension of unique and personal ethical and aesthetic values. Each artist has an apparently autonomous world and the application of ethical values in the process of his work but still able to ground themselves to adapt, tolerance and multicultural life.
NILAI DALAM BUDAYA LARUNG SESAJI GUNUNG KELUD Fatimah, Raihana; Arum, Putri Dewi Andan; Ratnasari, Tri Ayu; Dewi, Sintia
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.03

Abstract

Abstract The purpose of this study is to examine the cultural values of Pancasila in the Mount Kelud offerings asa hope to create a Gemah Ripah Loh Jinawi The background of this study stems from cultural differencesand beliefs in Indonesia. This diversity serves to maintain the basis of community identity. One of them isin agriculture, which is Larung Sesaji Gunung Kelud which contains Pancasila values. This research wasconducted in September-November 2019 in the Sugihwaras Village Area, Ngancar District, KediriRegency, East Java. Using qualitative research with techniques to conduct interviews, observation,documentation, and studio studies. Based on the research results Larung Sesaji activities, this studyreflects the values of the Pancasila precepts. According to the community's trust these activities arebased on gratitude for agricultural products in Kediri Regency with the hope of becoming a weak region ofGemah Ripah Loh Jinawi.
FENOMENA DAN KONTROVERSI HAK CIPTA KASUS PENCURIAN KESENIAN REOG PONOROGO Putri, Arinda Emilia; Chusna, Miftachul; Nurhafiza, Nurhafiza; Sabila, Hafilda
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.01

Abstract

ABSTRACT Regional freedom changes from various angles, replacing the entry of no-outs that challenge local identity. However, political decentralization in Indonesia and the transfer of authority in the field of education and development into the hands. In this context, in 2007 there was controversy in Indonesia about one of the traditional languages originating from Ponorogo Regency. The controversy is based on the perception of the people of Ponorogo and the wider community in Malaysia who claim the Reog Ponorogo art through the inclusion of the art in an advertisement in Malaysia. The purpose of this research is to know the importance of Reog as a Ponorogo identity and understand the cause of the controversy about the reog protection. This research is a qualitative research, data obtained through interviews with informants (Head of the Culture and Tourism Office of Culture Tourism) is the main technique in the process of collecting data in this study. The results showed a misunderstanding caused by lost communication. Understanding the Indonesian people Ponorogo community they think that Reog is really claimed by Malaysia.
PERANCANGAN BUKU KOMIK BUDAYA JAWA “MAHABARATHA” SEBAGAI MEDIA PENUNJANG PENDIDIKAN KARAKTER DI SEKOLAH Rohman, Ahmad Syarifuddin
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.05

Abstract

Character school education program aims to develop students' potentials to become a man of faith and fear of God Almighty, noble, healthy, knowledgeable, capable, creative, independent and responsible. The problem that arises is the difficulty of teachers to implement character education in learning at school. Issues that exist for this is the lack of media to support the implementation of character education in schools. Teachers find it difficult to understand and implement policies that character education program. In the study of this development is the development model used by the 4D development model Thiagarajan et al. Validation media include media expert and expertmaterial. This development is to produce media in the form of a comic book about the introduction of a puppet-based story "Mahabaratha" for high school students. Figure raised in the media include Arjuna and Krishna as the main character puppet.
PUBLIC-PRIVATE: Relasi Negara-Masyarakat dalam Tiga Cerita Rumah Tangga Permatasari, Widya Ayu; Afiff, Suraya Abdulwahab
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.06

Abstract

The establishment of a gold mining company in Desa S caused the split of society into two part. The first part of the community supported mining companies and the second part, some of them refused the establishment of mining companies. So far, the phenomenon of the split of society into two part, often seen in the national and local domains. Whereas, this study wants to see this phenomenon occur in the realm of the household. The division of society in the realm of households is interesting to understand when the role of local state actors is in it. This condition occurred in my research, where there were three households in which there were local level state actors. The position of these state actors is quite dilemma, on the one hand, a family member supports a mining company, on the other hand, one family member rejects a mining company. The study of state-society relations is an appropriate study in understanding these conditions. In this study, the approach used in assessing the relation of state-society is Migdal's "state in society". One of Migdal's main arguments in this approach is that the state works on two levels, practice and image, where Migdal presupposes an entity to have a social boundary between the public (state and agency) and private (subject to state rules). However, what happened in the research that I did, there was no separation between public and private in the state-society relations in the household domain. Therefore, this study would like to show that the boundary between public and private is blended and overlaps each other in the relations of the state-society in the household domain.
Pergelaran Bantengan "Banteng Wareng" Madyopuro Malang: Telaah Antropologi Kesenian radhia, hanifati alifa
Studi Budaya Nusantara Vol. 3 No. 2 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.02.04

Abstract

This research represents the anthropology of art study of the Bantengan performance in Madyopuro, Malang. Bantengan is dance performance though kanuragan, as well as bull attraction played by two people as the head and tail. The main attractions Bantengan are their ancestral spirits of the players that enter the body. Bantengan performances involving the magical practice was popular in the era of globalization. Research on this Bantengan using the perspective of anthropology of art. In the anthropological study of art as described by Ahimsa-Putra (2000), known to approach the context of describing the phenomenon of art that highlight the socio-cultural side. Data was collected through observation (observation) and in-depth interviews (depth interview). Results showed that there are two dimensions of the Bantengan "Banteng Wareng" in Madyopuro. First, the social dimension, of Bantengan in Madyopuro live and grow at the initiative of local residents to turn on environmental activities andserves as entertainment. Second, the cultural dimension, Bantengan load tradition of Javanese culture is still preserved until now. The tradition appears in ritual practice before the performance Bantengan conducted in a beringin tree. In this beringin tree dwelling ancestors are believed to be the pedestal of the village Madyopuro loggers. Practices in the deployment of this Bantengan irrational, not unreasonable and contains magical side. Socio-cultural phenomenon in the performance Bantengan can be deconstructed in postmodern view. Thought dominant today is more we follow the ratio, the more advanced human civilization. Postmodernism actually appreciate, explore the wisdom of the past and to be heard all thought taboo, irrational, mystical and magical. As well as Bantengan by the breath of life by the "Banteng Wareng" indicate their cultural revitalization movement.
FUNGSI DAN MAKNA SIMBOLIK TINGKULUAK KOTO NAN GADANG PAYAKUMBUH Imelda, Desra
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Koto Nan Gadang is one of the nagari in North Payakumbuh that still preserves Minangkabau traditional clothes, this can be seen when carrying out traditional ceremonies such as weddings, batagak pengulu, and others. The community still respects the local cultural customs by still wearing traditional clothing during the event process. This research is about Tingkuluak Koto Nan Gadang which is devoted to the function and meaning of the symbols contained in each tingkuluak. It was concluded that Tingkuluak Koto Nan Gadang has several functions, namely as mamanggia traditional clothes, clothes for maanta, and clothes to await guests. Tingkuluak Koto Nan Gadang is also a symbol and sign for the wearer, others will be able to know the status of the wearer from the clothes he wears.
TANDA DAN MAKNA KARTUN MICE PADA KORAN KOMPAS EDISI 8 MARET 2020 Wayan, Nuriarta I
Studi Budaya Nusantara Vol. 4 No. 1 (2020)
Publisher : Studi Budaya Nusantara

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Abstract

This study uses qualitative design to collect, filter and analyze data. The subject of this research is Mice cartoon in Kompas Newspapers in 2020. The selection of cartoons uses a purposive sampling technique. Purposive sampling is sampling that is related to the purpose of the study. From a number of cartoons has been observed,cartoons published on March 8, 2020 were chosen as samples because they show the pandemic situation of the global community as well as in Indonesia. The object of this research is focused on cartoon visual analysis, the meaning of denotation and connotation meaning. The object of this research is based on the analysis the meaning of denotation and connotation meaning using the semiology theory of Roland Barthes. The result of the study, Mice cartoons are not only convey the the reality of Indonesian people’s lives in facing Covid-19, but Mice also brought smiles in providing the preventive solutions, moreover Mice cartoons reminded the whole community to always take care of themselves and obey the government instruction in putting on your mask while traveling or “self quarantine “ avoid the crowd.

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